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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05C518 it is the complementary color #FA3AE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05C518. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05C518 shade: #0AC513, #1BD726, #2CE939, #3DFB4C and #4EFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05C518. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05C518 shade: #05C518, #00B305, #00A100, #008F00 and #007D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05C518 shade: #05C718, #26C705, #5AC705, #8FC705 and #C3C705

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05C518 shade: #05C718, #05C74D, #05C781, #05C7B5 and #05A4C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05C518 shade matches the following richer shades: #05C718

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05C518 shade: #05C718, #16B626, #26A633, #379540 and #47854D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05C518 shade: #5CC705, #29C705, #05C715, #05C749 and #05C77D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05C518 shade: #03760E, #049F13, #05C718, #06EF1D and #25F93A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05C518 shade: #05C518, #0590C7 and #C70542

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05C518 shade: #05C518, #1505C7 and #C71505

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05C518 shade: #05C518, #0590C7, #C705B7 and #C73C05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05C518 shade: #05C518, #0556C7, #C705B7 and #C77605

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 88 / 23

HEX #05C518

RGB 5 197 24

HSL 125.94, 0.95%, 0.4%

LAB 69.49, -70.15, 65.32

 

Complementary color

CMYK 0 / 77 / 8 / 2

HEX #FA3AE7

RGB 250 58 231

HSL 305.94, 0.95%, 0.6%

LAB 60.89, 86.16, -46.62

 

CMYK 95 / 0 / 90 / 23

HEX #0AC513

RGB 10 197 19

HSL 122.89, 0.9%, 0.41%

LAB 69.5, -70.11, 66.24

 

CMYK 87 / 0 / 82 / 16

HEX #1BD726

RGB 27 215 38

HSL 123.51, 0.78%, 0.47%

LAB 75.44, -73.32, 67.52

 

CMYK 81 / 0 / 76 / 9

HEX #2CE939

RGB 44 233 57

HSL 124.13, 0.81%, 0.54%

LAB 81.35, -75.75, 67.75

 

CMYK 76 / 0 / 70 / 2

HEX #3DFB4C

RGB 61 251 76

HSL 124.74, 0.96%, 0.61%

LAB 87.25, -77.57, 67.32

 

CMYK 69 / 0 / 63 / 0

HEX #4EFF5F

RGB 78 255 95

HSL 125.76, 1%, 0.65%

LAB 88.91, -74.49, 61.86

 

CMYK 97 / 0 / 88 / 23

HEX #05C518

RGB 5 197 24

HSL 125.94, 0.95%, 0.4%

LAB 69.49, -70.15, 65.32

 

CMYK 100 / 0 / 97 / 30

HEX #00B305

RGB 0 179 5

HSL 121.68, 1%, 0.35%

LAB 63.55, -65.96, 63.14

 

CMYK 100 / 0 / 100 / 37

HEX #00A100

RGB 0 161 0

HSL 120, 1%, 0.32%

LAB 57.55, -61.1, 58.98

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 100 / 0 / 100 / 51

HEX #007D00

RGB 0 125 0

HSL 120, 1%, 0.25%

LAB 45.18, -50.82, 49.05

 

CMYK 97 / 0 / 88 / 22

HEX #05C718

RGB 5 199 24

HSL 125.88, 0.95%, 0.4%

LAB 70.14, -70.7, 65.88

 

CMYK 81 / 0 / 97 / 22

HEX #26C705

RGB 38 199 5

HSL 109.79, 0.95%, 0.4%

LAB 70.36, -68.79, 68.82

 

CMYK 55 / 0 / 97 / 22

HEX #5AC705

RGB 90 199 5

HSL 93.71, 0.95%, 0.4%

LAB 71.58, -58.55, 70.31

 

CMYK 28 / 0 / 97 / 22

HEX #8FC705

RGB 143 199 5

HSL 77.32, 0.95%, 0.4%

LAB 74, -40.88, 73.25

 

CMYK 2 / 0 / 97 / 22

HEX #C3C705

RGB 195 199 5

HSL 61.24, 0.95%, 0.4%

LAB 77.56, -19.55, 77.52

 

CMYK 97 / 0 / 88 / 22

HEX #05C718

RGB 5 199 24

HSL 125.88, 0.95%, 0.4%

LAB 70.14, -70.7, 65.88

 

CMYK 97 / 0 / 61 / 22

HEX #05C74D

RGB 5 199 77

HSL 142.27, 0.95%, 0.4%

LAB 70.47, -66.52, 48.46

 

CMYK 97 / 0 / 35 / 22

HEX #05C781

RGB 5 199 129

HSL 158.35, 0.95%, 0.4%

LAB 71.19, -57.83, 23.64

 

CMYK 97 / 0 / 9 / 22

HEX #05C7B5

RGB 5 199 181

HSL 174.43, 0.95%, 0.4%

LAB 72.37, -44.98, -2.68

 

CMYK 97 / 18 / 0 / 22

HEX #05A4C7

RGB 5 164 199

HSL 190.82, 0.95%, 0.4%

LAB 62.26, -22.85, -27.86

 

CMYK 97 / 0 / 88 / 22

HEX #05C718

RGB 5 199 24

HSL 125.88, 0.95%, 0.4%

LAB 70.14, -70.7, 65.88

 

CMYK 97 / 0 / 88 / 22

HEX #05C718

RGB 5 199 24

HSL 125.88, 0.95%, 0.4%

LAB 70.14, -70.7, 65.88

 

CMYK 88 / 0 / 79 / 29

HEX #16B626

RGB 22 182 38

HSL 126, 0.78%, 0.4%

LAB 64.78, -64.22, 57.53

 

CMYK 77 / 0 / 69 / 35

HEX #26A633

RGB 38 166 51

HSL 126.09, 0.63%, 0.4%

LAB 59.82, -56.41, 47.91

 

CMYK 63 / 0 / 57 / 42

HEX #379540

RGB 55 149 64

HSL 125.74, 0.46%, 0.4%

LAB 54.74, -45.66, 36.39

 

CMYK 47 / 0 / 42 / 48

HEX #47854D

RGB 71 133 77

HSL 125.81, 0.3%, 0.4%

LAB 50.28, -32.59, 24.12

 

CMYK 54 / 0 / 97 / 22

HEX #5CC705

RGB 92 199 5

HSL 93.09, 0.95%, 0.4%

LAB 71.65, -58, 70.39

 

CMYK 79 / 0 / 97 / 22

HEX #29C705

RGB 41 199 5

HSL 108.87, 0.95%, 0.4%

LAB 70.41, -68.43, 68.88

 

CMYK 97 / 0 / 89 / 22

HEX #05C715

RGB 5 199 21

HSL 124.95, 0.95%, 0.4%

LAB 70.13, -70.8, 66.43

 

CMYK 97 / 0 / 63 / 22

HEX #05C749

RGB 5 199 73

HSL 141.03, 0.95%, 0.4%

LAB 70.43, -66.99, 50.17

 

CMYK 97 / 0 / 37 / 22

HEX #05C77D

RGB 5 199 125

HSL 157.11, 0.95%, 0.4%

LAB 71.12, -58.66, 25.64

 

CMYK 97 / 0 / 88 / 54

HEX #03760E

RGB 3 118 14

HSL 125.74, 0.95%, 0.24%

LAB 42.78, -47.88, 43.9

 

CMYK 97 / 0 / 88 / 38

HEX #049F13

RGB 4 159 19

HSL 125.81, 0.95%, 0.32%

LAB 56.95, -59.72, 55.35

 

CMYK 97 / 0 / 88 / 22

HEX #05C718

RGB 5 199 24

HSL 125.88, 0.95%, 0.4%

LAB 70.14, -70.7, 65.88

 

CMYK 97 / 0 / 88 / 6

HEX #06EF1D

RGB 6 239 29

HSL 125.92, 0.95%, 0.48%

LAB 82.84, -81.25, 75.98

 

CMYK 85 / 0 / 77 / 2

HEX #25F93A

RGB 37 249 58

HSL 125.94, 0.95%, 0.56%

LAB 86.23, -80.9, 72.17

 

CMYK 97 / 0 / 88 / 23

HEX #05C518

RGB 5 197 24

HSL 125.94, 0.95%, 0.4%

LAB 69.49, -70.15, 65.32

 

CMYK 97 / 28 / 0 / 22

HEX #0590C7

RGB 5 144 199

HSL 197.01, 0.95%, 0.4%

LAB 56.19, -12.07, -37.3

 

CMYK 0 / 97 / 67 / 22

HEX #C70542

RGB 199 5 66

HSL 341.13, 0.95%, 0.4%

LAB 42.22, 67.65, 23.03

 

CMYK 97 / 0 / 88 / 23

HEX #05C518

RGB 5 197 24

HSL 125.94, 0.95%, 0.4%

LAB 69.49, -70.15, 65.32

 

CMYK 89 / 97 / 0 / 22

HEX #1505C7

RGB 21 5 199

HSL 244.95, 0.95%, 0.4%

LAB 24.93, 64.81, -88.06

 

CMYK 0 / 89 / 97 / 22

HEX #C71505

RGB 199 21 5

HSL 4.95, 0.95%, 0.4%

LAB 42.29, 64.11, 54.37

 

CMYK 97 / 0 / 88 / 23

HEX #05C518

RGB 5 197 24

HSL 125.94, 0.95%, 0.4%

LAB 69.49, -70.15, 65.32

 

CMYK 97 / 28 / 0 / 22

HEX #0590C7

RGB 5 144 199

HSL 197.01, 0.95%, 0.4%

LAB 56.19, -12.07, -37.3

 

CMYK 0 / 97 / 8 / 22

HEX #C705B7

RGB 199 5 183

HSL 304.95, 0.95%, 0.4%

LAB 46.54, 78.84, -42.39

 

CMYK 0 / 70 / 97 / 22

HEX #C73C05

RGB 199 60 5

HSL 17.01, 0.95%, 0.4%

LAB 46.16, 53.28, 56.36

 

CMYK 97 / 0 / 88 / 23

HEX #05C518

RGB 5 197 24

HSL 125.94, 0.95%, 0.4%

LAB 69.49, -70.15, 65.32

 

CMYK 97 / 57 / 0 / 22

HEX #0556C7

RGB 5 86 199

HSL 214.95, 0.95%, 0.4%

LAB 39.26, 23.96, -64.39

 

CMYK 0 / 97 / 8 / 22

HEX #C705B7

RGB 199 5 183

HSL 304.95, 0.95%, 0.4%

LAB 46.54, 78.84, -42.39

 

CMYK 0 / 41 / 97 / 22

HEX #C77605

RGB 199 118 5

HSL 34.95, 0.95%, 0.4%

LAB 57.18, 25.21, 63.16

 

Description

Color code: HEX #05C518 | qconv.com Color code: HEX #05C518 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 197 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 197 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 88 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 88% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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