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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05F963 it is the complementary color #FA069C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05F963. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05F963 shade: #0AF95E, #1BFF71, #2CFF84, #3DFF97 and #4EFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05F963. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05F963 shade: #05F963, #00E750, #00D53D, #00C32A and #00B117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05F963 shade: #05FA63, #05FA21, #2BFA05, #6DFA05 and #AFFA05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05F963 shade: #05FA63, #05FAA5, #05FAE7, #05CAFA and #0588FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05F963 shade matches the following richer shades: #05FA63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05F963 shade: #05FA63, #1AE568, #2ED16D, #43BC72 and #58A776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05F963 shade: #2AFA05, #05FA22, #05FA63, #05FAA4 and #05FAE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05F963 shade: #03A943, #04D153, #05FA63, #2EFB7D and #56FC96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05F963 shade: #05F963, #056BFA and #FA0509

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05F963 shade: #05F963, #6305FA and #FA6305

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05F963 shade: #05F963, #056BFA, #FA059C and #FA9405

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05F963 shade: #05F963, #0522FA, #FA059C and #FADD05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 60 / 2

HEX #05F963

RGB 5 249 99

HSL 143.11, 0.96%, 0.5%

LAB 86.35, -78.75, 57.08

 

Complementary color

CMYK 0 / 98 / 38 / 2

HEX #FA069C

RGB 250 6 156

HSL 323.11, 0.96%, 0.5%

LAB 54.92, 85.41, -12.69

 

CMYK 96 / 0 / 62 / 2

HEX #0AF95E

RGB 10 249 94

HSL 141.09, 0.95%, 0.51%

LAB 86.32, -79.19, 59.16

 

CMYK 89 / 0 / 56 / 0

HEX #1BFF71

RGB 27 255 113

HSL 142.63, 1%, 0.55%

LAB 88.42, -77.94, 53.41

 

CMYK 83 / 0 / 48 / 0

HEX #2CFF84

RGB 44 255 132

HSL 145.02, 1%, 0.59%

LAB 88.79, -74, 45.12

 

CMYK 76 / 0 / 41 / 0

HEX #3DFF97

RGB 61 255 151

HSL 147.84, 1%, 0.62%

LAB 89.27, -69.13, 36.59

 

CMYK 69 / 0 / 33 / 0

HEX #4EFFAA

RGB 78 255 170

HSL 151.19, 1%, 0.65%

LAB 89.88, -63.36, 27.97

 

CMYK 98 / 0 / 60 / 2

HEX #05F963

RGB 5 249 99

HSL 143.11, 0.96%, 0.5%

LAB 86.35, -78.75, 57.08

 

CMYK 100 / 0 / 65 / 9

HEX #00E750

RGB 0 231 80

HSL 140.78, 1%, 0.45%

LAB 80.59, -75.81, 58.52

 

CMYK 100 / 0 / 71 / 16

HEX #00D53D

RGB 0 213 61

HSL 137.18, 1%, 0.42%

LAB 74.78, -72.48, 59.66

 

CMYK 100 / 0 / 78 / 24

HEX #00C32A

RGB 0 195 42

HSL 132.92, 1%, 0.38%

LAB 68.89, -68.86, 60.21

 

CMYK 100 / 0 / 87 / 31

HEX #00B117

RGB 0 177 23

HSL 127.8, 1%, 0.35%

LAB 62.93, -64.86, 59.75

 

CMYK 98 / 0 / 60 / 2

HEX #05FA63

RGB 5 250 99

HSL 143.02, 0.96%, 0.5%

LAB 86.65, -79.04, 57.44

 

CMYK 98 / 0 / 87 / 2

HEX #05FA21

RGB 5 250 33

HSL 126.86, 0.96%, 0.5%

LAB 86.26, -84.04, 78.23

 

CMYK 83 / 0 / 98 / 2

HEX #2BFA05

RGB 43 250 5

HSL 110.69, 0.96%, 0.5%

LAB 86.45, -82.51, 81.87

 

CMYK 56 / 0 / 98 / 2

HEX #6DFA05

RGB 109 250 5

HSL 94.53, 0.96%, 0.5%

LAB 87.79, -71.07, 83.5

 

CMYK 30 / 0 / 98 / 2

HEX #AFFA05

RGB 175 250 5

HSL 78.37, 0.96%, 0.5%

LAB 90.55, -50.61, 86.85

 

CMYK 98 / 0 / 60 / 2

HEX #05FA63

RGB 5 250 99

HSL 143.02, 0.96%, 0.5%

LAB 86.65, -79.04, 57.44

 

CMYK 98 / 0 / 34 / 2

HEX #05FAA5

RGB 5 250 165

HSL 159.18, 0.96%, 0.5%

LAB 87.54, -68.39, 27.2

 

CMYK 98 / 0 / 8 / 2

HEX #05FAE7

RGB 5 250 231

HSL 175.35, 0.96%, 0.5%

LAB 89, -52.58, -4.8

 

CMYK 98 / 19 / 0 / 2

HEX #05CAFA

RGB 5 202 250

HSL 191.76, 0.96%, 0.5%

LAB 75.56, -24.9, -35.18

 

CMYK 98 / 46 / 0 / 2

HEX #0588FA

RGB 5 136 250

HSL 207.92, 0.96%, 0.5%

LAB 56.63, 12.03, -65.09

 

CMYK 98 / 0 / 60 / 2

HEX #05FA63

RGB 5 250 99

HSL 143.02, 0.96%, 0.5%

LAB 86.65, -79.04, 57.44

 

CMYK 98 / 0 / 60 / 2

HEX #05FA63

RGB 5 250 99

HSL 143.02, 0.96%, 0.5%

LAB 86.65, -79.04, 57.44

 

CMYK 89 / 0 / 55 / 10

HEX #1AE568

RGB 26 229 104

HSL 143.05, 0.8%, 0.5%

LAB 80.32, -71.22, 47.8

 

CMYK 78 / 0 / 48 / 18

HEX #2ED16D

RGB 46 209 109

HSL 143.19, 0.64%, 0.5%

LAB 74.37, -62.12, 38.12

 

CMYK 64 / 0 / 39 / 26

HEX #43BC72

RGB 67 188 114

HSL 143.31, 0.47%, 0.5%

LAB 68.3, -50.26, 27.81

 

CMYK 47 / 0 / 29 / 35

HEX #58A776

RGB 88 167 118

HSL 142.78, 0.31%, 0.5%

LAB 62.52, -35.65, 18

 

CMYK 83 / 0 / 98 / 2

HEX #2AFA05

RGB 42 250 5

HSL 110.94, 0.96%, 0.5%

LAB 86.44, -82.61, 81.86

 

CMYK 98 / 0 / 86 / 2

HEX #05FA22

RGB 5 250 34

HSL 127.1, 0.96%, 0.5%

LAB 86.27, -84, 78.04

 

CMYK 98 / 0 / 60 / 2

HEX #05FA63

RGB 5 250 99

HSL 143.02, 0.96%, 0.5%

LAB 86.65, -79.04, 57.44

 

CMYK 98 / 0 / 34 / 2

HEX #05FAA4

RGB 5 250 164

HSL 158.94, 0.96%, 0.5%

LAB 87.53, -68.6, 27.68

 

CMYK 98 / 0 / 8 / 2

HEX #05FAE6

RGB 5 250 230

HSL 175.1, 0.96%, 0.5%

LAB 88.98, -52.85, -4.32

 

CMYK 98 / 0 / 60 / 34

HEX #03A943

RGB 3 169 67

HSL 143.13, 0.97%, 0.34%

LAB 60.61, -58.57, 41.64

 

CMYK 98 / 0 / 60 / 18

HEX #04D153

RGB 4 209 83

HSL 143.12, 0.96%, 0.42%

LAB 73.71, -68.85, 49.52

 

CMYK 98 / 0 / 60 / 2

HEX #05FA63

RGB 5 250 99

HSL 143.02, 0.96%, 0.5%

LAB 86.65, -79.04, 57.44

 

CMYK 82 / 0 / 50 / 2

HEX #2EFB7D

RGB 46 251 125

HSL 143.12, 0.96%, 0.58%

LAB 87.51, -73.6, 46.83

 

CMYK 66 / 0 / 40 / 1

HEX #56FC96

RGB 86 252 150

HSL 143.13, 0.97%, 0.66%

LAB 88.83, -64.61, 36.58

 

CMYK 98 / 0 / 60 / 2

HEX #05F963

RGB 5 249 99

HSL 143.11, 0.96%, 0.5%

LAB 86.35, -78.75, 57.08

 

CMYK 98 / 57 / 0 / 2

HEX #056BFA

RGB 5 107 250

HSL 215.02, 0.96%, 0.5%

LAB 48.82, 30.24, -77.74

 

CMYK 0 / 98 / 96 / 2

HEX #FA0509

RGB 250 5 9

HSL 359.02, 0.96%, 0.5%

LAB 52.34, 78.63, 64.01

 

CMYK 98 / 0 / 60 / 2

HEX #05F963

RGB 5 249 99

HSL 143.11, 0.96%, 0.5%

LAB 86.35, -78.75, 57.08

 

CMYK 60 / 98 / 0 / 2

HEX #6305FA

RGB 99 5 250

HSL 263.02, 0.96%, 0.5%

LAB 37.23, 79.65, -96.7

 

CMYK 0 / 60 / 98 / 2

HEX #FA6305

RGB 250 99 5

HSL 23.02, 0.96%, 0.5%

LAB 61.01, 54.6, 69.33

 

CMYK 98 / 0 / 60 / 2

HEX #05F963

RGB 5 249 99

HSL 143.11, 0.96%, 0.5%

LAB 86.35, -78.75, 57.08

 

CMYK 98 / 57 / 0 / 2

HEX #056BFA

RGB 5 107 250

HSL 215.02, 0.96%, 0.5%

LAB 48.82, 30.24, -77.74

 

CMYK 0 / 98 / 38 / 2

HEX #FA059C

RGB 250 5 156

HSL 323.02, 0.96%, 0.5%

LAB 54.9, 85.47, -12.73

 

CMYK 0 / 41 / 98 / 2

HEX #FA9405

RGB 250 148 5

HSL 35.02, 0.96%, 0.5%

LAB 70.54, 30.74, 75.18

 

CMYK 98 / 0 / 60 / 2

HEX #05F963

RGB 5 249 99

HSL 143.11, 0.96%, 0.5%

LAB 86.35, -78.75, 57.08

 

CMYK 98 / 86 / 0 / 2

HEX #0522FA

RGB 5 34 250

HSL 232.9, 0.96%, 0.5%

LAB 34.15, 70.4, -101.97

 

CMYK 0 / 98 / 38 / 2

HEX #FA059C

RGB 250 5 156

HSL 323.02, 0.96%, 0.5%

LAB 54.9, 85.47, -12.73

 

CMYK 0 / 12 / 98 / 2

HEX #FADD05

RGB 250 221 5

HSL 52.9, 0.96%, 0.5%

LAB 87.99, -7.03, 87.27

 

Description

Color code: HEX #05F963 | qconv.com Color code: HEX #05F963 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 249 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 249 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 60 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 60% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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