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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05D14E it is the complementary color #FA2EB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05D14E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05D14E shade: #0AD149, #1BE35C, #2CF56F, #3DFF82 and #4EFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05D14E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05D14E shade: #05D14E, #00BF3B, #00AD28, #009B15 and #008902

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05D14E shade: #05D14E, #05D117, #2AD105, #61D105 and #98D105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05D14E shade: #05D14E, #05D185, #05D1BC, #05AFD1 and #0578D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05D14E shade matches the following richer shades: #05D14E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05D14E shade: #05D14E, #17C053, #28AE58, #399D5D and #4B8C62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05D14E shade: #2BD105, #05D116, #05D14D, #05D183 and #05D1B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05D14E shade: #038030, #04A93F, #05D14E, #07F95D and #2FFA78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05D14E shade: #05D14E, #0561D1 and #D10510

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05D14E shade: #05D14E, #4D05D1 and #D14D05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05D14E shade: #05D14E, #0561D1, #D1058A and #D17505

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05D14E shade: #05D14E, #0524D1, #D1058A and #D1B205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 63 / 18

HEX #05D14E

RGB 5 209 78

HSL 141.47, 0.95%, 0.42%

LAB 73.66, -69.41, 51.66

 

Complementary color

CMYK 0 / 82 / 29 / 2

HEX #FA2EB1

RGB 250 46 177

HSL 321.47, 0.95%, 0.58%

LAB 57.51, 82.23, -21.07

 

CMYK 95 / 0 / 65 / 18

HEX #0AD149

RGB 10 209 73

HSL 138.99, 0.91%, 0.43%

LAB 73.64, -69.79, 53.75

 

CMYK 88 / 0 / 59 / 11

HEX #1BE35C

RGB 27 227 92

HSL 139.5, 0.79%, 0.5%

LAB 79.58, -72.12, 52.35

 

CMYK 82 / 0 / 55 / 4

HEX #2CF56F

RGB 44 245 111

HSL 140, 0.91%, 0.57%

LAB 85.5, -73.86, 50.85

 

CMYK 76 / 0 / 49 / 0

HEX #3DFF82

RGB 61 255 130

HSL 141.34, 1%, 0.62%

LAB 88.98, -72.53, 46.35

 

CMYK 69 / 0 / 42 / 0

HEX #4EFF95

RGB 78 255 149

HSL 144.07, 1%, 0.65%

LAB 89.54, -67.16, 37.97

 

CMYK 98 / 0 / 63 / 18

HEX #05D14E

RGB 5 209 78

HSL 141.47, 0.95%, 0.42%

LAB 73.66, -69.41, 51.66

 

CMYK 100 / 0 / 69 / 25

HEX #00BF3B

RGB 0 191 59

HSL 138.53, 1%, 0.37%

LAB 67.71, -66.32, 53

 

CMYK 100 / 0 / 77 / 32

HEX #00AD28

RGB 0 173 40

HSL 133.87, 1%, 0.34%

LAB 61.69, -62.72, 53.83

 

CMYK 100 / 0 / 86 / 39

HEX #009B15

RGB 0 155 21

HSL 128.13, 1%, 0.3%

LAB 55.58, -58.71, 53.66

 

CMYK 100 / 0 / 99 / 46

HEX #008902

RGB 0 137 2

HSL 120.88, 1%, 0.27%

LAB 49.37, -54.23, 52.03

 

CMYK 98 / 0 / 63 / 18

HEX #05D14E

RGB 5 209 78

HSL 141.47, 0.95%, 0.42%

LAB 73.66, -69.41, 51.66

 

CMYK 98 / 0 / 89 / 18

HEX #05D117

RGB 5 209 23

HSL 125.29, 0.95%, 0.42%

LAB 73.35, -73.46, 68.85

 

CMYK 80 / 0 / 98 / 18

HEX #2AD105

RGB 42 209 5

HSL 109.12, 0.95%, 0.42%

LAB 73.61, -71.19, 71.48

 

CMYK 54 / 0 / 98 / 18

HEX #61D105

RGB 97 209 5

HSL 92.94, 0.95%, 0.42%

LAB 74.92, -60.17, 73.08

 

CMYK 27 / 0 / 98 / 18

HEX #98D105

RGB 152 209 5

HSL 76.76, 0.95%, 0.42%

LAB 77.45, -41.8, 76.15

 

CMYK 98 / 0 / 63 / 18

HEX #05D14E

RGB 5 209 78

HSL 141.47, 0.95%, 0.42%

LAB 73.66, -69.41, 51.66

 

CMYK 98 / 0 / 36 / 18

HEX #05D185

RGB 5 209 133

HSL 157.65, 0.95%, 0.42%

LAB 74.4, -60.57, 25.87

 

CMYK 98 / 0 / 10 / 18

HEX #05D1BC

RGB 5 209 188

HSL 173.82, 0.95%, 0.42%

LAB 75.62, -47.28, -1.71

 

CMYK 98 / 16 / 0 / 18

HEX #05AFD1

RGB 5 175 209

HSL 190, 0.95%, 0.42%

LAB 65.98, -25.07, -27.68

 

CMYK 98 / 43 / 0 / 18

HEX #0578D1

RGB 5 120 209

HSL 206.18, 0.95%, 0.42%

LAB 49.58, 5.98, -53.45

 

CMYK 98 / 0 / 63 / 18

HEX #05D14E

RGB 5 209 78

HSL 141.47, 0.95%, 0.42%

LAB 73.66, -69.41, 51.66

 

CMYK 98 / 0 / 63 / 18

HEX #05D14E

RGB 5 209 78

HSL 141.47, 0.95%, 0.42%

LAB 73.66, -69.41, 51.66

 

CMYK 88 / 0 / 57 / 25

HEX #17C053

RGB 23 192 83

HSL 141.3, 0.79%, 0.42%

LAB 68.39, -62.62, 43.32

 

CMYK 77 / 0 / 49 / 32

HEX #28AE58

RGB 40 174 88

HSL 141.49, 0.63%, 0.42%

LAB 62.87, -54.03, 34.17

 

CMYK 64 / 0 / 41 / 38

HEX #399D5D

RGB 57 157 93

HSL 141.6, 0.47%, 0.42%

LAB 57.82, -43.74, 25.14

 

CMYK 46 / 0 / 30 / 45

HEX #4B8C62

RGB 75 140 98

HSL 141.23, 0.3%, 0.42%

LAB 53.1, -30.76, 16.13

 

CMYK 79 / 0 / 98 / 18

HEX #2BD105

RGB 43 209 5

HSL 108.82, 0.95%, 0.42%

LAB 73.63, -71.07, 71.5

 

CMYK 98 / 0 / 89 / 18

HEX #05D116

RGB 5 209 22

HSL 125, 0.95%, 0.42%

LAB 73.34, -73.49, 69.02

 

CMYK 98 / 0 / 63 / 18

HEX #05D14D

RGB 5 209 77

HSL 141.18, 0.95%, 0.42%

LAB 73.66, -69.53, 52.08

 

CMYK 98 / 0 / 37 / 18

HEX #05D183

RGB 5 209 131

HSL 157.06, 0.95%, 0.42%

LAB 74.36, -60.98, 26.86

 

CMYK 98 / 0 / 11 / 18

HEX #05D1B9

RGB 5 209 185

HSL 172.94, 0.95%, 0.42%

LAB 75.54, -48.1, -0.21

 

CMYK 98 / 0 / 63 / 50

HEX #038030

RGB 3 128 48

HSL 141.6, 0.95%, 0.26%

LAB 46.54, -47.83, 34.42

 

CMYK 98 / 0 / 63 / 34

HEX #04A93F

RGB 4 169 63

HSL 141.45, 0.95%, 0.34%

LAB 60.57, -59.03, 43.45

 

CMYK 98 / 0 / 63 / 18

HEX #05D14E

RGB 5 209 78

HSL 141.47, 0.95%, 0.42%

LAB 73.66, -69.41, 51.66

 

CMYK 97 / 0 / 63 / 2

HEX #07F95D

RGB 7 249 93

HSL 141.32, 0.95%, 0.5%

LAB 86.3, -79.38, 59.55

 

CMYK 81 / 0 / 52 / 2

HEX #2FFA78

RGB 47 250 120

HSL 141.58, 0.95%, 0.58%

LAB 87.16, -73.91, 48.74

 

CMYK 98 / 0 / 63 / 18

HEX #05D14E

RGB 5 209 78

HSL 141.47, 0.95%, 0.42%

LAB 73.66, -69.41, 51.66

 

CMYK 98 / 54 / 0 / 18

HEX #0561D1

RGB 5 97 209

HSL 212.94, 0.95%, 0.42%

LAB 43.04, 20.7, -64

 

CMYK 0 / 98 / 92 / 18

HEX #D10510

RGB 209 5 16

HSL 356.76, 0.95%, 0.42%

LAB 43.8, 68.64, 52.72

 

CMYK 98 / 0 / 63 / 18

HEX #05D14E

RGB 5 209 78

HSL 141.47, 0.95%, 0.42%

LAB 73.66, -69.41, 51.66

 

CMYK 63 / 98 / 0 / 18

HEX #4D05D1

RGB 77 5 209

HSL 261.18, 0.95%, 0.42%

LAB 30.13, 69.08, -85.12

 

CMYK 0 / 63 / 98 / 18

HEX #D14D05

RGB 209 77 5

HSL 21.18, 0.95%, 0.42%

LAB 50.54, 49.71, 59.76

 

CMYK 98 / 0 / 63 / 18

HEX #05D14E

RGB 5 209 78

HSL 141.47, 0.95%, 0.42%

LAB 73.66, -69.41, 51.66

 

CMYK 98 / 54 / 0 / 18

HEX #0561D1

RGB 5 97 209

HSL 212.94, 0.95%, 0.42%

LAB 43.04, 20.7, -64

 

CMYK 0 / 98 / 34 / 18

HEX #D1058A

RGB 209 5 138

HSL 320.88, 0.95%, 0.42%

LAB 46.31, 75.36, -15.7

 

CMYK 0 / 44 / 98 / 18

HEX #D17505

RGB 209 117 5

HSL 32.94, 0.95%, 0.42%

LAB 58.31, 29.99, 64.56

 

CMYK 98 / 0 / 63 / 18

HEX #05D14E

RGB 5 209 78

HSL 141.47, 0.95%, 0.42%

LAB 73.66, -69.41, 51.66

 

CMYK 98 / 83 / 0 / 18

HEX #0524D1

RGB 5 36 209

HSL 230.88, 0.95%, 0.42%

LAB 29.15, 57.61, -86.86

 

CMYK 0 / 98 / 34 / 18

HEX #D1058A

RGB 209 5 138

HSL 320.88, 0.95%, 0.42%

LAB 46.31, 75.36, -15.7

 

CMYK 0 / 15 / 98 / 18

HEX #D1B205

RGB 209 178 5

HSL 50.88, 0.95%, 0.42%

LAB 73.16, -2.74, 74.84

 

Description

Color code: HEX #05D14E | qconv.com Color code: HEX #05D14E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 209 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 209 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 63 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 63% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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