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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05D60E it is the complementary color #FA29F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05D60E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05D60E shade: #0AD609, #1BE81C, #2CFA2F, #3DFF42 and #4EFF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05D60E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05D60E shade: #05D60E, #00C400, #00B200, #00A000 and #008E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05D60E shade: #05D60E, #35D605, #6DD605, #A5D605 and #D6CE05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05D60E shade: #05D60E, #05D647, #05D67F, #05D6B7 and #05BCD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05D60E shade matches the following richer shades: #05D60E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05D60E shade: #05D60E, #17C41F, #29B22F, #3BA13F and #4C8F4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05D60E shade: #6ED605, #36D605, #05D60C, #05D644 and #05D67C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05D60E shade: #038509, #04AE0C, #05D60E, #0CF916 and #34FA3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05D60E shade: #05D60E, #05A5D6 and #D60552

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05D60E shade: #05D60E, #0C05D6 and #D60C05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05D60E shade: #05D60E, #05A5D6, #D605CF and #D63605

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05D60E shade: #05D60E, #0567D6, #D605CF and #D67505

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 93 / 16

HEX #05D60E

RGB 5 214 14

HSL 122.58, 0.95%, 0.43%

LAB 74.92, -75.06, 71.5

 

Complementary color

CMYK 0 / 84 / 4 / 2

HEX #FA29F1

RGB 250 41 241

HSL 302.58, 0.95%, 0.57%

LAB 60.12, 91.28, -53.42

 

CMYK 95 / 0 / 96 / 16

HEX #0AD609

RGB 10 214 9

HSL 119.71, 0.92%, 0.44%

LAB 74.94, -74.97, 72.05

 

CMYK 88 / 0 / 88 / 9

HEX #1BE81C

RGB 27 232 28

HSL 120.29, 0.82%, 0.51%

LAB 80.76, -78.45, 74.4

 

CMYK 82 / 0 / 81 / 2

HEX #2CFA2F

RGB 44 250 47

HSL 120.87, 0.95%, 0.58%

LAB 86.56, -81.18, 75.53

 

CMYK 76 / 0 / 74 / 0

HEX #3DFF42

RGB 61 255 66

HSL 121.55, 1%, 0.62%

LAB 88.4, -79.52, 71.91

 

CMYK 69 / 0 / 67 / 0

HEX #4EFF55

RGB 78 255 85

HSL 122.37, 1%, 0.65%

LAB 88.83, -75.46, 65.73

 

CMYK 98 / 0 / 93 / 16

HEX #05D60E

RGB 5 214 14

HSL 122.58, 0.95%, 0.43%

LAB 74.92, -75.06, 71.5

 

CMYK 100 / 0 / 100 / 23

HEX #00C400

RGB 0 196 0

HSL 120, 1%, 0.38%

LAB 69.1, -70.7, 68.24

 

CMYK 100 / 0 / 100 / 30

HEX #00B200

RGB 0 178 0

HSL 120, 1%, 0.35%

LAB 63.21, -65.81, 63.52

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 98 / 0 / 93 / 16

HEX #05D60E

RGB 5 214 14

HSL 122.58, 0.95%, 0.43%

LAB 74.92, -75.06, 71.5

 

CMYK 75 / 0 / 98 / 16

HEX #35D605

RGB 53 214 5

HSL 106.22, 0.95%, 0.43%

LAB 75.36, -71.16, 72.97

 

CMYK 49 / 0 / 98 / 16

HEX #6DD605

RGB 109 214 5

HSL 90.14, 0.95%, 0.43%

LAB 76.89, -58.54, 74.84

 

CMYK 23 / 0 / 98 / 16

HEX #A5D605

RGB 165 214 5

HSL 74.07, 0.95%, 0.43%

LAB 79.67, -38.97, 78.2

 

CMYK 0 / 4 / 98 / 16

HEX #D6CE05

RGB 214 206 5

HSL 57.7, 0.95%, 0.43%

LAB 80.99, -14.88, 80.75

 

CMYK 98 / 0 / 93 / 16

HEX #05D60E

RGB 5 214 14

HSL 122.58, 0.95%, 0.43%

LAB 74.92, -75.06, 71.5

 

CMYK 98 / 0 / 67 / 16

HEX #05D647

RGB 5 214 71

HSL 138.95, 0.95%, 0.43%

LAB 75.19, -71.65, 56.26

 

CMYK 98 / 0 / 41 / 16

HEX #05D67F

RGB 5 214 127

HSL 155.02, 0.95%, 0.43%

LAB 75.86, -63.49, 30.91

 

CMYK 98 / 0 / 14 / 16

HEX #05D6B7

RGB 5 214 183

HSL 171.1, 0.95%, 0.43%

LAB 77.01, -50.7, 3

 

CMYK 98 / 12 / 0 / 16

HEX #05BCD6

RGB 5 188 214

HSL 187.46, 0.95%, 0.43%

LAB 70.07, -29.88, -24.14

 

CMYK 98 / 0 / 93 / 16

HEX #05D60E

RGB 5 214 14

HSL 122.58, 0.95%, 0.43%

LAB 74.92, -75.06, 71.5

 

CMYK 98 / 0 / 93 / 16

HEX #05D60E

RGB 5 214 14

HSL 122.58, 0.95%, 0.43%

LAB 74.92, -75.06, 71.5

 

CMYK 88 / 0 / 84 / 23

HEX #17C41F

RGB 23 196 31

HSL 122.77, 0.79%, 0.43%

LAB 69.3, -68.59, 63.65

 

CMYK 77 / 0 / 74 / 30

HEX #29B22F

RGB 41 178 47

HSL 122.63, 0.63%, 0.43%

LAB 63.77, -60.21, 53.59

 

CMYK 63 / 0 / 61 / 37

HEX #3BA13F

RGB 59 161 63

HSL 122.35, 0.46%, 0.43%

LAB 58.77, -49.43, 41.61

 

CMYK 47 / 0 / 45 / 44

HEX #4C8F4F

RGB 76 143 79

HSL 122.69, 0.31%, 0.43%

LAB 53.76, -35.28, 27.56

 

CMYK 49 / 0 / 98 / 16

HEX #6ED605

RGB 110 214 5

HSL 89.86, 0.95%, 0.43%

LAB 76.93, -58.24, 74.88

 

CMYK 75 / 0 / 98 / 16

HEX #36D605

RGB 54 214 5

HSL 105.93, 0.95%, 0.43%

LAB 75.38, -71.01, 72.99

 

CMYK 98 / 0 / 94 / 16

HEX #05D60C

RGB 5 214 12

HSL 122.01, 0.95%, 0.43%

LAB 74.92, -75.1, 71.73

 

CMYK 98 / 0 / 68 / 16

HEX #05D644

RGB 5 214 68

HSL 138.09, 0.95%, 0.43%

LAB 75.17, -71.95, 57.42

 

CMYK 98 / 0 / 42 / 16

HEX #05D67C

RGB 5 214 124

HSL 154.16, 0.95%, 0.43%

LAB 75.81, -64.05, 32.37

 

CMYK 98 / 0 / 93 / 48

HEX #038509

RGB 3 133 9

HSL 122.77, 0.96%, 0.27%

LAB 48.02, -52.6, 49.6

 

CMYK 98 / 0 / 93 / 32

HEX #04AE0C

RGB 4 174 12

HSL 122.82, 0.96%, 0.35%

LAB 61.93, -64.21, 60.9

 

CMYK 98 / 0 / 93 / 16

HEX #05D60E

RGB 5 214 14

HSL 122.58, 0.95%, 0.43%

LAB 74.92, -75.06, 71.5

 

CMYK 95 / 0 / 91 / 2

HEX #0CF916

RGB 12 249 22

HSL 122.53, 0.95%, 0.51%

LAB 85.95, -83.91, 79.72

 

CMYK 79 / 0 / 76 / 2

HEX #34FA3D

RGB 52 250 61

HSL 122.73, 0.95%, 0.59%

LAB 86.72, -79.52, 71.79

 

CMYK 98 / 0 / 93 / 16

HEX #05D60E

RGB 5 214 14

HSL 122.58, 0.95%, 0.43%

LAB 74.92, -75.06, 71.5

 

CMYK 98 / 23 / 0 / 16

HEX #05A5D6

RGB 5 165 214

HSL 194.07, 0.95%, 0.43%

LAB 63.18, -18.14, -34.78

 

CMYK 0 / 98 / 62 / 16

HEX #D60552

RGB 214 5 82

HSL 337.89, 0.95%, 0.43%

LAB 45.65, 72.05, 18.11

 

CMYK 98 / 0 / 93 / 16

HEX #05D60E

RGB 5 214 14

HSL 122.58, 0.95%, 0.43%

LAB 74.92, -75.06, 71.5

 

CMYK 94 / 98 / 0 / 16

HEX #0C05D6

RGB 12 5 214

HSL 242.01, 0.95%, 0.43%

LAB 26.85, 68.49, -93.6

 

CMYK 0 / 94 / 98 / 16

HEX #D60C05

RGB 214 12 5

HSL 2.01, 0.95%, 0.43%

LAB 45.04, 69.16, 57.45

 

CMYK 98 / 0 / 93 / 16

HEX #05D60E

RGB 5 214 14

HSL 122.58, 0.95%, 0.43%

LAB 74.92, -75.06, 71.5

 

CMYK 98 / 23 / 0 / 16

HEX #05A5D6

RGB 5 165 214

HSL 194.07, 0.95%, 0.43%

LAB 63.18, -18.14, -34.78

 

CMYK 0 / 98 / 3 / 16

HEX #D605CF

RGB 214 5 207

HSL 302.01, 0.95%, 0.43%

LAB 50.58, 84.71, -49.74

 

CMYK 0 / 75 / 98 / 16

HEX #D63605

RGB 214 54 5

HSL 14.07, 0.95%, 0.43%

LAB 48.19, 60.22, 58.97

 

CMYK 98 / 0 / 93 / 16

HEX #05D60E

RGB 5 214 14

HSL 122.58, 0.95%, 0.43%

LAB 74.92, -75.06, 71.5

 

CMYK 98 / 52 / 0 / 16

HEX #0567D6

RGB 5 103 214

HSL 211.87, 0.95%, 0.43%

LAB 45.06, 18.78, -63.58

 

CMYK 0 / 98 / 3 / 16

HEX #D605CF

RGB 214 5 207

HSL 302.01, 0.95%, 0.43%

LAB 50.58, 84.71, -49.74

 

CMYK 0 / 45 / 98 / 16

HEX #D67505

RGB 214 117 5

HSL 32.15, 0.95%, 0.43%

LAB 59, 32.07, 65.35

 

Description

Color code: HEX #05D60E | qconv.com Color code: HEX #05D60E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 214 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 214 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 93 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 93% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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