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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05ACFC it is the complementary color #FA5303. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05ACFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05ACFC shade: #0AACF7, #1BBEFF, #2CD0FF, #3DE2FF and #4EF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05ACFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05ACFC shade: #05ACFC, #009AE9, #0088D6, #0076C3 and #0064B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05ACFC shade: #03ACFC, #0368FC, #0325FC, #2403FC and #6703FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05ACFC shade: #03ACFC, #0368FC, #0325FC and #0303FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05ACFC shade matches the following richer shades: #03ACFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05ACFC shade: #03ACFC, #17A4E8, #2C9DD3, #4096BF and #558EAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05ACFC shade: #03FCC6, #03F0FC, #03ADFC, #036BFC and #0328FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05ACFC shade: #0274AB, #0290D4, #03ACFC, #2BB9FD and #54C7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05ACFC shade: #05ACFC, #8403FC and #FCE803

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05ACFC shade: #05ACFC, #FC03AD and #ADFC03

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05ACFC shade: #05ACFC, #8403FC, #FC5203 and #7BFC03

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05ACFC shade: #05ACFC, #CF03FC, #FC5203 and #30FC03

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 32 / 0 / 1

HEX #05ACFC

RGB 5 172 252

HSL 199.43, 0.98%, 0.5%

LAB 66.95, -8.31, -49.72

 

Complementary color

CMYK 0 / 67 / 99 / 2

HEX #FA5303

RGB 250 83 3

HSL 19.43, 0.98%, 0.5%

LAB 58.52, 61.22, 68.34

 

CMYK 96 / 30 / 0 / 3

HEX #0AACF7

RGB 10 172 247

HSL 198.99, 0.94%, 0.5%

LAB 66.74, -10, -47.33

 

CMYK 89 / 25 / 0 / 0

HEX #1BBEFF

RGB 27 190 255

HSL 197.11, 1%, 0.55%

LAB 72.42, -16.3, -42.75

 

CMYK 83 / 18 / 0 / 0

HEX #2CD0FF

RGB 44 208 255

HSL 193.36, 1%, 0.59%

LAB 77.8, -24.53, -34.37

 

CMYK 76 / 11 / 0 / 0

HEX #3DE2FF

RGB 61 226 255

HSL 188.97, 1%, 0.62%

LAB 83.23, -31.87, -26

 

CMYK 69 / 4 / 0 / 0

HEX #4EF4FF

RGB 78 244 255

HSL 183.73, 1%, 0.65%

LAB 88.71, -38.37, -17.68

 

CMYK 98 / 32 / 0 / 1

HEX #05ACFC

RGB 5 172 252

HSL 199.43, 0.98%, 0.5%

LAB 66.95, -8.31, -49.72

 

CMYK 100 / 34 / 0 / 9

HEX #009AE9

RGB 0 154 233

HSL 200.34, 1%, 0.46%

LAB 60.78, -5.27, -49.07

 

CMYK 100 / 36 / 0 / 16

HEX #0088D6

RGB 0 136 214

HSL 201.87, 1%, 0.42%

LAB 54.52, -1.95, -48.41

 

CMYK 100 / 39 / 0 / 24

HEX #0076C3

RGB 0 118 195

HSL 203.69, 1%, 0.38%

LAB 48.13, 1.53, -47.77

 

CMYK 100 / 43 / 0 / 31

HEX #0064B0

RGB 0 100 176

HSL 205.91, 1%, 0.35%

LAB 41.61, 5.23, -47.16

 

CMYK 99 / 32 / 0 / 1

HEX #03ACFC

RGB 3 172 252

HSL 199.28, 0.98%, 0.5%

LAB 66.94, -8.36, -49.74

 

CMYK 99 / 59 / 0 / 1

HEX #0368FC

RGB 3 104 252

HSL 215.66, 0.98%, 0.5%

LAB 48.19, 32.87, -79.88

 

CMYK 99 / 85 / 0 / 1

HEX #0325FC

RGB 3 37 252

HSL 231.81, 0.98%, 0.5%

LAB 34.74, 69.84, -102.1

 

CMYK 86 / 99 / 0 / 1

HEX #2403FC

RGB 36 3 252

HSL 247.95, 0.98%, 0.5%

LAB 32.85, 78.32, -105.24

 

CMYK 59 / 99 / 0 / 1

HEX #6703FC

RGB 103 3 252

HSL 264.1, 0.98%, 0.5%

LAB 37.8, 80.56, -96.86

 

CMYK 99 / 32 / 0 / 1

HEX #03ACFC

RGB 3 172 252

HSL 199.28, 0.98%, 0.5%

LAB 66.94, -8.36, -49.74

 

CMYK 99 / 59 / 0 / 1

HEX #0368FC

RGB 3 104 252

HSL 215.66, 0.98%, 0.5%

LAB 48.19, 32.87, -79.88

 

CMYK 99 / 85 / 0 / 1

HEX #0325FC

RGB 3 37 252

HSL 231.81, 0.98%, 0.5%

LAB 34.74, 69.84, -102.1

 

CMYK 99 / 99 / 0 / 1

HEX #0303FC

RGB 3 3 252

HSL 240, 0.98%, 0.5%

LAB 32.06, 78.04, -106.58

 

CMYK 99 / 32 / 0 / 1

HEX #03ACFC

RGB 3 172 252

HSL 199.28, 0.98%, 0.5%

LAB 66.94, -8.36, -49.74

 

CMYK 99 / 32 / 0 / 1

HEX #03ACFC

RGB 3 172 252

HSL 199.28, 0.98%, 0.5%

LAB 66.94, -8.36, -49.74

 

CMYK 90 / 29 / 0 / 9

HEX #17A4E8

RGB 23 164 232

HSL 199.52, 0.82%, 0.5%

LAB 63.8, -10.52, -43.74

 

CMYK 79 / 26 / 0 / 17

HEX #2C9DD3

RGB 44 157 211

HSL 199.4, 0.65%, 0.5%

LAB 61.09, -12.56, -36.33

 

CMYK 66 / 21 / 0 / 25

HEX #4096BF

RGB 64 150 191

HSL 199.37, 0.5%, 0.5%

LAB 58.66, -12.86, -28.85

 

CMYK 50 / 16 / 0 / 33

HEX #558EAA

RGB 85 142 170

HSL 199.76, 0.33%, 0.5%

LAB 56.27, -10.79, -20.53

 

CMYK 99 / 0 / 21 / 1

HEX #03FCC6

RGB 3 252 198

HSL 166.99, 0.98%, 0.5%

LAB 88.79, -61.86, 12.03

 

CMYK 99 / 5 / 0 / 1

HEX #03F0FC

RGB 3 240 252

HSL 182.89, 0.98%, 0.5%

LAB 86.69, -42.33, -19.23

 

CMYK 99 / 31 / 0 / 1

HEX #03ADFC

RGB 3 173 252

HSL 199.04, 0.98%, 0.5%

LAB 67.23, -8.92, -49.28

 

CMYK 99 / 58 / 0 / 1

HEX #036BFC

RGB 3 107 252

HSL 214.94, 0.98%, 0.5%

LAB 48.96, 30.96, -78.62

 

CMYK 99 / 84 / 0 / 1

HEX #0328FC

RGB 3 40 252

HSL 231.08, 0.98%, 0.5%

LAB 35.13, 68.67, -101.45

 

CMYK 99 / 32 / 0 / 33

HEX #0274AB

RGB 2 116 171

HSL 199.53, 0.98%, 0.34%

LAB 46.24, -6.61, -36.87

 

CMYK 99 / 32 / 0 / 17

HEX #0290D4

RGB 2 144 212

HSL 199.43, 0.98%, 0.42%

LAB 56.79, -7.32, -43.67

 

CMYK 99 / 32 / 0 / 1

HEX #03ACFC

RGB 3 172 252

HSL 199.28, 0.98%, 0.5%

LAB 66.94, -8.36, -49.74

 

CMYK 83 / 27 / 0 / 1

HEX #2BB9FD

RGB 43 185 253

HSL 199.43, 0.98%, 0.58%

LAB 71.08, -13.33, -43.74

 

CMYK 67 / 21 / 0 / 1

HEX #54C7FD

RGB 84 199 253

HSL 199.17, 0.98%, 0.66%

LAB 75.96, -16.12, -36.07

 

CMYK 98 / 32 / 0 / 1

HEX #05ACFC

RGB 5 172 252

HSL 199.43, 0.98%, 0.5%

LAB 66.95, -8.31, -49.72

 

CMYK 48 / 99 / 0 / 1

HEX #8403FC

RGB 132 3 252

HSL 271.08, 0.98%, 0.5%

LAB 41.21, 82.55, -91.1

 

CMYK 0 / 8 / 99 / 1

HEX #FCE803

RGB 252 232 3

HSL 55.18, 0.98%, 0.5%

LAB 90.97, -11.66, 89.66

 

CMYK 98 / 32 / 0 / 1

HEX #05ACFC

RGB 5 172 252

HSL 199.43, 0.98%, 0.5%

LAB 66.95, -8.31, -49.72

 

CMYK 0 / 99 / 31 / 1

HEX #FC03AD

RGB 252 3 173

HSL 319.04, 0.98%, 0.5%

LAB 55.86, 87.64, -21.23

 

CMYK 31 / 0 / 99 / 1

HEX #ADFC03

RGB 173 252 3

HSL 79.04, 0.98%, 0.5%

LAB 91.01, -52.17, 87.31

 

CMYK 98 / 32 / 0 / 1

HEX #05ACFC

RGB 5 172 252

HSL 199.43, 0.98%, 0.5%

LAB 66.95, -8.31, -49.72

 

CMYK 48 / 99 / 0 / 1

HEX #8403FC

RGB 132 3 252

HSL 271.08, 0.98%, 0.5%

LAB 41.21, 82.55, -91.1

 

CMYK 0 / 67 / 99 / 1

HEX #FC5203

RGB 252 82 3

HSL 19.04, 0.98%, 0.5%

LAB 58.73, 62.26, 68.63

 

CMYK 51 / 0 / 99 / 1

HEX #7BFC03

RGB 123 252 3

HSL 91.08, 0.98%, 0.5%

LAB 88.85, -68.1, 84.69

 

CMYK 98 / 32 / 0 / 1

HEX #05ACFC

RGB 5 172 252

HSL 199.43, 0.98%, 0.5%

LAB 66.95, -8.31, -49.72

 

CMYK 18 / 99 / 0 / 1

HEX #CF03FC

RGB 207 3 252

HSL 289.16, 0.98%, 0.5%

LAB 52.24, 90.69, -72.61

 

CMYK 0 / 67 / 99 / 1

HEX #FC5203

RGB 252 82 3

HSL 19.04, 0.98%, 0.5%

LAB 58.73, 62.26, 68.63

 

CMYK 81 / 0 / 99 / 1

HEX #30FC03

RGB 48 252 3

HSL 109.16, 0.98%, 0.5%

LAB 87.12, -82.58, 82.59

 

Description

Color code: HEX #05ACFC | qconv.com Color code: HEX #05ACFC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 172 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 172 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 32 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 32% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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