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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06A982 it is the complementary color #F9567D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06A982. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06A982 shade: #0BA97D, #1CBB90, #2DCDA3, #3EDFB6 and #4FF1C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06A982. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06A982 shade: #06A982, #00976F, #00855C, #007349 and #006136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06A982 shade: #06A781, #06A755, #06A72A, #0EA706 and #39A706

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06A982 shade: #06A781, #06A2A7, #0677A7, #064BA7 and #0620A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06A982 shade matches the following richer shades: #06A781

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06A982 shade: #06A781, #149979, #228B72, #307D6B and #3E6F63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06A982 shade: #06A729, #06A754, #06A77F, #06A5A7 and #067AA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06A982 shade: #035843, #058062, #06A781, #08CF9F and #0AF6BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06A982 shade: #06A982, #060EA7 and #A73F06

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06A982 shade: #06A982, #7F06A7 and #A77F06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06A982 shade: #06A982, #060EA7, #A7062E and #A79F06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06A982 shade: #06A982, #2E06A7, #A7062E and #7FA706

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 23 / 34

HEX #06A982

RGB 6 169 130

HSL 165.64, 0.93%, 0.34%

LAB 61.68, -46.14, 9.92

 

Complementary color

CMYK 0 / 65 / 50 / 2

HEX #F9567D

RGB 249 86 125

HSL 345.64, 0.93%, 0.66%

LAB 60.14, 64.66, 13.15

 

CMYK 93 / 0 / 26 / 34

HEX #0BA97D

RGB 11 169 125

HSL 163.29, 0.88%, 0.35%

LAB 61.59, -47.17, 12.58

 

CMYK 85 / 0 / 23 / 27

HEX #1CBB90

RGB 28 187 144

HSL 163.77, 0.74%, 0.42%

LAB 67.87, -48.67, 11.01

 

CMYK 78 / 0 / 20 / 20

HEX #2DCDA3

RGB 45 205 163

HSL 164.25, 0.64%, 0.49%

LAB 74.1, -49.75, 9.6

 

CMYK 72 / 0 / 18 / 13

HEX #3EDFB6

RGB 62 223 182

HSL 164.72, 0.72%, 0.56%

LAB 80.28, -50.51, 8.32

 

CMYK 67 / 0 / 17 / 5

HEX #4FF1C9

RGB 79 241 201

HSL 165.19, 0.85%, 0.63%

LAB 86.4, -51.04, 7.16

 

CMYK 96 / 0 / 23 / 34

HEX #06A982

RGB 6 169 130

HSL 165.64, 0.93%, 0.34%

LAB 61.68, -46.14, 9.92

 

CMYK 100 / 0 / 26 / 41

HEX #00976F

RGB 0 151 111

HSL 164.11, 1%, 0.3%

LAB 55.36, -43.93, 11.67

 

CMYK 100 / 0 / 31 / 48

HEX #00855C

RGB 0 133 92

HSL 161.5, 1%, 0.26%

LAB 48.94, -41.4, 13.57

 

CMYK 100 / 0 / 37 / 55

HEX #007349

RGB 0 115 73

HSL 158.09, 1%, 0.23%

LAB 42.37, -38.75, 15.58

 

CMYK 100 / 0 / 44 / 62

HEX #006136

RGB 0 97 54

HSL 153.4, 1%, 0.19%

LAB 35.63, -35.93, 17.72

 

CMYK 96 / 0 / 23 / 35

HEX #06A781

RGB 6 167 129

HSL 165.84, 0.93%, 0.34%

LAB 61.01, -45.58, 9.54

 

CMYK 96 / 0 / 49 / 35

HEX #06A755

RGB 6 167 85

HSL 149.44, 0.93%, 0.34%

LAB 60.19, -55.03, 32.26

 

CMYK 96 / 0 / 75 / 35

HEX #06A72A

RGB 6 167 42

HSL 133.42, 0.93%, 0.34%

LAB 59.75, -60.49, 51.21

 

CMYK 92 / 0 / 96 / 35

HEX #0EA706

RGB 14 167 6

HSL 117.02, 0.93%, 0.34%

LAB 59.66, -61.84, 59.85

 

CMYK 66 / 0 / 96 / 35

HEX #39A706

RGB 57 167 6

HSL 100.99, 0.93%, 0.34%

LAB 60.36, -55.72, 60.71

 

CMYK 96 / 0 / 23 / 35

HEX #06A781

RGB 6 167 129

HSL 165.84, 0.93%, 0.34%

LAB 61.01, -45.58, 9.54

 

CMYK 96 / 3 / 0 / 35

HEX #06A2A7

RGB 6 162 167

HSL 181.86, 0.93%, 0.34%

LAB 60.49, -32.44, -12.59

 

CMYK 96 / 29 / 0 / 35

HEX #0677A7

RGB 6 119 167

HSL 197.89, 0.93%, 0.34%

LAB 47, -9.75, -33.33

 

CMYK 96 / 55 / 0 / 35

HEX #064BA7

RGB 6 75 167

HSL 214.29, 0.93%, 0.34%

LAB 33.69, 18.39, -54.61

 

CMYK 96 / 81 / 0 / 35

HEX #0620A7

RGB 6 32 167

HSL 230.31, 0.93%, 0.34%

LAB 23.21, 46.09, -71.84

 

CMYK 96 / 0 / 23 / 35

HEX #06A781

RGB 6 167 129

HSL 165.84, 0.93%, 0.34%

LAB 61.01, -45.58, 9.54

 

CMYK 96 / 0 / 23 / 35

HEX #06A781

RGB 6 167 129

HSL 165.84, 0.93%, 0.34%

LAB 61.01, -45.58, 9.54

 

CMYK 87 / 0 / 21 / 40

HEX #149979

RGB 20 153 121

HSL 165.56, 0.77%, 0.34%

LAB 56.4, -41.08, 7.49

 

CMYK 76 / 0 / 18 / 45

HEX #228B72

RGB 34 139 114

HSL 165.71, 0.61%, 0.34%

LAB 51.86, -35.35, 5.04

 

CMYK 62 / 0 / 14 / 51

HEX #307D6B

RGB 48 125 107

HSL 165.97, 0.45%, 0.34%

LAB 47.44, -28.27, 2.8

 

CMYK 44 / 0 / 11 / 56

HEX #3E6F63

RGB 62 111 99

HSL 165.31, 0.28%, 0.34%

LAB 43.2, -19.75, 1.5

 

CMYK 96 / 0 / 75 / 35

HEX #06A729

RGB 6 167 41

HSL 133.04, 0.93%, 0.34%

LAB 59.74, -60.57, 51.56

 

CMYK 96 / 0 / 50 / 35

HEX #06A754

RGB 6 167 84

HSL 149.07, 0.93%, 0.34%

LAB 60.17, -55.2, 32.76

 

CMYK 96 / 0 / 24 / 35

HEX #06A77F

RGB 6 167 127

HSL 165.09, 0.93%, 0.34%

LAB 60.97, -46.09, 10.59

 

CMYK 96 / 1 / 0 / 35

HEX #06A5A7

RGB 6 165 167

HSL 180.75, 0.93%, 0.34%

LAB 61.43, -33.86, -11.18

 

CMYK 96 / 27 / 0 / 35

HEX #067AA7

RGB 6 122 167

HSL 196.77, 0.93%, 0.34%

LAB 47.94, -11.49, -31.86

 

CMYK 97 / 0 / 24 / 65

HEX #035843

RGB 3 88 67

HSL 165.18, 0.93%, 0.18%

LAB 32.71, -28.53, 5.82

 

CMYK 96 / 0 / 23 / 50

HEX #058062

RGB 5 128 98

HSL 165.37, 0.92%, 0.26%

LAB 47.43, -37.49, 7.98

 

CMYK 96 / 0 / 23 / 35

HEX #06A781

RGB 6 167 129

HSL 165.84, 0.93%, 0.34%

LAB 61.01, -45.58, 9.54

 

CMYK 96 / 0 / 23 / 19

HEX #08CF9F

RGB 8 207 159

HSL 165.53, 0.93%, 0.42%

LAB 74.31, -53.92, 11.99

 

CMYK 96 / 0 / 23 / 4

HEX #0AF6BE

RGB 10 246 190

HSL 165.76, 0.93%, 0.5%

LAB 86.85, -61.33, 13.41

 

CMYK 96 / 0 / 23 / 34

HEX #06A982

RGB 6 169 130

HSL 165.64, 0.93%, 0.34%

LAB 61.68, -46.14, 9.92

 

CMYK 96 / 92 / 0 / 35

HEX #060EA7

RGB 6 14 167

HSL 237.02, 0.93%, 0.34%

LAB 20.61, 53.84, -76.18

 

CMYK 0 / 62 / 96 / 35

HEX #A73F06

RGB 167 63 6

HSL 21.24, 0.93%, 0.34%

LAB 40.87, 40.65, 49.99

 

CMYK 96 / 0 / 23 / 34

HEX #06A982

RGB 6 169 130

HSL 165.64, 0.93%, 0.34%

LAB 61.68, -46.14, 9.92

 

CMYK 24 / 96 / 0 / 35

HEX #7F06A7

RGB 127 6 167

HSL 285.09, 0.93%, 0.34%

LAB 32.77, 64.66, -55.68

 

CMYK 0 / 24 / 96 / 35

HEX #A77F06

RGB 167 127 6

HSL 45.09, 0.93%, 0.34%

LAB 55.49, 5.94, 59.98

 

CMYK 96 / 0 / 23 / 34

HEX #06A982

RGB 6 169 130

HSL 165.64, 0.93%, 0.34%

LAB 61.68, -46.14, 9.92

 

CMYK 96 / 92 / 0 / 35

HEX #060EA7

RGB 6 14 167

HSL 237.02, 0.93%, 0.34%

LAB 20.61, 53.84, -76.18

 

CMYK 0 / 96 / 72 / 35

HEX #A7062E

RGB 167 6 46

HSL 345.09, 0.93%, 0.34%

LAB 35.09, 58.68, 25.33

 

CMYK 0 / 5 / 96 / 35

HEX #A79F06

RGB 167 159 6

HSL 57.02, 0.93%, 0.34%

LAB 64.18, -11.47, 66.38

 

CMYK 96 / 0 / 23 / 34

HEX #06A982

RGB 6 169 130

HSL 165.64, 0.93%, 0.34%

LAB 61.68, -46.14, 9.92

 

CMYK 72 / 96 / 0 / 35

HEX #2E06A7

RGB 46 6 167

HSL 254.91, 0.93%, 0.34%

LAB 21.95, 57.07, -73.89

 

CMYK 0 / 96 / 72 / 35

HEX #A7062E

RGB 167 6 46

HSL 345.09, 0.93%, 0.34%

LAB 35.09, 58.68, 25.33

 

CMYK 24 / 0 / 96 / 35

HEX #7FA706

RGB 127 167 6

HSL 74.91, 0.93%, 0.34%

LAB 63.48, -32.79, 64.52

 

Description

Color code: HEX #06A982 | qconv.com Color code: HEX #06A982 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 169 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 169 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 23 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 23% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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