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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05B83D it is the complementary color #FA47C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05B83D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05B83D shade: #0AB838, #1BCA4B, #2CDC5E, #3DEE71 and #4EFF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05B83D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05B83D shade: #05B83D, #00A62A, #009417, #008204 and #007000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05B83D shade: #05B83D, #05B80C, #2DB805, #5EB805 and #8EB805

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05B83D shade: #05B83D, #05B86D, #05B89D, #05A2B8 and #0572B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05B83D shade matches the following richer shades: #05B83D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05B83D shade: #05B83D, #14A943, #239948, #338A4E and #427B54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05B83D shade: #2FB805, #05B80B, #05B83A, #05B86A and #05B89A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05B83D shade: #036822, #049030, #05B83D, #06E04A and #16F95D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05B83D shade: #05B83D, #055EB8 and #B80517

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05B83D shade: #05B83D, #3A05B8 and #B83A05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05B83D shade: #05B83D, #055EB8, #B80582 and #B85E05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05B83D shade: #05B83D, #0529B8, #B80582 and #B89405

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 67 / 28

HEX #05B83D

RGB 5 184 61

HSL 138.77, 0.95%, 0.37%

LAB 65.48, -63.81, 49.78

 

Complementary color

CMYK 0 / 72 / 22 / 2

HEX #FA47C2

RGB 250 71 194

HSL 318.77, 0.95%, 0.63%

LAB 60.54, 77.49, -26.22

 

CMYK 95 / 0 / 70 / 28

HEX #0AB838

RGB 10 184 56

HSL 135.86, 0.9%, 0.38%

LAB 65.46, -64.1, 51.81

 

CMYK 87 / 0 / 63 / 21

HEX #1BCA4B

RGB 27 202 75

HSL 136.46, 0.76%, 0.45%

LAB 71.54, -66.47, 50.6

 

CMYK 80 / 0 / 57 / 14

HEX #2CDC5E

RGB 44 220 94

HSL 137.05, 0.72%, 0.52%

LAB 77.6, -68.18, 49.18

 

CMYK 74 / 0 / 53 / 7

HEX #3DEE71

RGB 61 238 113

HSL 137.63, 0.84%, 0.59%

LAB 83.62, -69.37, 47.71

 

CMYK 69 / 0 / 48 / 0

HEX #4EFF84

RGB 78 255 132

HSL 138.31, 1%, 0.65%

LAB 89.3, -69.85, 45.87

 

CMYK 97 / 0 / 67 / 28

HEX #05B83D

RGB 5 184 61

HSL 138.77, 0.95%, 0.37%

LAB 65.48, -63.81, 49.78

 

CMYK 100 / 0 / 75 / 35

HEX #00A62A

RGB 0 166 42

HSL 135.18, 1%, 0.33%

LAB 59.38, -60.51, 50.82

 

CMYK 100 / 0 / 84 / 42

HEX #009417

RGB 0 148 23

HSL 129.32, 1%, 0.29%

LAB 53.21, -56.57, 50.99

 

CMYK 100 / 0 / 97 / 49

HEX #008204

RGB 0 130 4

HSL 121.85, 1%, 0.25%

LAB 46.94, -52.13, 49.65

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 97 / 0 / 67 / 28

HEX #05B83D

RGB 5 184 61

HSL 138.77, 0.95%, 0.37%

LAB 65.48, -63.81, 49.78

 

CMYK 97 / 0 / 93 / 28

HEX #05B80C

RGB 5 184 12

HSL 122.35, 0.95%, 0.37%

LAB 65.23, -66.94, 63.67

 

CMYK 76 / 0 / 97 / 28

HEX #2DB805

RGB 45 184 5

HSL 106.59, 0.95%, 0.37%

LAB 65.63, -63.4, 65.03

 

CMYK 49 / 0 / 97 / 28

HEX #5EB805

RGB 94 184 5

HSL 90.17, 0.95%, 0.37%

LAB 67.03, -51.9, 66.74

 

CMYK 23 / 0 / 97 / 28

HEX #8EB805

RGB 142 184 5

HSL 74.08, 0.95%, 0.37%

LAB 69.5, -34.57, 69.73

 

CMYK 97 / 0 / 67 / 28

HEX #05B83D

RGB 5 184 61

HSL 138.77, 0.95%, 0.37%

LAB 65.48, -63.81, 49.78

 

CMYK 97 / 0 / 41 / 28

HEX #05B86D

RGB 5 184 109

HSL 154.86, 0.95%, 0.37%

LAB 66.07, -56.55, 27.34

 

CMYK 97 / 0 / 15 / 28

HEX #05B89D

RGB 5 184 157

HSL 170.95, 0.95%, 0.37%

LAB 67.09, -45.26, 2.73

 

CMYK 97 / 12 / 0 / 28

HEX #05A2B8

RGB 5 162 184

HSL 187.37, 0.95%, 0.37%

LAB 61.07, -26.93, -21.28

 

CMYK 97 / 38 / 0 / 28

HEX #0572B8

RGB 5 114 184

HSL 203.46, 0.95%, 0.37%

LAB 46.35, -0.16, -44.26

 

CMYK 97 / 0 / 67 / 28

HEX #05B83D

RGB 5 184 61

HSL 138.77, 0.95%, 0.37%

LAB 65.48, -63.81, 49.78

 

CMYK 97 / 0 / 67 / 28

HEX #05B83D

RGB 5 184 61

HSL 138.77, 0.95%, 0.37%

LAB 65.48, -63.81, 49.78

 

CMYK 88 / 0 / 60 / 34

HEX #14A943

RGB 20 169 67

HSL 138.93, 0.79%, 0.37%

LAB 60.72, -57.58, 41.81

 

CMYK 77 / 0 / 53 / 40

HEX #239948

RGB 35 153 72

HSL 138.81, 0.63%, 0.37%

LAB 55.69, -49.74, 33.41

 

CMYK 63 / 0 / 43 / 46

HEX #338A4E

RGB 51 138 78

HSL 138.62, 0.46%, 0.37%

LAB 51.19, -39.97, 24.61

 

CMYK 46 / 0 / 32 / 52

HEX #427B54

RGB 66 123 84

HSL 138.95, 0.3%, 0.37%

LAB 46.93, -28.1, 15.65

 

CMYK 74 / 0 / 97 / 28

HEX #2FB805

RGB 47 184 5

HSL 105.92, 0.95%, 0.37%

LAB 65.67, -63.09, 65.07

 

CMYK 97 / 0 / 94 / 28

HEX #05B80B

RGB 5 184 11

HSL 122.01, 0.95%, 0.37%

LAB 65.23, -66.97, 63.8

 

CMYK 97 / 0 / 68 / 28

HEX #05B83A

RGB 5 184 58

HSL 137.77, 0.95%, 0.37%

LAB 65.45, -64.13, 50.99

 

CMYK 97 / 0 / 42 / 28

HEX #05B86A

RGB 5 184 106

HSL 153.85, 0.95%, 0.37%

LAB 66.02, -57.13, 28.85

 

CMYK 97 / 0 / 16 / 28

HEX #05B89A

RGB 5 184 154

HSL 169.94, 0.95%, 0.37%

LAB 67.01, -46.07, 4.28

 

CMYK 97 / 0 / 67 / 59

HEX #036822

RGB 3 104 34

HSL 138.42, 0.94%, 0.21%

LAB 37.91, -41.61, 31.4

 

CMYK 97 / 0 / 67 / 44

HEX #049030

RGB 4 144 48

HSL 138.86, 0.95%, 0.29%

LAB 52.05, -52.96, 40.64

 

CMYK 97 / 0 / 67 / 28

HEX #05B83D

RGB 5 184 61

HSL 138.77, 0.95%, 0.37%

LAB 65.48, -63.81, 49.78

 

CMYK 97 / 0 / 67 / 12

HEX #06E04A

RGB 6 224 74

HSL 138.72, 0.95%, 0.45%

LAB 78.37, -74.21, 58.51

 

CMYK 91 / 0 / 63 / 2

HEX #16F95D

RGB 22 249 93

HSL 138.77, 0.95%, 0.53%

LAB 86.36, -78.84, 59.64

 

CMYK 97 / 0 / 67 / 28

HEX #05B83D

RGB 5 184 61

HSL 138.77, 0.95%, 0.37%

LAB 65.48, -63.81, 49.78

 

CMYK 97 / 49 / 0 / 28

HEX #055EB8

RGB 5 94 184

HSL 210.17, 0.95%, 0.37%

LAB 40.41, 12.6, -53.79

 

CMYK 0 / 97 / 88 / 28

HEX #B80517

RGB 184 5 23

HSL 353.97, 0.95%, 0.37%

LAB 38.48, 62.44, 43.39

 

CMYK 97 / 0 / 67 / 28

HEX #05B83D

RGB 5 184 61

HSL 138.77, 0.95%, 0.37%

LAB 65.48, -63.81, 49.78

 

CMYK 68 / 97 / 0 / 28

HEX #3A05B8

RGB 58 5 184

HSL 257.77, 0.95%, 0.37%

LAB 25.16, 62.11, -78.73

 

CMYK 0 / 68 / 97 / 28

HEX #B83A05

RGB 184 58 5

HSL 17.77, 0.95%, 0.37%

LAB 43.1, 48.98, 53.19

 

CMYK 97 / 0 / 67 / 28

HEX #05B83D

RGB 5 184 61

HSL 138.77, 0.95%, 0.37%

LAB 65.48, -63.81, 49.78

 

CMYK 97 / 49 / 0 / 28

HEX #055EB8

RGB 5 94 184

HSL 210.17, 0.95%, 0.37%

LAB 40.41, 12.6, -53.79

 

CMYK 0 / 97 / 29 / 28

HEX #B80582

RGB 184 5 130

HSL 318.1, 0.95%, 0.37%

LAB 41.07, 69.37, -19.24

 

CMYK 0 / 49 / 97 / 28

HEX #B85E05

RGB 184 94 5

HSL 29.83, 0.95%, 0.37%

LAB 49.75, 31.75, 57.25

 

CMYK 97 / 0 / 67 / 28

HEX #05B83D

RGB 5 184 61

HSL 138.77, 0.95%, 0.37%

LAB 65.48, -63.81, 49.78

 

CMYK 97 / 78 / 0 / 28

HEX #0529B8

RGB 5 41 184

HSL 227.93, 0.95%, 0.37%

LAB 26.96, 46.94, -75.82

 

CMYK 0 / 97 / 29 / 28

HEX #B80582

RGB 184 5 130

HSL 318.1, 0.95%, 0.37%

LAB 41.07, 69.37, -19.24

 

CMYK 0 / 20 / 97 / 28

HEX #B89405

RGB 184 148 5

HSL 47.93, 0.95%, 0.37%

LAB 62.83, 2.1, 66.26

 

Description

Color code: HEX #05B83D | qconv.com Color code: HEX #05B83D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 184 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 184 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 67 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 67% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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