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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05CD43 it is the complementary color #FA32BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05CD43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05CD43 shade: #0ACD3E, #1BDF51, #2CF164, #3DFF77 and #4EFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05CD43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05CD43 shade: #05CD43, #00BB30, #00A91D, #00970A and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05CD43 shade: #05CC43, #05CC0D, #33CC05, #68CC05 and #9ECC05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05CD43 shade: #05CC43, #05CC78, #05CCAE, #05B4CC and #057FCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05CD43 shade matches the following richer shades: #05CC43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05CD43 shade: #05CC43, #16BB49, #27AA50, #389956 and #49885D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05CD43 shade: #34CC05, #05CC0C, #05CC41, #05CC76 and #05CCAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05CD43 shade: #037B28, #04A436, #05CC43, #06F450 and #2AFA6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05CD43 shade: #05CD43, #0569CC and #CC0519

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05CD43 shade: #05CD43, #4105CC and #CC4105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05CD43 shade: #05CD43, #0569CC, #CC0590 and #CC6905

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05CD43 shade: #05CD43, #052DCC, #CC0590 and #CCA405

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 67 / 20

HEX #05CD43

RGB 5 205 67

HSL 138.6, 0.95%, 0.41%

LAB 72.3, -69.43, 54.73

 

Complementary color

CMYK 0 / 80 / 25 / 2

HEX #FA32BC

RGB 250 50 188

HSL 318.6, 0.95%, 0.59%

LAB 58.26, 82.57, -26.29

 

CMYK 95 / 0 / 70 / 20

HEX #0ACD3E

RGB 10 205 62

HSL 136, 0.91%, 0.42%

LAB 72.28, -69.72, 56.68

 

CMYK 88 / 0 / 64 / 13

HEX #1BDF51

RGB 27 223 81

HSL 136.53, 0.78%, 0.49%

LAB 78.23, -72.19, 55.54

 

CMYK 82 / 0 / 59 / 5

HEX #2CF164

RGB 44 241 100

HSL 137.06, 0.88%, 0.56%

LAB 84.16, -74.03, 54.18

 

CMYK 76 / 0 / 53 / 0

HEX #3DFF77

RGB 61 255 119

HSL 137.94, 1%, 0.62%

LAB 88.85, -74.1, 51.29

 

CMYK 69 / 0 / 46 / 0

HEX #4EFF8A

RGB 78 255 138

HSL 140.34, 1%, 0.65%

LAB 89.38, -68.94, 43.11

 

CMYK 98 / 0 / 67 / 20

HEX #05CD43

RGB 5 205 67

HSL 138.6, 0.95%, 0.41%

LAB 72.3, -69.43, 54.73

 

CMYK 100 / 0 / 74 / 27

HEX #00BB30

RGB 0 187 48

HSL 135.4, 1%, 0.37%

LAB 66.33, -66.14, 55.7

 

CMYK 100 / 0 / 83 / 34

HEX #00A91D

RGB 0 169 29

HSL 130.3, 1%, 0.33%

LAB 60.31, -62.3, 55.89

 

CMYK 100 / 0 / 93 / 41

HEX #00970A

RGB 0 151 10

HSL 123.97, 1%, 0.3%

LAB 54.19, -57.99, 54.66

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 98 / 0 / 67 / 20

HEX #05CC43

RGB 5 204 67

HSL 138.69, 0.95%, 0.41%

LAB 71.98, -69.13, 54.39

 

CMYK 98 / 0 / 94 / 20

HEX #05CC0D

RGB 5 204 13

HSL 122.41, 0.95%, 0.41%

LAB 71.72, -72.39, 68.96

 

CMYK 75 / 0 / 98 / 20

HEX #33CC05

RGB 51 204 5

HSL 106.13, 0.95%, 0.41%

LAB 72.16, -68.5, 70.36

 

CMYK 49 / 0 / 98 / 20

HEX #68CC05

RGB 104 204 5

HSL 90.15, 0.95%, 0.41%

LAB 73.64, -56.35, 72.17

 

CMYK 23 / 0 / 98 / 20

HEX #9ECC05

RGB 158 204 5

HSL 73.87, 0.95%, 0.41%

LAB 76.35, -37.25, 75.46

 

CMYK 98 / 0 / 67 / 20

HEX #05CC43

RGB 5 204 67

HSL 138.69, 0.95%, 0.41%

LAB 71.98, -69.13, 54.39

 

CMYK 98 / 0 / 41 / 20

HEX #05CC78

RGB 5 204 120

HSL 154.67, 0.95%, 0.41%

LAB 72.61, -61.39, 30.22

 

CMYK 98 / 0 / 15 / 20

HEX #05CCAE

RGB 5 204 174

HSL 170.95, 0.95%, 0.41%

LAB 73.72, -48.99, 3.08

 

CMYK 98 / 12 / 0 / 20

HEX #05B4CC

RGB 5 180 204

HSL 187.24, 0.95%, 0.41%

LAB 67.3, -29.24, -22.89

 

CMYK 98 / 38 / 0 / 20

HEX #057FCC

RGB 5 127 204

HSL 203.22, 0.95%, 0.41%

LAB 51.35, -0.26, -47.78

 

CMYK 98 / 0 / 67 / 20

HEX #05CC43

RGB 5 204 67

HSL 138.69, 0.95%, 0.41%

LAB 71.98, -69.13, 54.39

 

CMYK 98 / 0 / 67 / 20

HEX #05CC43

RGB 5 204 67

HSL 138.69, 0.95%, 0.41%

LAB 71.98, -69.13, 54.39

 

CMYK 88 / 0 / 61 / 27

HEX #16BB49

RGB 22 187 73

HSL 138.55, 0.79%, 0.41%

LAB 66.67, -62.42, 45.92

 

CMYK 77 / 0 / 53 / 33

HEX #27AA50

RGB 39 170 80

HSL 138.78, 0.63%, 0.41%

LAB 61.45, -54, 36.44

 

CMYK 63 / 0 / 44 / 40

HEX #389956

RGB 56 153 86

HSL 138.56, 0.46%, 0.41%

LAB 56.38, -43.59, 27.03

 

CMYK 46 / 0 / 32 / 47

HEX #49885D

RGB 73 136 93

HSL 139.05, 0.3%, 0.41%

LAB 51.63, -30.44, 16.95

 

CMYK 75 / 0 / 98 / 20

HEX #34CC05

RGB 52 204 5

HSL 105.83, 0.95%, 0.41%

LAB 72.18, -68.34, 70.39

 

CMYK 98 / 0 / 94 / 20

HEX #05CC0C

RGB 5 204 12

HSL 122.11, 0.95%, 0.41%

LAB 71.72, -72.41, 69.08

 

CMYK 98 / 0 / 68 / 20

HEX #05CC41

RGB 5 204 65

HSL 138.09, 0.95%, 0.41%

LAB 71.96, -69.33, 55.17

 

CMYK 98 / 0 / 42 / 20

HEX #05CC76

RGB 5 204 118

HSL 154.07, 0.95%, 0.41%

LAB 72.58, -61.76, 31.21

 

CMYK 98 / 0 / 16 / 20

HEX #05CCAB

RGB 5 204 171

HSL 170.05, 0.95%, 0.41%

LAB 73.65, -49.78, 4.59

 

CMYK 98 / 0 / 67 / 52

HEX #037B28

RGB 3 123 40

HSL 138.5, 0.95%, 0.25%

LAB 44.71, -47.21, 36.15

 

CMYK 98 / 0 / 67 / 36

HEX #04A436

RGB 4 164 54

HSL 138.75, 0.95%, 0.33%

LAB 58.83, -58.53, 45.48

 

CMYK 98 / 0 / 67 / 20

HEX #05CC43

RGB 5 204 67

HSL 138.69, 0.95%, 0.41%

LAB 71.98, -69.13, 54.39

 

CMYK 98 / 0 / 67 / 4

HEX #06F450

RGB 6 244 80

HSL 138.66, 0.95%, 0.49%

LAB 84.65, -79.33, 62.93

 

CMYK 83 / 0 / 58 / 2

HEX #2AFA6A

RGB 42 250 106

HSL 138.46, 0.95%, 0.57%

LAB 86.95, -76.24, 54.8

 

CMYK 98 / 0 / 67 / 20

HEX #05CD43

RGB 5 205 67

HSL 138.6, 0.95%, 0.41%

LAB 72.3, -69.43, 54.73

 

CMYK 98 / 49 / 0 / 20

HEX #0569CC

RGB 5 105 204

HSL 209.85, 0.95%, 0.41%

LAB 44.93, 13.5, -58.07

 

CMYK 0 / 98 / 88 / 20

HEX #CC0519

RGB 204 5 25

HSL 353.97, 0.95%, 0.41%

LAB 42.79, 67.53, 47.66

 

CMYK 98 / 0 / 67 / 20

HEX #05CD43

RGB 5 205 67

HSL 138.6, 0.95%, 0.41%

LAB 72.3, -69.43, 54.73

 

CMYK 68 / 98 / 0 / 20

HEX #4105CC

RGB 65 5 204

HSL 258.09, 0.95%, 0.41%

LAB 28.36, 67.29, -85.19

 

CMYK 0 / 68 / 98 / 20

HEX #CC4105

RGB 204 65 5

HSL 18.09, 0.95%, 0.41%

LAB 47.79, 53, 57.75

 

CMYK 98 / 0 / 67 / 20

HEX #05CD43

RGB 5 205 67

HSL 138.6, 0.95%, 0.41%

LAB 72.3, -69.43, 54.73

 

CMYK 98 / 49 / 0 / 20

HEX #0569CC

RGB 5 105 204

HSL 209.85, 0.95%, 0.41%

LAB 44.93, 13.5, -58.07

 

CMYK 0 / 98 / 29 / 20

HEX #CC0590

RGB 204 5 144

HSL 318.09, 0.95%, 0.41%

LAB 45.58, 74.97, -20.55

 

CMYK 0 / 49 / 98 / 20

HEX #CC6905

RGB 204 105 5

HSL 30.15, 0.95%, 0.41%

LAB 55.02, 34.23, 62.09

 

CMYK 98 / 0 / 67 / 20

HEX #05CD43

RGB 5 205 67

HSL 138.6, 0.95%, 0.41%

LAB 72.3, -69.43, 54.73

 

CMYK 98 / 78 / 0 / 20

HEX #052DCC

RGB 5 45 204

HSL 227.94, 0.95%, 0.41%

LAB 30.08, 51.51, -82.41

 

CMYK 0 / 98 / 29 / 20

HEX #CC0590

RGB 204 5 144

HSL 318.09, 0.95%, 0.41%

LAB 45.58, 74.97, -20.55

 

CMYK 0 / 20 / 98 / 20

HEX #CCA405

RGB 204 164 5

HSL 47.94, 0.95%, 0.41%

LAB 69.04, 2.45, 71.65

 

Description

Color code: HEX #05CD43 | qconv.com Color code: HEX #05CD43 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 205 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 205 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 67 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 67% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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