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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05C32F it is the complementary color #FA3CD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05C32F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05C32F shade: #0AC32A, #1BD53D, #2CE750, #3DF963 and #4EFF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05C32F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05C32F shade: #05C32F, #00B11C, #009F09, #008D00 and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05C32F shade: #05C22F, #0EC205, #41C205, #74C205 and #A7C205

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05C32F shade: #05C22F, #05C262, #05C295, #05BCC2 and #0589C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05C32F shade matches the following richer shades: #05C22F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05C32F shade: #05C22F, #15B238, #25A241, #35924A and #458253

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05C32F shade: #41C205, #0EC205, #05C22E, #05C260 and #05C293

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05C32F shade: #03711B, #049A25, #05C22F, #06EA38 and #20F950

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05C32F shade: #05C32F, #0573C2 and #C20528

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05C32F shade: #05C32F, #2E05C2 and #C22E05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05C32F shade: #05C32F, #0573C2, #C20599 and #C25405

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05C32F shade: #05C32F, #053BC2, #C20599 and #C28C05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 76 / 24

HEX #05C32F

RGB 5 195 47

HSL 133.26, 0.95%, 0.39%

LAB 68.94, -68.3, 58.66

 

Complementary color

CMYK 0 / 76 / 17 / 2

HEX #FA3CD0

RGB 250 60 208

HSL 313.26, 0.95%, 0.61%

LAB 59.99, 82.52, -35.06

 

CMYK 95 / 0 / 78 / 24

HEX #0AC32A

RGB 10 195 42

HSL 130.38, 0.9%, 0.4%

LAB 68.94, -68.44, 60.27

 

CMYK 87 / 0 / 71 / 16

HEX #1BD53D

RGB 27 213 61

HSL 130.97, 0.78%, 0.47%

LAB 74.92, -71.18, 59.85

 

CMYK 81 / 0 / 65 / 9

HEX #2CE750

RGB 44 231 80

HSL 131.55, 0.8%, 0.54%

LAB 80.89, -73.21, 58.93

 

CMYK 76 / 0 / 60 / 2

HEX #3DF963

RGB 61 249 99

HSL 132.13, 0.94%, 0.61%

LAB 86.82, -74.69, 57.75

 

CMYK 69 / 0 / 54 / 0

HEX #4EFF76

RGB 78 255 118

HSL 133.56, 1%, 0.65%

LAB 89.13, -71.81, 52.16

 

CMYK 97 / 0 / 76 / 24

HEX #05C32F

RGB 5 195 47

HSL 133.26, 0.95%, 0.39%

LAB 68.94, -68.3, 58.66

 

CMYK 100 / 0 / 84 / 31

HEX #00B11C

RGB 0 177 28

HSL 129.49, 1%, 0.35%

LAB 62.95, -64.62, 58.59

 

CMYK 100 / 0 / 94 / 38

HEX #009F09

RGB 0 159 9

HSL 123.4, 1%, 0.31%

LAB 56.9, -60.29, 57.09

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 97 / 0 / 76 / 24

HEX #05C22F

RGB 5 194 47

HSL 133.33, 0.95%, 0.39%

LAB 68.62, -68.01, 58.34

 

CMYK 93 / 0 / 97 / 24

HEX #0EC205

RGB 14 194 5

HSL 117.14, 0.95%, 0.39%

LAB 68.52, -69.43, 67.23

 

CMYK 66 / 0 / 97 / 24

HEX #41C205

RGB 65 194 5

HSL 100.95, 0.95%, 0.39%

LAB 69.27, -62.89, 68.15

 

CMYK 40 / 0 / 97 / 24

HEX #74C205

RGB 116 194 5

HSL 84.76, 0.95%, 0.39%

LAB 71.08, -48.62, 70.36

 

CMYK 14 / 0 / 97 / 24

HEX #A7C205

RGB 167 194 5

HSL 68.57, 0.95%, 0.39%

LAB 74.07, -28.97, 73.96

 

CMYK 97 / 0 / 76 / 24

HEX #05C22F

RGB 5 194 47

HSL 133.33, 0.95%, 0.39%

LAB 68.62, -68.01, 58.34

 

CMYK 97 / 0 / 49 / 24

HEX #05C262

RGB 5 194 98

HSL 149.52, 0.95%, 0.39%

LAB 69.11, -61.92, 36.89

 

CMYK 97 / 0 / 23 / 24

HEX #05C295

RGB 5 194 149

HSL 165.71, 0.95%, 0.39%

LAB 70.03, -51.39, 11.32

 

CMYK 97 / 3 / 0 / 24

HEX #05BCC2

RGB 5 188 194

HSL 181.9, 0.95%, 0.39%

LAB 69.39, -36.24, -14.22

 

CMYK 97 / 29 / 0 / 24

HEX #0589C2

RGB 5 137 194

HSL 198.1, 0.95%, 0.39%

LAB 53.83, -9.96, -38.16

 

CMYK 97 / 0 / 76 / 24

HEX #05C22F

RGB 5 194 47

HSL 133.33, 0.95%, 0.39%

LAB 68.62, -68.01, 58.34

 

CMYK 97 / 0 / 76 / 24

HEX #05C22F

RGB 5 194 47

HSL 133.33, 0.95%, 0.39%

LAB 68.62, -68.01, 58.34

 

CMYK 88 / 0 / 69 / 30

HEX #15B238

RGB 21 178 56

HSL 133.38, 0.79%, 0.39%

LAB 63.58, -61.61, 49.82

 

CMYK 77 / 0 / 60 / 36

HEX #25A241

RGB 37 162 65

HSL 133.44, 0.63%, 0.39%

LAB 58.62, -53.62, 40.36

 

CMYK 64 / 0 / 49 / 43

HEX #35924A

RGB 53 146 74

HSL 133.55, 0.47%, 0.39%

LAB 53.82, -43.46, 30.14

 

CMYK 47 / 0 / 36 / 49

HEX #458253

RGB 69 130 83

HSL 133.77, 0.31%, 0.39%

LAB 49.32, -30.73, 19.48

 

CMYK 66 / 0 / 97 / 24

HEX #41C205

RGB 65 194 5

HSL 100.95, 0.95%, 0.39%

LAB 69.27, -62.89, 68.15

 

CMYK 93 / 0 / 97 / 24

HEX #0EC205

RGB 14 194 5

HSL 117.14, 0.95%, 0.39%

LAB 68.52, -69.43, 67.23

 

CMYK 97 / 0 / 76 / 24

HEX #05C22E

RGB 5 194 46

HSL 133.02, 0.95%, 0.39%

LAB 68.62, -68.09, 58.67

 

CMYK 97 / 0 / 51 / 24

HEX #05C260

RGB 5 194 96

HSL 148.89, 0.95%, 0.39%

LAB 69.08, -62.25, 37.85

 

CMYK 97 / 0 / 24 / 24

HEX #05C293

RGB 5 194 147

HSL 165.08, 0.95%, 0.39%

LAB 69.98, -51.88, 12.34

 

CMYK 97 / 0 / 76 / 56

HEX #03711B

RGB 3 113 27

HSL 133.09, 0.95%, 0.23%

LAB 41.07, -45.37, 37.91

 

CMYK 97 / 0 / 76 / 40

HEX #049A25

RGB 4 154 37

HSL 133.2, 0.95%, 0.31%

LAB 55.35, -57.13, 48.58

 

CMYK 97 / 0 / 76 / 24

HEX #05C22F

RGB 5 194 47

HSL 133.33, 0.95%, 0.39%

LAB 68.62, -68.01, 58.34

 

CMYK 97 / 0 / 76 / 8

HEX #06EA38

RGB 6 234 56

HSL 133.16, 0.95%, 0.47%

LAB 81.38, -78.53, 68

 

CMYK 87 / 0 / 68 / 2

HEX #20F950

RGB 32 249 80

HSL 133.27, 0.95%, 0.55%

LAB 86.32, -79.56, 64.77

 

CMYK 97 / 0 / 76 / 24

HEX #05C32F

RGB 5 195 47

HSL 133.26, 0.95%, 0.39%

LAB 68.94, -68.3, 58.66

 

CMYK 97 / 41 / 0 / 24

HEX #0573C2

RGB 5 115 194

HSL 205.08, 0.95%, 0.39%

LAB 47.22, 3.17, -48.64

 

CMYK 0 / 97 / 79 / 24

HEX #C20528

RGB 194 5 40

HSL 348.89, 0.95%, 0.39%

LAB 40.79, 65.39, 36.99

 

CMYK 97 / 0 / 76 / 24

HEX #05C32F

RGB 5 195 47

HSL 133.26, 0.95%, 0.39%

LAB 68.94, -68.3, 58.66

 

CMYK 76 / 97 / 0 / 24

HEX #2E05C2

RGB 46 5 194

HSL 253.02, 0.95%, 0.39%

LAB 25.52, 64.11, -84.09

 

CMYK 0 / 76 / 97 / 24

HEX #C22E05

RGB 194 46 5

HSL 13.02, 0.95%, 0.39%

LAB 43.41, 56.63, 54.37

 

CMYK 97 / 0 / 76 / 24

HEX #05C32F

RGB 5 195 47

HSL 133.26, 0.95%, 0.39%

LAB 68.94, -68.3, 58.66

 

CMYK 97 / 41 / 0 / 24

HEX #0573C2

RGB 5 115 194

HSL 205.08, 0.95%, 0.39%

LAB 47.22, 3.17, -48.64

 

CMYK 0 / 97 / 21 / 24

HEX #C20599

RGB 194 5 153

HSL 313.02, 0.95%, 0.39%

LAB 44.06, 74.03, -28.5

 

CMYK 0 / 57 / 97 / 24

HEX #C25405

RGB 194 84 5

HSL 25.08, 0.95%, 0.39%

LAB 49.28, 40.88, 57.73

 

CMYK 97 / 0 / 76 / 24

HEX #05C32F

RGB 5 195 47

HSL 133.26, 0.95%, 0.39%

LAB 68.94, -68.3, 58.66

 

CMYK 97 / 70 / 0 / 24

HEX #053BC2

RGB 5 59 194

HSL 222.86, 0.95%, 0.39%

LAB 31.93, 39.72, -73.49

 

CMYK 0 / 97 / 21 / 24

HEX #C20599

RGB 194 5 153

HSL 313.02, 0.95%, 0.39%

LAB 44.06, 74.03, -28.5

 

CMYK 0 / 28 / 97 / 24

HEX #C28C05

RGB 194 140 5

HSL 42.86, 0.95%, 0.39%

LAB 61.86, 10.98, 66.07

 

Description

Color code: HEX #05C32F | qconv.com Color code: HEX #05C32F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 195 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 195 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 76 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 76% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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