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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05BDF63F it is the complementary color #FA42093F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05BDF63F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05BDF63F shade: #0ABDF13F, #1BCFFF3F, #2CE1FF3F, #3DF3FF3F and #4EFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05BDF63F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05BDF63F shade: #05BDF63F, #00ABE33F, #0099D03F, #0087BD3F and #0075AA3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05BDF63F shade: #05BCF5, #057BF5, #053BF5, #1005F5 and #5105F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05BDF63F shade: #05BCF5, #057BF5, #053BF5 and #0505F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05BDF63F shade matches the following richer shades: #05BCF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05BDF63F shade: #05BCF5, #19B2E1, #2DA7CC, #429CB8 and #5692A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05BDF63F shade: #05F5AD, #05F5ED, #05BDF5, #057DF5 and #053DF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05BDF63F shade: #037EA4, #049DCC, #05BCF5, #29C9FB and #51D3FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05BDF63F shade: #05BDF6, #6D05F5 and #F5CD05

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05BDF63F shade: #05BDF6, #F505BD and #BDF505

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05BDF63F shade: #05BDF6, #6D05F5, #F53D05 and #8DF505

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05BDF63F shade: #05BDF6, #B505F5, #F53D05 and #45F505

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 6 / 0 / 1

HEX #05BDF63F

RGBA 5 189 246 0.25

HSLA 194.19, 0.96%, 0.49%, 0.25

LABA 71.61, -19.61, -39.16, 0.25

 

Complementary color

CMYK 0 / 18 / 24 / 0

HEX #FA42093F

RGBA 250 66 9 0.25

HSLA 14.19, 0.96%, 0.51%, 0.25

LABA 56.33, 67.33, 65.99, 0.25

 

CMYK 24 / 5 / 0 / 1

HEX #0ABDF13F

RGBA 10 189 241 0.25

HSLA 193.51, 0.92%, 0.49%, 0.25

LABA 71.43, -21.21, -36.74, 0.25

 

CMYK 22 / 5 / 0 / 0

HEX #1BCFFF3F

RGBA 27 207 255 0.25

HSLA 192.63, 1%, 0.55%, 0.25

LABA 77.33, -25.05, -35.11, 0.25

 

CMYK 21 / 3 / 0 / 0

HEX #2CE1FF3F

RGBA 44 225 255 0.25

HSLA 188.53, 1%, 0.59%, 0.25

LABA 82.7, -32.84, -26.83, 0.25

 

CMYK 19 / 1 / 0 / 0

HEX #3DF3FF3F

RGBA 61 243 255 0.25

HSLA 183.71, 1%, 0.62%, 0.25

LABA 88.12, -39.79, -18.59, 0.25

 

CMYK 17 / 0 / 0 / 0

HEX #4EFFFF3F

RGBA 78 255 255 0.25

HSLA 180, 1%, 0.65%, 0.25

LABA 91.85, -43.33, -12.97, 0.25

 

CMYK 24 / 6 / 0 / 1

HEX #05BDF63F

RGBA 5 189 246 0.25

HSLA 194.19, 0.96%, 0.49%, 0.25

LABA 71.61, -19.61, -39.16, 0.25

 

CMYK 25 / 6 / 0 / 3

HEX #00ABE33F

RGBA 0 171 227 0.25

HSLA 194.8, 1%, 0.45%, 0.25

LABA 65.49, -16.88, -38.35, 0.25

 

CMYK 25 / 7 / 0 / 5

HEX #0099D03F

RGBA 0 153 208 0.25

HSLA 195.87, 1%, 0.41%, 0.25

LABA 59.28, -13.94, -37.52, 0.25

 

CMYK 25 / 7 / 0 / 6

HEX #0087BD3F

RGBA 0 135 189 0.25

HSLA 197.14, 1%, 0.37%, 0.25

LABA 52.95, -10.88, -36.7, 0.25

 

CMYK 25 / 8 / 0 / 8

HEX #0075AA3F

RGBA 0 117 170 0.25

HSLA 198.71, 1%, 0.33%, 0.25

LABA 46.48, -7.68, -35.91, 0.25

 

CMYK 98 / 23 / 0 / 4

HEX #05BCF5

RGB 5 188 245

HSL 194.25, 0.96%, 0.49%

LAB 71.28, -19.43, -39.14

 

CMYK 98 / 50 / 0 / 4

HEX #057BF5

RGB 5 123 245

HSL 210.5, 0.96%, 0.49%

LAB 52.72, 18.18, -68.62

 

CMYK 98 / 76 / 0 / 4

HEX #053BF5

RGB 5 59 245

HSL 226.5, 0.96%, 0.49%

LAB 37.4, 57.55, -93.75

 

CMYK 93 / 98 / 0 / 4

HEX #1005F5

RGB 16 5 245

HSL 242.75, 0.96%, 0.49%

LAB 31.37, 76.13, -103.78

 

CMYK 67 / 98 / 0 / 4

HEX #5105F5

RGB 81 5 245

HSL 259, 0.96%, 0.49%

LAB 34.9, 77.63, -97.8

 

CMYK 98 / 23 / 0 / 4

HEX #05BCF5

RGB 5 188 245

HSL 194.25, 0.96%, 0.49%

LAB 71.28, -19.43, -39.14

 

CMYK 98 / 50 / 0 / 4

HEX #057BF5

RGB 5 123 245

HSL 210.5, 0.96%, 0.49%

LAB 52.72, 18.18, -68.62

 

CMYK 98 / 76 / 0 / 4

HEX #053BF5

RGB 5 59 245

HSL 226.5, 0.96%, 0.49%

LAB 37.4, 57.55, -93.75

 

CMYK 98 / 98 / 0 / 4

HEX #0505F5

RGB 5 5 245

HSL 240, 0.96%, 0.49%

LAB 31.19, 76.06, -104.09

 

CMYK 98 / 23 / 0 / 4

HEX #05BCF5

RGB 5 188 245

HSL 194.25, 0.96%, 0.49%

LAB 71.28, -19.43, -39.14

 

CMYK 98 / 23 / 0 / 4

HEX #05BCF5

RGB 5 188 245

HSL 194.25, 0.96%, 0.49%

LAB 71.28, -19.43, -39.14

 

CMYK 89 / 21 / 0 / 12

HEX #19B2E1

RGB 25 178 225

HSL 194.1, 0.8%, 0.49%

LAB 67.64, -20.41, -33.9

 

CMYK 78 / 18 / 0 / 20

HEX #2DA7CC

RGB 45 167 204

HSL 193.96, 0.64%, 0.49%

LAB 63.8, -20.22, -28.23

 

CMYK 64 / 15 / 0 / 28

HEX #429CB8

RGB 66 156 184

HSL 194.24, 0.47%, 0.49%

LAB 60.24, -18.03, -22.46

 

CMYK 48 / 11 / 0 / 36

HEX #5692A4

RGB 86 146 164

HSL 193.85, 0.31%, 0.49%

LAB 57.29, -14.49, -15.55

 

CMYK 98 / 0 / 29 / 4

HEX #05F5AD

RGB 5 245 173

HSL 162, 0.96%, 0.49%

LAB 86.18, -64.95, 21.26

 

CMYK 98 / 0 / 3 / 4

HEX #05F5ED

RGB 5 245 237

HSL 178, 0.96%, 0.49%

LAB 87.7, -48.82, -9.85

 

CMYK 98 / 23 / 0 / 4

HEX #05BDF5

RGB 5 189 245

HSL 194, 0.96%, 0.49%

LAB 71.57, -19.95, -38.68

 

CMYK 98 / 49 / 0 / 4

HEX #057DF5

RGB 5 125 245

HSL 210, 0.96%, 0.49%

LAB 53.27, 16.92, -67.74

 

CMYK 98 / 75 / 0 / 4

HEX #053DF5

RGB 5 61 245

HSL 226, 0.96%, 0.49%

LAB 37.77, 56.47, -93.12

 

CMYK 98 / 23 / 0 / 36

HEX #037EA4

RGB 3 126 164

HSL 194.16, 0.96%, 0.33%

LAB 49.03, -15.01, -28.41

 

CMYK 98 / 23 / 0 / 20

HEX #049DCC

RGB 4 157 204

HSL 194.1, 0.96%, 0.41%

LAB 60.34, -17.43, -33.63

 

CMYK 98 / 23 / 0 / 4

HEX #05BCF5

RGB 5 188 245

HSL 194.25, 0.96%, 0.49%

LAB 71.28, -19.43, -39.14

 

CMYK 84 / 20 / 0 / 2

HEX #29C9FB

RGB 41 201 251

HSL 194.29, 0.96%, 0.57%

LAB 75.58, -22.53, -35.66

 

CMYK 68 / 16 / 0 / 2

HEX #51D3FB

RGB 81 211 251

HSL 194.12, 0.96%, 0.65%

LAB 79.22, -23.33, -29.99

 

CMYK 98 / 23 / 0 / 4

HEX #05BDF6

RGB 5 189 246

HSL 194.19, 0.96%, 0.49%

LAB 71.61, -19.61, -39.16

 

CMYK 56 / 98 / 0 / 4

HEX #6D05F5

RGB 109 5 245

HSL 266, 0.96%, 0.49%

LAB 37.76, 79.15, -92.98

 

CMYK 0 / 16 / 98 / 4

HEX #F5CD05

RGB 245 205 5

HSL 50, 0.96%, 0.49%

LAB 83.49, -1.07, 83.82

 

CMYK 98 / 23 / 0 / 4

HEX #05BDF6

RGB 5 189 246

HSL 194.19, 0.96%, 0.49%

LAB 71.61, -19.61, -39.16

 

CMYK 0 / 98 / 23 / 4

HEX #F505BD

RGB 245 5 189

HSL 314, 0.96%, 0.49%

LAB 55.27, 87.88, -31.57

 

CMYK 23 / 0 / 98 / 4

HEX #BDF505

RGB 189 245 5

HSL 74, 0.96%, 0.49%

LAB 89.92, -43.3, 86.71

 

CMYK 98 / 23 / 0 / 4

HEX #05BDF6

RGB 5 189 246

HSL 194.19, 0.96%, 0.49%

LAB 71.61, -19.61, -39.16

 

CMYK 56 / 98 / 0 / 4

HEX #6D05F5

RGB 109 5 245

HSL 266, 0.96%, 0.49%

LAB 37.76, 79.15, -92.98

 

CMYK 0 / 75 / 98 / 4

HEX #F53D05

RGB 245 61 5

HSL 14, 0.96%, 0.49%

LAB 54.83, 67.38, 65.55

 

CMYK 42 / 0 / 98 / 4

HEX #8DF505

RGB 141 245 5

HSL 86, 0.96%, 0.49%

LAB 87.47, -60.21, 83.75

 

CMYK 98 / 23 / 0 / 4

HEX #05BDF6

RGB 5 189 246

HSL 194.19, 0.96%, 0.49%

LAB 71.61, -19.61, -39.16

 

CMYK 26 / 98 / 0 / 4

HEX #B505F5

RGB 181 5 245

HSL 284, 0.96%, 0.49%

LAB 47.66, 86.01, -76.33

 

CMYK 0 / 75 / 98 / 4

HEX #F53D05

RGB 245 61 5

HSL 14, 0.96%, 0.49%

LAB 54.83, 67.38, 65.55

 

CMYK 72 / 0 / 98 / 4

HEX #45F505

RGB 69 245 5

HSL 104, 0.96%, 0.49%

LAB 85.29, -77.76, 81.09

 

Description

Color code: HEX #05BDF63F | qconv.com Color code: HEX #05BDF63F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 189 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 189 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 6 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 6% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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