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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05F55D it is the complementary color #FA0AA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05F55D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05F55D shade: #0AF558, #1BFF6B, #2CFF7E, #3DFF91 and #4EFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05F55D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05F55D shade: #05F55D, #00E34A, #00D137, #00BF24 and #00AD11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05F55D shade: #05F55D, #05F51C, #2EF505, #6FF505 and #B0F505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05F55D shade: #05F55D, #05F59E, #05F5DE, #05CBF5 and #058AF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05F55D shade matches the following richer shades: #05F55D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05F55D shade: #05F55D, #19E162, #2DCC68, #42B86D and #56A473

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05F55D shade: #2DF505, #05F51D, #05F55D, #05F59D and #05F5DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05F55D shade: #03A43E, #04CC4E, #05F55D, #29FB76 and #51FB8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05F55D shade: #05F55D, #056DF5 and #F5050D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05F55D shade: #05F55D, #5D05F5 and #F55D05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05F55D shade: #05F55D, #056DF5, #F5059D and #F58D05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05F55D shade: #05F55D, #0525F5, #F5059D and #F5D505

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 62 / 4

HEX #05F55D

RGB 5 245 93

HSL 142, 0.96%, 0.49%

LAB 85.06, -78.29, 58.16

 

Complementary color

CMYK 0 / 96 / 35 / 2

HEX #FA0AA2

RGB 250 10 162

HSL 322, 0.96%, 0.51%

LAB 55.23, 85.71, -15.78

 

CMYK 96 / 0 / 64 / 4

HEX #0AF558

RGB 10 245 88

HSL 139.91, 0.92%, 0.5%

LAB 85.03, -78.69, 60.19

 

CMYK 89 / 0 / 58 / 0

HEX #1BFF6B

RGB 27 255 107

HSL 141.05, 1%, 0.55%

LAB 88.36, -78.71, 55.98

 

CMYK 83 / 0 / 51 / 0

HEX #2CFF7E

RGB 44 255 126

HSL 143.32, 1%, 0.59%

LAB 88.71, -74.91, 47.85

 

CMYK 76 / 0 / 43 / 0

HEX #3DFF91

RGB 61 255 145

HSL 145.98, 1%, 0.62%

LAB 89.18, -70.16, 39.41

 

CMYK 69 / 0 / 36 / 0

HEX #4EFFA4

RGB 78 255 164

HSL 149.15, 1%, 0.65%

LAB 89.78, -64.5, 30.84

 

CMYK 98 / 0 / 62 / 4

HEX #05F55D

RGB 5 245 93

HSL 142, 0.96%, 0.49%

LAB 85.06, -78.29, 58.16

 

CMYK 100 / 0 / 67 / 11

HEX #00E34A

RGB 0 227 74

HSL 139.56, 1%, 0.45%

LAB 79.29, -75.27, 59.49

 

CMYK 100 / 0 / 74 / 18

HEX #00D137

RGB 0 209 55

HSL 135.79, 1%, 0.41%

LAB 73.47, -71.85, 60.45

 

CMYK 100 / 0 / 81 / 25

HEX #00BF24

RGB 0 191 36

HSL 131.31, 1%, 0.37%

LAB 67.57, -68.11, 60.71

 

CMYK 100 / 0 / 90 / 32

HEX #00AD11

RGB 0 173 17

HSL 125.9, 1%, 0.34%

LAB 61.59, -63.98, 59.78

 

CMYK 98 / 0 / 62 / 4

HEX #05F55D

RGB 5 245 93

HSL 142, 0.96%, 0.49%

LAB 85.06, -78.29, 58.16

 

CMYK 98 / 0 / 89 / 4

HEX #05F51C

RGB 5 245 28

HSL 125.75, 0.96%, 0.49%

LAB 84.7, -82.9, 77.76

 

CMYK 81 / 0 / 98 / 4

HEX #2EF505

RGB 46 245 5

HSL 109.75, 0.96%, 0.49%

LAB 84.94, -80.84, 80.66

 

CMYK 55 / 0 / 98 / 4

HEX #6FF505

RGB 111 245 5

HSL 93.5, 0.96%, 0.49%

LAB 86.35, -68.89, 82.39

 

CMYK 28 / 0 / 98 / 4

HEX #B0F505

RGB 176 245 5

HSL 77.25, 0.96%, 0.49%

LAB 89.18, -48.17, 85.81

 

CMYK 98 / 0 / 62 / 4

HEX #05F55D

RGB 5 245 93

HSL 142, 0.96%, 0.49%

LAB 85.06, -78.29, 58.16

 

CMYK 98 / 0 / 36 / 4

HEX #05F59E

RGB 5 245 158

HSL 158.25, 0.96%, 0.49%

LAB 85.91, -68.08, 28.53

 

CMYK 98 / 0 / 9 / 4

HEX #05F5DE

RGB 5 245 222

HSL 174.25, 0.96%, 0.49%

LAB 87.3, -52.96, -2.61

 

CMYK 98 / 17 / 0 / 4

HEX #05CBF5

RGB 5 203 245

HSL 190.5, 0.96%, 0.49%

LAB 75.66, -27.07, -32.34

 

CMYK 98 / 44 / 0 / 4

HEX #058AF5

RGB 5 138 245

HSL 206.75, 0.96%, 0.49%

LAB 56.88, 8.89, -61.92

 

CMYK 98 / 0 / 62 / 4

HEX #05F55D

RGB 5 245 93

HSL 142, 0.96%, 0.49%

LAB 85.06, -78.29, 58.16

 

CMYK 98 / 0 / 62 / 4

HEX #05F55D

RGB 5 245 93

HSL 142, 0.96%, 0.49%

LAB 85.06, -78.29, 58.16

 

CMYK 89 / 0 / 56 / 12

HEX #19E162

RGB 25 225 98

HSL 141.9, 0.8%, 0.49%

LAB 79.01, -70.86, 48.98

 

CMYK 78 / 0 / 49 / 20

HEX #2DCC68

RGB 45 204 104

HSL 142.26, 0.64%, 0.49%

LAB 72.72, -61.32, 38.52

 

CMYK 64 / 0 / 41 / 28

HEX #42B86D

RGB 66 184 109

HSL 141.86, 0.47%, 0.49%

LAB 66.93, -49.79, 28.63

 

CMYK 48 / 0 / 30 / 36

HEX #56A473

RGB 86 164 115

HSL 142.31, 0.31%, 0.49%

LAB 61.45, -35.43, 18.17

 

CMYK 82 / 0 / 98 / 4

HEX #2DF505

RGB 45 245 5

HSL 110, 0.96%, 0.49%

LAB 84.93, -80.95, 80.65

 

CMYK 98 / 0 / 88 / 4

HEX #05F51D

RGB 5 245 29

HSL 126, 0.96%, 0.49%

LAB 84.7, -82.87, 77.59

 

CMYK 98 / 0 / 62 / 4

HEX #05F55D

RGB 5 245 93

HSL 142, 0.96%, 0.49%

LAB 85.06, -78.29, 58.16

 

CMYK 98 / 0 / 36 / 4

HEX #05F59D

RGB 5 245 157

HSL 158, 0.96%, 0.49%

LAB 85.89, -68.28, 29.02

 

CMYK 98 / 0 / 10 / 4

HEX #05F5DD

RGB 5 245 221

HSL 174, 0.96%, 0.49%

LAB 87.27, -53.23, -2.13

 

CMYK 98 / 0 / 62 / 36

HEX #03A43E

RGB 3 164 62

HSL 141.99, 0.96%, 0.33%

LAB 58.9, -57.64, 42

 

CMYK 98 / 0 / 62 / 20

HEX #04CC4E

RGB 4 204 78

HSL 142.2, 0.96%, 0.41%

LAB 72.07, -67.95, 49.85

 

CMYK 98 / 0 / 62 / 4

HEX #05F55D

RGB 5 245 93

HSL 142, 0.96%, 0.49%

LAB 85.06, -78.29, 58.16

 

CMYK 84 / 0 / 53 / 2

HEX #29FB76

RGB 41 251 118

HSL 142, 0.96%, 0.57%

LAB 87.37, -75.05, 49.91

 

CMYK 68 / 0 / 43 / 2

HEX #51FB8F

RGB 81 251 143

HSL 141.88, 0.96%, 0.65%

LAB 88.32, -66.26, 39.34

 

CMYK 98 / 0 / 62 / 4

HEX #05F55D

RGB 5 245 93

HSL 142, 0.96%, 0.49%

LAB 85.06, -78.29, 58.16

 

CMYK 98 / 56 / 0 / 4

HEX #056DF5

RGB 5 109 245

HSL 214, 0.96%, 0.49%

LAB 48.96, 27.05, -74.73

 

CMYK 0 / 98 / 95 / 4

HEX #F5050D

RGB 245 5 13

HSL 358, 0.96%, 0.49%

LAB 51.32, 77.45, 61.91

 

CMYK 98 / 0 / 62 / 4

HEX #05F55D

RGB 5 245 93

HSL 142, 0.96%, 0.49%

LAB 85.06, -78.29, 58.16

 

CMYK 62 / 98 / 0 / 4

HEX #5D05F5

RGB 93 5 245

HSL 262, 0.96%, 0.49%

LAB 36.04, 78.21, -95.88

 

CMYK 0 / 62 / 98 / 4

HEX #F55D05

RGB 245 93 5

HSL 22, 0.96%, 0.49%

LAB 59.21, 55.45, 67.87

 

CMYK 98 / 0 / 62 / 4

HEX #05F55D

RGB 5 245 93

HSL 142, 0.96%, 0.49%

LAB 85.06, -78.29, 58.16

 

CMYK 98 / 56 / 0 / 4

HEX #056DF5

RGB 5 109 245

HSL 214, 0.96%, 0.49%

LAB 48.96, 27.05, -74.73

 

CMYK 0 / 98 / 36 / 4

HEX #F5059D

RGB 245 5 157

HSL 322, 0.96%, 0.49%

LAB 53.98, 84.56, -14.8

 

CMYK 0 / 42 / 98 / 4

HEX #F58D05

RGB 245 141 5

HSL 34, 0.96%, 0.49%

LAB 68.37, 32.32, 73.46

 

CMYK 98 / 0 / 62 / 4

HEX #05F55D

RGB 5 245 93

HSL 142, 0.96%, 0.49%

LAB 85.06, -78.29, 58.16

 

CMYK 98 / 85 / 0 / 4

HEX #0525F5

RGB 5 37 245

HSL 232, 0.96%, 0.49%

LAB 33.87, 67.87, -99.61

 

CMYK 0 / 98 / 36 / 4

HEX #F5059D

RGB 245 5 157

HSL 322, 0.96%, 0.49%

LAB 53.98, 84.56, -14.8

 

CMYK 0 / 13 / 98 / 4

HEX #F5D505

RGB 245 213 5

HSL 52, 0.96%, 0.49%

LAB 85.51, -5.13, 85.27

 

Description

Color code: HEX #05F55D | qconv.com Color code: HEX #05F55D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 245 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 245 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 62 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 62% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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