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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #058C4D it is the complementary color #FA73B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #058C4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #058C4D shade: #0A8C48, #1B9E5B, #2CB06E, #3DC281 and #4ED494

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #058C4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #058C4D shade: #058C4D, #007A3A, #006827, #005614 and #004401

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #058C4D shade: #058A4C, #058A28, #068A05, #2A8A05 and #4D8A05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #058C4D shade: #058A4C, #058A70, #05808A, #055C8A and #05398A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #058C4D shade matches the following richer shades: #058A4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #058C4D shade: #058A4C, #117E4B, #1C734A, #28674A and #335C49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #058C4D shade: #058A05, #058A28, #058A4C, #058A6F and #05818A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #058C4D shade: #023A20, #046236, #058A4C, #06B262 and #08D978

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #058C4D shade: #058C4D, #05288A and #8A1705

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #058C4D shade: #058C4D, #4C058A and #8A4C05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #058C4D shade: #058C4D, #05288A, #8A0543 and #8A6605

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #058C4D shade: #058C4D, #09058A, #8A0543 and #858A05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 45 / 45

HEX #058C4D

RGB 5 140 77

HSL 152, 0.93%, 0.28%

LAB 51.06, -47.04, 24.85

 

Complementary color

CMYK 0 / 54 / 29 / 2

HEX #FA73B2

RGB 250 115 178

HSL 332, 0.93%, 0.72%

LAB 66.37, 58.04, -8.28

 

CMYK 93 / 0 / 49 / 45

HEX #0A8C48

RGB 10 140 72

HSL 148.62, 0.87%, 0.29%

LAB 51.02, -47.67, 27.51

 

CMYK 83 / 0 / 42 / 38

HEX #1B9E5B

RGB 27 158 91

HSL 149.31, 0.71%, 0.36%

LAB 57.5, -49.25, 25.69

 

CMYK 75 / 0 / 38 / 31

HEX #2CB06E

RGB 44 176 110

HSL 150, 0.6%, 0.43%

LAB 63.93, -50.23, 24.03

 

CMYK 69 / 0 / 34 / 24

HEX #3DC281

RGB 61 194 129

HSL 150.68, 0.52%, 0.5%

LAB 70.29, -50.81, 22.53

 

CMYK 63 / 0 / 30 / 17

HEX #4ED494

RGB 78 212 148

HSL 151.34, 0.61%, 0.57%

LAB 76.58, -51.13, 21.15

 

CMYK 96 / 0 / 45 / 45

HEX #058C4D

RGB 5 140 77

HSL 152, 0.93%, 0.28%

LAB 51.06, -47.04, 24.85

 

CMYK 100 / 0 / 52 / 52

HEX #007A3A

RGB 0 122 58

HSL 148.52, 1%, 0.24%

LAB 44.55, -44.44, 26.88

 

CMYK 100 / 0 / 63 / 59

HEX #006827

RGB 0 104 39

HSL 142.5, 1%, 0.2%

LAB 37.93, -41.22, 28.91

 

CMYK 100 / 0 / 77 / 66

HEX #005614

RGB 0 86 20

HSL 133.95, 1%, 0.17%

LAB 31.13, -37.52, 30.55

 

CMYK 100 / 0 / 99 / 73

HEX #004401

RGB 0 68 1

HSL 120.88, 1%, 0.13%

LAB 24.12, -33.23, 31.31

 

CMYK 96 / 0 / 45 / 46

HEX #058A4C

RGB 5 138 76

HSL 152.03, 0.93%, 0.28%

LAB 50.37, -46.51, 24.49

 

CMYK 96 / 0 / 71 / 46

HEX #058A28

RGB 5 138 40

HSL 135.79, 0.93%, 0.28%

LAB 49.93, -51.87, 41.82

 

CMYK 96 / 0 / 96 / 46

HEX #068A05

RGB 6 138 5

HSL 119.55, 0.93%, 0.28%

LAB 49.77, -53.99, 51.82

 

CMYK 70 / 0 / 96 / 46

HEX #2A8A05

RGB 42 138 5

HSL 103.31, 0.93%, 0.28%

LAB 50.31, -49.22, 52.49

 

CMYK 44 / 0 / 96 / 46

HEX #4D8A05

RGB 77 138 5

HSL 87.52, 0.93%, 0.28%

LAB 51.57, -39.2, 54.04

 

CMYK 96 / 0 / 45 / 46

HEX #058A4C

RGB 5 138 76

HSL 152.03, 0.93%, 0.28%

LAB 50.37, -46.51, 24.49

 

CMYK 96 / 0 / 19 / 46

HEX #058A70

RGB 5 138 112

HSL 168.27, 0.93%, 0.28%

LAB 51.13, -37.98, 5.1

 

CMYK 96 / 7 / 0 / 46

HEX #05808A

RGB 5 128 138

HSL 184.51, 0.93%, 0.28%

LAB 48.64, -25.25, -13.78

 

CMYK 96 / 33 / 0 / 46

HEX #055C8A

RGB 5 92 138

HSL 200.75, 0.93%, 0.28%

LAB 36.97, -4.92, -31.85

 

CMYK 96 / 59 / 0 / 46

HEX #05398A

RGB 5 57 138

HSL 216.54, 0.93%, 0.28%

LAB 26.14, 18.7, -49.24

 

CMYK 96 / 0 / 45 / 46

HEX #058A4C

RGB 5 138 76

HSL 152.03, 0.93%, 0.28%

LAB 50.37, -46.51, 24.49

 

CMYK 96 / 0 / 45 / 46

HEX #058A4C

RGB 5 138 76

HSL 152.03, 0.93%, 0.28%

LAB 50.37, -46.51, 24.49

 

CMYK 87 / 0 / 40 / 51

HEX #117E4B

RGB 17 126 75

HSL 151.93, 0.76%, 0.28%

LAB 46.38, -41.29, 19.83

 

CMYK 76 / 0 / 36 / 55

HEX #1C734A

RGB 28 115 74

HSL 151.72, 0.61%, 0.28%

LAB 42.77, -35.6, 15.6

 

CMYK 61 / 0 / 28 / 60

HEX #28674A

RGB 40 103 74

HSL 152.38, 0.44%, 0.28%

LAB 38.98, -27.78, 10.44

 

CMYK 45 / 0 / 21 / 64

HEX #335C49

RGB 51 92 73

HSL 152.2, 0.29%, 0.28%

LAB 35.67, -19.36, 6.48

 

CMYK 96 / 0 / 96 / 46

HEX #058A05

RGB 5 138 5

HSL 120, 0.93%, 0.28%

LAB 49.76, -54.06, 51.81

 

CMYK 96 / 0 / 71 / 46

HEX #058A28

RGB 5 138 40

HSL 135.79, 0.93%, 0.28%

LAB 49.93, -51.87, 41.82

 

CMYK 96 / 0 / 45 / 46

HEX #058A4C

RGB 5 138 76

HSL 152.03, 0.93%, 0.28%

LAB 50.37, -46.51, 24.49

 

CMYK 96 / 0 / 20 / 46

HEX #058A6F

RGB 5 138 111

HSL 167.82, 0.93%, 0.28%

LAB 51.1, -38.26, 5.64

 

CMYK 96 / 7 / 0 / 46

HEX #05818A

RGB 5 129 138

HSL 184.06, 0.93%, 0.28%

LAB 48.97, -25.76, -13.29

 

CMYK 97 / 0 / 45 / 77

HEX #023A20

RGB 2 58 32

HSL 152.14, 0.93%, 0.12%

LAB 20.61, -24.55, 11.44

 

CMYK 96 / 0 / 45 / 62

HEX #046236

RGB 4 98 54

HSL 151.91, 0.92%, 0.2%

LAB 36.04, -35.91, 18.27

 

CMYK 96 / 0 / 45 / 46

HEX #058A4C

RGB 5 138 76

HSL 152.03, 0.93%, 0.28%

LAB 50.37, -46.51, 24.49

 

CMYK 97 / 0 / 45 / 30

HEX #06B262

RGB 6 178 98

HSL 152.09, 0.93%, 0.36%

LAB 63.97, -56.49, 30.35

 

CMYK 96 / 0 / 45 / 15

HEX #08D978

RGB 8 217 120

HSL 152.15, 0.93%, 0.44%

LAB 76.7, -65.68, 35.54

 

CMYK 96 / 0 / 45 / 45

HEX #058C4D

RGB 5 140 77

HSL 152, 0.93%, 0.28%

LAB 51.06, -47.04, 24.85

 

CMYK 96 / 71 / 0 / 46

HEX #05288A

RGB 5 40 138

HSL 224.21, 0.93%, 0.28%

LAB 21.52, 30.58, -56.81

 

CMYK 0 / 83 / 96 / 46

HEX #8A1705

RGB 138 23 5

HSL 8.12, 0.93%, 0.28%

LAB 29.48, 46.25, 40.29

 

CMYK 96 / 0 / 45 / 45

HEX #058C4D

RGB 5 140 77

HSL 152, 0.93%, 0.28%

LAB 51.06, -47.04, 24.85

 

CMYK 45 / 96 / 0 / 46

HEX #4C058A

RGB 76 5 138

HSL 272.03, 0.93%, 0.28%

LAB 21.87, 52.38, -56.04

 

CMYK 0 / 45 / 96 / 46

HEX #8A4C05

RGB 138 76 5

HSL 32.03, 0.93%, 0.28%

LAB 38.87, 21.72, 46.7

 

CMYK 96 / 0 / 45 / 45

HEX #058C4D

RGB 5 140 77

HSL 152, 0.93%, 0.28%

LAB 51.06, -47.04, 24.85

 

CMYK 96 / 71 / 0 / 46

HEX #05288A

RGB 5 40 138

HSL 224.21, 0.93%, 0.28%

LAB 21.52, 30.58, -56.81

 

CMYK 0 / 96 / 51 / 46

HEX #8A0543

RGB 138 5 67

HSL 332.03, 0.93%, 0.28%

LAB 29.2, 52.81, 2.49

 

CMYK 0 / 26 / 96 / 46

HEX #8A6605

RGB 138 102 5

HSL 43.76, 0.93%, 0.28%

LAB 45.52, 6.58, 51.44

 

CMYK 96 / 0 / 45 / 45

HEX #058C4D

RGB 5 140 77

HSL 152, 0.93%, 0.28%

LAB 51.06, -47.04, 24.85

 

CMYK 93 / 96 / 0 / 46

HEX #09058A

RGB 9 5 138

HSL 241.8, 0.93%, 0.28%

LAB 15.5, 48.47, -66.81

 

CMYK 0 / 96 / 51 / 46

HEX #8A0543

RGB 138 5 67

HSL 332.03, 0.93%, 0.28%

LAB 29.2, 52.81, 2.49

 

CMYK 4 / 0 / 96 / 46

HEX #858A05

RGB 133 138 5

HSL 62.26, 0.93%, 0.28%

LAB 55.25, -15.85, 58.5

 

Description

Color code: HEX #058C4D | qconv.com Color code: HEX #058C4D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 140 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 140 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 45 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 45% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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