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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06ADCF it is the complementary color #F95230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06ADCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06ADCF shade: #0BADCA, #1CBFDD, #2DD1F0, #3EE3FF and #4FF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06ADCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06ADCF shade: #06ADCF, #009BBC, #0089A9, #007796 and #006583

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06ADCF shade: #06AED0, #0677D0, #0641D0, #060BD0 and #3806D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06ADCF shade: #06AED0, #0677D0, #0641D0, #060BD0 and #0606D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06ADCF shade matches the following richer shades: #06AED0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06ADCF shade: #06AED0, #18A2BE, #2997AD, #3A8B9C and #4C808A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06ADCF shade: #06D086, #06D0BC, #06AED0, #0679D0 and #0643D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06ADCF shade: #046B80, #058CA8, #06AED0, #08CFF7 and #30D7F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06ADCF shade: #06ADCF, #5006D0 and #D0A106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06ADCF shade: #06ADCF, #D006AE and #AED006

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06ADCF shade: #06ADCF, #5006D0, #D02806 and #86D006

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06ADCF shade: #06ADCF, #8D06D0, #D02806 and #4AD006

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 16 / 0 / 19

HEX #06ADCF

RGB 6 173 207

HSL 190.15, 0.94%, 0.42%

LAB 65.3, -24.7, -27.61

 

Complementary color

CMYK 0 / 67 / 81 / 2

HEX #F95230

RGB 249 82 48

HSL 10.15, 0.94%, 0.58%

LAB 58.4, 61.99, 53.71

 

CMYK 95 / 14 / 0 / 21

HEX #0BADCA

RGB 11 173 202

HSL 189.11, 0.9%, 0.42%

LAB 65.14, -26.24, -25.09

 

CMYK 87 / 14 / 0 / 13

HEX #1CBFDD

RGB 28 191 221

HSL 189.33, 0.78%, 0.49%

LAB 71.37, -28.18, -25.96

 

CMYK 81 / 13 / 0 / 6

HEX #2DD1F0

RGB 45 209 240

HSL 189.54, 0.87%, 0.56%

LAB 77.55, -29.75, -26.73

 

CMYK 76 / 11 / 0 / 0

HEX #3EE3FF

RGB 62 227 255

HSL 188.7, 1%, 0.62%

LAB 83.54, -32.24, -25.54

 

CMYK 69 / 4 / 0 / 0

HEX #4FF5FF

RGB 79 245 255

HSL 183.41, 1%, 0.65%

LAB 89.01, -38.7, -17.22

 

CMYK 97 / 16 / 0 / 19

HEX #06ADCF

RGB 6 173 207

HSL 190.15, 0.94%, 0.42%

LAB 65.3, -24.7, -27.61

 

CMYK 100 / 18 / 0 / 26

HEX #009BBC

RGB 0 155 188

HSL 190.53, 1%, 0.37%

LAB 59.04, -22.16, -26.65

 

CMYK 100 / 19 / 0 / 34

HEX #0089A9

RGB 0 137 169

HSL 191.36, 1%, 0.33%

LAB 52.68, -19.35, -25.65

 

CMYK 100 / 21 / 0 / 41

HEX #007796

RGB 0 119 150

HSL 192.4, 1%, 0.29%

LAB 46.17, -16.44, -24.65

 

CMYK 100 / 23 / 0 / 49

HEX #006583

RGB 0 101 131

HSL 193.74, 1%, 0.26%

LAB 39.49, -13.41, -23.65

 

CMYK 97 / 16 / 0 / 18

HEX #06AED0

RGB 6 174 208

HSL 190.1, 0.94%, 0.42%

LAB 65.64, -24.87, -27.64

 

CMYK 97 / 43 / 0 / 18

HEX #0677D0

RGB 6 119 208

HSL 206.44, 0.94%, 0.42%

LAB 49.24, 6.25, -53.43

 

CMYK 97 / 69 / 0 / 18

HEX #0641D0

RGB 6 65 208

HSL 222.48, 0.94%, 0.42%

LAB 34.75, 41.17, -77

 

CMYK 97 / 95 / 0 / 18

HEX #060BD0

RGB 6 11 208

HSL 238.51, 0.94%, 0.42%

LAB 26.25, 65.75, -91.12

 

CMYK 73 / 97 / 0 / 18

HEX #3806D0

RGB 56 6 208

HSL 254.85, 0.94%, 0.42%

LAB 28.18, 67.71, -87.84

 

CMYK 97 / 16 / 0 / 18

HEX #06AED0

RGB 6 174 208

HSL 190.1, 0.94%, 0.42%

LAB 65.64, -24.87, -27.64

 

CMYK 97 / 43 / 0 / 18

HEX #0677D0

RGB 6 119 208

HSL 206.44, 0.94%, 0.42%

LAB 49.24, 6.25, -53.43

 

CMYK 97 / 69 / 0 / 18

HEX #0641D0

RGB 6 65 208

HSL 222.48, 0.94%, 0.42%

LAB 34.75, 41.17, -77

 

CMYK 97 / 95 / 0 / 18

HEX #060BD0

RGB 6 11 208

HSL 238.51, 0.94%, 0.42%

LAB 26.25, 65.75, -91.12

 

CMYK 97 / 97 / 0 / 18

HEX #0606D0

RGB 6 6 208

HSL 240, 0.94%, 0.42%

LAB 25.93, 66.75, -91.65

 

CMYK 97 / 16 / 0 / 18

HEX #06AED0

RGB 6 174 208

HSL 190.1, 0.94%, 0.42%

LAB 65.64, -24.87, -27.64

 

CMYK 97 / 16 / 0 / 18

HEX #06AED0

RGB 6 174 208

HSL 190.1, 0.94%, 0.42%

LAB 65.64, -24.87, -27.64

 

CMYK 87 / 15 / 0 / 25

HEX #18A2BE

RGB 24 162 190

HSL 190.12, 0.78%, 0.42%

LAB 61.44, -24.07, -24.07

 

CMYK 76 / 13 / 0 / 32

HEX #2997AD

RGB 41 151 173

HSL 190, 0.62%, 0.42%

LAB 57.68, -22.55, -20.22

 

CMYK 63 / 11 / 0 / 39

HEX #3A8B9C

RGB 58 139 156

HSL 190.41, 0.46%, 0.42%

LAB 53.78, -19.17, -16.38

 

CMYK 45 / 7 / 0 / 46

HEX #4C808A

RGB 76 128 138

HSL 189.68, 0.29%, 0.42%

LAB 50.46, -14.57, -10.86

 

CMYK 97 / 0 / 36 / 18

HEX #06D086

RGB 6 208 134

HSL 158.02, 0.94%, 0.42%

LAB 74.11, -59.98, 24.95

 

CMYK 97 / 0 / 10 / 18

HEX #06D0BC

RGB 6 208 188

HSL 174.06, 0.94%, 0.42%

LAB 75.32, -46.82, -2.15

 

CMYK 97 / 16 / 0 / 18

HEX #06AED0

RGB 6 174 208

HSL 190.1, 0.94%, 0.42%

LAB 65.64, -24.87, -27.64

 

CMYK 97 / 42 / 0 / 18

HEX #0679D0

RGB 6 121 208

HSL 205.84, 0.94%, 0.42%

LAB 49.82, 5, -52.5

 

CMYK 97 / 68 / 0 / 18

HEX #0643D0

RGB 6 67 208

HSL 221.88, 0.94%, 0.42%

LAB 35.22, 39.91, -76.23

 

CMYK 97 / 16 / 0 / 50

HEX #046B80

RGB 4 107 128

HSL 190.16, 0.94%, 0.26%

LAB 41.37, -17.7, -18.92

 

CMYK 97 / 17 / 0 / 34

HEX #058CA8

RGB 5 140 168

HSL 190.31, 0.94%, 0.34%

LAB 53.62, -21.1, -23.62

 

CMYK 97 / 16 / 0 / 18

HEX #06AED0

RGB 6 174 208

HSL 190.1, 0.94%, 0.42%

LAB 65.64, -24.87, -27.64

 

CMYK 97 / 16 / 0 / 3

HEX #08CFF7

RGB 8 207 247

HSL 190.04, 0.94%, 0.5%

LAB 76.92, -28.32, -31.48

 

CMYK 81 / 14 / 0 / 2

HEX #30D7F9

RGB 48 215 249

HSL 190.15, 0.94%, 0.58%

LAB 79.65, -29.6, -28.31

 

CMYK 97 / 16 / 0 / 19

HEX #06ADCF

RGB 6 173 207

HSL 190.15, 0.94%, 0.42%

LAB 65.3, -24.7, -27.61

 

CMYK 62 / 97 / 0 / 18

HEX #5006D0

RGB 80 6 208

HSL 261.98, 0.94%, 0.42%

LAB 30.38, 68.85, -84.13

 

CMYK 0 / 23 / 97 / 18

HEX #D0A106

RGB 208 161 6

HSL 46.04, 0.94%, 0.42%

LAB 68.69, 5.84, 71.47

 

CMYK 97 / 16 / 0 / 19

HEX #06ADCF

RGB 6 173 207

HSL 190.15, 0.94%, 0.42%

LAB 65.3, -24.7, -27.61

 

CMYK 0 / 97 / 16 / 18

HEX #D006AE

RGB 208 6 174

HSL 310.1, 0.94%, 0.42%

LAB 47.75, 79.18, -35.07

 

CMYK 16 / 0 / 97 / 18

HEX #AED006

RGB 174 208 6

HSL 70.1, 0.94%, 0.42%

LAB 78.53, -32.64, 77.48

 

CMYK 97 / 16 / 0 / 19

HEX #06ADCF

RGB 6 173 207

HSL 190.15, 0.94%, 0.42%

LAB 65.3, -24.7, -27.61

 

CMYK 62 / 97 / 0 / 18

HEX #5006D0

RGB 80 6 208

HSL 261.98, 0.94%, 0.42%

LAB 30.38, 68.85, -84.13

 

CMYK 0 / 81 / 97 / 18

HEX #D02806

RGB 208 40 6

HSL 10.1, 0.94%, 0.42%

LAB 45.55, 62.57, 56.7

 

CMYK 36 / 0 / 97 / 18

HEX #86D006

RGB 134 208 6

HSL 81.98, 0.94%, 0.42%

LAB 76.19, -48.01, 74.65

 

CMYK 97 / 16 / 0 / 19

HEX #06ADCF

RGB 6 173 207

HSL 190.15, 0.94%, 0.42%

LAB 65.3, -24.7, -27.61

 

CMYK 32 / 97 / 0 / 18

HEX #8D06D0

RGB 141 6 208

HSL 280.1, 0.94%, 0.42%

LAB 38.46, 74.27, -70.52

 

CMYK 0 / 81 / 97 / 18

HEX #D02806

RGB 208 40 6

HSL 10.1, 0.94%, 0.42%

LAB 45.55, 62.57, 56.7

 

CMYK 64 / 0 / 97 / 18

HEX #4AD006

RGB 74 208 6

HSL 99.8, 0.94%, 0.42%

LAB 73.92, -65.48, 71.89

 

Description

Color code: HEX #06ADCF | qconv.com Color code: HEX #06ADCF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 173 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 173 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 16 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 16% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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