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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0590DF00 it is the complementary color #FA6F2000. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0590DF00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0590DF00 shade: #0A90DA00, #1BA2ED00, #2CB4FF00, #3DC6FF00 and #4ED8FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0590DF00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0590DF00 shade: #0590DF00, #007ECC00, #006CB900, #005AA600 and #00489300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0590DF00 shade: #0591E1, #0556E1, #051AE1, #2A05E1 and #6605E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0590DF00 shade: #0591E1, #0556E1, #051AE1 and #0505E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0590DF00 shade matches the following richer shades: #0591E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0590DF00 shade: #0591E1, #178CCE, #2A87BC, #3C82A9 and #4F7D97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0590DF00 shade: #05E1B9, #05CFE1, #0594E1, #0559E1 and #051EE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0590DF00 shade: #035D90, #0477B8, #0591E1, #15A7FA and #3DB6FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0590DF00 shade: #0590DF, #7E05E1 and #E1D605

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0590DF00 shade: #0590DF, #E10594 and #94E105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0590DF00 shade: #0590DF, #7E05E1, #E15205 and #68E105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0590DF00 shade: #0590DF, #C005E1, #E15205 and #26E105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #0590DF00

RGBA 5 144 223 0

HSLA 201.74, 0.96%, 0.45%, 0

LABA 57.37, -3.09, -48.91, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #FA6F2000

RGBA 250 111 32 0

HSLA 21.74, 0.96%, 0.55%, 0

LABA 63.17, 49.49, 64.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0A90DA00

RGBA 10 144 218 0

HSLA 201.35, 0.91%, 0.45%, 0

LABA 57.15, -4.83, -46.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1BA2ED00

RGBA 27 162 237 0

HSLA 201.43, 0.85%, 0.52%, 0

LABA 63.5, -7.38, -46.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2CB4FF00

RGBA 44 180 255 0

HSLA 201.33, 1%, 0.59%, 0

LABA 69.75, -9.84, -46.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3DC6FF00

RGBA 61 198 255 0

HSLA 197.63, 1%, 0.62%, 0

LABA 75.2, -17.89, -38.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4ED8FF00

RGBA 78 216 255 0

HSLA 193.22, 1%, 0.65%, 0

LABA 80.71, -25.02, -29.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0590DF00

RGBA 5 144 223 0

HSLA 201.74, 0.96%, 0.45%, 0

LABA 57.37, -3.09, -48.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #007ECC00

RGBA 0 126 204 0

HSLA 202.94, 1%, 0.4%, 0

LABA 51.01, 0.18, -48.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #006CB900

RGBA 0 108 185 0

HSLA 204.97, 1%, 0.36%, 0

LABA 44.56, 3.78, -47.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #005AA600

RGBA 0 90 166 0

HSLA 207.47, 1%, 0.33%, 0

LABA 37.96, 7.63, -47.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00489300

RGBA 0 72 147 0

HSLA 210.61, 1%, 0.29%, 0

LABA 31.21, 11.76, -46.55, 0

 

CMYK 98 / 36 / 0 / 12

HEX #0591E1

RGB 5 145 225

HSL 201.82, 0.96%, 0.45%

LAB 57.77, -2.92, -49.4

 

CMYK 98 / 62 / 0 / 12

HEX #0556E1

RGB 5 86 225

HSL 217.91, 0.96%, 0.45%

LAB 41.41, 34.14, -75.8

 

CMYK 98 / 88 / 0 / 12

HEX #051AE1

RGB 5 26 225

HSL 234.27, 0.96%, 0.45%

LAB 29.93, 66.23, -94.81

 

CMYK 81 / 98 / 0 / 12

HEX #2A05E1

RGB 42 5 225

HSL 250.09, 0.96%, 0.45%

LAB 29.51, 71.63, -95.49

 

CMYK 55 / 98 / 0 / 12

HEX #6605E1

RGB 102 5 225

HSL 266.45, 0.96%, 0.45%

LAB 34.74, 74.28, -86.63

 

CMYK 98 / 36 / 0 / 12

HEX #0591E1

RGB 5 145 225

HSL 201.82, 0.96%, 0.45%

LAB 57.77, -2.92, -49.4

 

CMYK 98 / 62 / 0 / 12

HEX #0556E1

RGB 5 86 225

HSL 217.91, 0.96%, 0.45%

LAB 41.41, 34.14, -75.8

 

CMYK 98 / 88 / 0 / 12

HEX #051AE1

RGB 5 26 225

HSL 234.27, 0.96%, 0.45%

LAB 29.93, 66.23, -94.81

 

CMYK 98 / 98 / 0 / 12

HEX #0505E1

RGB 5 5 225

HSL 240, 0.96%, 0.45%

LAB 28.32, 71.17, -97.5

 

CMYK 98 / 36 / 0 / 12

HEX #0591E1

RGB 5 145 225

HSL 201.82, 0.96%, 0.45%

LAB 57.77, -2.92, -49.4

 

CMYK 98 / 36 / 0 / 12

HEX #0591E1

RGB 5 145 225

HSL 201.82, 0.96%, 0.45%

LAB 57.77, -2.92, -49.4

 

CMYK 89 / 32 / 0 / 19

HEX #178CCE

RGB 23 140 206

HSL 201.64, 0.8%, 0.45%

LAB 55.48, -6.43, -42.36

 

CMYK 78 / 28 / 0 / 26

HEX #2A87BC

RGB 42 135 188

HSL 201.78, 0.63%, 0.45%

LAB 53.44, -8.52, -35.33

 

CMYK 64 / 23 / 0 / 34

HEX #3C82A9

RGB 60 130 169

HSL 201.47, 0.48%, 0.45%

LAB 51.6, -9.62, -27.24

 

CMYK 48 / 17 / 0 / 41

HEX #4F7D97

RGB 79 125 151

HSL 201.67, 0.31%, 0.45%

LAB 50.17, -8.33, -18.9

 

CMYK 98 / 0 / 18 / 12

HEX #05E1B9

RGB 5 225 185

HSL 169.09, 0.96%, 0.45%

LAB 80.4, -54.59, 6.83

 

CMYK 98 / 8 / 0 / 12

HEX #05CFE1

RGB 5 207 225

HSL 184.91, 0.96%, 0.45%

LAB 76.13, -35.45, -20.88

 

CMYK 98 / 34 / 0 / 12

HEX #0594E1

RGB 5 148 225

HSL 201, 0.96%, 0.45%

LAB 58.65, -4.66, -48.01

 

CMYK 98 / 60 / 0 / 12

HEX #0559E1

RGB 5 89 225

HSL 217.09, 0.96%, 0.45%

LAB 42.17, 32.2, -74.55

 

CMYK 98 / 87 / 0 / 12

HEX #051EE1

RGB 5 30 225

HSL 233.18, 0.96%, 0.45%

LAB 30.39, 64.83, -94.03

 

CMYK 98 / 35 / 0 / 44

HEX #035D90

RGB 3 93 144

HSL 201.7, 0.96%, 0.29%

LAB 37.59, -3.23, -34.5

 

CMYK 98 / 35 / 0 / 28

HEX #0477B8

RGB 4 119 184

HSL 201.67, 0.96%, 0.37%

LAB 47.85, -3.25, -41.87

 

CMYK 98 / 36 / 0 / 12

HEX #0591E1

RGB 5 145 225

HSL 201.82, 0.96%, 0.45%

LAB 57.77, -2.92, -49.4

 

CMYK 92 / 33 / 0 / 2

HEX #15A7FA

RGB 21 167 250

HSL 201.75, 0.96%, 0.53%

LAB 65.51, -5.77, -50.9

 

CMYK 76 / 27 / 0 / 2

HEX #3DB6FB

RGB 61 182 251

HSL 201.79, 0.96%, 0.61%

LAB 70.46, -10.71, -43.6

 

CMYK 98 / 35 / 0 / 13

HEX #0590DF

RGB 5 144 223

HSL 201.74, 0.96%, 0.45%

LAB 57.37, -3.09, -48.91

 

CMYK 44 / 98 / 0 / 12

HEX #7E05E1

RGB 126 5 225

HSL 273, 0.96%, 0.45%

LAB 37.81, 76.22, -81.46

 

CMYK 0 / 5 / 98 / 12

HEX #E1D605

RGB 225 214 5

HSL 57, 0.96%, 0.45%

LAB 84.02, -14.16, 83.4

 

CMYK 98 / 35 / 0 / 13

HEX #0590DF

RGB 5 144 223

HSL 201.74, 0.96%, 0.45%

LAB 57.37, -3.09, -48.91

 

CMYK 0 / 98 / 34 / 12

HEX #E10594

RGB 225 5 148

HSL 321, 0.96%, 0.45%

LAB 49.8, 79.63, -16.14

 

CMYK 34 / 0 / 98 / 12

HEX #94E105

RGB 148 225 5

HSL 81, 0.96%, 0.45%

LAB 81.92, -50.01, 79.54

 

CMYK 98 / 35 / 0 / 13

HEX #0590DF

RGB 5 144 223

HSL 201.74, 0.96%, 0.45%

LAB 57.37, -3.09, -48.91

 

CMYK 44 / 98 / 0 / 12

HEX #7E05E1

RGB 126 5 225

HSL 273, 0.96%, 0.45%

LAB 37.81, 76.22, -81.46

 

CMYK 0 / 64 / 98 / 12

HEX #E15205

RGB 225 82 5

HSL 21, 0.96%, 0.45%

LAB 54.08, 53.19, 63.22

 

CMYK 54 / 0 / 98 / 12

HEX #68E105

RGB 104 225 5

HSL 93, 0.96%, 0.45%

LAB 80.07, -63.88, 77.29

 

CMYK 98 / 35 / 0 / 13

HEX #0590DF

RGB 5 144 223

HSL 201.74, 0.96%, 0.45%

LAB 57.37, -3.09, -48.91

 

CMYK 15 / 98 / 0 / 12

HEX #C005E1

RGB 192 5 225

HSL 291, 0.96%, 0.45%

LAB 47.95, 84.06, -64.48

 

CMYK 0 / 64 / 98 / 12

HEX #E15205

RGB 225 82 5

HSL 21, 0.96%, 0.45%

LAB 54.08, 53.19, 63.22

 

CMYK 83 / 0 / 98 / 12

HEX #26E105

RGB 38 225 5

HSL 111, 0.96%, 0.45%

LAB 78.62, -76.14, 75.52

 

Description

Color code: HEX #0590DF00 | qconv.com Color code: HEX #0590DF00 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 144 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 144 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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