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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #068B4F it is the complementary color #F974B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #068B4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #068B4F shade: #0B8B4A, #1C9D5D, #2DAF70, #3EC183 and #4FD396

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #068B4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #068B4F shade: #068B4F, #00793C, #006729, #005516 and #004303

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #068B4F shade: #06894E, #06892A, #068907, #288906 and #4B8906

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #068B4F shade: #06894E, #068971, #067E89, #065A89 and #063789

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #068B4F shade matches the following richer shades: #06894E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #068B4F shade: #06894E, #117E4D, #1D724C, #28664A and #345B49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #068B4F shade: #068906, #068929, #06894C, #06896F and #068089

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #068B4F shade: #023A21, #046137, #06894E, #07B164 and #09D87B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #068B4F shade: #068B4F, #062989 and #891706

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #068B4F shade: #068B4F, #4C0689 and #894C06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #068B4F shade: #068B4F, #062989, #890643 and #896606

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #068B4F shade: #068B4F, #0A0689, #890643 and #858906

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 43 / 45

HEX #068B4F

RGB 6 139 79

HSL 152.93, 0.92%, 0.28%

LAB 50.77, -46.22, 23.36

 

Complementary color

CMYK 0 / 53 / 29 / 2

HEX #F974B0

RGB 249 116 176

HSL 332.93, 0.92%, 0.72%

LAB 66.34, 57.01, -7.2

 

CMYK 92 / 0 / 47 / 45

HEX #0B8B4A

RGB 11 139 74

HSL 149.53, 0.85%, 0.29%

LAB 50.72, -46.88, 26.05

 

CMYK 82 / 0 / 41 / 38

HEX #1C9D5D

RGB 28 157 93

HSL 150.23, 0.7%, 0.36%

LAB 57.22, -48.38, 24.24

 

CMYK 74 / 0 / 36 / 31

HEX #2DAF70

RGB 45 175 112

HSL 150.92, 0.59%, 0.43%

LAB 63.66, -49.3, 22.6

 

CMYK 68 / 0 / 32 / 24

HEX #3EC183

RGB 62 193 131

HSL 151.6, 0.51%, 0.5%

LAB 70.04, -49.84, 21.12

 

CMYK 63 / 0 / 29 / 17

HEX #4FD396

RGB 79 211 150

HSL 152.27, 0.6%, 0.57%

LAB 76.35, -50.12, 19.77

 

CMYK 96 / 0 / 43 / 45

HEX #068B4F

RGB 6 139 79

HSL 152.93, 0.92%, 0.28%

LAB 50.77, -46.22, 23.36

 

CMYK 100 / 0 / 50 / 53

HEX #00793C

RGB 0 121 60

HSL 149.75, 1%, 0.24%

LAB 44.23, -43.72, 25.39

 

CMYK 100 / 0 / 60 / 60

HEX #006729

RGB 0 103 41

HSL 143.88, 1%, 0.2%

LAB 37.59, -40.57, 27.48

 

CMYK 100 / 0 / 74 / 67

HEX #005516

RGB 0 85 22

HSL 135.53, 1%, 0.17%

LAB 30.77, -36.96, 29.27

 

CMYK 100 / 0 / 96 / 74

HEX #004303

RGB 0 67 3

HSL 122.69, 1%, 0.13%

LAB 23.74, -32.72, 30.12

 

CMYK 96 / 0 / 43 / 46

HEX #06894E

RGB 6 137 78

HSL 152.98, 0.92%, 0.28%

LAB 50.07, -45.68, 23.01

 

CMYK 96 / 0 / 69 / 46

HEX #06892A

RGB 6 137 42

HSL 136.49, 0.92%, 0.28%

LAB 49.61, -51.28, 40.63

 

CMYK 96 / 0 / 95 / 46

HEX #068907

RGB 6 137 7

HSL 120.46, 0.92%, 0.28%

LAB 49.43, -53.63, 51.17

 

CMYK 71 / 0 / 96 / 46

HEX #288906

RGB 40 137 6

HSL 104.43, 0.92%, 0.28%

LAB 49.92, -49.27, 51.97

 

CMYK 45 / 0 / 96 / 46

HEX #4B8906

RGB 75 137 6

HSL 88.4, 0.92%, 0.28%

LAB 51.15, -39.45, 53.48

 

CMYK 96 / 0 / 43 / 46

HEX #06894E

RGB 6 137 78

HSL 152.98, 0.92%, 0.28%

LAB 50.07, -45.68, 23.01

 

CMYK 96 / 0 / 18 / 46

HEX #068971

RGB 6 137 113

HSL 169.01, 0.92%, 0.28%

LAB 50.83, -37.22, 4.09

 

CMYK 96 / 8 / 0 / 46

HEX #067E89

RGB 6 126 137

HSL 185.04, 0.92%, 0.28%

LAB 47.96, -24.52, -14.22

 

CMYK 96 / 34 / 0 / 46

HEX #065A89

RGB 6 90 137

HSL 201.53, 0.92%, 0.28%

LAB 36.29, -4.02, -32.32

 

CMYK 96 / 60 / 0 / 46

HEX #063789

RGB 6 55 137

HSL 217.56, 0.92%, 0.28%

LAB 25.49, 19.75, -49.67

 

CMYK 96 / 0 / 43 / 46

HEX #06894E

RGB 6 137 78

HSL 152.98, 0.92%, 0.28%

LAB 50.07, -45.68, 23.01

 

CMYK 96 / 0 / 43 / 46

HEX #06894E

RGB 6 137 78

HSL 152.98, 0.92%, 0.28%

LAB 50.07, -45.68, 23.01

 

CMYK 87 / 0 / 39 / 51

HEX #117E4D

RGB 17 126 77

HSL 153.03, 0.76%, 0.28%

LAB 46.41, -40.86, 18.74

 

CMYK 75 / 0 / 33 / 55

HEX #1D724C

RGB 29 114 76

HSL 153.18, 0.59%, 0.28%

LAB 42.49, -34.55, 14.05

 

CMYK 61 / 0 / 27 / 60

HEX #28664A

RGB 40 102 74

HSL 152.9, 0.44%, 0.28%

LAB 38.64, -27.3, 9.97

 

CMYK 43 / 0 / 20 / 64

HEX #345B49

RGB 52 91 73

HSL 152.31, 0.27%, 0.28%

LAB 35.39, -18.51, 6.08

 

CMYK 96 / 0 / 96 / 46

HEX #068906

RGB 6 137 6

HSL 120, 0.92%, 0.28%

LAB 49.43, -53.66, 51.35

 

CMYK 96 / 0 / 70 / 46

HEX #068929

RGB 6 137 41

HSL 136.03, 0.92%, 0.28%

LAB 49.61, -51.39, 41.05

 

CMYK 96 / 0 / 45 / 46

HEX #06894C

RGB 6 137 76

HSL 152.06, 0.92%, 0.28%

LAB 50.04, -46.08, 24.06

 

CMYK 96 / 0 / 19 / 46

HEX #06896F

RGB 6 137 111

HSL 168.09, 0.92%, 0.28%

LAB 50.78, -37.77, 5.18

 

CMYK 96 / 7 / 0 / 46

HEX #068089

RGB 6 128 137

HSL 184.12, 0.92%, 0.28%

LAB 48.61, -25.54, -13.24

 

CMYK 97 / 0 / 43 / 77

HEX #023A21

RGB 2 58 33

HSL 153.21, 0.93%, 0.12%

LAB 20.63, -24.3, 10.82

 

CMYK 96 / 0 / 43 / 62

HEX #046137

RGB 4 97 55

HSL 152.9, 0.92%, 0.2%

LAB 35.7, -35.3, 17.23

 

CMYK 96 / 0 / 43 / 46

HEX #06894E

RGB 6 137 78

HSL 152.98, 0.92%, 0.28%

LAB 50.07, -45.68, 23.01

 

CMYK 96 / 0 / 44 / 31

HEX #07B164

RGB 7 177 100

HSL 152.82, 0.92%, 0.36%

LAB 63.68, -55.73, 28.93

 

CMYK 96 / 0 / 43 / 15

HEX #09D87B

RGB 9 216 123

HSL 153.04, 0.92%, 0.44%

LAB 76.44, -64.78, 33.7

 

CMYK 96 / 0 / 43 / 45

HEX #068B4F

RGB 6 139 79

HSL 152.93, 0.92%, 0.28%

LAB 50.77, -46.22, 23.36

 

CMYK 96 / 70 / 0 / 46

HEX #062989

RGB 6 41 137

HSL 223.97, 0.92%, 0.28%

LAB 21.69, 29.55, -55.9

 

CMYK 0 / 83 / 96 / 46

HEX #891706

RGB 137 23 6

HSL 7.79, 0.92%, 0.28%

LAB 29.27, 45.96, 39.63

 

CMYK 96 / 0 / 43 / 45

HEX #068B4F

RGB 6 139 79

HSL 152.93, 0.92%, 0.28%

LAB 50.77, -46.22, 23.36

 

CMYK 45 / 96 / 0 / 46

HEX #4C0689

RGB 76 6 137

HSL 272.06, 0.92%, 0.28%

LAB 21.85, 51.91, -55.46

 

CMYK 0 / 45 / 96 / 46

HEX #894C06

RGB 137 76 6

HSL 32.06, 0.92%, 0.28%

LAB 38.73, 21.29, 46.23

 

CMYK 96 / 0 / 43 / 45

HEX #068B4F

RGB 6 139 79

HSL 152.93, 0.92%, 0.28%

LAB 50.77, -46.22, 23.36

 

CMYK 96 / 70 / 0 / 46

HEX #062989

RGB 6 41 137

HSL 223.97, 0.92%, 0.28%

LAB 21.69, 29.55, -55.9

 

CMYK 0 / 96 / 51 / 46

HEX #890643

RGB 137 6 67

HSL 332.06, 0.92%, 0.28%

LAB 29.04, 52.4, 2.23

 

CMYK 0 / 26 / 96 / 46

HEX #896606

RGB 137 102 6

HSL 43.97, 0.92%, 0.28%

LAB 45.41, 6.12, 51.07

 

CMYK 96 / 0 / 43 / 45

HEX #068B4F

RGB 6 139 79

HSL 152.93, 0.92%, 0.28%

LAB 50.77, -46.22, 23.36

 

CMYK 93 / 96 / 0 / 46

HEX #0A0689

RGB 10 6 137

HSL 241.83, 0.92%, 0.28%

LAB 15.49, 47.85, -66.19

 

CMYK 0 / 96 / 51 / 46

HEX #890643

RGB 137 6 67

HSL 332.06, 0.92%, 0.28%

LAB 29.04, 52.4, 2.23

 

CMYK 3 / 0 / 96 / 46

HEX #858906

RGB 133 137 6

HSL 61.83, 0.92%, 0.28%

LAB 54.96, -15.31, 58.11

 

Description

Color code: HEX #068B4F | qconv.com Color code: HEX #068B4F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 139 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 139 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 43 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 43% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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