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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #065C7A it is the complementary color #F9A385. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #065C7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #065C7A: #0B5C75, #1C6E88, #2D809B, #3E92AE and #4FA4C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #065C7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #065C7A: #065C7A, #004A67, #003854, #002641 and #00142E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 25 / 0 / 52

HEX #065C7A

RGB 6 92 122

HSL 195.52, 0.91%, 0.25%

LAB 36.17, -11.24, -23.31

 

Complementary color

CMYK 0 / 35 / 47 / 2

HEX #F9A385

RGB 249 163 133

HSL 15.52, 0.91%, 0.75%

LAB 74.84, 28.59, 28.71

 

CMYK 91 / 21 / 0 / 54

HEX #0B5C75

RGB 11 92 117

HSL 194.15, 0.83%, 0.25%

LAB 36, -12.83, -20.49

 

CMYK 79 / 19 / 0 / 47

HEX #1C6E88

RGB 28 110 136

HSL 194.44, 0.66%, 0.32%

LAB 43.03, -14.53, -21.16

 

CMYK 71 / 17 / 0 / 39

HEX #2D809B

RGB 45 128 155

HSL 194.73, 0.55%, 0.39%

LAB 49.93, -15.7, -21.71

 

CMYK 64 / 16 / 0 / 32

HEX #3E92AE

RGB 62 146 174

HSL 195, 0.47%, 0.46%

LAB 56.72, -16.53, -22.2

 

CMYK 59 / 15 / 0 / 24

HEX #4FA4C1

RGB 79 164 193

HSL 195.26, 0.48%, 0.53%

LAB 63.4, -17.12, -22.65

 

CMYK 95 / 25 / 0 / 52

HEX #065C7A

RGB 6 92 122

HSL 195.52, 0.91%, 0.25%

LAB 36.17, -11.24, -23.31

 

CMYK 100 / 28 / 0 / 60

HEX #004A67

RGB 0 74 103

HSL 196.89, 1%, 0.2%

LAB 29.1, -8.34, -22.48

 

CMYK 100 / 33 / 0 / 67

HEX #003854

RGB 0 56 84

HSL 200, 1%, 0.16%

LAB 21.83, -4.79, -21.57

 

CMYK 100 / 42 / 0 / 75

HEX #002641

RGB 0 38 65

HSL 204.92, 1%, 0.13%

LAB 14.22, -0.86, -20.72

 

CMYK 100 / 57 / 0 / 82

HEX #00142E

RGB 0 20 46

HSL 213.91, 1%, 0.09%

LAB 6.3, 3.29, -19.73

 

CMYK 95 / 25 / 0 / 52

HEX #065C7A

RGB 6 92 122

HSL 195.52, 0.91%, 0.25%

LAB 36.17, -11.24, -23.31

 

CMYK 96 / 40 / 0 / 53

HEX #054979

RGB 5 73 121

HSL 204.83, 0.92%, 0.25%

LAB 29.86, 0.27, -32.64

 

CMYK 96 / 55 / 0 / 53

HEX #053679

RGB 5 54 121

HSL 214.66, 0.92%, 0.25%

LAB 23.84, 13.51, -42.32

 

CMYK 96 / 72 / 0 / 53

HEX #052279

RGB 5 34 121

HSL 225, 0.92%, 0.25%

LAB 18.17, 27.85, -51.59

 

CMYK 96 / 88 / 0 / 53

HEX #050F79

RGB 5 15 121

HSL 234.83, 0.92%, 0.25%

LAB 14.14, 39.3, -58.27

 

CMYK 95 / 25 / 0 / 52

HEX #065C7A

RGB 6 92 122

HSL 195.52, 0.91%, 0.25%

LAB 36.17, -11.24, -23.31

 

CMYK 95 / 25 / 0 / 32

HEX #0982AD

RGB 9 130 173

HSL 195.73, 0.9%, 0.36%

LAB 50.73, -13.67, -30.97

 

CMYK 95 / 25 / 0 / 12

HEX #0BA9E0

RGB 11 169 224

HSL 195.49, 0.91%, 0.46%

LAB 64.83, -16.57, -37.73

 

CMYK 95 / 25 / 0 / 92

HEX #010F14

RGB 1 15 20

HSL 195.79, 0.9%, 0.04%

LAB 3.6, -2.84, -4.13

 

CMYK 96 / 24 / 0 / 72

HEX #033647

RGB 3 54 71

HSL 195, 0.92%, 0.15%

LAB 20.49, -8.7, -14.97

 

CMYK 95 / 25 / 0 / 52

HEX #065C7A

RGB 6 92 122

HSL 195.52, 0.91%, 0.25%

LAB 36.17, -11.24, -23.31

 

CMYK 53 / 96 / 0 / 53

HEX #390579

RGB 57 5 121

HSL 266.9, 0.92%, 0.25%

LAB 17.27, 46.33, -52.96

 

CMYK 0 / 14 / 96 / 53

HEX #796805

RGB 121 104 5

HSL 51.21, 0.92%, 0.25%

LAB 44.2, -2.77, 49.62

 

CMYK 95 / 25 / 0 / 52

HEX #065C7A

RGB 6 92 122

HSL 195.52, 0.91%, 0.25%

LAB 36.17, -11.24, -23.31

 

CMYK 0 / 96 / 24 / 53

HEX #79055C

RGB 121 5 92

HSL 315, 0.92%, 0.25%

LAB 26.58, 51.49, -18.47

 

CMYK 24 / 0 / 96 / 53

HEX #5C7905

RGB 92 121 5

HSL 75, 0.92%, 0.25%

LAB 46.92, -25.52, 50.68

 

CMYK 95 / 25 / 0 / 52

HEX #065C7A

RGB 6 92 122

HSL 195.52, 0.91%, 0.25%

LAB 36.17, -11.24, -23.31

 

CMYK 53 / 96 / 0 / 53

HEX #390579

RGB 57 5 121

HSL 266.9, 0.92%, 0.25%

LAB 17.27, 46.33, -52.96

 

CMYK 0 / 72 / 96 / 53

HEX #792205

RGB 121 34 5

HSL 15, 0.92%, 0.25%

LAB 27.35, 36.6, 37.09

 

CMYK 43 / 0 / 96 / 53

HEX #457905

RGB 69 121 5

HSL 86.9, 0.92%, 0.25%

LAB 45.57, -34.82, 49.02

 

CMYK 95 / 25 / 0 / 52

HEX #065C7A

RGB 6 92 122

HSL 195.52, 0.91%, 0.25%

LAB 36.17, -11.24, -23.31

 

CMYK 24 / 96 / 0 / 53

HEX #5C0579

RGB 92 5 121

HSL 285, 0.92%, 0.25%

LAB 22.88, 50.81, -43.54

 

CMYK 0 / 72 / 96 / 53

HEX #792205

RGB 121 34 5

HSL 15, 0.92%, 0.25%

LAB 27.35, 36.6, 37.09

 

CMYK 72 / 0 / 96 / 53

HEX #227905

RGB 34 121 5

HSL 105, 0.92%, 0.25%

LAB 44.27, -45.09, 47.42

 

Description

Color code: HEX #065C7A | qconv.com Color code: HEX #065C7A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 92 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 92 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 25 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 25% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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