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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05CF43 it is the complementary color #FA30BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05CF43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05CF43 shade: #0ACF3E, #1BE151, #2CF364, #3DFF77 and #4EFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05CF43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05CF43 shade: #05CF43, #00BD30, #00AB1D, #00990A and #008700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05CF43 shade: #05D144, #05D10D, #35D105, #6CD105 and #A2D105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05CF43 shade: #05D144, #05D17B, #05D1B2, #05B9D1 and #0582D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05CF43 shade matches the following richer shades: #05D144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05CF43 shade: #05D144, #17C04B, #28AE51, #399D58 and #4B8C5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05CF43 shade: #35D105, #05D10C, #05D142, #05D179 and #05D1AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05CF43 shade: #03802A, #04A937, #05D144, #07F951 and #2FFA6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05CF43 shade: #05CF43, #056BD1 and #D1051A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05CF43 shade: #05CF43, #4205D1 and #D14205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05CF43 shade: #05CF43, #056BD1, #D10594 and #D16B05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05CF43 shade: #05CF43, #052ED1, #D10594 and #D1A805

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 68 / 19

HEX #05CF43

RGB 5 207 67

HSL 138.42, 0.95%, 0.42%

LAB 72.93, -70.01, 55.42

 

Complementary color

CMYK 0 / 81 / 25 / 2

HEX #FA30BC

RGB 250 48 188

HSL 318.42, 0.95%, 0.58%

LAB 58.1, 83.03, -26.53

 

CMYK 95 / 0 / 70 / 19

HEX #0ACF3E

RGB 10 207 62

HSL 135.84, 0.91%, 0.43%

LAB 72.92, -70.3, 57.36

 

CMYK 88 / 0 / 64 / 12

HEX #1BE151

RGB 27 225 81

HSL 136.36, 0.79%, 0.49%

LAB 78.86, -72.78, 56.24

 

CMYK 82 / 0 / 59 / 5

HEX #2CF364

RGB 44 243 100

HSL 136.88, 0.89%, 0.56%

LAB 84.77, -74.65, 54.9

 

CMYK 76 / 0 / 53 / 0

HEX #3DFF77

RGB 61 255 119

HSL 137.94, 1%, 0.62%

LAB 88.85, -74.1, 51.29

 

CMYK 69 / 0 / 46 / 0

HEX #4EFF8A

RGB 78 255 138

HSL 140.34, 1%, 0.65%

LAB 89.38, -68.94, 43.11

 

CMYK 98 / 0 / 68 / 19

HEX #05CF43

RGB 5 207 67

HSL 138.42, 0.95%, 0.42%

LAB 72.93, -70.01, 55.42

 

CMYK 100 / 0 / 75 / 26

HEX #00BD30

RGB 0 189 48

HSL 135.24, 1%, 0.37%

LAB 66.98, -66.71, 56.36

 

CMYK 100 / 0 / 83 / 33

HEX #00AB1D

RGB 0 171 29

HSL 130.18, 1%, 0.34%

LAB 60.97, -62.87, 56.51

 

CMYK 100 / 0 / 93 / 40

HEX #00990A

RGB 0 153 10

HSL 123.92, 1%, 0.3%

LAB 54.87, -58.56, 55.23

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 98 / 0 / 67 / 18

HEX #05D144

RGB 5 209 68

HSL 138.53, 0.95%, 0.42%

LAB 73.58, -70.5, 55.72

 

CMYK 98 / 0 / 94 / 18

HEX #05D10D

RGB 5 209 13

HSL 122.35, 0.95%, 0.42%

LAB 73.33, -73.74, 70.29

 

CMYK 75 / 0 / 98 / 18

HEX #35D105

RGB 53 209 5

HSL 105.88, 0.95%, 0.42%

LAB 73.78, -69.68, 71.69

 

CMYK 48 / 0 / 98 / 18

HEX #6CD105

RGB 108 209 5

HSL 89.71, 0.95%, 0.42%

LAB 75.33, -57, 73.57

 

CMYK 22 / 0 / 98 / 18

HEX #A2D105

RGB 162 209 5

HSL 73.82, 0.95%, 0.42%

LAB 78.05, -37.92, 76.87

 

CMYK 98 / 0 / 67 / 18

HEX #05D144

RGB 5 209 68

HSL 138.53, 0.95%, 0.42%

LAB 73.58, -70.5, 55.72

 

CMYK 98 / 0 / 41 / 18

HEX #05D17B

RGB 5 209 123

HSL 154.71, 0.95%, 0.42%

LAB 74.23, -62.54, 30.81

 

CMYK 98 / 0 / 15 / 18

HEX #05D1B2

RGB 5 209 178

HSL 170.88, 0.95%, 0.42%

LAB 75.36, -49.98, 3.29

 

CMYK 98 / 11 / 0 / 18

HEX #05B9D1

RGB 5 185 209

HSL 187.06, 0.95%, 0.42%

LAB 68.99, -30.05, -23.06

 

CMYK 98 / 38 / 0 / 18

HEX #0582D1

RGB 5 130 209

HSL 203.24, 0.95%, 0.42%

LAB 52.51, -0.13, -48.77

 

CMYK 98 / 0 / 67 / 18

HEX #05D144

RGB 5 209 68

HSL 138.53, 0.95%, 0.42%

LAB 73.58, -70.5, 55.72

 

CMYK 98 / 0 / 67 / 18

HEX #05D144

RGB 5 209 68

HSL 138.53, 0.95%, 0.42%

LAB 73.58, -70.5, 55.72

 

CMYK 88 / 0 / 61 / 25

HEX #17C04B

RGB 23 192 75

HSL 138.46, 0.79%, 0.42%

LAB 68.31, -63.67, 46.91

 

CMYK 77 / 0 / 53 / 32

HEX #28AE51

RGB 40 174 81

HSL 138.36, 0.63%, 0.42%

LAB 62.77, -55.12, 37.57

 

CMYK 64 / 0 / 44 / 38

HEX #399D58

RGB 57 157 88

HSL 138.6, 0.47%, 0.42%

LAB 57.74, -44.64, 27.72

 

CMYK 46 / 0 / 32 / 45

HEX #4B8C5F

RGB 75 140 95

HSL 138.46, 0.3%, 0.42%

LAB 53.04, -31.35, 17.75

 

CMYK 75 / 0 / 98 / 18

HEX #35D105

RGB 53 209 5

HSL 105.88, 0.95%, 0.42%

LAB 73.78, -69.68, 71.69

 

CMYK 98 / 0 / 94 / 18

HEX #05D10C

RGB 5 209 12

HSL 122.06, 0.95%, 0.42%

LAB 73.32, -73.76, 70.41

 

CMYK 98 / 0 / 68 / 18

HEX #05D142

RGB 5 209 66

HSL 137.94, 0.95%, 0.42%

LAB 73.56, -70.69, 56.49

 

CMYK 98 / 0 / 42 / 18

HEX #05D179

RGB 5 209 121

HSL 154.12, 0.95%, 0.42%

LAB 74.2, -62.91, 31.79

 

CMYK 98 / 0 / 16 / 18

HEX #05D1AF

RGB 5 209 175

HSL 170, 0.95%, 0.42%

LAB 75.28, -50.77, 4.8

 

CMYK 98 / 0 / 67 / 50

HEX #03802A

RGB 3 128 42

HSL 138.72, 0.95%, 0.26%

LAB 46.48, -48.6, 37.19

 

CMYK 98 / 0 / 67 / 34

HEX #04A937

RGB 4 169 55

HSL 138.55, 0.95%, 0.34%

LAB 60.5, -59.96, 46.87

 

CMYK 98 / 0 / 67 / 18

HEX #05D144

RGB 5 209 68

HSL 138.53, 0.95%, 0.42%

LAB 73.58, -70.5, 55.72

 

CMYK 97 / 0 / 67 / 2

HEX #07F951

RGB 7 249 81

HSL 138.35, 0.95%, 0.5%

LAB 86.2, -80.62, 64.22

 

CMYK 81 / 0 / 56 / 2

HEX #2FFA6D

RGB 47 250 109

HSL 138.33, 0.95%, 0.58%

LAB 87.04, -75.4, 53.59

 

CMYK 98 / 0 / 68 / 19

HEX #05CF43

RGB 5 207 67

HSL 138.42, 0.95%, 0.42%

LAB 72.93, -70.01, 55.42

 

CMYK 98 / 49 / 0 / 18

HEX #056BD1

RGB 5 107 209

HSL 210, 0.95%, 0.42%

LAB 45.84, 14.21, -59.47

 

CMYK 0 / 98 / 88 / 18

HEX #D1051A

RGB 209 5 26

HSL 353.82, 0.95%, 0.42%

LAB 43.86, 68.79, 48.48

 

CMYK 98 / 0 / 68 / 19

HEX #05CF43

RGB 5 207 67

HSL 138.42, 0.95%, 0.42%

LAB 72.93, -70.01, 55.42

 

CMYK 68 / 98 / 0 / 18

HEX #4205D1

RGB 66 5 209

HSL 257.94, 0.95%, 0.42%

LAB 29.08, 68.53, -86.9

 

CMYK 0 / 68 / 98 / 18

HEX #D14205

RGB 209 66 5

HSL 17.94, 0.95%, 0.42%

LAB 48.84, 54.29, 58.81

 

CMYK 98 / 0 / 68 / 19

HEX #05CF43

RGB 5 207 67

HSL 138.42, 0.95%, 0.42%

LAB 72.93, -70.01, 55.42

 

CMYK 98 / 49 / 0 / 18

HEX #056BD1

RGB 5 107 209

HSL 210, 0.95%, 0.42%

LAB 45.84, 14.21, -59.47

 

CMYK 0 / 98 / 29 / 18

HEX #D10594

RGB 209 5 148

HSL 317.94, 0.95%, 0.42%

LAB 46.71, 76.41, -21.14

 

CMYK 0 / 49 / 98 / 18

HEX #D16B05

RGB 209 107 5

HSL 30, 0.95%, 0.42%

LAB 56.17, 35.23, 63.18

 

CMYK 98 / 0 / 68 / 19

HEX #05CF43

RGB 5 207 67

HSL 138.42, 0.95%, 0.42%

LAB 72.93, -70.01, 55.42

 

CMYK 98 / 78 / 0 / 18

HEX #052ED1

RGB 5 46 209

HSL 227.94, 0.95%, 0.42%

LAB 30.85, 52.64, -84.03

 

CMYK 0 / 98 / 29 / 18

HEX #D10594

RGB 209 5 148

HSL 317.94, 0.95%, 0.42%

LAB 46.71, 76.41, -21.14

 

CMYK 0 / 20 / 98 / 18

HEX #D1A805

RGB 209 168 5

HSL 47.94, 0.95%, 0.42%

LAB 70.57, 2.54, 72.98

 

Description

Color code: HEX #05CF43 | qconv.com Color code: HEX #05CF43 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 207 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 207 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 68 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 68% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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