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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05D6BC it is the complementary color #FA2943. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05D6BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05D6BC shade: #0AD6B7, #1BE8CA, #2CFADD, #3DFFF0 and #4EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05D6BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05D6BC shade: #05D6BC, #00C4A9, #00B296, #00A083 and #008E70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05D6BC shade: #05D6BC, #05D684, #05D64C, #05D613 and #30D605

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05D6BC shade: #05D6BC, #05B8D6, #057FD6, #0547D6 and #050FD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05D6BC shade matches the following richer shades: #05D6BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05D6BC shade: #05D6BC, #17C4AF, #29B2A1, #3BA194 and #4C8F87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05D6BC shade: #05D64B, #05D682, #05D6BA, #05BAD6 and #0582D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05D6BC shade: #038575, #04AE99, #05D6BC, #0CF9DB and #34FAE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05D6BC shade: #05D6BC, #1305D6 and #D66705

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05D6BC shade: #05D6BC, #BA05D6 and #D6BA05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05D6BC shade: #05D6BC, #1305D6, #D60521 and #C8D605

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05D6BC shade: #05D6BC, #5205D6, #D60521 and #89D605

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 12 / 16

HEX #05D6BC

RGB 5 214 188

HSL 172.54, 0.95%, 0.43%

LAB 77.13, -49.36, 0.51

 

Complementary color

CMYK 0 / 84 / 73 / 2

HEX #FA2943

RGB 250 41 67

HSL 352.54, 0.95%, 0.57%

LAB 54.36, 75.22, 39.53

 

CMYK 95 / 0 / 14 / 16

HEX #0AD6B7

RGB 10 214 183

HSL 170.88, 0.91%, 0.44%

LAB 77.03, -50.56, 3.03

 

CMYK 88 / 0 / 13 / 9

HEX #1BE8CA

RGB 27 232 202

HSL 171.22, 0.82%, 0.51%

LAB 83.03, -52.23, 1.66

 

CMYK 82 / 0 / 12 / 2

HEX #2CFADD

RGB 44 250 221

HSL 171.55, 0.95%, 0.58%

LAB 88.98, -53.58, 0.41

 

CMYK 76 / 0 / 6 / 0

HEX #3DFFF0

RGB 61 255 240

HSL 175.36, 1%, 0.62%

LAB 91.15, -49.22, -6.27

 

CMYK 69 / 0 / 0 / 0

HEX #4EFFFF

RGB 78 255 255

HSL 180, 1%, 0.65%

LAB 91.85, -43.33, -12.97

 

CMYK 98 / 0 / 12 / 16

HEX #05D6BC

RGB 5 214 188

HSL 172.54, 0.95%, 0.43%

LAB 77.13, -49.36, 0.51

 

CMYK 100 / 0 / 14 / 23

HEX #00C4A9

RGB 0 196 169

HSL 171.73, 1%, 0.38%

LAB 71.11, -47.18, 2

 

CMYK 100 / 0 / 16 / 30

HEX #00B296

RGB 0 178 150

HSL 170.56, 1%, 0.35%

LAB 65, -44.82, 3.57

 

CMYK 100 / 0 / 18 / 37

HEX #00A083

RGB 0 160 131

HSL 169.13, 1%, 0.31%

LAB 58.77, -42.42, 5.21

 

CMYK 100 / 0 / 21 / 44

HEX #008E70

RGB 0 142 112

HSL 167.32, 1%, 0.28%

LAB 52.42, -39.96, 6.94

 

CMYK 98 / 0 / 12 / 16

HEX #05D6BC

RGB 5 214 188

HSL 172.54, 0.95%, 0.43%

LAB 77.13, -49.36, 0.51

 

CMYK 98 / 0 / 38 / 16

HEX #05D684

RGB 5 214 132

HSL 156.46, 0.95%, 0.43%

LAB 75.94, -62.52, 28.45

 

CMYK 98 / 0 / 64 / 16

HEX #05D64C

RGB 5 214 76

HSL 140.38, 0.95%, 0.43%

LAB 75.23, -71.12, 54.26

 

CMYK 98 / 0 / 91 / 16

HEX #05D613

RGB 5 214 19

HSL 124.02, 0.95%, 0.43%

LAB 74.93, -74.93, 70.85

 

CMYK 78 / 0 / 98 / 16

HEX #30D605

RGB 48 214 5

HSL 107.66, 0.95%, 0.43%

LAB 75.28, -71.86, 72.87

 

CMYK 98 / 0 / 12 / 16

HEX #05D6BC

RGB 5 214 188

HSL 172.54, 0.95%, 0.43%

LAB 77.13, -49.36, 0.51

 

CMYK 98 / 14 / 0 / 16

HEX #05B8D6

RGB 5 184 214

HSL 188.61, 0.95%, 0.43%

LAB 68.87, -27.91, -25.98

 

CMYK 98 / 41 / 0 / 16

HEX #057FD6

RGB 5 127 214

HSL 204.98, 0.95%, 0.43%

LAB 51.91, 3.63, -52.55

 

CMYK 98 / 67 / 0 / 16

HEX #0547D6

RGB 5 71 214

HSL 221.05, 0.95%, 0.43%

LAB 36.73, 39.59, -77.2

 

CMYK 98 / 93 / 0 / 16

HEX #050FD6

RGB 5 15 214

HSL 237.13, 0.95%, 0.43%

LAB 27.38, 66.42, -92.72

 

CMYK 98 / 0 / 12 / 16

HEX #05D6BC

RGB 5 214 188

HSL 172.54, 0.95%, 0.43%

LAB 77.13, -49.36, 0.51

 

CMYK 98 / 0 / 12 / 16

HEX #05D6BC

RGB 5 214 188

HSL 172.54, 0.95%, 0.43%

LAB 77.13, -49.36, 0.51

 

CMYK 88 / 0 / 11 / 23

HEX #17C4AF

RGB 23 196 175

HSL 172.72, 0.79%, 0.43%

LAB 71.39, -44.66, -0.85

 

CMYK 77 / 0 / 10 / 30

HEX #29B2A1

RGB 41 178 161

HSL 172.55, 0.63%, 0.43%

LAB 65.66, -39.2, -1.52

 

CMYK 63 / 0 / 8 / 37

HEX #3BA194

RGB 59 161 148

HSL 172.35, 0.46%, 0.43%

LAB 60.39, -32.4, -1.93

 

CMYK 47 / 0 / 6 / 44

HEX #4C8F87

RGB 76 143 135

HSL 172.84, 0.31%, 0.43%

LAB 55, -23.36, -2.36

 

CMYK 98 / 0 / 65 / 16

HEX #05D64B

RGB 5 214 75

HSL 140.1, 0.95%, 0.43%

LAB 75.22, -71.23, 54.67

 

CMYK 98 / 0 / 39 / 16

HEX #05D682

RGB 5 214 130

HSL 155.89, 0.95%, 0.43%

LAB 75.91, -62.91, 29.43

 

CMYK 98 / 0 / 13 / 16

HEX #05D6BA

RGB 5 214 186

HSL 171.96, 0.95%, 0.43%

LAB 77.08, -49.9, 1.51

 

CMYK 98 / 13 / 0 / 16

HEX #05BAD6

RGB 5 186 214

HSL 188.04, 0.95%, 0.43%

LAB 69.47, -28.9, -25.06

 

CMYK 98 / 39 / 0 / 16

HEX #0582D6

RGB 5 130 214

HSL 204.11, 0.95%, 0.43%

LAB 52.79, 1.8, -51.16

 

CMYK 98 / 0 / 12 / 48

HEX #038575

RGB 3 133 117

HSL 172.62, 0.96%, 0.27%

LAB 49.59, -34.45, -0.04

 

CMYK 98 / 0 / 12 / 32

HEX #04AE99

RGB 4 174 153

HSL 172.59, 0.96%, 0.35%

LAB 63.83, -42.15, 0.22

 

CMYK 98 / 0 / 12 / 16

HEX #05D6BC

RGB 5 214 188

HSL 172.54, 0.95%, 0.43%

LAB 77.13, -49.36, 0.51

 

CMYK 95 / 0 / 12 / 2

HEX #0CF9DB

RGB 12 249 219

HSL 172.41, 0.95%, 0.51%

LAB 88.42, -55.23, 0.6

 

CMYK 79 / 0 / 10 / 2

HEX #34FAE1

RGB 52 250 225

HSL 172.42, 0.95%, 0.59%

LAB 89.18, -51.9, -1.38

 

CMYK 98 / 0 / 12 / 16

HEX #05D6BC

RGB 5 214 188

HSL 172.54, 0.95%, 0.43%

LAB 77.13, -49.36, 0.51

 

CMYK 91 / 98 / 0 / 16

HEX #1305D6

RGB 19 5 214

HSL 244.02, 0.95%, 0.43%

LAB 27.02, 68.55, -93.31

 

CMYK 0 / 52 / 98 / 16

HEX #D66705

RGB 214 103 5

HSL 28.13, 0.95%, 0.43%

LAB 56.1, 39.27, 63.5

 

CMYK 98 / 0 / 12 / 16

HEX #05D6BC

RGB 5 214 188

HSL 172.54, 0.95%, 0.43%

LAB 77.13, -49.36, 0.51

 

CMYK 13 / 98 / 0 / 16

HEX #BA05D6

RGB 186 5 214

HSL 291.96, 0.95%, 0.43%

LAB 46.18, 81.41, -61.09

 

CMYK 0 / 13 / 98 / 16

HEX #D6BA05

RGB 214 186 5

HSL 51.96, 0.95%, 0.43%

LAB 75.71, -4.71, 76.9

 

CMYK 98 / 0 / 12 / 16

HEX #05D6BC

RGB 5 214 188

HSL 172.54, 0.95%, 0.43%

LAB 77.13, -49.36, 0.51

 

CMYK 91 / 98 / 0 / 16

HEX #1305D6

RGB 19 5 214

HSL 244.02, 0.95%, 0.43%

LAB 27.02, 68.55, -93.31

 

CMYK 0 / 98 / 85 / 16

HEX #D60521

RGB 214 5 33

HSL 351.96, 0.95%, 0.43%

LAB 44.96, 70.16, 46.35

 

CMYK 7 / 0 / 98 / 16

HEX #C8D605

RGB 200 214 5

HSL 64.02, 0.95%, 0.43%

LAB 82.05, -24.74, 81.05

 

CMYK 98 / 0 / 12 / 16

HEX #05D6BC

RGB 5 214 188

HSL 172.54, 0.95%, 0.43%

LAB 77.13, -49.36, 0.51

 

CMYK 62 / 98 / 0 / 16

HEX #5205D6

RGB 82 5 214

HSL 262.11, 0.95%, 0.43%

LAB 31.25, 70.52, -86.16

 

CMYK 0 / 98 / 85 / 16

HEX #D60521

RGB 214 5 33

HSL 351.96, 0.95%, 0.43%

LAB 44.96, 70.16, 46.35

 

CMYK 36 / 0 / 98 / 16

HEX #89D605

RGB 137 214 5

HSL 82.11, 0.95%, 0.43%

LAB 78.12, -49.42, 76.33

 

Description

Color code: HEX #05D6BC | qconv.com Color code: HEX #05D6BC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 214 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 214 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 12 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 12% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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