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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06782A it is the complementary color #F987D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06782A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06782A shade: #0B7825, #1C8A38, #2D9C4B, #3EAE5E and #4FC071

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06782A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06782A shade: #06782A, #006617, #005404, #004200 and #003000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06782A shade: #06792B, #06790C, #207906, #3F7906 and #5E7906

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06782A shade: #06792B, #06794A, #067969, #066B79 and #064C79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06782A shade matches the following richer shades: #06792B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06782A shade: #06792B, #116F2E, #1B6432, #255A36 and #30503A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06782A shade: #217906, #06790A, #067929, #067947 and #067966

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06782A shade: #022B0F, #04521D, #06792B, #08A038 and #0BC846

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06782A shade: #06782A, #064079 and #790612

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06782A shade: #06782A, #290679 and #792906

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06782A shade: #06782A, #064079, #790657 and #794006

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06782A shade: #06782A, #061D79, #790657 and #796206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 65 / 53

HEX #06782A

RGB 6 120 42

HSL 138.95, 0.9%, 0.25%

LAB 43.71, -45.72, 34.09

 

Complementary color

CMYK 0 / 46 / 14 / 2

HEX #F987D5

RGB 249 135 213

HSL 318.95, 0.9%, 0.75%

LAB 71.06, 53.05, -20.82

 

CMYK 91 / 0 / 69 / 53

HEX #0B7825

RGB 11 120 37

HSL 134.31, 0.83%, 0.26%

LAB 43.71, -45.92, 36.44

 

CMYK 80 / 0 / 59 / 46

HEX #1C8A38

RGB 28 138 56

HSL 135.27, 0.66%, 0.33%

LAB 50.35, -47.74, 35

 

CMYK 71 / 0 / 52 / 39

HEX #2D9C4B

RGB 45 156 75

HSL 136.22, 0.55%, 0.39%

LAB 56.92, -48.76, 33.43

 

CMYK 64 / 0 / 46 / 32

HEX #3EAE5E

RGB 62 174 94

HSL 137.14, 0.47%, 0.46%

LAB 63.43, -49.28, 31.9

 

CMYK 59 / 0 / 41 / 25

HEX #4FC071

RGB 79 192 113

HSL 138.05, 0.47%, 0.53%

LAB 69.86, -49.5, 30.45

 

CMYK 95 / 0 / 65 / 53

HEX #06782A

RGB 6 120 42

HSL 138.95, 0.9%, 0.25%

LAB 43.71, -45.72, 34.09

 

CMYK 100 / 0 / 77 / 60

HEX #006617

RGB 0 102 23

HSL 133.53, 1%, 0.2%

LAB 37.05, -42.5, 35.4

 

CMYK 100 / 0 / 95 / 67

HEX #005404

RGB 0 84 4

HSL 122.86, 1%, 0.16%

LAB 30.28, -38.15, 35.63

 

CMYK 100 / 0 / 100 / 74

HEX #004200

RGB 0 66 0

HSL 120, 1%, 0.13%

LAB 23.33, -32.67, 30.93

 

CMYK 100 / 0 / 100 / 81

HEX #003000

RGB 0 48 0

HSL 120, 1%, 0.09%

LAB 16.07, -26.65, 22.67

 

CMYK 95 / 0 / 64 / 53

HEX #06792B

RGB 6 121 43

HSL 139.3, 0.91%, 0.25%

LAB 44.07, -45.92, 34.02

 

CMYK 95 / 0 / 90 / 53

HEX #06790C

RGB 6 121 12

HSL 123.13, 0.91%, 0.25%

LAB 43.86, -48.64, 45.37

 

CMYK 74 / 0 / 95 / 53

HEX #207906

RGB 32 121 6

HSL 106.43, 0.91%, 0.25%

LAB 44.23, -45.46, 47.14

 

CMYK 48 / 0 / 95 / 53

HEX #3F7906

RGB 63 121 6

HSL 90.26, 0.91%, 0.25%

LAB 45.28, -36.93, 48.45

 

CMYK 22 / 0 / 95 / 53

HEX #5E7906

RGB 94 121 6

HSL 74.09, 0.91%, 0.25%

LAB 47.06, -24.62, 50.64

 

CMYK 95 / 0 / 64 / 53

HEX #06792B

RGB 6 121 43

HSL 139.3, 0.91%, 0.25%

LAB 44.07, -45.92, 34.02

 

CMYK 95 / 0 / 39 / 53

HEX #06794A

RGB 6 121 74

HSL 155.48, 0.91%, 0.25%

LAB 44.53, -40.43, 17.92

 

CMYK 95 / 0 / 13 / 53

HEX #067969

RGB 6 121 105

HSL 171.65, 0.91%, 0.25%

LAB 45.27, -32.35, 0.73

 

CMYK 95 / 12 / 0 / 53

HEX #066B79

RGB 6 107 121

HSL 187.3, 0.91%, 0.25%

LAB 41.11, -20.11, -15.09

 

CMYK 95 / 37 / 0 / 53

HEX #064C79

RGB 6 76 121

HSL 203.48, 0.91%, 0.25%

LAB 30.85, -1.64, -31.06

 

CMYK 95 / 0 / 64 / 53

HEX #06792B

RGB 6 121 43

HSL 139.3, 0.91%, 0.25%

LAB 44.07, -45.92, 34.02

 

CMYK 95 / 0 / 64 / 53

HEX #06792B

RGB 6 121 43

HSL 139.3, 0.91%, 0.25%

LAB 44.07, -45.92, 34.02

 

CMYK 85 / 0 / 59 / 56

HEX #116F2E

RGB 17 111 46

HSL 138.51, 0.73%, 0.25%

LAB 40.71, -40.94, 28.62

 

CMYK 73 / 0 / 50 / 61

HEX #1B6432

RGB 27 100 50

HSL 138.9, 0.57%, 0.25%

LAB 37.07, -34.38, 21.99

 

CMYK 59 / 0 / 40 / 65

HEX #255A36

RGB 37 90 54

HSL 139.25, 0.42%, 0.25%

LAB 33.92, -26.79, 15.62

 

CMYK 40 / 0 / 28 / 69

HEX #30503A

RGB 48 80 58

HSL 138.75, 0.25%, 0.25%

LAB 31.05, -17.31, 9.33

 

CMYK 73 / 0 / 95 / 53

HEX #217906

RGB 33 121 6

HSL 105.91, 0.91%, 0.25%

LAB 44.25, -45.26, 47.17

 

CMYK 95 / 0 / 92 / 53

HEX #06790A

RGB 6 121 10

HSL 122.09, 0.91%, 0.25%

LAB 43.85, -48.72, 45.81

 

CMYK 95 / 0 / 66 / 53

HEX #067929

RGB 6 121 41

HSL 138.26, 0.91%, 0.25%

LAB 44.05, -46.18, 34.95

 

CMYK 95 / 0 / 41 / 53

HEX #067947

RGB 6 121 71

HSL 153.91, 0.91%, 0.25%

LAB 44.47, -41.09, 19.56

 

CMYK 95 / 0 / 16 / 53

HEX #067966

RGB 6 121 102

HSL 170.09, 0.91%, 0.25%

LAB 45.18, -33.23, 2.4

 

CMYK 95 / 0 / 65 / 83

HEX #022B0F

RGB 2 43 15

HSL 139.02, 0.91%, 0.09%

LAB 14.26, -21.79, 13.96

 

CMYK 95 / 0 / 65 / 68

HEX #04521D

RGB 4 82 29

HSL 139.23, 0.91%, 0.17%

LAB 29.79, -34.42, 24.67

 

CMYK 95 / 0 / 64 / 53

HEX #06792B

RGB 6 121 43

HSL 139.3, 0.91%, 0.25%

LAB 44.07, -45.92, 34.02

 

CMYK 95 / 0 / 65 / 37

HEX #08A038

RGB 8 160 56

HSL 138.95, 0.9%, 0.33%

LAB 57.54, -56.85, 43.19

 

CMYK 95 / 0 / 65 / 22

HEX #0BC846

RGB 11 200 70

HSL 138.73, 0.9%, 0.41%

LAB 70.75, -67.39, 51.81

 

CMYK 95 / 0 / 65 / 53

HEX #06782A

RGB 6 120 42

HSL 138.95, 0.9%, 0.25%

LAB 43.71, -45.72, 34.09

 

CMYK 95 / 47 / 0 / 53

HEX #064079

RGB 6 64 121

HSL 209.74, 0.91%, 0.25%

LAB 26.98, 6.48, -37.24

 

CMYK 0 / 95 / 85 / 53

HEX #790612

RGB 121 6 18

HSL 353.74, 0.91%, 0.25%

LAB 24.45, 45.33, 28.34

 

CMYK 95 / 0 / 65 / 53

HEX #06782A

RGB 6 120 42

HSL 138.95, 0.9%, 0.25%

LAB 43.71, -45.72, 34.09

 

CMYK 66 / 95 / 0 / 53

HEX #290679

RGB 41 6 121

HSL 258.26, 0.91%, 0.25%

LAB 15.39, 44.63, -56.12

 

CMYK 0 / 66 / 95 / 53

HEX #792906

RGB 121 41 6

HSL 18.26, 0.91%, 0.25%

LAB 28.55, 33.41, 37.69

 

CMYK 95 / 0 / 65 / 53

HEX #06782A

RGB 6 120 42

HSL 138.95, 0.9%, 0.25%

LAB 43.71, -45.72, 34.09

 

CMYK 95 / 47 / 0 / 53

HEX #064079

RGB 6 64 121

HSL 209.74, 0.91%, 0.25%

LAB 26.98, 6.48, -37.24

 

CMYK 0 / 95 / 28 / 53

HEX #790657

RGB 121 6 87

HSL 317.74, 0.91%, 0.25%

LAB 26.4, 50.66, -15.45

 

CMYK 0 / 47 / 95 / 53

HEX #794006

RGB 121 64 6

HSL 30.26, 0.91%, 0.25%

LAB 33.45, 20.94, 41.33

 

CMYK 95 / 0 / 65 / 53

HEX #06782A

RGB 6 120 42

HSL 138.95, 0.9%, 0.25%

LAB 43.71, -45.72, 34.09

 

CMYK 95 / 76 / 0 / 53

HEX #061D79

RGB 6 29 121

HSL 228, 0.91%, 0.25%

LAB 16.98, 31.27, -53.56

 

CMYK 0 / 95 / 28 / 53

HEX #790657

RGB 121 6 87

HSL 317.74, 0.91%, 0.25%

LAB 26.4, 50.66, -15.45

 

CMYK 0 / 19 / 95 / 53

HEX #796206

RGB 121 98 6

HSL 48, 0.91%, 0.25%

LAB 42.48, 0.74, 48.08

 

Description

Color code: HEX #06782A | qconv.com Color code: HEX #06782A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 120 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 120 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 65 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 65% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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