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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05B057 it is the complementary color #FA4FA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05B057. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05B057 shade: #0AB052, #1BC265, #2CD478, #3DE68B and #4EF89E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05B057. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05B057 shade: #05B057, #009E44, #008C31, #007A1E and #00680B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05B057 shade: #05AD56, #05AD29, #0FAD05, #3DAD05 and #6AAD05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05B057 shade: #05AD56, #05AD83, #05AAAD, #057DAD and #054FAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05B057 shade matches the following richer shades: #05AD56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05B057 shade: #05AD56, #149F56, #229057, #318258 and #3F7358

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05B057 shade: #11AD05, #05AD27, #05AD54, #05AD80 and #05ADAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05B057 shade: #035D2E, #048542, #05AD56, #07D56A and #0DF87E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05B057 shade: #05B057, #053DAD and #AD1105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05B057 shade: #05B057, #5405AD and #AD5405

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05B057 shade: #05B057, #053DAD, #AD055F and #AD7505

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05B057 shade: #05B057, #050BAD, #AD055F and #ADA805

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 51 / 31

HEX #05B057

RGB 5 176 87

HSL 148.77, 0.94%, 0.35%

LAB 63.15, -57.77, 34.96

 

Complementary color

CMYK 0 / 68 / 33 / 2

HEX #FA4FA8

RGB 250 79 168

HSL 328.77, 0.94%, 0.65%

LAB 60.55, 71.73, -11.24

 

CMYK 94 / 0 / 53 / 31

HEX #0AB052

RGB 10 176 82

HSL 146.02, 0.89%, 0.36%

LAB 63.11, -58.34, 37.42

 

CMYK 86 / 0 / 48 / 24

HEX #1BC265

RGB 27 194 101

HSL 146.59, 0.76%, 0.43%

LAB 69.3, -60.23, 35.65

 

CMYK 79 / 0 / 43 / 17

HEX #2CD478

RGB 44 212 120

HSL 147.14, 0.66%, 0.5%

LAB 75.44, -61.55, 33.97

 

CMYK 73 / 0 / 40 / 10

HEX #3DE68B

RGB 61 230 139

HSL 147.69, 0.77%, 0.57%

LAB 81.54, -62.45, 32.4

 

CMYK 69 / 0 / 36 / 3

HEX #4EF89E

RGB 78 248 158

HSL 148.24, 0.92%, 0.64%

LAB 87.59, -63.04, 30.93

 

CMYK 97 / 0 / 51 / 31

HEX #05B057

RGB 5 176 87

HSL 148.77, 0.94%, 0.35%

LAB 63.15, -57.77, 34.96

 

CMYK 100 / 0 / 57 / 38

HEX #009E44

RGB 0 158 68

HSL 145.82, 1%, 0.31%

LAB 56.95, -55.05, 36.85

 

CMYK 100 / 0 / 65 / 45

HEX #008C31

RGB 0 140 49

HSL 141, 1%, 0.27%

LAB 50.66, -51.82, 38.63

 

CMYK 100 / 0 / 75 / 52

HEX #007A1E

RGB 0 122 30

HSL 134.75, 1%, 0.24%

LAB 44.25, -48.2, 39.97

 

CMYK 100 / 0 / 89 / 59

HEX #00680B

RGB 0 104 11

HSL 126.35, 1%, 0.2%

LAB 37.71, -44.02, 40.11

 

CMYK 97 / 0 / 50 / 32

HEX #05AD56

RGB 5 173 86

HSL 148.93, 0.94%, 0.35%

LAB 62.16, -56.93, 34.23

 

CMYK 97 / 0 / 76 / 32

HEX #05AD29

RGB 5 173 41

HSL 132.86, 0.94%, 0.35%

LAB 61.72, -62.39, 53.54

 

CMYK 91 / 0 / 97 / 32

HEX #0FAD05

RGB 15 173 5

HSL 116.43, 0.94%, 0.35%

LAB 61.65, -63.51, 61.63

 

CMYK 65 / 0 / 97 / 32

HEX #3DAD05

RGB 61 173 5

HSL 100, 0.94%, 0.35%

LAB 62.41, -56.86, 62.56

 

CMYK 39 / 0 / 97 / 32

HEX #6AAD05

RGB 106 173 5

HSL 83.93, 0.94%, 0.35%

LAB 64.13, -43.53, 64.66

 

CMYK 97 / 0 / 50 / 32

HEX #05AD56

RGB 5 173 86

HSL 148.93, 0.94%, 0.35%

LAB 62.16, -56.93, 34.23

 

CMYK 97 / 0 / 24 / 32

HEX #05AD83

RGB 5 173 131

HSL 165, 0.94%, 0.35%

LAB 62.98, -47.53, 11.21

 

CMYK 97 / 2 / 0 / 32

HEX #05AAAD

RGB 5 170 173

HSL 181.07, 0.94%, 0.35%

LAB 63.18, -34.37, -11.93

 

CMYK 97 / 28 / 0 / 32

HEX #057DAD

RGB 5 125 173

HSL 197.14, 0.94%, 0.35%

LAB 49.15, -10.99, -33.45

 

CMYK 97 / 54 / 0 / 32

HEX #054FAD

RGB 5 79 173

HSL 213.57, 0.94%, 0.35%

LAB 35.28, 18.11, -55.6

 

CMYK 97 / 0 / 50 / 32

HEX #05AD56

RGB 5 173 86

HSL 148.93, 0.94%, 0.35%

LAB 62.16, -56.93, 34.23

 

CMYK 97 / 0 / 50 / 32

HEX #05AD56

RGB 5 173 86

HSL 148.93, 0.94%, 0.35%

LAB 62.16, -56.93, 34.23

 

CMYK 87 / 0 / 46 / 38

HEX #149F56

RGB 20 159 86

HSL 148.49, 0.78%, 0.35%

LAB 57.67, -51.21, 28.56

 

CMYK 76 / 0 / 40 / 44

HEX #229057

RGB 34 144 87

HSL 148.91, 0.62%, 0.35%

LAB 52.92, -43.81, 21.85

 

CMYK 62 / 0 / 32 / 49

HEX #318258

RGB 49 130 88

HSL 148.89, 0.45%, 0.35%

LAB 48.66, -34.98, 15.61

 

CMYK 45 / 0 / 23 / 55

HEX #3F7358

RGB 63 115 88

HSL 148.85, 0.29%, 0.35%

LAB 44.27, -24.18, 9.6

 

CMYK 90 / 0 / 97 / 32

HEX #11AD05

RGB 17 173 5

HSL 115.71, 0.94%, 0.35%

LAB 61.67, -63.37, 61.65

 

CMYK 97 / 0 / 77 / 32

HEX #05AD27

RGB 5 173 39

HSL 132.14, 0.94%, 0.35%

LAB 61.71, -62.54, 54.2

 

CMYK 97 / 0 / 51 / 32

HEX #05AD54

RGB 5 173 84

HSL 148.21, 0.94%, 0.35%

LAB 62.13, -57.26, 35.2

 

CMYK 97 / 0 / 26 / 32

HEX #05AD80

RGB 5 173 128

HSL 163.93, 0.94%, 0.35%

LAB 62.91, -48.27, 12.77

 

CMYK 97 / 0 / 0 / 32

HEX #05ADAD

RGB 5 173 173

HSL 180, 0.94%, 0.35%

LAB 64.11, -35.77, -10.53

 

CMYK 97 / 0 / 51 / 64

HEX #035D2E

RGB 3 93 46

HSL 148.67, 0.94%, 0.19%

LAB 34.08, -35.71, 20.39

 

CMYK 97 / 0 / 50 / 48

HEX #048542

RGB 4 133 66

HSL 148.84, 0.94%, 0.27%

LAB 48.5, -46.64, 27.53

 

CMYK 97 / 0 / 50 / 32

HEX #05AD56

RGB 5 173 86

HSL 148.93, 0.94%, 0.35%

LAB 62.16, -56.93, 34.23

 

CMYK 97 / 0 / 50 / 16

HEX #07D56A

RGB 7 213 106

HSL 148.83, 0.94%, 0.43%

LAB 75.25, -66.74, 40.62

 

CMYK 95 / 0 / 49 / 3

HEX #0DF87E

RGB 13 248 126

HSL 148.85, 0.94%, 0.51%

LAB 86.37, -74.53, 44.89

 

CMYK 97 / 0 / 51 / 31

HEX #05B057

RGB 5 176 87

HSL 148.77, 0.94%, 0.35%

LAB 63.15, -57.77, 34.96

 

CMYK 97 / 65 / 0 / 32

HEX #053DAD

RGB 5 61 173

HSL 220, 0.94%, 0.35%

LAB 30.37, 30.32, -63.63

 

CMYK 0 / 90 / 97 / 32

HEX #AD1105

RGB 173 17 5

HSL 4.29, 0.94%, 0.35%

LAB 36.55, 57.74, 48.47

 

CMYK 97 / 0 / 51 / 31

HEX #05B057

RGB 5 176 87

HSL 148.77, 0.94%, 0.35%

LAB 63.15, -57.77, 34.96

 

CMYK 51 / 97 / 0 / 32

HEX #5405AD

RGB 84 5 173

HSL 268.21, 0.94%, 0.35%

LAB 26.76, 61.19, -69.4

 

CMYK 0 / 51 / 97 / 32

HEX #AD5405

RGB 173 84 5

HSL 28.21, 0.94%, 0.35%

LAB 45.96, 32.47, 53.98

 

CMYK 97 / 0 / 51 / 31

HEX #05B057

RGB 5 176 87

HSL 148.77, 0.94%, 0.35%

LAB 63.15, -57.77, 34.96

 

CMYK 97 / 65 / 0 / 32

HEX #053DAD

RGB 5 61 173

HSL 220, 0.94%, 0.35%

LAB 30.37, 30.32, -63.63

 

CMYK 0 / 97 / 45 / 32

HEX #AD055F

RGB 173 5 95

HSL 327.86, 0.94%, 0.35%

LAB 37.52, 63.48, -2.82

 

CMYK 0 / 32 / 97 / 32

HEX #AD7505

RGB 173 117 5

HSL 40, 0.94%, 0.35%

LAB 53.62, 14.28, 59.15

 

CMYK 97 / 0 / 51 / 31

HEX #05B057

RGB 5 176 87

HSL 148.77, 0.94%, 0.35%

LAB 63.15, -57.77, 34.96

 

CMYK 97 / 94 / 0 / 32

HEX #050BAD

RGB 5 11 173

HSL 237.86, 0.94%, 0.35%

LAB 21.17, 56.39, -78.88

 

CMYK 0 / 97 / 45 / 32

HEX #AD055F

RGB 173 5 95

HSL 327.86, 0.94%, 0.35%

LAB 37.52, 63.48, -2.82

 

CMYK 0 / 3 / 97 / 32

HEX #ADA805

RGB 173 168 5

HSL 58.21, 0.94%, 0.35%

LAB 67.2, -13.48, 68.99

 

Description

Color code: HEX #05B057 | qconv.com Color code: HEX #05B057 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 176 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 176 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 51 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 51% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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