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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05C884 it is the complementary color #FA377B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05C884. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05C884 shade: #0AC87F, #1BDA92, #2CECA5, #3DFEB8 and #4EFFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05C884. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05C884 shade: #05C884, #00B671, #00A45E, #00924B and #008038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05C884 shade: #05C783, #05C74F, #05C71B, #24C705 and #58C705

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05C884 shade: #05C783, #05C7B8, #05A2C7, #056EC7 and #0539C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05C884 shade matches the following richer shades: #05C783

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05C884 shade: #05C783, #16B67E, #26A679, #379574 and #47856F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05C884 shade: #05C71C, #05C74F, #05C783, #05C7B7 and #05A3C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05C884 shade: #03764E, #049F69, #05C783, #06EF9E and #25F9AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05C884 shade: #05C884, #0522C7 and #C73605

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05C884 shade: #05C884, #8305C7 and #C78305

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05C884 shade: #05C884, #0522C7, #C70549 and #C7AA05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05C884 shade: #05C884, #2205C7, #C70549 and #AAC705

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 34 / 22

HEX #05C884

RGB 5 200 132

HSL 159.08, 0.95%, 0.4%

LAB 71.56, -57.56, 22.55

 

Complementary color

CMYK 0 / 78 / 51 / 2

HEX #FA377B

RGB 250 55 123

HSL 339.08, 0.95%, 0.6%

LAB 56.57, 75.05, 9.34

 

CMYK 95 / 0 / 37 / 22

HEX #0AC87F

RGB 10 200 127

HSL 156.95, 0.9%, 0.41%

LAB 71.49, -58.43, 25.1

 

CMYK 88 / 0 / 33 / 15

HEX #1BDA92

RGB 27 218 146

HSL 157.38, 0.78%, 0.48%

LAB 77.55, -60.13, 23.38

 

CMYK 81 / 0 / 30 / 7

HEX #2CECA5

RGB 44 236 165

HSL 157.81, 0.83%, 0.55%

LAB 83.57, -61.4, 21.81

 

CMYK 76 / 0 / 28 / 0

HEX #3DFEB8

RGB 61 254 184

HSL 158.24, 0.99%, 0.62%

LAB 89.55, -62.34, 20.36

 

CMYK 69 / 0 / 20 / 0

HEX #4EFFCB

RGB 78 255 203

HSL 162.37, 1%, 0.65%

LAB 90.53, -56.41, 12.02

 

CMYK 98 / 0 / 34 / 22

HEX #05C884

RGB 5 200 132

HSL 159.08, 0.95%, 0.4%

LAB 71.56, -57.56, 22.55

 

CMYK 100 / 0 / 38 / 29

HEX #00B671

RGB 0 182 113

HSL 157.25, 1%, 0.36%

LAB 65.47, -55.24, 24.42

 

CMYK 100 / 0 / 43 / 36

HEX #00A45E

RGB 0 164 94

HSL 154.39, 1%, 0.32%

LAB 59.31, -52.63, 26.4

 

CMYK 100 / 0 / 49 / 43

HEX #00924B

RGB 0 146 75

HSL 150.82, 1%, 0.29%

LAB 53.02, -49.86, 28.43

 

CMYK 100 / 0 / 56 / 50

HEX #008038

RGB 0 128 56

HSL 146.25, 1%, 0.25%

LAB 46.61, -46.86, 30.46

 

CMYK 97 / 0 / 34 / 22

HEX #05C783

RGB 5 199 131

HSL 158.97, 0.95%, 0.4%

LAB 71.23, -57.41, 22.63

 

CMYK 97 / 0 / 60 / 22

HEX #05C74F

RGB 5 199 79

HSL 142.89, 0.95%, 0.4%

LAB 70.49, -66.27, 47.59

 

CMYK 97 / 0 / 86 / 22

HEX #05C71B

RGB 5 199 27

HSL 126.8, 0.95%, 0.4%

LAB 70.15, -70.58, 65.28

 

CMYK 82 / 0 / 97 / 22

HEX #24C705

RGB 36 199 5

HSL 110.41, 0.95%, 0.4%

LAB 70.34, -69.03, 68.79

 

CMYK 56 / 0 / 97 / 22

HEX #58C705

RGB 88 199 5

HSL 94.33, 0.95%, 0.4%

LAB 71.51, -59.09, 70.23

 

CMYK 97 / 0 / 34 / 22

HEX #05C783

RGB 5 199 131

HSL 158.97, 0.95%, 0.4%

LAB 71.23, -57.41, 22.63

 

CMYK 97 / 0 / 8 / 22

HEX #05C7B8

RGB 5 199 184

HSL 175.36, 0.95%, 0.4%

LAB 72.46, -44.13, -4.19

 

CMYK 97 / 19 / 0 / 22

HEX #05A2C7

RGB 5 162 199

HSL 191.44, 0.95%, 0.4%

LAB 61.65, -21.81, -28.8

 

CMYK 97 / 45 / 0 / 22

HEX #056EC7

RGB 5 110 199

HSL 207.53, 0.95%, 0.4%

LAB 46.05, 8.31, -53.39

 

CMYK 97 / 71 / 0 / 22

HEX #0539C7

RGB 5 57 199

HSL 223.92, 0.95%, 0.4%

LAB 31.99, 42.81, -76.32

 

CMYK 97 / 0 / 34 / 22

HEX #05C783

RGB 5 199 131

HSL 158.97, 0.95%, 0.4%

LAB 71.23, -57.41, 22.63

 

CMYK 97 / 0 / 34 / 22

HEX #05C783

RGB 5 199 131

HSL 158.97, 0.95%, 0.4%

LAB 71.23, -57.41, 22.63

 

CMYK 88 / 0 / 31 / 29

HEX #16B67E

RGB 22 182 126

HSL 159, 0.78%, 0.4%

LAB 65.85, -51.38, 17.97

 

CMYK 77 / 0 / 27 / 35

HEX #26A679

RGB 38 166 121

HSL 158.91, 0.63%, 0.4%

LAB 60.84, -44.67, 13.79

 

CMYK 63 / 0 / 22 / 42

HEX #379574

RGB 55 149 116

HSL 158.94, 0.46%, 0.4%

LAB 55.65, -35.82, 9.37

 

CMYK 47 / 0 / 17 / 48

HEX #47856F

RGB 71 133 111

HSL 158.71, 0.3%, 0.4%

LAB 50.99, -25.62, 5.68

 

CMYK 97 / 0 / 86 / 22

HEX #05C71C

RGB 5 199 28

HSL 127.11, 0.95%, 0.4%

LAB 70.15, -70.53, 65.07

 

CMYK 97 / 0 / 60 / 22

HEX #05C74F

RGB 5 199 79

HSL 142.89, 0.95%, 0.4%

LAB 70.49, -66.27, 47.59

 

CMYK 97 / 0 / 34 / 22

HEX #05C783

RGB 5 199 131

HSL 158.97, 0.95%, 0.4%

LAB 71.23, -57.41, 22.63

 

CMYK 97 / 0 / 8 / 22

HEX #05C7B7

RGB 5 199 183

HSL 175.05, 0.95%, 0.4%

LAB 72.43, -44.42, -3.69

 

CMYK 97 / 18 / 0 / 22

HEX #05A3C7

RGB 5 163 199

HSL 191.13, 0.95%, 0.4%

LAB 61.96, -22.33, -28.33

 

CMYK 97 / 0 / 34 / 54

HEX #03764E

RGB 3 118 78

HSL 159.13, 0.95%, 0.24%

LAB 43.55, -38.54, 14.26

 

CMYK 97 / 0 / 34 / 38

HEX #049F69

RGB 4 159 105

HSL 159.1, 0.95%, 0.32%

LAB 57.89, -48.29, 18.52

 

CMYK 97 / 0 / 34 / 22

HEX #05C783

RGB 5 199 131

HSL 158.97, 0.95%, 0.4%

LAB 71.23, -57.41, 22.63

 

CMYK 97 / 0 / 34 / 6

HEX #06EF9E

RGB 6 239 158

HSL 159.14, 0.95%, 0.48%

LAB 84.09, -65.97, 26.07

 

CMYK 85 / 0 / 30 / 2

HEX #25F9AF

RGB 37 249 175

HSL 159.06, 0.95%, 0.56%

LAB 87.6, -64.59, 22.22

 

CMYK 98 / 0 / 34 / 22

HEX #05C884

RGB 5 200 132

HSL 159.08, 0.95%, 0.4%

LAB 71.56, -57.56, 22.55

 

CMYK 97 / 83 / 0 / 22

HEX #0522C7

RGB 5 34 199

HSL 231.03, 0.95%, 0.4%

LAB 27.57, 55.43, -83.65

 

CMYK 0 / 73 / 97 / 22

HEX #C73605

RGB 199 54 5

HSL 15.15, 0.95%, 0.4%

LAB 45.35, 55.5, 55.92

 

CMYK 98 / 0 / 34 / 22

HEX #05C884

RGB 5 200 132

HSL 159.08, 0.95%, 0.4%

LAB 71.56, -57.56, 22.55

 

CMYK 34 / 97 / 0 / 22

HEX #8305C7

RGB 131 5 199

HSL 278.97, 0.95%, 0.4%

LAB 36.09, 71.47, -69.21

 

CMYK 0 / 34 / 97 / 22

HEX #C78305

RGB 199 131 5

HSL 38.97, 0.95%, 0.4%

LAB 60.24, 18.13, 65.22

 

CMYK 98 / 0 / 34 / 22

HEX #05C884

RGB 5 200 132

HSL 159.08, 0.95%, 0.4%

LAB 71.56, -57.56, 22.55

 

CMYK 97 / 83 / 0 / 22

HEX #0522C7

RGB 5 34 199

HSL 231.03, 0.95%, 0.4%

LAB 27.57, 55.43, -83.65

 

CMYK 0 / 97 / 63 / 22

HEX #C70549

RGB 199 5 73

HSL 338.97, 0.95%, 0.4%

LAB 42.36, 68.01, 18.8

 

CMYK 0 / 15 / 97 / 22

HEX #C7AA05

RGB 199 170 5

HSL 51.03, 0.95%, 0.4%

LAB 70.11, -2.96, 72.19

 

CMYK 98 / 0 / 34 / 22

HEX #05C884

RGB 5 200 132

HSL 159.08, 0.95%, 0.4%

LAB 71.56, -57.56, 22.55

 

CMYK 83 / 97 / 0 / 22

HEX #2205C7

RGB 34 5 199

HSL 248.97, 0.95%, 0.4%

LAB 25.48, 65.04, -87.12

 

CMYK 0 / 97 / 63 / 22

HEX #C70549

RGB 199 5 73

HSL 338.97, 0.95%, 0.4%

LAB 42.36, 68.01, 18.8

 

CMYK 15 / 0 / 97 / 22

HEX #AAC705

RGB 170 199 5

HSL 68.97, 0.95%, 0.4%

LAB 75.7, -30.09, 75.3

 

Description

Color code: HEX #05C884 | qconv.com Color code: HEX #05C884 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 200 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 200 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 34 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 34% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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