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Color name
HEX #05F933

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05F933 it is the complementary color #FA06CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05F933. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05F933 shade: #0AF92E, #1BFF41, #2CFF54, #3DFF67 and #4EFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05F933. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05F933 shade: #05F933, #00E720, #00D50D, #00C300 and #00B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05F933 shade: #05FA33, #19FA05, #5BFA05, #9DFA05 and #DFFA05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05F933 shade: #05FA33, #05FA75, #05FAB7, #05FAF9 and #05B8FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05F933 shade matches the following richer shades: #05FA33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05F933 shade: #05FA33, #1AE540, #2ED14D, #43BC5A and #58A767

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05F933 shade: #5BFA05, #1AFA05, #05FA32, #05FA73 and #05FAB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05F933 shade: #03A923, #04D12B, #05FA33, #2EFB54 and #56FC75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05F933 shade: #05F933, #059CFA and #FA053A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05F933 shade: #05F933, #3205FA and #FA3205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05F933 shade: #05F933, #059CFA, #FA05CD and #FA6305

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05F933 shade: #05F933, #0553FA, #FA05CD and #FAAC05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 80 / 2

HEX #05F933

RGB 5 249 51

HSL 131.31, 0.96%, 0.5%

LAB 86.02, -82.94, 73.9

 

Complementary color

CMYK 0 / 98 / 18 / 2

HEX #FA06CC

RGB 250 6 204

HSL 311.31, 0.96%, 0.5%

LAB 56.89, 90.47, -37.61

 

CMYK 96 / 0 / 82 / 2

HEX #0AF92E

RGB 10 249 46

HSL 129.04, 0.95%, 0.51%

LAB 86.01, -83.06, 75.19

 

CMYK 89 / 0 / 75 / 0

HEX #1BFF41

RGB 27 255 65

HSL 130, 1%, 0.55%

LAB 88.03, -82.79, 71.75

 

CMYK 83 / 0 / 67 / 0

HEX #2CFF54

RGB 44 255 84

HSL 131.37, 1%, 0.59%

LAB 88.3, -79.95, 65.4

 

CMYK 76 / 0 / 60 / 0

HEX #3DFF67

RGB 61 255 103

HSL 132.99, 1%, 0.62%

LAB 88.68, -76.11, 58.18

 

CMYK 69 / 0 / 52 / 0

HEX #4EFF7A

RGB 78 255 122

HSL 134.92, 1%, 0.65%

LAB 89.18, -71.27, 50.39

 

CMYK 98 / 0 / 80 / 2

HEX #05F933

RGB 5 249 51

HSL 131.31, 0.96%, 0.5%

LAB 86.02, -82.94, 73.9

 

CMYK 100 / 0 / 86 / 9

HEX #00E720

RGB 0 231 32

HSL 128.31, 1%, 0.45%

LAB 80.32, -79.21, 73.21

 

CMYK 100 / 0 / 94 / 16

HEX #00D50D

RGB 0 213 13

HSL 123.66, 1%, 0.42%

LAB 74.58, -75, 71.33

 

CMYK 100 / 0 / 100 / 24

HEX #00C300

RGB 0 195 0

HSL 120, 1%, 0.38%

LAB 68.77, -70.43, 67.98

 

CMYK 100 / 0 / 100 / 31

HEX #00B100

RGB 0 177 0

HSL 120, 1%, 0.35%

LAB 62.88, -65.53, 63.25

 

CMYK 98 / 0 / 80 / 2

HEX #05FA33

RGB 5 250 51

HSL 131.27, 0.96%, 0.5%

LAB 86.33, -83.21, 74.19

 

CMYK 90 / 0 / 98 / 2

HEX #19FA05

RGB 25 250 5

HSL 115.1, 0.96%, 0.5%

LAB 86.3, -83.89, 81.68

 

CMYK 64 / 0 / 98 / 2

HEX #5BFA05

RGB 91 250 5

HSL 98.94, 0.96%, 0.5%

LAB 87.29, -75.19, 82.9

 

CMYK 37 / 0 / 98 / 2

HEX #9DFA05

RGB 157 250 5

HSL 82.78, 0.96%, 0.5%

LAB 89.65, -56.89, 85.76

 

CMYK 11 / 0 / 98 / 2

HEX #DFFA05

RGB 223 250 5

HSL 66.61, 0.96%, 0.5%

LAB 93.48, -32.19, 90.37

 

CMYK 98 / 0 / 80 / 2

HEX #05FA33

RGB 5 250 51

HSL 131.27, 0.96%, 0.5%

LAB 86.33, -83.21, 74.19

 

CMYK 98 / 0 / 53 / 2

HEX #05FA75

RGB 5 250 117

HSL 147.43, 0.96%, 0.5%

LAB 86.84, -76.7, 49.67

 

CMYK 98 / 0 / 27 / 2

HEX #05FAB7

RGB 5 250 183

HSL 163.59, 0.96%, 0.5%

LAB 87.88, -64.54, 18.48

 

CMYK 98 / 0 / 0 / 2

HEX #05FAF9

RGB 5 250 249

HSL 179.76, 0.96%, 0.5%

LAB 89.51, -47.55, -13.43

 

CMYK 98 / 26 / 0 / 2

HEX #05B8FA

RGB 5 184 250

HSL 196.16, 0.96%, 0.5%

LAB 70.33, -15.57, -43.33

 

CMYK 98 / 0 / 80 / 2

HEX #05FA33

RGB 5 250 51

HSL 131.27, 0.96%, 0.5%

LAB 86.33, -83.21, 74.19

 

CMYK 98 / 0 / 80 / 2

HEX #05FA33

RGB 5 250 51

HSL 131.27, 0.96%, 0.5%

LAB 86.33, -83.21, 74.19

 

CMYK 89 / 0 / 72 / 10

HEX #1AE540

RGB 26 229 64

HSL 131.23, 0.8%, 0.5%

LAB 79.97, -75.63, 63.96

 

CMYK 78 / 0 / 63 / 18

HEX #2ED14D

RGB 46 209 77

HSL 131.41, 0.64%, 0.5%

LAB 74.01, -66.47, 52.57

 

CMYK 64 / 0 / 52 / 26

HEX #43BC5A

RGB 67 188 90

HSL 131.4, 0.47%, 0.5%

LAB 67.95, -54.17, 39.59

 

CMYK 47 / 0 / 38 / 35

HEX #58A767

RGB 88 167 103

HSL 131.39, 0.31%, 0.5%

LAB 62.25, -38.44, 25.78

 

CMYK 64 / 0 / 98 / 2

HEX #5BFA05

RGB 91 250 5

HSL 98.94, 0.96%, 0.5%

LAB 87.29, -75.19, 82.9

 

CMYK 90 / 0 / 98 / 2

HEX #1AFA05

RGB 26 250 5

HSL 114.86, 0.96%, 0.5%

LAB 86.31, -83.83, 81.69

 

CMYK 98 / 0 / 80 / 2

HEX #05FA32

RGB 5 250 50

HSL 131.02, 0.96%, 0.5%

LAB 86.32, -83.26, 74.45

 

CMYK 98 / 0 / 54 / 2

HEX #05FA73

RGB 5 250 115

HSL 146.94, 0.96%, 0.5%

LAB 86.82, -76.99, 50.56

 

CMYK 98 / 0 / 28 / 2

HEX #05FAB5

RGB 5 250 181

HSL 163.1, 0.96%, 0.5%

LAB 87.84, -64.99, 19.45

 

CMYK 98 / 0 / 79 / 34

HEX #03A923

RGB 3 169 35

HSL 131.57, 0.97%, 0.34%

LAB 60.35, -61.76, 54.17

 

CMYK 98 / 0 / 79 / 18

HEX #04D12B

RGB 4 209 43

HSL 131.41, 0.96%, 0.42%

LAB 73.42, -72.55, 64.24

 

CMYK 98 / 0 / 80 / 2

HEX #05FA33

RGB 5 250 51

HSL 131.27, 0.96%, 0.5%

LAB 86.33, -83.21, 74.19

 

CMYK 82 / 0 / 67 / 2

HEX #2EFB54

RGB 46 251 84

HSL 131.12, 0.96%, 0.58%

LAB 87.1, -78.59, 64.11

 

CMYK 66 / 0 / 54 / 1

HEX #56FC75

RGB 86 252 117

HSL 131.2, 0.97%, 0.66%

LAB 88.39, -69.55, 51.77

 

CMYK 98 / 0 / 80 / 2

HEX #05F933

RGB 5 249 51

HSL 131.31, 0.96%, 0.5%

LAB 86.02, -82.94, 73.9

 

CMYK 98 / 38 / 0 / 2

HEX #059CFA

RGB 5 156 250

HSL 203.02, 0.96%, 0.5%

LAB 62.26, 0.06, -56.06

 

CMYK 0 / 98 / 77 / 2

HEX #FA053A

RGB 250 5 58

HSL 347.02, 0.96%, 0.5%

LAB 52.66, 79.49, 42.76

 

CMYK 98 / 0 / 80 / 2

HEX #05F933

RGB 5 249 51

HSL 131.31, 0.96%, 0.5%

LAB 86.02, -82.94, 73.9

 

CMYK 80 / 98 / 0 / 2

HEX #3205FA

RGB 50 5 250

HSL 251.02, 0.96%, 0.5%

LAB 33.33, 77.8, -103.31

 

CMYK 0 / 80 / 98 / 2

HEX #FA3205

RGB 250 50 5

HSL 11.02, 0.96%, 0.5%

LAB 54.67, 71.9, 66.02

 

CMYK 98 / 0 / 80 / 2

HEX #05F933

RGB 5 249 51

HSL 131.31, 0.96%, 0.5%

LAB 86.02, -82.94, 73.9

 

CMYK 98 / 38 / 0 / 2

HEX #059CFA

RGB 5 156 250

HSL 203.02, 0.96%, 0.5%

LAB 62.26, 0.06, -56.06

 

CMYK 0 / 98 / 18 / 2

HEX #FA05CD

RGB 250 5 205

HSL 311.02, 0.96%, 0.5%

LAB 56.92, 90.65, -38.15

 

CMYK 0 / 60 / 98 / 2

HEX #FA6305

RGB 250 99 5

HSL 23.02, 0.96%, 0.5%

LAB 61.01, 54.6, 69.33

 

CMYK 98 / 0 / 80 / 2

HEX #05F933

RGB 5 249 51

HSL 131.31, 0.96%, 0.5%

LAB 86.02, -82.94, 73.9

 

CMYK 98 / 67 / 0 / 2

HEX #0553FA

RGB 5 83 250

HSL 220.9, 0.96%, 0.5%

LAB 42.94, 45.35, -87.38

 

CMYK 0 / 98 / 18 / 2

HEX #FA05CD

RGB 250 5 205

HSL 311.02, 0.96%, 0.5%

LAB 56.92, 90.65, -38.15

 

CMYK 0 / 31 / 98 / 2

HEX #FAAC05

RGB 250 172 5

HSL 40.9, 0.96%, 0.5%

LAB 75.97, 18.21, 78.81

 

Description

Color code: HEX #05F933 | qconv.com Color code: HEX #05F933 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 249 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 249 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 80 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 80% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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