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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #066979 it is the complementary color #F99686. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #066979. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #066979 shade: #0B6974, #1C7B87, #2D8D9A, #3E9FAD and #4FB1C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #066979. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #066979 shade: #066979, #005766, #004553, #003340 and #00212D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #066979 shade: #056979, #054A79, #052B79, #050B79 and #1F0579

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #066979 shade: #056979, #054A79, #052B79, #050B79 and #050579

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #066979 shade matches the following richer shades: #056979

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #066979 shade: #056979, #10626F, #1A5A65, #24535A and #2E4B50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #066979 shade: #05794B, #05796A, #056A79, #054B79 and #052C79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #066979 shade: #02252A, #034752, #056979, #078BA1 and #09ADC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #066979 shade: #066979, #2C0579 and #795A05

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #066979 shade: #066979, #79056A and #6A7905

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #066979 shade: #066979, #2C0579, #791505 and #537905

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #066979 shade: #066979, #4F0579, #791505 and #307905

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 13 / 0 / 53

HEX #066979

RGB 6 105 121

HSL 188.35, 0.91%, 0.25%

LAB 40.45, -19.03, -16.1

 

Complementary color

CMYK 0 / 40 / 46 / 2

HEX #F99686

RGB 249 150 134

HSL 8.35, 0.91%, 0.75%

LAB 72.01, 35.47, 24.37

 

CMYK 91 / 9 / 0 / 55

HEX #0B6974

RGB 11 105 116

HSL 186.29, 0.83%, 0.25%

LAB 40.3, -20.49, -13.28

 

CMYK 79 / 9 / 0 / 47

HEX #1C7B87

RGB 28 123 135

HSL 186.73, 0.66%, 0.32%

LAB 47.19, -21.98, -14.2

 

CMYK 71 / 8 / 0 / 40

HEX #2D8D9A

RGB 45 141 154

HSL 187.16, 0.55%, 0.39%

LAB 53.96, -22.99, -14.98

 

CMYK 64 / 8 / 0 / 32

HEX #3E9FAD

RGB 62 159 173

HSL 187.57, 0.47%, 0.46%

LAB 60.64, -23.68, -15.67

 

CMYK 59 / 8 / 0 / 25

HEX #4FB1C0

RGB 79 177 192

HSL 187.96, 0.47%, 0.53%

LAB 67.21, -24.16, -16.29

 

CMYK 95 / 13 / 0 / 53

HEX #066979

RGB 6 105 121

HSL 188.35, 0.91%, 0.25%

LAB 40.45, -19.03, -16.1

 

CMYK 100 / 15 / 0 / 60

HEX #005766

RGB 0 87 102

HSL 188.82, 1%, 0.2%

LAB 33.51, -16.49, -15.01

 

CMYK 100 / 17 / 0 / 67

HEX #004553

RGB 0 69 83

HSL 190.12, 1%, 0.16%

LAB 26.39, -13.43, -13.81

 

CMYK 100 / 20 / 0 / 75

HEX #003340

RGB 0 51 64

HSL 192.19, 1%, 0.13%

LAB 18.96, -10.19, -12.6

 

CMYK 100 / 27 / 0 / 82

HEX #00212D

RGB 0 33 45

HSL 196, 1%, 0.09%

LAB 11.11, -6.68, -11.4

 

CMYK 96 / 13 / 0 / 53

HEX #056979

RGB 5 105 121

HSL 188.28, 0.92%, 0.25%

LAB 40.44, -19.09, -16.12

 

CMYK 96 / 39 / 0 / 53

HEX #054A79

RGB 5 74 121

HSL 204.31, 0.92%, 0.25%

LAB 30.18, -0.39, -32.12

 

CMYK 96 / 64 / 0 / 53

HEX #052B79

RGB 5 43 121

HSL 220.34, 0.92%, 0.25%

LAB 20.6, 21.48, -47.6

 

CMYK 96 / 91 / 0 / 53

HEX #050B79

RGB 5 11 121

HSL 236.9, 0.92%, 0.25%

LAB 13.54, 41.09, -59.27

 

CMYK 74 / 96 / 0 / 53

HEX #1F0579

RGB 31 5 121

HSL 253.45, 0.92%, 0.25%

LAB 14.29, 44.38, -57.98

 

CMYK 96 / 13 / 0 / 53

HEX #056979

RGB 5 105 121

HSL 188.28, 0.92%, 0.25%

LAB 40.44, -19.09, -16.12

 

CMYK 96 / 39 / 0 / 53

HEX #054A79

RGB 5 74 121

HSL 204.31, 0.92%, 0.25%

LAB 30.18, -0.39, -32.12

 

CMYK 96 / 64 / 0 / 53

HEX #052B79

RGB 5 43 121

HSL 220.34, 0.92%, 0.25%

LAB 20.6, 21.48, -47.6

 

CMYK 96 / 91 / 0 / 53

HEX #050B79

RGB 5 11 121

HSL 236.9, 0.92%, 0.25%

LAB 13.54, 41.09, -59.27

 

CMYK 96 / 96 / 0 / 53

HEX #050579

RGB 5 5 121

HSL 240, 0.92%, 0.25%

LAB 12.74, 43.53, -60.6

 

CMYK 96 / 13 / 0 / 53

HEX #056979

RGB 5 105 121

HSL 188.28, 0.92%, 0.25%

LAB 40.44, -19.09, -16.12

 

CMYK 96 / 13 / 0 / 53

HEX #056979

RGB 5 105 121

HSL 188.28, 0.92%, 0.25%

LAB 40.44, -19.09, -16.12

 

CMYK 86 / 12 / 0 / 56

HEX #10626F

RGB 16 98 111

HSL 188.21, 0.75%, 0.25%

LAB 37.83, -18.04, -13.98

 

CMYK 74 / 11 / 0 / 60

HEX #1A5A65

RGB 26 90 101

HSL 188.8, 0.59%, 0.25%

LAB 34.95, -15.85, -12.16

 

CMYK 60 / 8 / 0 / 65

HEX #24535A

RGB 36 83 90

HSL 187.78, 0.43%, 0.25%

LAB 32.48, -13.64, -8.95

 

CMYK 43 / 6 / 0 / 69

HEX #2E4B50

RGB 46 75 80

HSL 188.82, 0.27%, 0.25%

LAB 29.89, -9.34, -6.41

 

CMYK 96 / 0 / 38 / 53

HEX #05794B

RGB 5 121 75

HSL 156.21, 0.92%, 0.25%

LAB 44.54, -40.28, 17.36

 

CMYK 96 / 0 / 12 / 53

HEX #05796A

RGB 5 121 106

HSL 172.24, 0.92%, 0.25%

LAB 45.29, -32.11, 0.17

 

CMYK 96 / 12 / 0 / 53

HEX #056A79

RGB 5 106 121

HSL 187.76, 0.92%, 0.25%

LAB 40.77, -19.64, -15.61

 

CMYK 96 / 38 / 0 / 53

HEX #054B79

RGB 5 75 121

HSL 203.79, 0.92%, 0.25%

LAB 30.51, -1.05, -31.61

 

CMYK 96 / 64 / 0 / 53

HEX #052C79

RGB 5 44 121

HSL 219.83, 0.92%, 0.25%

LAB 20.88, 20.76, -47.14

 

CMYK 95 / 12 / 0 / 84

HEX #02252A

RGB 2 37 42

HSL 187.5, 0.91%, 0.09%

LAB 12.63, -10.15, -6.89

 

CMYK 96 / 13 / 0 / 68

HEX #034752

RGB 3 71 82

HSL 188.35, 0.93%, 0.17%

LAB 27.12, -14.67, -12.04

 

CMYK 96 / 13 / 0 / 53

HEX #056979

RGB 5 105 121

HSL 188.28, 0.92%, 0.25%

LAB 40.44, -19.09, -16.12

 

CMYK 96 / 14 / 0 / 37

HEX #078BA1

RGB 7 139 161

HSL 188.57, 0.92%, 0.33%

LAB 53.04, -22.94, -20.48

 

CMYK 96 / 14 / 0 / 22

HEX #09ADC8

RGB 9 173 200

HSL 188.48, 0.91%, 0.41%

LAB 65.05, -26.97, -24.12

 

CMYK 95 / 13 / 0 / 53

HEX #066979

RGB 6 105 121

HSL 188.35, 0.91%, 0.25%

LAB 40.45, -19.03, -16.1

 

CMYK 64 / 96 / 0 / 53

HEX #2C0579

RGB 44 5 121

HSL 260.17, 0.92%, 0.25%

LAB 15.62, 45.2, -55.74

 

CMYK 0 / 26 / 96 / 53

HEX #795A05

RGB 121 90 5

HSL 43.97, 0.92%, 0.25%

LAB 40.23, 5.43, 46.64

 

CMYK 95 / 13 / 0 / 53

HEX #066979

RGB 6 105 121

HSL 188.35, 0.91%, 0.25%

LAB 40.45, -19.03, -16.1

 

CMYK 0 / 96 / 12 / 53

HEX #79056A

RGB 121 5 106

HSL 307.76, 0.92%, 0.25%

LAB 27.34, 53.43, -26.44

 

CMYK 12 / 0 / 96 / 53

HEX #6A7905

RGB 106 121 5

HSL 67.76, 0.92%, 0.25%

LAB 47.94, -19.27, 51.91

 

CMYK 95 / 13 / 0 / 53

HEX #066979

RGB 6 105 121

HSL 188.35, 0.91%, 0.25%

LAB 40.45, -19.03, -16.1

 

CMYK 64 / 96 / 0 / 53

HEX #2C0579

RGB 44 5 121

HSL 260.17, 0.92%, 0.25%

LAB 15.62, 45.2, -55.74

 

CMYK 0 / 83 / 96 / 53

HEX #791505

RGB 121 21 5

HSL 8.28, 0.92%, 0.25%

LAB 25.6, 41.45, 35.52

 

CMYK 31 / 0 / 96 / 53

HEX #537905

RGB 83 121 5

HSL 79.66, 0.92%, 0.25%

LAB 46.34, -29.33, 49.97

 

CMYK 95 / 13 / 0 / 53

HEX #066979

RGB 6 105 121

HSL 188.35, 0.91%, 0.25%

LAB 40.45, -19.03, -16.1

 

CMYK 35 / 96 / 0 / 53

HEX #4F0579

RGB 79 5 121

HSL 278.28, 0.92%, 0.25%

LAB 20.64, 48.92, -47.29

 

CMYK 0 / 83 / 96 / 53

HEX #791505

RGB 121 21 5

HSL 8.28, 0.92%, 0.25%

LAB 25.6, 41.45, 35.52

 

CMYK 60 / 0 / 96 / 53

HEX #307905

RGB 48 121 5

HSL 97.76, 0.92%, 0.25%

LAB 44.68, -41.67, 47.92

 

Description

Color code: HEX #066979 | qconv.com Color code: HEX #066979 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 105 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 105 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 13 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 13% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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