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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #062CF0 it is the complementary color #F9D30F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #062CF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #062CF0 shade: #0B2CEB, #1C3EFE, #2D50FF, #3E62FF and #4F74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #062CF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #062CF0 shade: #062CF0, #001ADD, #0008CA, #0000B7 and #0000A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #062CF0 shade: #062CEF, #1F06EF, #5E06EF, #9D06EF and #DB06EF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #062CF0 shade: #062CEF and #0606EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #062CF0 shade matches the following richer shades: #062CEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #062CF0 shade: #062CEF, #1A39DB, #2E47C7, #4254B3 and #55619F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #062CF0 shade: #06A9EF, #066BEF, #062DEF, #1D06EF and #5B06EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #062CF0 shade: #041D9E, #0524C6, #062CEF, #2547F9 and #4D69FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #062CF0 shade: #062CF0, #EF06E7 and #8AEF06

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #062CF0 shade: #062CF0, #EF062D and #2DEF06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #062CF0 shade: #062CF0, #EF06E7, #EFC806 and #06EF0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #062CF0 shade: #062CF0, #EF06A1, #EFC806 and #06EF54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 82 / 0 / 6

HEX #062CF0

RGB 6 44 240

HSL 230.26, 0.95%, 0.48%

LAB 34.25, 63.45, -96.15

 

Complementary color

CMYK 0 / 15 / 94 / 2

HEX #F9D30F

RGB 249 211 15

HSL 50.26, 0.95%, 0.52%

LAB 85.38, -2.33, 84.42

 

CMYK 95 / 81 / 0 / 8

HEX #0B2CEB

RGB 11 44 235

HSL 231.16, 0.91%, 0.48%

LAB 33.71, 62, -94.21

 

CMYK 89 / 76 / 0 / 0

HEX #1C3EFE

RGB 28 62 254

HSL 230.97, 0.99%, 0.55%

LAB 39.32, 59.38, -95.59

 

CMYK 82 / 69 / 0 / 0

HEX #2D50FF

RGB 45 80 255

HSL 230, 1%, 0.59%

LAB 43.53, 50.41, -89.18

 

CMYK 76 / 62 / 0 / 0

HEX #3E62FF

RGB 62 98 255

HSL 228.81, 1%, 0.62%

LAB 48.23, 40.92, -81.43

 

CMYK 69 / 55 / 0 / 0

HEX #4F74FF

RGB 79 116 255

HSL 227.39, 1%, 0.65%

LAB 53.36, 31.83, -73.05

 

CMYK 98 / 82 / 0 / 6

HEX #062CF0

RGB 6 44 240

HSL 230.26, 0.95%, 0.48%

LAB 34.25, 63.45, -96.15

 

CMYK 100 / 88 / 0 / 13

HEX #001ADD

RGB 0 26 221

HSL 232.94, 1%, 0.43%

LAB 29.31, 65.06, -93.54

 

CMYK 100 / 96 / 0 / 21

HEX #0008CA

RGB 0 8 202

HSL 237.62, 1%, 0.4%

LAB 25.07, 64.76, -89.59

 

CMYK 100 / 100 / 0 / 28

HEX #0000B7

RGB 0 0 183

HSL 240, 1%, 0.36%

LAB 21.65, 61.73, -84.07

 

CMYK 100 / 100 / 0 / 36

HEX #0000A4

RGB 0 0 164

HSL 240, 1%, 0.32%

LAB 18.72, 56.92, -77.52

 

CMYK 97 / 82 / 0 / 6

HEX #062CEF

RGB 6 44 239

HSL 230.21, 0.95%, 0.48%

LAB 34.13, 63.15, -95.78

 

CMYK 87 / 97 / 0 / 6

HEX #1F06EF

RGB 31 6 239

HSL 246.44, 0.95%, 0.48%

LAB 31, 74.67, -100.99

 

CMYK 61 / 97 / 0 / 6

HEX #5E06EF

RGB 94 6 239

HSL 262.66, 0.95%, 0.48%

LAB 35.48, 76.78, -93.41

 

CMYK 34 / 97 / 0 / 6

HEX #9D06EF

RGB 157 6 239

HSL 278.88, 0.95%, 0.48%

LAB 43.55, 82.03, -79.81

 

CMYK 8 / 97 / 0 / 6

HEX #DB06EF

RGB 219 6 239

HSL 294.85, 0.95%, 0.48%

LAB 53.41, 90.11, -63.35

 

CMYK 97 / 82 / 0 / 6

HEX #062CEF

RGB 6 44 239

HSL 230.21, 0.95%, 0.48%

LAB 34.13, 63.15, -95.78

 

CMYK 97 / 97 / 0 / 6

HEX #0606EF

RGB 6 6 239

HSL 240, 0.95%, 0.48%

LAB 30.4, 74.45, -102.01

 

CMYK 97 / 82 / 0 / 6

HEX #062CEF

RGB 6 44 239

HSL 230.21, 0.95%, 0.48%

LAB 34.13, 63.15, -95.78

 

CMYK 97 / 82 / 0 / 6

HEX #062CEF

RGB 6 44 239

HSL 230.21, 0.95%, 0.48%

LAB 34.13, 63.15, -95.78

 

CMYK 88 / 74 / 0 / 14

HEX #1A39DB

RGB 26 57 219

HSL 230.36, 0.79%, 0.48%

LAB 34.52, 50.48, -83.72

 

CMYK 77 / 64 / 0 / 22

HEX #2E47C7

RGB 46 71 199

HSL 230.2, 0.62%, 0.48%

LAB 36.39, 36.28, -69.04

 

CMYK 63 / 53 / 0 / 30

HEX #4254B3

RGB 66 84 179

HSL 230.44, 0.46%, 0.48%

LAB 39.16, 23.45, -52.77

 

CMYK 47 / 39 / 0 / 38

HEX #55619F

RGB 85 97 159

HSL 230.27, 0.3%, 0.48%

LAB 42.74, 12.62, -35.15

 

CMYK 97 / 29 / 0 / 6

HEX #06A9EF

RGB 6 169 239

HSL 198.03, 0.95%, 0.48%

LAB 65.47, -11.34, -44.96

 

CMYK 97 / 55 / 0 / 6

HEX #066BEF

RGB 6 107 239

HSL 213.99, 0.95%, 0.48%

LAB 47.99, 26.04, -72.96

 

CMYK 97 / 81 / 0 / 6

HEX #062DEF

RGB 6 45 239

HSL 229.96, 0.95%, 0.48%

LAB 34.29, 62.69, -95.52

 

CMYK 88 / 97 / 0 / 6

HEX #1D06EF

RGB 29 6 239

HSL 245.92, 0.95%, 0.48%

LAB 30.93, 74.65, -101.11

 

CMYK 62 / 97 / 0 / 6

HEX #5B06EF

RGB 91 6 239

HSL 261.89, 0.95%, 0.48%

LAB 35.18, 76.61, -93.93

 

CMYK 97 / 82 / 0 / 38

HEX #041D9E

RGB 4 29 158

HSL 230.26, 0.95%, 0.32%

LAB 21.48, 44.59, -69.24

 

CMYK 97 / 82 / 0 / 22

HEX #0524C6

RGB 5 36 198

HSL 230.36, 0.95%, 0.4%

LAB 27.77, 54.17, -82.74

 

CMYK 97 / 82 / 0 / 6

HEX #062CEF

RGB 6 44 239

HSL 230.21, 0.95%, 0.48%

LAB 34.13, 63.15, -95.78

 

CMYK 85 / 71 / 0 / 2

HEX #2547F9

RGB 37 71 249

HSL 230.38, 0.95%, 0.56%

LAB 40.8, 53.14, -90.34

 

CMYK 69 / 58 / 0 / 2

HEX #4D69FA

RGB 77 105 250

HSL 230.29, 0.95%, 0.64%

LAB 50.2, 36.59, -75.42

 

CMYK 98 / 82 / 0 / 6

HEX #062CF0

RGB 6 44 240

HSL 230.26, 0.95%, 0.48%

LAB 34.25, 63.45, -96.15

 

CMYK 0 / 97 / 3 / 6

HEX #EF06E7

RGB 239 6 231

HSL 302.06, 0.95%, 0.48%

LAB 56.34, 92.06, -53.96

 

CMYK 42 / 0 / 97 / 6

HEX #8AEF06

RGB 138 239 6

HSL 86.01, 0.95%, 0.48%

LAB 85.58, -58.89, 82.12

 

CMYK 98 / 82 / 0 / 6

HEX #062CF0

RGB 6 44 240

HSL 230.26, 0.95%, 0.48%

LAB 34.25, 63.45, -96.15

 

CMYK 0 / 97 / 81 / 6

HEX #EF062D

RGB 239 6 45

HSL 349.96, 0.95%, 0.48%

LAB 50.3, 76.44, 46.83

 

CMYK 81 / 0 / 97 / 6

HEX #2DEF06

RGB 45 239 6

HSL 109.96, 0.95%, 0.48%

LAB 83.07, -79.28, 79.07

 

CMYK 98 / 82 / 0 / 6

HEX #062CF0

RGB 6 44 240

HSL 230.26, 0.95%, 0.48%

LAB 34.25, 63.45, -96.15

 

CMYK 0 / 97 / 3 / 6

HEX #EF06E7

RGB 239 6 231

HSL 302.06, 0.95%, 0.48%

LAB 56.34, 92.06, -53.96

 

CMYK 0 / 16 / 97 / 6

HEX #EFC806

RGB 239 200 6

HSL 49.96, 0.95%, 0.48%

LAB 81.66, -1.07, 82.16

 

CMYK 97 / 0 / 94 / 6

HEX #06EF0E

RGB 6 239 14

HSL 122.06, 0.95%, 0.48%

LAB 82.81, -81.65, 78.04

 

CMYK 98 / 82 / 0 / 6

HEX #062CF0

RGB 6 44 240

HSL 230.26, 0.95%, 0.48%

LAB 34.25, 63.45, -96.15

 

CMYK 0 / 97 / 33 / 6

HEX #EF06A1

RGB 239 6 161

HSL 320.09, 0.95%, 0.48%

LAB 53.01, 83.67, -18.75

 

CMYK 0 / 16 / 97 / 6

HEX #EFC806

RGB 239 200 6

HSL 49.96, 0.95%, 0.48%

LAB 81.66, -1.07, 82.16

 

CMYK 97 / 0 / 65 / 6

HEX #06EF54

RGB 6 239 84

HSL 140.09, 0.95%, 0.48%

LAB 83.13, -77.51, 59.71

 

Description

Color code: HEX #062CF0 | qconv.com Color code: HEX #062CF0 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 44 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 44 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 82 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 82% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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