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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #068055 it is the complementary color #F97FAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #068055. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #068055 shade: #0B8050, #1C9263, #2DA476, #3EB689 and #4FC89C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #068055. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #068055 shade: #068055, #006E42, #005C2F, #004A1C and #003809

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #068055 shade: #067F54, #067F34, #067F13, #197F06 and #3A7F06

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #068055 shade: #067F54, #067F75, #06687F, #06487F and #06277F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #068055 shade matches the following richer shades: #067F54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #068055 shade: #067F54, #117451, #1B694E, #265E4B and #315447

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #068055 shade: #067F12, #067F32, #067F52, #067F73 and #066B7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #068055 shade: #023020, #04573A, #067F54, #08A66E and #0ACD88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #068055 shade: #068055, #061A7F and #7F2206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #068055 shade: #068055, #52067F and #7F5206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #068055 shade: #068055, #061A7F, #7F0632 and #7F6B06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #068055 shade: #068055, #16067F, #7F0632 and #6F7F06

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 34 / 50

HEX #068055

RGB 6 128 85

HSL 158.85, 0.91%, 0.26%

LAB 47.15, -40.69, 15.14

 

Complementary color

CMYK 0 / 49 / 32 / 2

HEX #F97FAA

RGB 249 127 170

HSL 338.85, 0.91%, 0.74%

LAB 68.18, 51.03, -1.1

 

CMYK 91 / 0 / 38 / 50

HEX #0B8050

RGB 11 128 80

HSL 155.38, 0.84%, 0.27%

LAB 47.09, -41.5, 17.93

 

CMYK 81 / 0 / 32 / 43

HEX #1C9263

RGB 28 146 99

HSL 156.1, 0.68%, 0.34%

LAB 53.71, -42.81, 16.2

 

CMYK 73 / 0 / 28 / 36

HEX #2DA476

RGB 45 164 118

HSL 156.81, 0.57%, 0.41%

LAB 60.26, -43.58, 14.67

 

CMYK 66 / 0 / 25 / 29

HEX #3EB689

RGB 62 182 137

HSL 157.5, 0.49%, 0.48%

LAB 66.74, -44.02, 13.32

 

CMYK 61 / 0 / 22 / 22

HEX #4FC89C

RGB 79 200 156

HSL 158.18, 0.52%, 0.55%

LAB 73.14, -44.23, 12.09

 

CMYK 95 / 0 / 34 / 50

HEX #068055

RGB 6 128 85

HSL 158.85, 0.91%, 0.26%

LAB 47.15, -40.69, 15.14

 

CMYK 100 / 0 / 40 / 57

HEX #006E42

RGB 0 110 66

HSL 156, 1%, 0.22%

LAB 40.48, -38.38, 17.12

 

CMYK 100 / 0 / 49 / 64

HEX #005C2F

RGB 0 92 47

HSL 150.65, 1%, 0.18%

LAB 33.69, -35.46, 19.31

 

CMYK 100 / 0 / 62 / 71

HEX #004A1C

RGB 0 74 28

HSL 142.7, 1%, 0.15%

LAB 26.68, -32.2, 21.53

 

CMYK 100 / 0 / 84 / 78

HEX #003809

RGB 0 56 9

HSL 129.64, 1%, 0.11%

LAB 19.42, -28.3, 23.03

 

CMYK 95 / 0 / 34 / 50

HEX #067F54

RGB 6 127 84

HSL 158.68, 0.91%, 0.26%

LAB 46.79, -40.52, 15.22

 

CMYK 95 / 0 / 59 / 50

HEX #067F34

RGB 6 127 52

HSL 142.81, 0.91%, 0.26%

LAB 46.27, -46.7, 32.11

 

CMYK 95 / 0 / 85 / 50

HEX #067F13

RGB 6 127 19

HSL 126.45, 0.91%, 0.26%

LAB 45.99, -50.1, 45.48

 

CMYK 80 / 0 / 95 / 50

HEX #197F06

RGB 25 127 6

HSL 110.58, 0.91%, 0.26%

LAB 46.18, -48.66, 48.72

 

CMYK 54 / 0 / 95 / 50

HEX #3A7F06

RGB 58 127 6

HSL 94.21, 0.91%, 0.26%

LAB 47.09, -41, 49.86

 

CMYK 95 / 0 / 34 / 50

HEX #067F54

RGB 6 127 84

HSL 158.68, 0.91%, 0.26%

LAB 46.79, -40.52, 15.22

 

CMYK 95 / 0 / 8 / 50

HEX #067F75

RGB 6 127 117

HSL 175.04, 0.91%, 0.26%

LAB 47.63, -31.51, -2.92

 

CMYK 95 / 18 / 0 / 50

HEX #06687F

RGB 6 104 127

HSL 191.4, 0.91%, 0.26%

LAB 40.36, -16.27, -19.87

 

CMYK 95 / 43 / 0 / 50

HEX #06487F

RGB 6 72 127

HSL 207.27, 0.91%, 0.26%

LAB 29.93, 3.57, -36.28

 

CMYK 95 / 69 / 0 / 50

HEX #06277F

RGB 6 39 127

HSL 223.64, 0.91%, 0.26%

LAB 20.13, 26.88, -52.18

 

CMYK 95 / 0 / 34 / 50

HEX #067F54

RGB 6 127 84

HSL 158.68, 0.91%, 0.26%

LAB 46.79, -40.52, 15.22

 

CMYK 95 / 0 / 34 / 50

HEX #067F54

RGB 6 127 84

HSL 158.68, 0.91%, 0.26%

LAB 46.79, -40.52, 15.22

 

CMYK 85 / 0 / 30 / 55

HEX #117451

RGB 17 116 81

HSL 158.79, 0.74%, 0.26%

LAB 43.07, -35.84, 11.87

 

CMYK 74 / 0 / 26 / 59

HEX #1B694E

RGB 27 105 78

HSL 159.23, 0.59%, 0.26%

LAB 39.39, -30.38, 8.55

 

CMYK 60 / 0 / 20 / 63

HEX #265E4B

RGB 38 94 75

HSL 159.64, 0.42%, 0.26%

LAB 35.84, -23.57, 5.41

 

CMYK 42 / 0 / 15 / 67

HEX #315447

RGB 49 84 71

HSL 157.71, 0.26%, 0.26%

LAB 32.81, -16.11, 3.63

 

CMYK 95 / 0 / 86 / 50

HEX #067F12

RGB 6 127 18

HSL 125.95, 0.91%, 0.26%

LAB 45.99, -50.16, 45.75

 

CMYK 95 / 0 / 61 / 50

HEX #067F32

RGB 6 127 50

HSL 141.82, 0.91%, 0.26%

LAB 46.24, -46.99, 33.09

 

CMYK 95 / 0 / 35 / 50

HEX #067F52

RGB 6 127 82

HSL 157.69, 0.91%, 0.26%

LAB 46.75, -40.99, 16.31

 

CMYK 95 / 0 / 9 / 50

HEX #067F73

RGB 6 127 115

HSL 174.05, 0.91%, 0.26%

LAB 47.57, -32.12, -1.83

 

CMYK 95 / 16 / 0 / 50

HEX #066B7F

RGB 6 107 127

HSL 189.92, 0.91%, 0.26%

LAB 41.35, -17.94, -18.35

 

CMYK 96 / 0 / 33 / 81

HEX #023020

RGB 2 48 32

HSL 159.13, 0.92%, 0.1%

LAB 16.66, -19.89, 6.06

 

CMYK 95 / 0 / 33 / 66

HEX #04573A

RGB 4 87 58

HSL 159.04, 0.91%, 0.18%

LAB 32.14, -30.43, 10.63

 

CMYK 95 / 0 / 34 / 50

HEX #067F54

RGB 6 127 84

HSL 158.68, 0.91%, 0.26%

LAB 46.79, -40.52, 15.22

 

CMYK 95 / 0 / 34 / 35

HEX #08A66E

RGB 8 166 110

HSL 158.73, 0.91%, 0.34%

LAB 60.29, -49.64, 19.05

 

CMYK 95 / 0 / 34 / 20

HEX #0ACD88

RGB 10 205 136

HSL 158.77, 0.91%, 0.42%

LAB 73.22, -58.35, 22.71

 

CMYK 95 / 0 / 34 / 50

HEX #068055

RGB 6 128 85

HSL 158.85, 0.91%, 0.26%

LAB 47.15, -40.69, 15.14

 

CMYK 95 / 80 / 0 / 50

HEX #061A7F

RGB 6 26 127

HSL 230.08, 0.91%, 0.26%

LAB 17.04, 35.42, -57.3

 

CMYK 0 / 73 / 95 / 50

HEX #7F2206

RGB 127 34 6

HSL 13.88, 0.91%, 0.26%

LAB 28.56, 38.8, 38.18

 

CMYK 95 / 0 / 34 / 50

HEX #068055

RGB 6 128 85

HSL 158.85, 0.91%, 0.26%

LAB 47.15, -40.69, 15.14

 

CMYK 35 / 95 / 0 / 50

HEX #52067F

RGB 82 6 127

HSL 277.69, 0.91%, 0.26%

LAB 21.79, 50.4, -49.21

 

CMYK 0 / 35 / 95 / 50

HEX #7F5206

RGB 127 82 6

HSL 37.69, 0.91%, 0.26%

LAB 38.83, 13.12, 45.66

 

CMYK 95 / 0 / 34 / 50

HEX #068055

RGB 6 128 85

HSL 158.85, 0.91%, 0.26%

LAB 47.15, -40.69, 15.14

 

CMYK 95 / 80 / 0 / 50

HEX #061A7F

RGB 6 26 127

HSL 230.08, 0.91%, 0.26%

LAB 17.04, 35.42, -57.3

 

CMYK 0 / 95 / 61 / 50

HEX #7F0632

RGB 127 6 50

HSL 338.18, 0.91%, 0.26%

LAB 26.37, 48.55, 9.68

 

CMYK 0 / 16 / 95 / 50

HEX #7F6B06

RGB 127 107 6

HSL 50.08, 0.91%, 0.26%

LAB 45.69, -1.58, 50.79

 

CMYK 95 / 0 / 34 / 50

HEX #068055

RGB 6 128 85

HSL 158.85, 0.91%, 0.26%

LAB 47.15, -40.69, 15.14

 

CMYK 83 / 95 / 0 / 50

HEX #16067F

RGB 22 6 127

HSL 247.93, 0.91%, 0.26%

LAB 14.59, 45.31, -61.35

 

CMYK 0 / 95 / 61 / 50

HEX #7F0632

RGB 127 6 50

HSL 338.18, 0.91%, 0.26%

LAB 26.37, 48.55, 9.68

 

CMYK 13 / 0 / 95 / 50

HEX #6F7F06

RGB 111 127 6

HSL 67.93, 0.91%, 0.26%

LAB 50.18, -20.1, 53.64

 

Description

Color code: HEX #068055 | qconv.com Color code: HEX #068055 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 128 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 128 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 34 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 34% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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