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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05CE96 it is the complementary color #FA3169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05CE96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05CE96 shade: #0ACE91, #1BE0A4, #2CF2B7, #3DFFCA and #4EFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05CE96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05CE96 shade: #05CE96, #00BC83, #00AA70, #00985D and #00864A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05CE96 shade: #05CC95, #05CC5F, #05CC29, #17CC05 and #4CCC05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05CE96 shade: #05CC95, #05CCCA, #0598CC, #0563CC and #052DCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05CE96 shade matches the following richer shades: #05CC95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05CE96 shade: #05CC95, #16BB8D, #27AA86, #38997E and #498877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05CE96 shade: #05CC2A, #05CC5F, #05CC94, #05CCC9 and #059ACC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05CE96 shade: #037B5A, #04A477, #05CC95, #06F4B2 and #2AFAC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05CE96 shade: #05CE96, #0516CC and #CC4405

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05CE96 shade: #05CE96, #9405CC and #CC9405

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05CE96 shade: #05CE96, #0516CC, #CC053E and #CCBB05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05CE96 shade: #05CE96, #3005CC, #CC053E and #A1CC05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 27 / 19

HEX #05CE96

RGB 5 206 150

HSL 163.28, 0.95%, 0.41%

LAB 73.79, -55.77, 16.07

 

Complementary color

CMYK 0 / 80 / 58 / 2

HEX #FA3169

RGB 250 49 105

HSL 343.28, 0.95%, 0.59%

LAB 55.62, 75.32, 18.75

 

CMYK 95 / 0 / 30 / 19

HEX #0ACE91

RGB 10 206 145

HSL 161.33, 0.91%, 0.42%

LAB 73.71, -56.75, 18.62

 

CMYK 88 / 0 / 27 / 12

HEX #1BE0A4

RGB 27 224 164

HSL 161.73, 0.78%, 0.49%

LAB 79.74, -58.41, 16.99

 

CMYK 82 / 0 / 24 / 5

HEX #2CF2B7

RGB 44 242 183

HSL 162.12, 0.88%, 0.56%

LAB 85.74, -59.69, 15.51

 

CMYK 76 / 0 / 21 / 0

HEX #3DFFCA

RGB 61 255 202

HSL 163.61, 1%, 0.62%

LAB 90.22, -58.71, 12.06

 

CMYK 69 / 0 / 13 / 0

HEX #4EFFDD

RGB 78 255 221

HSL 168.47, 1%, 0.65%

LAB 90.94, -52.15, 3.32

 

CMYK 98 / 0 / 27 / 19

HEX #05CE96

RGB 5 206 150

HSL 163.28, 0.95%, 0.41%

LAB 73.79, -55.77, 16.07

 

CMYK 100 / 0 / 30 / 26

HEX #00BC83

RGB 0 188 131

HSL 161.81, 1%, 0.37%

LAB 67.73, -53.53, 17.83

 

CMYK 100 / 0 / 34 / 33

HEX #00AA70

RGB 0 170 112

HSL 159.53, 1%, 0.33%

LAB 61.58, -51.06, 19.71

 

CMYK 100 / 0 / 39 / 40

HEX #00985D

RGB 0 152 93

HSL 156.71, 1%, 0.3%

LAB 55.33, -48.48, 21.68

 

CMYK 100 / 0 / 45 / 47

HEX #00864A

RGB 0 134 74

HSL 153.13, 1%, 0.26%

LAB 48.94, -45.76, 23.73

 

CMYK 98 / 0 / 27 / 20

HEX #05CC95

RGB 5 204 149

HSL 163.42, 0.95%, 0.41%

LAB 73.15, -55.24, 15.7

 

CMYK 98 / 0 / 53 / 20

HEX #05CC5F

RGB 5 204 95

HSL 147.14, 0.95%, 0.41%

LAB 72.26, -65.62, 42.25

 

CMYK 98 / 0 / 80 / 20

HEX #05CC29

RGB 5 204 41

HSL 130.85, 0.95%, 0.41%

LAB 71.81, -71.24, 63.29

 

CMYK 89 / 0 / 98 / 20

HEX #17CC05

RGB 23 204 5

HSL 114.57, 0.95%, 0.41%

LAB 71.81, -71.62, 69.93

 

CMYK 63 / 0 / 98 / 20

HEX #4CCC05

RGB 76 204 5

HSL 98.59, 0.95%, 0.41%

LAB 72.72, -63.75, 71.04

 

CMYK 98 / 0 / 27 / 20

HEX #05CC95

RGB 5 204 149

HSL 163.42, 0.95%, 0.41%

LAB 73.15, -55.24, 15.7

 

CMYK 98 / 0 / 1 / 20

HEX #05CCCA

RGB 5 204 202

HSL 179.4, 0.95%, 0.41%

LAB 74.5, -41.1, -10.93

 

CMYK 98 / 25 / 0 / 20

HEX #0598CC

RGB 5 152 204

HSL 195.68, 0.95%, 0.41%

LAB 58.83, -14.68, -35.98

 

CMYK 98 / 51 / 0 / 20

HEX #0563CC

RGB 5 99 204

HSL 211.66, 0.95%, 0.41%

LAB 43.23, 17.4, -60.82

 

CMYK 98 / 78 / 0 / 20

HEX #052DCC

RGB 5 45 204

HSL 227.94, 0.95%, 0.41%

LAB 30.08, 51.51, -82.41

 

CMYK 98 / 0 / 27 / 20

HEX #05CC95

RGB 5 204 149

HSL 163.42, 0.95%, 0.41%

LAB 73.15, -55.24, 15.7

 

CMYK 98 / 0 / 27 / 20

HEX #05CC95

RGB 5 204 149

HSL 163.42, 0.95%, 0.41%

LAB 73.15, -55.24, 15.7

 

CMYK 88 / 0 / 25 / 27

HEX #16BB8D

RGB 22 187 141

HSL 163.27, 0.79%, 0.41%

LAB 67.75, -49.83, 12.46

 

CMYK 77 / 0 / 21 / 33

HEX #27AA86

RGB 39 170 134

HSL 163.51, 0.63%, 0.41%

LAB 62.42, -43.07, 8.81

 

CMYK 63 / 0 / 18 / 40

HEX #38997E

RGB 56 153 126

HSL 163.3, 0.46%, 0.41%

LAB 57.2, -34.99, 5.89

 

CMYK 46 / 0 / 13 / 47

HEX #498877

RGB 73 136 119

HSL 163.81, 0.3%, 0.41%

LAB 52.24, -24.64, 2.84

 

CMYK 98 / 0 / 79 / 20

HEX #05CC2A

RGB 5 204 42

HSL 131.16, 0.95%, 0.41%

LAB 71.82, -71.18, 63.01

 

CMYK 98 / 0 / 53 / 20

HEX #05CC5F

RGB 5 204 95

HSL 147.14, 0.95%, 0.41%

LAB 72.26, -65.62, 42.25

 

CMYK 98 / 0 / 27 / 20

HEX #05CC94

RGB 5 204 148

HSL 163.12, 0.95%, 0.41%

LAB 73.13, -55.48, 16.21

 

CMYK 98 / 0 / 1 / 20

HEX #05CCC9

RGB 5 204 201

HSL 179.1, 0.95%, 0.41%

LAB 74.47, -41.39, -10.43

 

CMYK 98 / 25 / 0 / 20

HEX #059ACC

RGB 5 154 204

HSL 195.08, 0.95%, 0.41%

LAB 59.44, -15.78, -35.03

 

CMYK 98 / 0 / 27 / 52

HEX #037B5A

RGB 3 123 90

HSL 163.5, 0.95%, 0.25%

LAB 45.53, -37.6, 9.98

 

CMYK 98 / 0 / 27 / 36

HEX #04A477

RGB 4 164 119

HSL 163.13, 0.95%, 0.33%

LAB 59.81, -46.95, 13.41

 

CMYK 98 / 0 / 27 / 20

HEX #05CC95

RGB 5 204 149

HSL 163.42, 0.95%, 0.41%

LAB 73.15, -55.24, 15.7

 

CMYK 98 / 0 / 27 / 4

HEX #06F4B2

RGB 6 244 178

HSL 163.36, 0.95%, 0.49%

LAB 85.98, -63.45, 18.41

 

CMYK 83 / 0 / 23 / 2

HEX #2AFAC0

RGB 42 250 192

HSL 163.27, 0.95%, 0.57%

LAB 88.29, -60.83, 14.45

 

CMYK 98 / 0 / 27 / 19

HEX #05CE96

RGB 5 206 150

HSL 163.28, 0.95%, 0.41%

LAB 73.79, -55.77, 16.07

 

CMYK 98 / 89 / 0 / 20

HEX #0516CC

RGB 5 22 204

HSL 234.87, 0.95%, 0.41%

LAB 26.64, 61.7, -88.14

 

CMYK 0 / 67 / 98 / 20

HEX #CC4405

RGB 204 68 5

HSL 18.99, 0.95%, 0.41%

LAB 48.24, 51.78, 58

 

CMYK 98 / 0 / 27 / 19

HEX #05CE96

RGB 5 206 150

HSL 163.28, 0.95%, 0.41%

LAB 73.79, -55.77, 16.07

 

CMYK 27 / 98 / 0 / 20

HEX #9405CC

RGB 148 5 204

HSL 283.12, 0.95%, 0.41%

LAB 39.18, 74.48, -66.97

 

CMYK 0 / 27 / 98 / 20

HEX #CC9405

RGB 204 148 5

HSL 43.12, 0.95%, 0.41%

LAB 64.98, 11.07, 68.78

 

CMYK 98 / 0 / 27 / 19

HEX #05CE96

RGB 5 206 150

HSL 163.28, 0.95%, 0.41%

LAB 73.79, -55.77, 16.07

 

CMYK 98 / 89 / 0 / 20

HEX #0516CC

RGB 5 22 204

HSL 234.87, 0.95%, 0.41%

LAB 26.64, 61.7, -88.14

 

CMYK 0 / 98 / 70 / 20

HEX #CC053E

RGB 204 5 62

HSL 342.81, 0.95%, 0.41%

LAB 43.2, 68.66, 26.98

 

CMYK 0 / 8 / 98 / 20

HEX #CCBB05

RGB 204 187 5

HSL 54.87, 0.95%, 0.41%

LAB 75.07, -9.6, 76.02

 

CMYK 98 / 0 / 27 / 19

HEX #05CE96

RGB 5 206 150

HSL 163.28, 0.95%, 0.41%

LAB 73.79, -55.77, 16.07

 

CMYK 76 / 98 / 0 / 20

HEX #3005CC

RGB 48 5 204

HSL 252.96, 0.95%, 0.41%

LAB 27.01, 66.65, -87.48

 

CMYK 0 / 98 / 70 / 20

HEX #CC053E

RGB 204 5 62

HSL 342.81, 0.95%, 0.41%

LAB 43.2, 68.66, 26.98

 

CMYK 21 / 0 / 98 / 20

HEX #A1CC05

RGB 161 204 5

HSL 72.96, 0.95%, 0.41%

LAB 76.54, -36.06, 75.68

 

Description

Color code: HEX #05CE96 | qconv.com Color code: HEX #05CE96 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 206 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 206 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 27 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 27% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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