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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06956C it is the complementary color #F96A93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06956C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06956C shade: #0B9567, #1CA77A, #2DB98D, #3ECBA0 and #4FDDB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06956C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06956C shade: #06956C, #008359, #007146, #005F33 and #004D20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06956C shade: #06936B, #069345, #06931F, #149306 and #3A9306

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06956C shade: #06936B, #069390, #066F93, #064993 and #062393

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06956C shade matches the following richer shades: #06936B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06956C shade: #06936B, #128765, #1F7A60, #2B6E5B and #386155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06956C shade: #06931E, #069343, #069369, #06938E and #067293

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06956C shade: #034431, #046B4E, #06936B, #08BA87 and #09E2A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06956C shade: #06956C, #061493 and #933006

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06956C shade: #06956C, #690693 and #936906

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06956C shade: #06956C, #061493, #930630 and #938506

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06956C shade: #06956C, #220693, #930630 and #779306

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 28 / 42

HEX #06956C

RGB 6 149 108

HSL 162.8, 0.92%, 0.3%

LAB 54.67, -43.57, 12.41

 

Complementary color

CMYK 0 / 57 / 41 / 2

HEX #F96A93

RGB 249 106 147

HSL 342.8, 0.92%, 0.7%

LAB 63.8, 58.28, 5.62

 

CMYK 93 / 0 / 31 / 42

HEX #0B9567

RGB 11 149 103

HSL 160, 0.86%, 0.31%

LAB 54.6, -44.51, 15.14

 

CMYK 83 / 0 / 27 / 35

HEX #1CA77A

RGB 28 167 122

HSL 160.58, 0.71%, 0.38%

LAB 61.04, -45.93, 13.49

 

CMYK 76 / 0 / 24 / 27

HEX #2DB98D

RGB 45 185 141

HSL 161.14, 0.61%, 0.45%

LAB 67.41, -46.88, 12.03

 

CMYK 69 / 0 / 21 / 20

HEX #3ECBA0

RGB 62 203 160

HSL 161.7, 0.58%, 0.52%

LAB 73.72, -47.49, 10.71

 

CMYK 64 / 0 / 19 / 13

HEX #4FDDB3

RGB 79 221 179

HSL 162.25, 0.68%, 0.59%

LAB 79.97, -47.87, 9.52

 

CMYK 96 / 0 / 28 / 42

HEX #06956C

RGB 6 149 108

HSL 162.8, 0.92%, 0.3%

LAB 54.67, -43.57, 12.41

 

CMYK 100 / 0 / 32 / 49

HEX #008359

RGB 0 131 89

HSL 160.76, 1%, 0.26%

LAB 48.2, -41.32, 14.27

 

CMYK 100 / 0 / 38 / 56

HEX #007146

RGB 0 113 70

HSL 157.17, 1%, 0.22%

LAB 41.61, -38.65, 16.31

 

CMYK 100 / 0 / 46 / 63

HEX #005F33

RGB 0 95 51

HSL 152.21, 1%, 0.19%

LAB 34.85, -35.79, 18.47

 

CMYK 100 / 0 / 58 / 70

HEX #004D20

RGB 0 77 32

HSL 144.94, 1%, 0.15%

LAB 27.88, -32.63, 20.71

 

CMYK 96 / 0 / 27 / 42

HEX #06936B

RGB 6 147 107

HSL 162.98, 0.92%, 0.3%

LAB 53.99, -43.01, 12.03

 

CMYK 96 / 0 / 53 / 42

HEX #069345

RGB 6 147 69

HSL 146.81, 0.92%, 0.3%

LAB 53.32, -50.88, 31.94

 

CMYK 96 / 0 / 79 / 42

HEX #06931F

RGB 6 147 31

HSL 130.64, 0.92%, 0.3%

LAB 52.96, -55.37, 48.32

 

CMYK 86 / 0 / 96 / 42

HEX #149306

RGB 20 147 6

HSL 114.04, 0.92%, 0.3%

LAB 52.98, -55.49, 54.36

 

CMYK 61 / 0 / 96 / 42

HEX #3A9306

RGB 58 147 6

HSL 97.87, 0.92%, 0.3%

LAB 53.79, -48.53, 55.36

 

CMYK 96 / 0 / 27 / 42

HEX #06936B

RGB 6 147 107

HSL 162.98, 0.92%, 0.3%

LAB 53.99, -43.01, 12.03

 

CMYK 96 / 0 / 2 / 42

HEX #069390

RGB 6 147 144

HSL 178.72, 0.92%, 0.3%

LAB 54.99, -32.57, -7.73

 

CMYK 96 / 24 / 0 / 42

HEX #066F93

RGB 6 111 147

HSL 195.32, 0.92%, 0.3%

LAB 43.53, -12.73, -26.97

 

CMYK 96 / 50 / 0 / 42

HEX #064993

RGB 6 73 147

HSL 211.49, 0.92%, 0.3%

LAB 31.6, 11.39, -45.91

 

CMYK 96 / 76 / 0 / 42

HEX #062393

RGB 6 35 147

HSL 227.66, 0.92%, 0.3%

LAB 21.38, 37.31, -62.63

 

CMYK 96 / 0 / 27 / 42

HEX #06936B

RGB 6 147 107

HSL 162.98, 0.92%, 0.3%

LAB 53.99, -43.01, 12.03

 

CMYK 96 / 0 / 27 / 42

HEX #06936B

RGB 6 147 107

HSL 162.98, 0.92%, 0.3%

LAB 53.99, -43.01, 12.03

 

CMYK 87 / 0 / 25 / 47

HEX #128765

RGB 18 135 101

HSL 162.56, 0.76%, 0.3%

LAB 49.97, -38.78, 9.84

 

CMYK 75 / 0 / 21 / 52

HEX #1F7A60

RGB 31 122 96

HSL 162.86, 0.59%, 0.3%

LAB 45.71, -32.85, 6.75

 

CMYK 61 / 0 / 17 / 57

HEX #2B6E5B

RGB 43 110 91

HSL 162.99, 0.44%, 0.3%

LAB 41.88, -26.22, 4.3

 

CMYK 42 / 0 / 12 / 62

HEX #386155

RGB 56 97 85

HSL 162.44, 0.27%, 0.3%

LAB 37.92, -17.55, 2.33

 

CMYK 96 / 0 / 80 / 42

HEX #06931E

RGB 6 147 30

HSL 130.21, 0.92%, 0.3%

LAB 52.95, -55.44, 48.64

 

CMYK 96 / 0 / 54 / 42

HEX #069343

RGB 6 147 67

HSL 145.96, 0.92%, 0.3%

LAB 53.29, -51.2, 32.94

 

CMYK 96 / 0 / 29 / 42

HEX #069369

RGB 6 147 105

HSL 162.13, 0.92%, 0.3%

LAB 53.95, -43.5, 13.1

 

CMYK 96 / 0 / 3 / 42

HEX #06938E

RGB 6 147 142

HSL 177.87, 0.92%, 0.3%

LAB 54.93, -33.19, -6.68

 

CMYK 96 / 22 / 0 / 42

HEX #067293

RGB 6 114 147

HSL 194.04, 0.92%, 0.3%

LAB 44.49, -14.45, -25.47

 

CMYK 96 / 0 / 28 / 73

HEX #034431

RGB 3 68 49

HSL 162.46, 0.92%, 0.14%

LAB 24.88, -24.4, 6.22

 

CMYK 96 / 0 / 27 / 58

HEX #046B4E

RGB 4 107 78

HSL 163.11, 0.93%, 0.22%

LAB 39.73, -33.86, 8.98

 

CMYK 96 / 0 / 27 / 42

HEX #06936B

RGB 6 147 107

HSL 162.98, 0.92%, 0.3%

LAB 53.99, -43.01, 12.03

 

CMYK 96 / 0 / 27 / 27

HEX #08BA87

RGB 8 186 135

HSL 162.81, 0.92%, 0.38%

LAB 67.22, -51.54, 14.96

 

CMYK 96 / 0 / 27 / 11

HEX #09E2A4

RGB 9 226 164

HSL 162.86, 0.92%, 0.46%

LAB 80.25, -59.91, 17.69

 

CMYK 96 / 0 / 28 / 42

HEX #06956C

RGB 6 149 108

HSL 162.8, 0.92%, 0.3%

LAB 54.67, -43.57, 12.41

 

CMYK 96 / 86 / 0 / 42

HEX #061493

RGB 6 20 147

HSL 234.04, 0.92%, 0.3%

LAB 18.56, 45.48, -67.32

 

CMYK 0 / 67 / 96 / 42

HEX #933006

RGB 147 48 6

HSL 17.87, 0.92%, 0.3%

LAB 34.66, 40.05, 44.26

 

CMYK 96 / 0 / 28 / 42

HEX #06956C

RGB 6 149 108

HSL 162.8, 0.92%, 0.3%

LAB 54.67, -43.57, 12.41

 

CMYK 29 / 96 / 0 / 42

HEX #690693

RGB 105 6 147

HSL 282.13, 0.92%, 0.3%

LAB 27.41, 57.71, -52.38

 

CMYK 0 / 29 / 96 / 42

HEX #936906

RGB 147 105 6

HSL 42.13, 0.92%, 0.3%

LAB 47.39, 9.12, 53.06

 

CMYK 96 / 0 / 28 / 42

HEX #06956C

RGB 6 149 108

HSL 162.8, 0.92%, 0.3%

LAB 54.67, -43.57, 12.41

 

CMYK 96 / 86 / 0 / 42

HEX #061493

RGB 6 20 147

HSL 234.04, 0.92%, 0.3%

LAB 18.56, 45.48, -67.32

 

CMYK 0 / 96 / 67 / 42

HEX #930630

RGB 147 6 48

HSL 342.13, 0.92%, 0.3%

LAB 30.75, 53.64, 17.66

 

CMYK 0 / 10 / 96 / 42

HEX #938506

RGB 147 133 6

HSL 54.04, 0.92%, 0.3%

LAB 55.06, -6.68, 58.74

 

CMYK 96 / 0 / 28 / 42

HEX #06956C

RGB 6 149 108

HSL 162.8, 0.92%, 0.3%

LAB 54.67, -43.57, 12.41

 

CMYK 77 / 96 / 0 / 42

HEX #220693

RGB 34 6 147

HSL 251.91, 0.92%, 0.3%

LAB 18.26, 51.3, -67.78

 

CMYK 0 / 96 / 67 / 42

HEX #930630

RGB 147 6 48

HSL 342.13, 0.92%, 0.3%

LAB 30.75, 53.64, 17.66

 

CMYK 19 / 0 / 96 / 42

HEX #779306

RGB 119 147 6

HSL 71.91, 0.92%, 0.3%

LAB 56.88, -26.62, 59.13

 

Description

Color code: HEX #06956C | qconv.com Color code: HEX #06956C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 149 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 149 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 28 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 28% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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