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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06ADDF it is the complementary color #F95220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06ADDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06ADDF shade: #0BADDA, #1CBFED, #2DD1FF, #3EE3FF and #4FF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06ADDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06ADDF shade: #06ADDF, #009BCC, #0089B9, #0077A6 and #006593

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06ADDF shade: #05ADDF, #0572DF, #0537DF, #0E05DF and #4905DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06ADDF shade: #05ADDF, #0572DF, #0537DF and #0505DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06ADDF shade matches the following richer shades: #05ADDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06ADDF shade: #05ADDF, #18A3CD, #2A99BA, #3D8FA8 and #508595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06ADDF shade: #05DF9A, #05DFD4, #05B0DF, #0576DF and #053CDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06ADDF shade: #036F8F, #048EB7, #05ADDF, #15C4F9 and #3DCEFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06ADDF shade: #06ADDF, #6005DF and #DFB705

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06ADDF shade: #06ADDF, #DF05B0 and #B0DF05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06ADDF shade: #06ADDF, #6005DF, #DF3405 and #84DF05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06ADDF shade: #06ADDF, #A105DF, #DF3405 and #43DF05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 22 / 0 / 13

HEX #06ADDF

RGB 6 173 223

HSL 193.82, 0.95%, 0.45%

LAB 65.95, -19.19, -35.44

 

Complementary color

CMYK 0 / 67 / 87 / 2

HEX #F95220

RGB 249 82 32

HSL 13.82, 0.95%, 0.55%

LAB 58.3, 61.62, 60.49

 

CMYK 95 / 21 / 0 / 15

HEX #0BADDA

RGB 11 173 218

HSL 193.04, 0.9%, 0.45%

LAB 65.76, -20.79, -32.97

 

CMYK 88 / 19 / 0 / 7

HEX #1CBFED

RGB 28 191 237

HSL 193.21, 0.85%, 0.52%

LAB 71.98, -22.9, -33.71

 

CMYK 82 / 18 / 0 / 0

HEX #2DD1FF

RGB 45 209 255

HSL 193.14, 1%, 0.59%

LAB 78.1, -24.96, -33.9

 

CMYK 76 / 11 / 0 / 0

HEX #3EE3FF

RGB 62 227 255

HSL 188.7, 1%, 0.62%

LAB 83.54, -32.24, -25.54

 

CMYK 69 / 4 / 0 / 0

HEX #4FF5FF

RGB 79 245 255

HSL 183.41, 1%, 0.65%

LAB 89.01, -38.7, -17.22

 

CMYK 97 / 22 / 0 / 13

HEX #06ADDF

RGB 6 173 223

HSL 193.82, 0.95%, 0.45%

LAB 65.95, -19.19, -35.44

 

CMYK 100 / 24 / 0 / 20

HEX #009BCC

RGB 0 155 204

HSL 194.41, 1%, 0.4%

LAB 59.71, -16.48, -34.61

 

CMYK 100 / 26 / 0 / 27

HEX #0089B9

RGB 0 137 185

HSL 195.57, 1%, 0.36%

LAB 53.38, -13.5, -33.75

 

CMYK 100 / 28 / 0 / 35

HEX #0077A6

RGB 0 119 166

HSL 196.99, 1%, 0.33%

LAB 46.9, -10.39, -32.9

 

CMYK 100 / 31 / 0 / 42

HEX #006593

RGB 0 101 147

HSL 198.78, 1%, 0.29%

LAB 40.27, -7.13, -32.08

 

CMYK 98 / 22 / 0 / 13

HEX #05ADDF

RGB 5 173 223

HSL 193.76, 0.96%, 0.45%

LAB 65.94, -19.22, -35.45

 

CMYK 98 / 49 / 0 / 13

HEX #0572DF

RGB 5 114 223

HSL 210, 0.96%, 0.45%

LAB 48.75, 15.28, -62.72

 

CMYK 98 / 75 / 0 / 13

HEX #0537DF

RGB 5 55 223

HSL 226.24, 0.96%, 0.45%

LAB 34.17, 52.41, -86.6

 

CMYK 94 / 98 / 0 / 13

HEX #0E05DF

RGB 14 5 223

HSL 242.48, 0.96%, 0.45%

LAB 28.19, 70.74, -96.55

 

CMYK 67 / 98 / 0 / 13

HEX #4905DF

RGB 73 5 223

HSL 258.72, 0.96%, 0.45%

LAB 31.47, 72.16, -91

 

CMYK 98 / 22 / 0 / 13

HEX #05ADDF

RGB 5 173 223

HSL 193.76, 0.96%, 0.45%

LAB 65.94, -19.22, -35.45

 

CMYK 98 / 49 / 0 / 13

HEX #0572DF

RGB 5 114 223

HSL 210, 0.96%, 0.45%

LAB 48.75, 15.28, -62.72

 

CMYK 98 / 75 / 0 / 13

HEX #0537DF

RGB 5 55 223

HSL 226.24, 0.96%, 0.45%

LAB 34.17, 52.41, -86.6

 

CMYK 98 / 98 / 0 / 13

HEX #0505DF

RGB 5 5 223

HSL 240, 0.96%, 0.45%

LAB 28.03, 70.68, -96.83

 

CMYK 98 / 22 / 0 / 13

HEX #05ADDF

RGB 5 173 223

HSL 193.76, 0.96%, 0.45%

LAB 65.94, -19.22, -35.45

 

CMYK 98 / 22 / 0 / 13

HEX #05ADDF

RGB 5 173 223

HSL 193.76, 0.96%, 0.45%

LAB 65.94, -19.22, -35.45

 

CMYK 88 / 20 / 0 / 20

HEX #18A3CD

RGB 24 163 205

HSL 193.92, 0.79%, 0.45%

LAB 62.34, -19.47, -31.08

 

CMYK 77 / 18 / 0 / 27

HEX #2A99BA

RGB 42 153 186

HSL 193.75, 0.63%, 0.45%

LAB 58.81, -19.17, -25.85

 

CMYK 64 / 15 / 0 / 34

HEX #3D8FA8

RGB 61 143 168

HSL 194.02, 0.47%, 0.45%

LAB 55.55, -16.99, -20.58

 

CMYK 46 / 11 / 0 / 42

HEX #508595

RGB 80 133 149

HSL 193.91, 0.3%, 0.45%

LAB 52.56, -13.16, -14.08

 

CMYK 98 / 0 / 31 / 13

HEX #05DF9A

RGB 5 223 154

HSL 161.01, 0.96%, 0.45%

LAB 79.12, -61.15, 21.35

 

CMYK 98 / 0 / 5 / 13

HEX #05DFD4

RGB 5 223 212

HSL 176.97, 0.96%, 0.45%

LAB 80.49, -46.5, -7.37

 

CMYK 98 / 21 / 0 / 13

HEX #05B0DF

RGB 5 176 223

HSL 192.94, 0.96%, 0.45%

LAB 66.83, -20.79, -34.06

 

CMYK 98 / 47 / 0 / 13

HEX #0576DF

RGB 5 118 223

HSL 208.9, 0.96%, 0.45%

LAB 49.88, 12.74, -60.9

 

CMYK 98 / 73 / 0 / 13

HEX #053CDF

RGB 5 60 223

HSL 224.86, 0.96%, 0.45%

LAB 35.19, 49.56, -84.92

 

CMYK 98 / 22 / 0 / 44

HEX #036F8F

RGB 3 111 143

HSL 193.71, 0.96%, 0.29%

LAB 43.32, -14.4, -24.92

 

CMYK 98 / 22 / 0 / 28

HEX #048EB7

RGB 4 142 183

HSL 193.74, 0.96%, 0.37%

LAB 54.86, -16.85, -30.3

 

CMYK 98 / 22 / 0 / 13

HEX #05ADDF

RGB 5 173 223

HSL 193.76, 0.96%, 0.45%

LAB 65.94, -19.22, -35.45

 

CMYK 92 / 21 / 0 / 2

HEX #15C4F9

RGB 21 196 249

HSL 193.95, 0.95%, 0.53%

LAB 73.86, -21.74, -37.28

 

CMYK 76 / 18 / 0 / 2

HEX #3DCEFA

RGB 61 206 250

HSL 193.97, 0.95%, 0.61%

LAB 77.3, -23.61, -32.44

 

CMYK 97 / 22 / 0 / 13

HEX #06ADDF

RGB 6 173 223

HSL 193.82, 0.95%, 0.45%

LAB 65.95, -19.19, -35.44

 

CMYK 57 / 98 / 0 / 13

HEX #6005DF

RGB 96 5 223

HSL 265.05, 0.96%, 0.45%

LAB 33.82, 73.43, -87.03

 

CMYK 0 / 18 / 98 / 13

HEX #DFB705

RGB 223 183 5

HSL 48.99, 0.96%, 0.45%

LAB 75.8, 0.79, 77.35

 

CMYK 97 / 22 / 0 / 13

HEX #06ADDF

RGB 6 173 223

HSL 193.82, 0.95%, 0.45%

LAB 65.95, -19.19, -35.44

 

CMYK 0 / 98 / 21 / 13

HEX #DF05B0

RGB 223 5 176

HSL 312.94, 0.96%, 0.45%

LAB 50.61, 82.28, -31.56

 

CMYK 21 / 0 / 98 / 13

HEX #B0DF05

RGB 176 223 5

HSL 72.94, 0.96%, 0.45%

LAB 82.92, -38.66, 80.99

 

CMYK 97 / 22 / 0 / 13

HEX #06ADDF

RGB 6 173 223

HSL 193.82, 0.95%, 0.45%

LAB 65.95, -19.19, -35.44

 

CMYK 57 / 98 / 0 / 13

HEX #6005DF

RGB 96 5 223

HSL 265.05, 0.96%, 0.45%

LAB 33.82, 73.43, -87.03

 

CMYK 0 / 77 / 98 / 13

HEX #DF3405

RGB 223 52 5

HSL 12.94, 0.96%, 0.45%

LAB 49.68, 63.58, 60.67

 

CMYK 41 / 0 / 98 / 13

HEX #84DF05

RGB 132 223 5

HSL 85.05, 0.96%, 0.45%

LAB 80.57, -54.71, 78.15

 

CMYK 97 / 22 / 0 / 13

HEX #06ADDF

RGB 6 173 223

HSL 193.82, 0.95%, 0.45%

LAB 65.95, -19.19, -35.44

 

CMYK 28 / 98 / 0 / 13

HEX #A105DF

RGB 161 5 223

HSL 282.94, 0.96%, 0.45%

LAB 42.78, 79.6, -71.95

 

CMYK 0 / 77 / 98 / 13

HEX #DF3405

RGB 223 52 5

HSL 12.94, 0.96%, 0.45%

LAB 49.68, 63.58, 60.67

 

CMYK 70 / 0 / 98 / 13

HEX #43DF05

RGB 67 223 5

HSL 102.94, 0.96%, 0.45%

LAB 78.45, -71.55, 75.57

 

Description

Color code: HEX #06ADDF | qconv.com Color code: HEX #06ADDF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 173 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 173 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 22 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 22% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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