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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05F923 it is the complementary color #FA06DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05F923. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05F923 shade: #0AF91E, #1BFF31, #2CFF44, #3DFF57 and #4EFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05F923. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05F923 shade: #05F923, #00E710, #00D500, #00C300 and #00B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05F923 shade: #05FA23, #29FA05, #6BFA05, #ADFA05 and #EFFA05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05F923 shade: #05FA23, #05FA65, #05FAA7, #05FAE9 and #05C9FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05F923 shade matches the following richer shades: #05FA23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05F923 shade: #05FA23, #1AE533, #2ED142, #43BC52 and #58A761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05F923 shade: #6BFA05, #2AFA05, #05FA22, #05FA63 and #05FAA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05F923 shade: #03A918, #04D11E, #05FA23, #2EFB47 and #56FC6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05F923 shade: #05F923, #05ACFA and #FA054A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05F923 shade: #05F923, #2205FA and #FA2205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05F923 shade: #05F923, #05ACFA, #FA05DD and #FA5305

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05F923 shade: #05F923, #0563FA, #FA05DD and #FA9C05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 86 / 2

HEX #05F923

RGB 5 249 35

HSL 127.38, 0.96%, 0.5%

LAB 85.96, -83.7, 77.58

 

Complementary color

CMYK 0 / 98 / 12 / 2

HEX #FA06DC

RGB 250 6 220

HSL 307.38, 0.96%, 0.5%

LAB 57.68, 92.44, -45.5

 

CMYK 96 / 0 / 88 / 2

HEX #0AF91E

RGB 10 249 30

HSL 125.02, 0.95%, 0.51%

LAB 85.96, -83.74, 78.51

 

CMYK 89 / 0 / 81 / 0

HEX #1BFF31

RGB 27 255 49

HSL 125.79, 1%, 0.55%

LAB 87.96, -83.78, 76.26

 

CMYK 83 / 0 / 73 / 0

HEX #2CFF44

RGB 44 255 68

HSL 126.82, 1%, 0.59%

LAB 88.2, -81.29, 70.98

 

CMYK 76 / 0 / 66 / 0

HEX #3DFF57

RGB 61 255 87

HSL 128.04, 1%, 0.62%

LAB 88.54, -77.79, 64.57

 

CMYK 69 / 0 / 58 / 0

HEX #4EFF6A

RGB 78 255 106

HSL 129.49, 1%, 0.65%

LAB 89.01, -73.29, 57.34

 

CMYK 98 / 0 / 86 / 2

HEX #05F923

RGB 5 249 35

HSL 127.38, 0.96%, 0.5%

LAB 85.96, -83.7, 77.58

 

CMYK 100 / 0 / 93 / 9

HEX #00E710

RGB 0 231 16

HSL 124.16, 1%, 0.45%

LAB 80.29, -79.7, 75.72

 

CMYK 100 / 0 / 100 / 16

HEX #00D500

RGB 0 213 0

HSL 120, 1%, 0.42%

LAB 74.56, -75.24, 72.62

 

CMYK 100 / 0 / 100 / 24

HEX #00C300

RGB 0 195 0

HSL 120, 1%, 0.38%

LAB 68.77, -70.43, 67.98

 

CMYK 100 / 0 / 100 / 31

HEX #00B100

RGB 0 177 0

HSL 120, 1%, 0.35%

LAB 62.88, -65.53, 63.25

 

CMYK 98 / 0 / 86 / 2

HEX #05FA23

RGB 5 250 35

HSL 127.35, 0.96%, 0.5%

LAB 86.27, -83.97, 77.85

 

CMYK 84 / 0 / 98 / 2

HEX #29FA05

RGB 41 250 5

HSL 111.18, 0.96%, 0.5%

LAB 86.43, -82.7, 81.84

 

CMYK 57 / 0 / 98 / 2

HEX #6BFA05

RGB 107 250 5

HSL 95.02, 0.96%, 0.5%

LAB 87.73, -71.56, 83.43

 

CMYK 31 / 0 / 98 / 2

HEX #ADFA05

RGB 173 250 5

HSL 78.86, 0.96%, 0.5%

LAB 90.44, -51.33, 86.72

 

CMYK 4 / 0 / 98 / 2

HEX #EFFA05

RGB 239 250 5

HSL 62.69, 0.96%, 0.5%

LAB 94.62, -25.71, 91.73

 

CMYK 98 / 0 / 86 / 2

HEX #05FA23

RGB 5 250 35

HSL 127.35, 0.96%, 0.5%

LAB 86.27, -83.97, 77.85

 

CMYK 98 / 0 / 60 / 2

HEX #05FA65

RGB 5 250 101

HSL 143.51, 0.96%, 0.5%

LAB 86.67, -78.81, 56.6

 

CMYK 98 / 0 / 33 / 2

HEX #05FAA7

RGB 5 250 167

HSL 159.67, 0.96%, 0.5%

LAB 87.58, -67.99, 26.23

 

CMYK 98 / 0 / 7 / 2

HEX #05FAE9

RGB 5 250 233

HSL 175.84, 0.96%, 0.5%

LAB 89.06, -52.04, -5.76

 

CMYK 98 / 20 / 0 / 2

HEX #05C9FA

RGB 5 201 250

HSL 192, 0.96%, 0.5%

LAB 75.27, -24.4, -35.63

 

CMYK 98 / 0 / 86 / 2

HEX #05FA23

RGB 5 250 35

HSL 127.35, 0.96%, 0.5%

LAB 86.27, -83.97, 77.85

 

CMYK 98 / 0 / 86 / 2

HEX #05FA23

RGB 5 250 35

HSL 127.35, 0.96%, 0.5%

LAB 86.27, -83.97, 77.85

 

CMYK 89 / 0 / 78 / 10

HEX #1AE533

RGB 26 229 51

HSL 127.39, 0.8%, 0.5%

LAB 79.9, -76.57, 68.12

 

CMYK 78 / 0 / 68 / 18

HEX #2ED142

RGB 46 209 66

HSL 127.36, 0.64%, 0.5%

LAB 73.92, -67.6, 56.98

 

CMYK 64 / 0 / 56 / 26

HEX #43BC52

RGB 67 188 82

HSL 127.44, 0.47%, 0.5%

LAB 67.85, -55.26, 43.33

 

CMYK 47 / 0 / 42 / 35

HEX #58A761

RGB 88 167 97

HSL 126.84, 0.31%, 0.5%

LAB 62.15, -39.44, 28.85

 

CMYK 57 / 0 / 98 / 2

HEX #6BFA05

RGB 107 250 5

HSL 95.02, 0.96%, 0.5%

LAB 87.73, -71.56, 83.43

 

CMYK 83 / 0 / 98 / 2

HEX #2AFA05

RGB 42 250 5

HSL 110.94, 0.96%, 0.5%

LAB 86.44, -82.61, 81.86

 

CMYK 98 / 0 / 86 / 2

HEX #05FA22

RGB 5 250 34

HSL 127.1, 0.96%, 0.5%

LAB 86.27, -84, 78.04

 

CMYK 98 / 0 / 60 / 2

HEX #05FA63

RGB 5 250 99

HSL 143.02, 0.96%, 0.5%

LAB 86.65, -79.04, 57.44

 

CMYK 98 / 0 / 34 / 2

HEX #05FAA4

RGB 5 250 164

HSL 158.94, 0.96%, 0.5%

LAB 87.53, -68.6, 27.68

 

CMYK 98 / 0 / 86 / 34

HEX #03A918

RGB 3 169 24

HSL 127.59, 0.97%, 0.34%

LAB 60.3, -62.4, 57.18

 

CMYK 98 / 0 / 86 / 18

HEX #04D11E

RGB 4 209 30

HSL 127.61, 0.96%, 0.42%

LAB 73.36, -73.23, 67.48

 

CMYK 98 / 0 / 86 / 2

HEX #05FA23

RGB 5 250 35

HSL 127.35, 0.96%, 0.5%

LAB 86.27, -83.97, 77.85

 

CMYK 82 / 0 / 72 / 2

HEX #2EFB47

RGB 46 251 71

HSL 127.32, 0.96%, 0.58%

LAB 87.01, -79.72, 68.78

 

CMYK 66 / 0 / 58 / 1

HEX #56FC6A

RGB 86 252 106

HSL 127.23, 0.97%, 0.66%

LAB 88.28, -70.91, 56.53

 

CMYK 98 / 0 / 86 / 2

HEX #05F923

RGB 5 249 35

HSL 127.38, 0.96%, 0.5%

LAB 85.96, -83.7, 77.58

 

CMYK 98 / 31 / 0 / 2

HEX #05ACFA

RGB 5 172 250

HSL 199.1, 0.96%, 0.5%

LAB 66.85, -9.04, -48.78

 

CMYK 0 / 98 / 70 / 2

HEX #FA054A

RGB 250 5 74

HSL 343.1, 0.96%, 0.5%

LAB 52.87, 80.06, 33.69

 

CMYK 98 / 0 / 86 / 2

HEX #05F923

RGB 5 249 35

HSL 127.38, 0.96%, 0.5%

LAB 85.96, -83.7, 77.58

 

CMYK 86 / 98 / 0 / 2

HEX #2205FA

RGB 34 5 250

HSL 247.1, 0.96%, 0.5%

LAB 32.59, 77.52, -104.55

 

CMYK 0 / 86 / 98 / 2

HEX #FA2205

RGB 250 34 5

HSL 7.1, 0.96%, 0.5%

LAB 53.47, 75.33, 65.47

 

CMYK 98 / 0 / 86 / 2

HEX #05F923

RGB 5 249 35

HSL 127.38, 0.96%, 0.5%

LAB 85.96, -83.7, 77.58

 

CMYK 98 / 31 / 0 / 2

HEX #05ACFA

RGB 5 172 250

HSL 199.1, 0.96%, 0.5%

LAB 66.85, -9.04, -48.78

 

CMYK 0 / 98 / 12 / 2

HEX #FA05DD

RGB 250 5 221

HSL 307.1, 0.96%, 0.5%

LAB 57.71, 92.62, -46.02

 

CMYK 0 / 67 / 98 / 2

HEX #FA5305

RGB 250 83 5

HSL 19.1, 0.96%, 0.5%

LAB 58.53, 61.23, 67.95

 

CMYK 98 / 0 / 86 / 2

HEX #05F923

RGB 5 249 35

HSL 127.38, 0.96%, 0.5%

LAB 85.96, -83.7, 77.58

 

CMYK 98 / 60 / 0 / 2

HEX #0563FA

RGB 5 99 250

HSL 216.98, 0.96%, 0.5%

LAB 46.79, 35.33, -81.07

 

CMYK 0 / 98 / 12 / 2

HEX #FA05DD

RGB 250 5 221

HSL 307.1, 0.96%, 0.5%

LAB 57.71, 92.62, -46.02

 

CMYK 0 / 38 / 98 / 2

HEX #FA9C05

RGB 250 156 5

HSL 36.98, 0.96%, 0.5%

LAB 72.3, 26.58, 76.34

 

Description

Color code: HEX #05F923 | qconv.com Color code: HEX #05F923 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 249 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 249 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 86 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 86% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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