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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05F854 it is the complementary color #FA07AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05F854. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05F854 shade: #0AF84F, #1BFF62, #2CFF75, #3DFF88 and #4EFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05F854. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05F854 shade: #05F854, #00E641, #00D42E, #00C21B and #00B008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05F854 shade: #05FA55, #05FA13, #3AFA05, #7CFA05 and #BEFA05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05F854 shade: #05FA55, #05FA97, #05FAD9, #05D9FA and #0597FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05F854 shade matches the following richer shades: #05FA55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05F854 shade: #05FA55, #1AE55C, #2ED163, #43BC6A and #58A772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05F854 shade: #3AFA05, #05FA11, #05FA53, #05FA94 and #05FAD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05F854 shade: #03A939, #04D147, #05FA55, #2EFB70 and #56FC8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05F854 shade: #05F854, #057BFA and #FA0519

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05F854 shade: #05F854, #5305FA and #FA5305

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05F854 shade: #05F854, #057BFA, #FA05AC and #FA8405

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05F854 shade: #05F854, #0532FA, #FA05AC and #FACD05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 66 / 3

HEX #05F854

RGB 5 248 84

HSL 139.51, 0.96%, 0.5%

LAB 85.91, -80.1, 62.74

 

Complementary color

CMYK 0 / 97 / 32 / 2

HEX #FA07AB

RGB 250 7 171

HSL 319.51, 0.96%, 0.5%

LAB 55.5, 86.79, -20.65

 

CMYK 96 / 0 / 68 / 3

HEX #0AF84F

RGB 10 248 79

HSL 137.39, 0.94%, 0.51%

LAB 85.89, -80.44, 64.64

 

CMYK 89 / 0 / 62 / 0

HEX #1BFF62

RGB 27 255 98

HSL 138.68, 1%, 0.55%

LAB 88.27, -79.77, 59.73

 

CMYK 83 / 0 / 54 / 0

HEX #2CFF75

RGB 44 255 117

HSL 140.76, 1%, 0.59%

LAB 88.61, -76.18, 51.86

 

CMYK 76 / 0 / 47 / 0

HEX #3DFF88

RGB 61 255 136

HSL 143.2, 1%, 0.62%

LAB 89.06, -71.62, 43.6

 

CMYK 69 / 0 / 39 / 0

HEX #4EFF9B

RGB 78 255 155

HSL 146.1, 1%, 0.65%

LAB 89.63, -66.13, 35.13

 

CMYK 98 / 0 / 66 / 3

HEX #05F854

RGB 5 248 84

HSL 139.51, 0.96%, 0.5%

LAB 85.91, -80.1, 62.74

 

CMYK 100 / 0 / 72 / 10

HEX #00E641

RGB 0 230 65

HSL 136.96, 1%, 0.45%

LAB 80.17, -76.93, 63.77

 

CMYK 100 / 0 / 78 / 17

HEX #00D42E

RGB 0 212 46

HSL 133.02, 1%, 0.42%

LAB 74.37, -73.34, 64.26

 

CMYK 100 / 0 / 86 / 24

HEX #00C21B

RGB 0 194 27

HSL 128.35, 1%, 0.38%

LAB 68.51, -69.41, 63.82

 

CMYK 100 / 0 / 95 / 31

HEX #00B008

RGB 0 176 8

HSL 122.73, 1%, 0.35%

LAB 62.57, -65.07, 61.95

 

CMYK 98 / 0 / 66 / 2

HEX #05FA55

RGB 5 250 85

HSL 139.59, 0.96%, 0.5%

LAB 86.53, -80.57, 63.03

 

CMYK 98 / 0 / 92 / 2

HEX #05FA13

RGB 5 250 19

HSL 123.43, 0.96%, 0.5%

LAB 86.23, -84.45, 80.33

 

CMYK 77 / 0 / 98 / 2

HEX #3AFA05

RGB 58 250 5

HSL 107.02, 0.96%, 0.5%

LAB 86.64, -80.81, 82.1

 

CMYK 50 / 0 / 98 / 2

HEX #7CFA05

RGB 124 250 5

HSL 90.86, 0.96%, 0.5%

LAB 88.29, -67.1, 84.11

 

CMYK 24 / 0 / 98 / 2

HEX #BEFA05

RGB 190 250 5

HSL 74.69, 0.96%, 0.5%

LAB 91.38, -45.07, 87.85

 

CMYK 98 / 0 / 66 / 2

HEX #05FA55

RGB 5 250 85

HSL 139.59, 0.96%, 0.5%

LAB 86.53, -80.57, 63.03

 

CMYK 98 / 0 / 40 / 2

HEX #05FA97

RGB 5 250 151

HSL 155.76, 0.96%, 0.5%

LAB 87.31, -71.12, 33.91

 

CMYK 98 / 0 / 13 / 2

HEX #05FAD9

RGB 5 250 217

HSL 171.92, 0.96%, 0.5%

LAB 88.64, -56.3, 1.97

 

CMYK 98 / 13 / 0 / 2

HEX #05D9FA

RGB 5 217 250

HSL 188.08, 0.96%, 0.5%

LAB 79.93, -32.27, -28.45

 

CMYK 98 / 40 / 0 / 2

HEX #0597FA

RGB 5 151 250

HSL 204.24, 0.96%, 0.5%

LAB 60.84, 3, -58.33

 

CMYK 98 / 0 / 66 / 2

HEX #05FA55

RGB 5 250 85

HSL 139.59, 0.96%, 0.5%

LAB 86.53, -80.57, 63.03

 

CMYK 98 / 0 / 66 / 2

HEX #05FA55

RGB 5 250 85

HSL 139.59, 0.96%, 0.5%

LAB 86.53, -80.57, 63.03

 

CMYK 89 / 0 / 60 / 10

HEX #1AE55C

RGB 26 229 92

HSL 139.51, 0.8%, 0.5%

LAB 80.2, -72.79, 53.06

 

CMYK 78 / 0 / 53 / 18

HEX #2ED163

RGB 46 209 99

HSL 139.51, 0.64%, 0.5%

LAB 74.24, -63.66, 42.83

 

CMYK 64 / 0 / 44 / 26

HEX #43BC6A

RGB 67 188 106

HSL 139.34, 0.47%, 0.5%

LAB 68.17, -51.67, 31.8

 

CMYK 47 / 0 / 32 / 35

HEX #58A772

RGB 88 167 114

HSL 139.75, 0.31%, 0.5%

LAB 62.45, -36.43, 20.09

 

CMYK 77 / 0 / 98 / 2

HEX #3AFA05

RGB 58 250 5

HSL 107.02, 0.96%, 0.5%

LAB 86.64, -80.81, 82.1

 

CMYK 98 / 0 / 93 / 2

HEX #05FA11

RGB 5 250 17

HSL 122.94, 0.96%, 0.5%

LAB 86.23, -84.49, 80.55

 

CMYK 98 / 0 / 67 / 2

HEX #05FA53

RGB 5 250 83

HSL 139.1, 0.96%, 0.5%

LAB 86.52, -80.76, 63.79

 

CMYK 98 / 0 / 41 / 2

HEX #05FA94

RGB 5 250 148

HSL 155.02, 0.96%, 0.5%

LAB 87.26, -71.67, 35.34

 

CMYK 98 / 0 / 15 / 2

HEX #05FAD5

RGB 5 250 213

HSL 170.94, 0.96%, 0.5%

LAB 88.55, -57.33, 3.9

 

CMYK 98 / 0 / 66 / 34

HEX #03A939

RGB 3 169 57

HSL 139.52, 0.97%, 0.34%

LAB 60.51, -59.79, 46.03

 

CMYK 98 / 0 / 66 / 18

HEX #04D147

RGB 4 209 71

HSL 139.61, 0.96%, 0.42%

LAB 73.6, -70.22, 54.53

 

CMYK 98 / 0 / 66 / 2

HEX #05FA55

RGB 5 250 85

HSL 139.59, 0.96%, 0.5%

LAB 86.53, -80.57, 63.03

 

CMYK 82 / 0 / 55 / 2

HEX #2EFB70

RGB 46 251 112

HSL 139.32, 0.96%, 0.58%

LAB 87.36, -75.42, 52.63

 

CMYK 66 / 0 / 44 / 1

HEX #56FC8C

RGB 86 252 140

HSL 139.52, 0.97%, 0.66%

LAB 88.68, -66.25, 41.29

 

CMYK 98 / 0 / 66 / 3

HEX #05F854

RGB 5 248 84

HSL 139.51, 0.96%, 0.5%

LAB 85.91, -80.1, 62.74

 

CMYK 98 / 51 / 0 / 2

HEX #057BFA

RGB 5 123 250

HSL 211.1, 0.96%, 0.5%

LAB 53.06, 20.11, -70.85

 

CMYK 0 / 98 / 90 / 2

HEX #FA0519

RGB 250 5 25

HSL 355.1, 0.96%, 0.5%

LAB 52.4, 78.78, 58.99

 

CMYK 98 / 0 / 66 / 3

HEX #05F854

RGB 5 248 84

HSL 139.51, 0.96%, 0.5%

LAB 85.91, -80.1, 62.74

 

CMYK 67 / 98 / 0 / 2

HEX #5305FA

RGB 83 5 250

HSL 259.1, 0.96%, 0.5%

LAB 35.69, 78.86, -99.3

 

CMYK 0 / 67 / 98 / 2

HEX #FA5305

RGB 250 83 5

HSL 19.1, 0.96%, 0.5%

LAB 58.53, 61.23, 67.95

 

CMYK 98 / 0 / 66 / 3

HEX #05F854

RGB 5 248 84

HSL 139.51, 0.96%, 0.5%

LAB 85.91, -80.1, 62.74

 

CMYK 98 / 51 / 0 / 2

HEX #057BFA

RGB 5 123 250

HSL 211.1, 0.96%, 0.5%

LAB 53.06, 20.11, -70.85

 

CMYK 0 / 98 / 31 / 2

HEX #FA05AC

RGB 250 5 172

HSL 319.1, 0.96%, 0.5%

LAB 55.49, 87.02, -21.25

 

CMYK 0 / 47 / 98 / 2

HEX #FA8405

RGB 250 132 5

HSL 31.1, 0.96%, 0.5%

LAB 67.15, 38.92, 73.02

 

CMYK 98 / 0 / 66 / 3

HEX #05F854

RGB 5 248 84

HSL 139.51, 0.96%, 0.5%

LAB 85.91, -80.1, 62.74

 

CMYK 98 / 80 / 0 / 2

HEX #0532FA

RGB 5 50 250

HSL 228.98, 0.96%, 0.5%

LAB 36.4, 63.7, -98.22

 

CMYK 0 / 98 / 31 / 2

HEX #FA05AC

RGB 250 5 172

HSL 319.1, 0.96%, 0.5%

LAB 55.49, 87.02, -21.25

 

CMYK 0 / 18 / 98 / 2

HEX #FACD05

RGB 250 205 5

HSL 48.98, 0.96%, 0.5%

LAB 83.96, 1.07, 84.38

 

Description

Color code: HEX #05F854 | qconv.com Color code: HEX #05F854 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 248 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 248 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 66 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 66% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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