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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05ECCF it is the complementary color #FA1330. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05ECCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05ECCF shade: #0AECCA, #1BFEDD, #2CFFF0, #3DFFFF and #4EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05ECCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05ECCF shade: #05ECCF, #00DABC, #00C8A9, #00B696 and #00A483

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05ECCF shade: #05EBCE, #05EB90, #05EB52, #05EB14 and #34EB05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05ECCF shade: #05EBCE, #05CAEB, #058CEB, #054EEB and #0510EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05ECCF shade matches the following richer shades: #05EBCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05ECCF shade: #05EBCE, #18D8C0, #2CC4B1, #3FB1A2 and #529D94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05ECCF shade: #05EB51, #05EB8F, #05EBCC, #05CCEB and #058FEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05ECCF shade: #039A87, #04C2AB, #05EBCE, #1FFADF and #47FBE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05ECCF shade: #05ECCF, #1405EB and #EB7005

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05ECCF shade: #05ECCF, #CC05EB and #EBCC05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05ECCF shade: #05ECCF, #1405EB, #EB0523 and #DCEB05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05ECCF shade: #05ECCF, #5905EB, #EB0523 and #97EB05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 12 / 7

HEX #05ECCF

RGB 5 236 207

HSL 172.47, 0.96%, 0.47%

LAB 84.24, -53.3, 0.78

 

Complementary color

CMYK 0 / 92 / 81 / 2

HEX #FA1330

RGB 250 19 48

HSL 352.47, 0.96%, 0.53%

LAB 52.95, 78.08, 48.57

 

CMYK 96 / 0 / 14 / 7

HEX #0AECCA

RGB 10 236 202

HSL 170.97, 0.92%, 0.48%

LAB 84.13, -54.48, 3.26

 

CMYK 89 / 0 / 13 / 0

HEX #1BFEDD

RGB 27 254 221

HSL 171.28, 0.99%, 0.55%

LAB 90.02, -56.2, 1.89

 

CMYK 83 / 0 / 6 / 0

HEX #2CFFF0

RGB 44 255 240

HSL 175.73, 1%, 0.59%

LAB 90.94, -50.62, -6.6

 

CMYK 76 / 0 / 0 / 0

HEX #3DFFFF

RGB 61 255 255

HSL 180, 1%, 0.62%

LAB 91.56, -45.14, -13.42

 

CMYK 69 / 0 / 0 / 0

HEX #4EFFFF

RGB 78 255 255

HSL 180, 1%, 0.65%

LAB 91.85, -43.33, -12.97

 

CMYK 98 / 0 / 12 / 7

HEX #05ECCF

RGB 5 236 207

HSL 172.47, 0.96%, 0.47%

LAB 84.24, -53.3, 0.78

 

CMYK 100 / 0 / 14 / 15

HEX #00DABC

RGB 0 218 188

HSL 171.74, 1%, 0.43%

LAB 78.33, -51.14, 2.25

 

CMYK 100 / 0 / 16 / 22

HEX #00C8A9

RGB 0 200 169

HSL 170.7, 1%, 0.39%

LAB 72.34, -48.83, 3.79

 

CMYK 100 / 0 / 18 / 29

HEX #00B696

RGB 0 182 150

HSL 169.45, 1%, 0.36%

LAB 66.26, -46.48, 5.39

 

CMYK 100 / 0 / 20 / 36

HEX #00A483

RGB 0 164 131

HSL 167.93, 1%, 0.32%

LAB 60.06, -44.09, 7.06

 

CMYK 98 / 0 / 12 / 8

HEX #05EBCE

RGB 5 235 206

HSL 172.43, 0.96%, 0.47%

LAB 83.92, -53.15, 0.84

 

CMYK 98 / 0 / 39 / 8

HEX #05EB90

RGB 5 235 144

HSL 156.26, 0.96%, 0.47%

LAB 82.63, -67.4, 31.22

 

CMYK 98 / 0 / 65 / 8

HEX #05EB52

RGB 5 235 82

HSL 140.09, 0.96%, 0.47%

LAB 81.87, -76.59, 59.13

 

CMYK 98 / 0 / 91 / 8

HEX #05EB14

RGB 5 235 20

HSL 123.91, 0.96%, 0.47%

LAB 81.57, -80.5, 76.3

 

CMYK 78 / 0 / 98 / 8

HEX #34EB05

RGB 52 235 5

HSL 107.74, 0.96%, 0.47%

LAB 81.92, -77.35, 78.26

 

CMYK 98 / 0 / 12 / 8

HEX #05EBCE

RGB 5 235 206

HSL 172.43, 0.96%, 0.47%

LAB 83.92, -53.15, 0.84

 

CMYK 98 / 14 / 0 / 8

HEX #05CAEB

RGB 5 202 235

HSL 188.61, 0.96%, 0.47%

LAB 75, -29.86, -27.99

 

CMYK 98 / 40 / 0 / 8

HEX #058CEB

RGB 5 140 235

HSL 204.78, 0.96%, 0.47%

LAB 56.87, 3.85, -56.4

 

CMYK 98 / 67 / 0 / 8

HEX #054EEB

RGB 5 78 235

HSL 220.96, 0.96%, 0.47%

LAB 40.38, 42.97, -83.18

 

CMYK 98 / 93 / 0 / 8

HEX #0510EB

RGB 5 16 235

HSL 237.13, 0.96%, 0.47%

LAB 30.4, 71.64, -99.73

 

CMYK 98 / 0 / 12 / 8

HEX #05EBCE

RGB 5 235 206

HSL 172.43, 0.96%, 0.47%

LAB 83.92, -53.15, 0.84

 

CMYK 98 / 0 / 12 / 8

HEX #05EBCE

RGB 5 235 206

HSL 172.43, 0.96%, 0.47%

LAB 83.92, -53.15, 0.84

 

CMYK 89 / 0 / 11 / 15

HEX #18D8C0

RGB 24 216 192

HSL 172.5, 0.8%, 0.47%

LAB 77.94, -48.43, -0.44

 

CMYK 78 / 0 / 10 / 23

HEX #2CC4B1

RGB 44 196 177

HSL 172.5, 0.63%, 0.47%

LAB 71.68, -42.45, -1.48

 

CMYK 64 / 0 / 8 / 31

HEX #3FB1A2

RGB 63 177 162

HSL 172.11, 0.48%, 0.47%

LAB 65.83, -35.42, -1.76

 

CMYK 48 / 0 / 6 / 38

HEX #529D94

RGB 82 157 148

HSL 172.8, 0.31%, 0.47%

LAB 59.93, -25.58, -2.51

 

CMYK 98 / 0 / 66 / 8

HEX #05EB51

RGB 5 235 81

HSL 139.83, 0.96%, 0.47%

LAB 81.86, -76.7, 59.52

 

CMYK 98 / 0 / 39 / 8

HEX #05EB8F

RGB 5 235 143

HSL 156, 0.96%, 0.47%

LAB 82.61, -67.59, 31.7

 

CMYK 98 / 0 / 13 / 8

HEX #05EBCC

RGB 5 235 204

HSL 171.91, 0.96%, 0.47%

LAB 83.87, -53.68, 1.82

 

CMYK 98 / 13 / 0 / 8

HEX #05CCEB

RGB 5 204 235

HSL 188.09, 0.96%, 0.47%

LAB 75.59, -30.83, -27.09

 

CMYK 98 / 39 / 0 / 8

HEX #058FEB

RGB 5 143 235

HSL 204, 0.96%, 0.47%

LAB 57.73, 2.06, -55.02

 

CMYK 98 / 0 / 12 / 40

HEX #039A87

RGB 3 154 135

HSL 172.45, 0.96%, 0.31%

LAB 56.96, -38.59, 0.32

 

CMYK 98 / 0 / 12 / 24

HEX #04C2AB

RGB 4 194 171

HSL 172.74, 0.96%, 0.39%

LAB 70.56, -45.67, 0.11

 

CMYK 98 / 0 / 12 / 8

HEX #05EBCE

RGB 5 235 206

HSL 172.43, 0.96%, 0.47%

LAB 83.92, -53.15, 0.84

 

CMYK 88 / 0 / 11 / 2

HEX #1FFADF

RGB 31 250 223

HSL 172.6, 0.96%, 0.55%

LAB 88.92, -53.87, -0.74

 

CMYK 72 / 0 / 9 / 2

HEX #47FBE5

RGB 71 251 229

HSL 172.67, 0.96%, 0.63%

LAB 89.86, -49.34, -2.43

 

CMYK 98 / 0 / 12 / 7

HEX #05ECCF

RGB 5 236 207

HSL 172.47, 0.96%, 0.47%

LAB 84.24, -53.3, 0.78

 

CMYK 91 / 98 / 0 / 8

HEX #1405EB

RGB 20 5 235

HSL 243.91, 0.96%, 0.47%

LAB 30.05, 73.73, -100.32

 

CMYK 0 / 52 / 98 / 8

HEX #EB7005

RGB 235 112 5

HSL 27.91, 0.96%, 0.47%

LAB 61.01, 43, 68.12

 

CMYK 98 / 0 / 12 / 7

HEX #05ECCF

RGB 5 236 207

HSL 172.47, 0.96%, 0.47%

LAB 84.24, -53.3, 0.78

 

CMYK 13 / 98 / 0 / 8

HEX #CC05EB

RGB 204 5 235

HSL 291.91, 0.96%, 0.47%

LAB 50.62, 87.38, -65.72

 

CMYK 0 / 13 / 98 / 8

HEX #EBCC05

RGB 235 204 5

HSL 51.91, 0.96%, 0.47%

LAB 82.3, -4.85, 82.54

 

CMYK 98 / 0 / 12 / 7

HEX #05ECCF

RGB 5 236 207

HSL 172.47, 0.96%, 0.47%

LAB 84.24, -53.3, 0.78

 

CMYK 91 / 98 / 0 / 8

HEX #1405EB

RGB 20 5 235

HSL 243.91, 0.96%, 0.47%

LAB 30.05, 73.73, -100.32

 

CMYK 0 / 98 / 85 / 8

HEX #EB0523

RGB 235 5 35

HSL 352.17, 0.96%, 0.47%

LAB 49.36, 75.33, 50.86

 

CMYK 6 / 0 / 98 / 8

HEX #DCEB05

RGB 220 235 5

HSL 63.91, 0.96%, 0.47%

LAB 89.23, -26.43, 87.08

 

CMYK 98 / 0 / 12 / 7

HEX #05ECCF

RGB 5 236 207

HSL 172.47, 0.96%, 0.47%

LAB 84.24, -53.3, 0.78

 

CMYK 62 / 98 / 0 / 8

HEX #5905EB

RGB 89 5 235

HSL 261.91, 0.96%, 0.47%

LAB 34.46, 75.73, -92.85

 

CMYK 0 / 98 / 85 / 8

HEX #EB0523

RGB 235 5 35

HSL 352.17, 0.96%, 0.47%

LAB 49.36, 75.33, 50.86

 

CMYK 36 / 0 / 98 / 8

HEX #97EB05

RGB 151 235 5

HSL 81.91, 0.96%, 0.47%

LAB 85, -53.01, 82

 

Description

Color code: HEX #05ECCF | qconv.com Color code: HEX #05ECCF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 236 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 236 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 12 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 12% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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