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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05F5E8 it is the complementary color #FA0A17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05F5E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05F5E8 shade: #0AF5E3, #1BFFF6, #2CFFFF, #3DFFFF and #4EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05F5E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05F5E8 shade: #05F5E8, #00E3D5, #00D1C2, #00BFAF and #00AD9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05F5E8 shade: #04F4E7, #04F4A7, #04F466, #04F425 and #24F404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05F5E8 shade: #04F4E7, #04C1F4, #0480F4, #043FF4 and #0404F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05F5E8 shade matches the following richer shades: #04F4E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05F5E8 shade: #04F4E7, #19E0D5, #2DCCC3, #41B8B1 and #55A49F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05F5E8 shade: #04F464, #04F4A4, #04F4E4, #04C4F4 and #0484F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05F5E8 shade: #03A49B, #04CCC1, #04F4E7, #28FAEF and #50FBF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05F5E8 shade: #05F5E8, #2404F4 and #F48404

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05F5E8 shade: #05F5E8, #E404F4 and #F4E404

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05F5E8 shade: #05F5E8, #2404F4, #F40414 and #D4F404

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05F5E8 shade: #05F5E8, #6C04F4, #F40414 and #8CF404

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 5 / 4

HEX #05F5E8

RGB 5 245 232

HSL 176.75, 0.96%, 0.49%

LAB 87.56, -50.23, -7.45

 

Complementary color

CMYK 0 / 96 / 91 / 2

HEX #FA0A17

RGB 250 10 23

HSL 356.75, 0.96%, 0.51%

LAB 52.51, 78.41, 59.83

 

CMYK 96 / 0 / 7 / 4

HEX #0AF5E3

RGB 10 245 227

HSL 175.4, 0.92%, 0.5%

LAB 87.44, -51.5, -5.01

 

CMYK 89 / 0 / 4 / 0

HEX #1BFFF6

RGB 27 255 246

HSL 177.63, 1%, 0.55%

LAB 90.97, -49.91, -9.68

 

CMYK 83 / 0 / 0 / 0

HEX #2CFFFF

RGB 44 255 255

HSL 180, 1%, 0.59%

LAB 91.36, -46.48, -13.75

 

CMYK 76 / 0 / 0 / 0

HEX #3DFFFF

RGB 61 255 255

HSL 180, 1%, 0.62%

LAB 91.56, -45.14, -13.42

 

CMYK 69 / 0 / 0 / 0

HEX #4EFFFF

RGB 78 255 255

HSL 180, 1%, 0.65%

LAB 91.85, -43.33, -12.97

 

CMYK 98 / 0 / 5 / 4

HEX #05F5E8

RGB 5 245 232

HSL 176.75, 0.96%, 0.49%

LAB 87.56, -50.23, -7.45

 

CMYK 100 / 0 / 6 / 11

HEX #00E3D5

RGB 0 227 213

HSL 176.3, 1%, 0.45%

LAB 81.7, -48.05, -6.12

 

CMYK 100 / 0 / 7 / 18

HEX #00D1C2

RGB 0 209 194

HSL 175.69, 1%, 0.41%

LAB 75.76, -45.74, -4.73

 

CMYK 100 / 0 / 8 / 25

HEX #00BFAF

RGB 0 191 175

HSL 174.97, 1%, 0.37%

LAB 69.72, -43.39, -3.31

 

CMYK 100 / 0 / 10 / 32

HEX #00AD9C

RGB 0 173 156

HSL 174.1, 1%, 0.34%

LAB 63.58, -41.01, -1.83

 

CMYK 98 / 0 / 5 / 4

HEX #04F4E7

RGB 4 244 231

HSL 176.75, 0.97%, 0.49%

LAB 87.24, -50.1, -7.4

 

CMYK 98 / 0 / 32 / 4

HEX #04F4A7

RGB 4 244 167

HSL 160.75, 0.97%, 0.49%

LAB 85.76, -65.9, 23.75

 

CMYK 98 / 0 / 58 / 4

HEX #04F466

RGB 4 244 102

HSL 144.5, 0.97%, 0.49%

LAB 84.84, -76.94, 54.03

 

CMYK 98 / 0 / 85 / 4

HEX #04F425

RGB 4 244 37

HSL 128.25, 0.97%, 0.49%

LAB 84.41, -82.33, 75.81

 

CMYK 85 / 0 / 98 / 4

HEX #24F404

RGB 36 244 4

HSL 112, 0.97%, 0.49%

LAB 84.53, -81.53, 80.36

 

CMYK 98 / 0 / 5 / 4

HEX #04F4E7

RGB 4 244 231

HSL 176.75, 0.97%, 0.49%

LAB 87.24, -50.1, -7.4

 

CMYK 98 / 21 / 0 / 4

HEX #04C1F4

RGB 4 193 244

HSL 192.75, 0.97%, 0.49%

LAB 72.69, -22.39, -36.4

 

CMYK 98 / 48 / 0 / 4

HEX #0480F4

RGB 4 128 244

HSL 209, 0.97%, 0.49%

LAB 54.02, 14.64, -65.96

 

CMYK 98 / 74 / 0 / 4

HEX #043FF4

RGB 4 63 244

HSL 225.25, 0.97%, 0.49%

LAB 38.04, 55.02, -92.11

 

CMYK 98 / 98 / 0 / 4

HEX #0404F4

RGB 4 4 244

HSL 240, 0.97%, 0.49%

LAB 30.98, 75.97, -103.87

 

CMYK 98 / 0 / 5 / 4

HEX #04F4E7

RGB 4 244 231

HSL 176.75, 0.97%, 0.49%

LAB 87.24, -50.1, -7.4

 

CMYK 98 / 0 / 5 / 4

HEX #04F4E7

RGB 4 244 231

HSL 176.75, 0.97%, 0.49%

LAB 87.24, -50.1, -7.4

 

CMYK 89 / 0 / 5 / 12

HEX #19E0D5

RGB 25 224 213

HSL 176.68, 0.8%, 0.49%

LAB 80.92, -45.99, -7.26

 

CMYK 78 / 0 / 4 / 20

HEX #2DCCC3

RGB 45 204 195

HSL 176.6, 0.64%, 0.49%

LAB 74.63, -40.9, -6.91

 

CMYK 65 / 0 / 4 / 28

HEX #41B8B1

RGB 65 184 177

HSL 176.47, 0.48%, 0.49%

LAB 68.45, -34.27, -6.2

 

CMYK 48 / 0 / 3 / 36

HEX #55A49F

RGB 85 164 159

HSL 176.2, 0.32%, 0.49%

LAB 62.5, -25.51, -4.92

 

CMYK 98 / 0 / 59 / 4

HEX #04F464

RGB 4 244 100

HSL 144, 0.97%, 0.49%

LAB 84.82, -77.19, 54.88

 

CMYK 98 / 0 / 33 / 4

HEX #04F4A4

RGB 4 244 164

HSL 160, 0.97%, 0.49%

LAB 85.71, -66.53, 25.21

 

CMYK 98 / 0 / 7 / 4

HEX #04F4E4

RGB 4 244 228

HSL 176, 0.97%, 0.49%

LAB 87.16, -50.94, -5.95

 

CMYK 98 / 20 / 0 / 4

HEX #04C4F4

RGB 4 196 244

HSL 192, 0.97%, 0.49%

LAB 73.57, -23.91, -35.04

 

CMYK 98 / 46 / 0 / 4

HEX #0484F4

RGB 4 132 244

HSL 208, 0.97%, 0.49%

LAB 55.13, 12.16, -64.17

 

CMYK 98 / 0 / 5 / 36

HEX #03A49B

RGB 3 164 155

HSL 176.65, 0.96%, 0.33%

LAB 60.73, -37.19, -5.47

 

CMYK 98 / 0 / 5 / 20

HEX #04CCC1

RGB 4 204 193

HSL 176.7, 0.96%, 0.41%

LAB 74.23, -43.75, -6.45

 

CMYK 98 / 0 / 5 / 4

HEX #04F4E7

RGB 4 244 231

HSL 176.75, 0.97%, 0.49%

LAB 87.24, -50.1, -7.4

 

CMYK 84 / 0 / 4 / 2

HEX #28FAEF

RGB 40 250 239

HSL 176.86, 0.95%, 0.57%

LAB 89.42, -49.05, -8.33

 

CMYK 68 / 0 / 4 / 2

HEX #50FBF2

RGB 80 251 242

HSL 176.84, 0.96%, 0.65%

LAB 90.37, -44.82, -8.41

 

CMYK 98 / 0 / 5 / 4

HEX #05F5E8

RGB 5 245 232

HSL 176.75, 0.96%, 0.49%

LAB 87.56, -50.23, -7.45

 

CMYK 85 / 98 / 0 / 4

HEX #2404F4

RGB 36 4 244

HSL 248, 0.97%, 0.49%

LAB 31.79, 76.26, -102.5

 

CMYK 0 / 46 / 98 / 4

HEX #F48404

RGB 244 132 4

HSL 32, 0.97%, 0.49%

LAB 66.32, 36.52, 72.22

 

CMYK 98 / 0 / 5 / 4

HEX #05F5E8

RGB 5 245 232

HSL 176.75, 0.96%, 0.49%

LAB 87.56, -50.23, -7.45

 

CMYK 7 / 98 / 0 / 4

HEX #E404F4

RGB 228 4 244

HSL 296, 0.97%, 0.49%

LAB 55.19, 92.34, -63.2

 

CMYK 0 / 7 / 98 / 4

HEX #F4E404

RGB 244 228 4

HSL 56, 0.97%, 0.49%

LAB 89.27, -13.05, 88.04

 

CMYK 98 / 0 / 5 / 4

HEX #05F5E8

RGB 5 245 232

HSL 176.75, 0.96%, 0.49%

LAB 87.56, -50.23, -7.45

 

CMYK 85 / 98 / 0 / 4

HEX #2404F4

RGB 36 4 244

HSL 248, 0.97%, 0.49%

LAB 31.79, 76.26, -102.5

 

CMYK 0 / 98 / 92 / 4

HEX #F40414

RGB 244 4 20

HSL 356, 0.97%, 0.49%

LAB 51.12, 77.35, 59.45

 

CMYK 13 / 0 / 98 / 4

HEX #D4F404

RGB 212 244 4

HSL 68, 0.97%, 0.49%

LAB 91.1, -33.86, 88.32

 

CMYK 98 / 0 / 5 / 4

HEX #05F5E8

RGB 5 245 232

HSL 176.75, 0.96%, 0.49%

LAB 87.56, -50.23, -7.45

 

CMYK 56 / 98 / 0 / 4

HEX #6C04F4

RGB 108 4 244

HSL 266, 0.97%, 0.49%

LAB 37.49, 78.99, -92.85

 

CMYK 0 / 98 / 92 / 4

HEX #F40414

RGB 244 4 20

HSL 356, 0.97%, 0.49%

LAB 51.12, 77.35, 59.45

 

CMYK 43 / 0 / 98 / 4

HEX #8CF404

RGB 140 244 4

HSL 86, 0.97%, 0.49%

LAB 87.14, -60.16, 83.54

 

Description

Color code: HEX #05F5E8 | qconv.com Color code: HEX #05F5E8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 245 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 245 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 5 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 5% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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