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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06910D it is the complementary color #F96EF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06910D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06910D shade: #0B9108, #1CA31B, #2DB52E, #3EC741 and #4FD954

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06910D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06910D shade: #06910D, #007F00, #006D00, #005B00 and #004900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06910D shade: #06930D, #259306, #4B9306, #719306 and #938F06

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06910D shade: #06930D, #069333, #069359, #06937F and #068193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06910D shade matches the following richer shades: #06930D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06910D shade: #06930D, #128718, #1F7A23, #2B6E2F and #38613A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06910D shade: #4A9306, #259306, #06930D, #069333 and #069358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06910D shade: #034406, #046B0A, #06930D, #08BA11 and #09E214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06910D shade: #06910D, #067093 and #930637

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06910D shade: #06910D, #0D0693 and #930D06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06910D shade: #06910D, #067093, #93068C and #932906

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06910D shade: #06910D, #064593, #93068C and #935406

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 91 / 43

HEX #06910D

RGB 6 145 13

HSL 123.02, 0.92%, 0.3%

LAB 52.2, -55.77, 52.44

 

Complementary color

CMYK 0 / 56 / 3 / 2

HEX #F96EF2

RGB 249 110 242

HSL 303.02, 0.92%, 0.7%

LAB 67.8, 69.3, -41.87

 

CMYK 92 / 0 / 94 / 43

HEX #0B9108

RGB 11 145 8

HSL 118.69, 0.9%, 0.3%

LAB 52.22, -55.61, 53.35

 

CMYK 83 / 0 / 83 / 36

HEX #1CA31B

RGB 28 163 27

HSL 119.56, 0.72%, 0.37%

LAB 58.53, -58.61, 54.88

 

CMYK 75 / 0 / 75 / 29

HEX #2DB52E

RGB 45 181 46

HSL 120.44, 0.6%, 0.44%

LAB 64.81, -60.64, 55.01

 

CMYK 69 / 0 / 67 / 22

HEX #3EC741

RGB 62 199 65

HSL 121.31, 0.55%, 0.51%

LAB 71.04, -61.98, 54.39

 

CMYK 64 / 0 / 61 / 15

HEX #4FD954

RGB 79 217 84

HSL 122.17, 0.64%, 0.58%

LAB 77.24, -62.83, 53.38

 

CMYK 96 / 0 / 91 / 43

HEX #06910D

RGB 6 145 13

HSL 123.02, 0.92%, 0.3%

LAB 52.2, -55.77, 52.44

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 100 / 0 / 100 / 57

HEX #006D00

RGB 0 109 0

HSL 120, 1%, 0.21%

LAB 39.47, -46.09, 44.48

 

CMYK 100 / 0 / 100 / 64

HEX #005B00

RGB 0 91 0

HSL 120, 1%, 0.18%

LAB 32.88, -40.61, 39.19

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 96 / 0 / 91 / 42

HEX #06930D

RGB 6 147 13

HSL 122.98, 0.92%, 0.3%

LAB 52.88, -56.36, 53.03

 

CMYK 75 / 0 / 96 / 42

HEX #259306

RGB 37 147 6

HSL 106.81, 0.92%, 0.3%

LAB 53.25, -53.14, 54.69

 

CMYK 49 / 0 / 96 / 42

HEX #4B9306

RGB 75 147 6

HSL 90.64, 0.92%, 0.3%

LAB 54.42, -43.53, 56.14

 

CMYK 23 / 0 / 96 / 42

HEX #719306

RGB 113 147 6

HSL 74.47, 0.92%, 0.3%

LAB 56.48, -29.17, 58.64

 

CMYK 0 / 3 / 96 / 42

HEX #938F06

RGB 147 143 6

HSL 58.3, 0.92%, 0.3%

LAB 57.9, -12.08, 60.88

 

CMYK 96 / 0 / 91 / 42

HEX #06930D

RGB 6 147 13

HSL 122.98, 0.92%, 0.3%

LAB 52.88, -56.36, 53.03

 

CMYK 96 / 0 / 65 / 42

HEX #069333

RGB 6 147 51

HSL 139.15, 0.92%, 0.3%

LAB 53.11, -53.43, 40.48

 

CMYK 96 / 0 / 39 / 42

HEX #069359

RGB 6 147 89

HSL 155.32, 0.92%, 0.3%

LAB 53.63, -47.14, 21.63

 

CMYK 96 / 0 / 14 / 42

HEX #06937F

RGB 6 147 127

HSL 171.49, 0.92%, 0.3%

LAB 54.49, -37.66, 1.3

 

CMYK 96 / 12 / 0 / 42

HEX #068193

RGB 6 129 147

HSL 187.66, 0.92%, 0.3%

LAB 49.31, -22.63, -18.05

 

CMYK 96 / 0 / 91 / 42

HEX #06930D

RGB 6 147 13

HSL 122.98, 0.92%, 0.3%

LAB 52.88, -56.36, 53.03

 

CMYK 96 / 0 / 91 / 42

HEX #06930D

RGB 6 147 13

HSL 122.98, 0.92%, 0.3%

LAB 52.88, -56.36, 53.03

 

CMYK 87 / 0 / 82 / 47

HEX #128718

RGB 18 135 24

HSL 123.08, 0.76%, 0.3%

LAB 48.91, -51.24, 46.74

 

CMYK 75 / 0 / 71 / 52

HEX #1F7A23

RGB 31 122 35

HSL 122.64, 0.59%, 0.3%

LAB 44.7, -44.12, 38.49

 

CMYK 61 / 0 / 57 / 57

HEX #2B6E2F

RGB 43 110 47

HSL 123.58, 0.44%, 0.3%

LAB 41.01, -35.3, 28.6

 

CMYK 42 / 0 / 40 / 62

HEX #38613A

RGB 56 97 58

HSL 122.93, 0.27%, 0.3%

LAB 37.29, -23.47, 17.85

 

CMYK 50 / 0 / 96 / 42

HEX #4A9306

RGB 74 147 6

HSL 91.06, 0.92%, 0.3%

LAB 54.38, -43.85, 56.09

 

CMYK 75 / 0 / 96 / 42

HEX #259306

RGB 37 147 6

HSL 106.81, 0.92%, 0.3%

LAB 53.25, -53.14, 54.69

 

CMYK 96 / 0 / 91 / 42

HEX #06930D

RGB 6 147 13

HSL 122.98, 0.92%, 0.3%

LAB 52.88, -56.36, 53.03

 

CMYK 96 / 0 / 65 / 42

HEX #069333

RGB 6 147 51

HSL 139.15, 0.92%, 0.3%

LAB 53.11, -53.43, 40.48

 

CMYK 96 / 0 / 40 / 42

HEX #069358

RGB 6 147 88

HSL 154.89, 0.92%, 0.3%

LAB 53.61, -47.35, 22.15

 

CMYK 96 / 0 / 91 / 73

HEX #034406

RGB 3 68 6

HSL 122.77, 0.92%, 0.14%

LAB 24.22, -32.21, 29.39

 

CMYK 96 / 0 / 91 / 58

HEX #046B0A

RGB 4 107 10

HSL 123.5, 0.93%, 0.22%

LAB 38.83, -44.59, 41.39

 

CMYK 96 / 0 / 91 / 42

HEX #06930D

RGB 6 147 13

HSL 122.98, 0.92%, 0.3%

LAB 52.88, -56.36, 53.03

 

CMYK 96 / 0 / 91 / 27

HEX #08BA11

RGB 8 186 17

HSL 123.03, 0.92%, 0.38%

LAB 65.91, -67.22, 63.5

 

CMYK 96 / 0 / 91 / 11

HEX #09E214

RGB 9 226 20

HSL 123.04, 0.92%, 0.46%

LAB 78.75, -77.98, 73.93

 

CMYK 96 / 0 / 91 / 43

HEX #06910D

RGB 6 145 13

HSL 123.02, 0.92%, 0.3%

LAB 52.2, -55.77, 52.44

 

CMYK 96 / 24 / 0 / 42

HEX #067093

RGB 6 112 147

HSL 194.89, 0.92%, 0.3%

LAB 43.85, -13.31, -26.47

 

CMYK 0 / 96 / 63 / 42

HEX #930637

RGB 147 6 55

HSL 339.15, 0.92%, 0.3%

LAB 30.9, 54.05, 13.2

 

CMYK 96 / 0 / 91 / 43

HEX #06910D

RGB 6 145 13

HSL 123.02, 0.92%, 0.3%

LAB 52.2, -55.77, 52.44

 

CMYK 91 / 96 / 0 / 42

HEX #0D0693

RGB 13 6 147

HSL 242.98, 0.92%, 0.3%

LAB 17.1, 50.71, -69.76

 

CMYK 0 / 91 / 96 / 42

HEX #930D06

RGB 147 13 6

HSL 2.98, 0.92%, 0.3%

LAB 30.65, 51.21, 41.63

 

CMYK 96 / 0 / 91 / 43

HEX #06910D

RGB 6 145 13

HSL 123.02, 0.92%, 0.3%

LAB 52.2, -55.77, 52.44

 

CMYK 96 / 24 / 0 / 42

HEX #067093

RGB 6 112 147

HSL 194.89, 0.92%, 0.3%

LAB 43.85, -13.31, -26.47

 

CMYK 0 / 96 / 5 / 42

HEX #93068C

RGB 147 6 140

HSL 302.98, 0.92%, 0.3%

LAB 34.45, 63.32, -36.31

 

CMYK 0 / 72 / 96 / 42

HEX #932906

RGB 147 41 6

HSL 14.89, 0.92%, 0.3%

LAB 33.57, 43.02, 43.57

 

CMYK 96 / 0 / 91 / 43

HEX #06910D

RGB 6 145 13

HSL 123.02, 0.92%, 0.3%

LAB 52.2, -55.77, 52.44

 

CMYK 96 / 53 / 0 / 42

HEX #064593

RGB 6 69 147

HSL 213.19, 0.92%, 0.3%

LAB 30.4, 14.15, -47.85

 

CMYK 0 / 96 / 5 / 42

HEX #93068C

RGB 147 6 140

HSL 302.98, 0.92%, 0.3%

LAB 34.45, 63.32, -36.31

 

CMYK 0 / 43 / 96 / 42

HEX #935406

RGB 147 84 6

HSL 33.19, 0.92%, 0.3%

LAB 42.09, 21.23, 49.27

 

Description

Color code: HEX #06910D | qconv.com Color code: HEX #06910D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 145 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 145 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 91 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 91% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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