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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #055012 it is the complementary color #FAAFED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #055012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #055012 shade: #0A500D, #1B6220, #2C7433, #3D8646 and #4E9859

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #055012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #055012 shade: #055012, #003E00, #002C00, #001A00 and #000800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #055012 shade: #055112, #0D5105, #215105, #365105 and #4A5105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #055012 shade: #055112, #055127, #05513C, #055150 and #053E51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #055012 shade matches the following richer shades: #055112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #055012 shade: #055112, #0C4A17, #13431C, #1A3C20 and #213525

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #055012 shade: #215105, #0D5105, #055112, #055126 and #05513B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #055012 shade: #000401, #032B0A, #055112, #08781B and #0A9F24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #055012 shade: #055012, #053651 and #510517

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #055012 shade: #055012, #120551 and #511205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #055012 shade: #055012, #053651, #510545 and #512105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #055012 shade: #055012, #051F51, #510545 and #513805

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 78 / 69

HEX #055012

RGB 5 80 18

HSL 130.4, 0.88%, 0.17%

LAB 28.94, -34.97, 29.17

 

Complementary color

CMYK 0 / 30 / 5 / 2

HEX #FAAFED

RGB 250 175 237

HSL 310.4, 0.88%, 0.83%

LAB 80.23, 36.81, -19.99

 

CMYK 88 / 0 / 84 / 69

HEX #0A500D

RGB 10 80 13

HSL 122.57, 0.78%, 0.18%

LAB 28.98, -34.71, 31.33

 

CMYK 72 / 0 / 67 / 62

HEX #1B6220

RGB 27 98 32

HSL 124.23, 0.57%, 0.25%

LAB 36.12, -36.33, 30.49

 

CMYK 62 / 0 / 56 / 55

HEX #2C7433

RGB 44 116 51

HSL 125.83, 0.45%, 0.31%

LAB 43.16, -36.96, 29.08

 

CMYK 54 / 0 / 48 / 47

HEX #3D8646

RGB 61 134 70

HSL 127.4, 0.37%, 0.38%

LAB 50.08, -37.13, 27.61

 

CMYK 49 / 0 / 41 / 40

HEX #4E9859

RGB 78 152 89

HSL 128.92, 0.32%, 0.45%

LAB 56.88, -37.06, 26.21

 

CMYK 94 / 0 / 78 / 69

HEX #055012

RGB 5 80 18

HSL 130.4, 0.88%, 0.17%

LAB 28.94, -34.97, 29.17

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 100 / 0 / 100 / 83

HEX #002C00

RGB 0 44 0

HSL 120, 1%, 0.09%

LAB 14.41, -25.26, 20.55

 

CMYK 100 / 0 / 100 / 90

HEX #001A00

RGB 0 26 0

HSL 120, 1%, 0.05%

LAB 6.67, -13.63, 9.74

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 94 / 0 / 78 / 68

HEX #055112

RGB 5 81 18

HSL 130.26, 0.88%, 0.17%

LAB 29.31, -35.32, 29.56

 

CMYK 84 / 0 / 94 / 68

HEX #0D5105

RGB 13 81 5

HSL 113.68, 0.88%, 0.17%

LAB 29.37, -35.18, 34.55

 

CMYK 59 / 0 / 94 / 68

HEX #215105

RGB 33 81 5

HSL 97.89, 0.88%, 0.17%

LAB 29.96, -30.23, 35.3

 

CMYK 33 / 0 / 94 / 68

HEX #365105

RGB 54 81 5

HSL 81.32, 0.88%, 0.17%

LAB 31.07, -22.11, 36.69

 

CMYK 9 / 0 / 94 / 68

HEX #4A5105

RGB 74 81 5

HSL 65.53, 0.88%, 0.17%

LAB 32.59, -12.68, 38.58

 

CMYK 94 / 0 / 78 / 68

HEX #055112

RGB 5 81 18

HSL 130.26, 0.88%, 0.17%

LAB 29.31, -35.32, 29.56

 

CMYK 94 / 0 / 52 / 68

HEX #055127

RGB 5 81 39

HSL 146.84, 0.88%, 0.17%

LAB 29.57, -32.15, 18.76

 

CMYK 94 / 0 / 26 / 68

HEX #05513C

RGB 5 81 60

HSL 163.42, 0.88%, 0.17%

LAB 30.02, -27.08, 6.42

 

CMYK 94 / 0 / 1 / 68

HEX #055150

RGB 5 81 80

HSL 179.21, 0.88%, 0.17%

LAB 30.63, -20.75, -5.44

 

CMYK 94 / 23 / 0 / 68

HEX #053E51

RGB 5 62 81

HSL 195, 0.88%, 0.17%

LAB 23.91, -9.39, -16.33

 

CMYK 94 / 0 / 78 / 68

HEX #055112

RGB 5 81 18

HSL 130.26, 0.88%, 0.17%

LAB 29.31, -35.32, 29.56

 

CMYK 94 / 0 / 78 / 68

HEX #055112

RGB 5 81 18

HSL 130.26, 0.88%, 0.17%

LAB 29.31, -35.32, 29.56

 

CMYK 84 / 0 / 69 / 71

HEX #0C4A17

RGB 12 74 23

HSL 130.65, 0.72%, 0.17%

LAB 26.84, -31.07, 24.5

 

CMYK 72 / 0 / 58 / 74

HEX #13431C

RGB 19 67 28

HSL 131.25, 0.56%, 0.17%

LAB 24.44, -25.9, 18.91

 

CMYK 57 / 0 / 47 / 76

HEX #1A3C20

RGB 26 60 32

HSL 130.59, 0.4%, 0.17%

LAB 22.14, -19.74, 13.61

 

CMYK 38 / 0 / 30 / 79

HEX #213525

RGB 33 53 37

HSL 132, 0.23%, 0.17%

LAB 20.06, -12.19, 7.59

 

CMYK 59 / 0 / 94 / 68

HEX #215105

RGB 33 81 5

HSL 97.89, 0.88%, 0.17%

LAB 29.96, -30.23, 35.3

 

CMYK 84 / 0 / 94 / 68

HEX #0D5105

RGB 13 81 5

HSL 113.68, 0.88%, 0.17%

LAB 29.37, -35.18, 34.55

 

CMYK 94 / 0 / 78 / 68

HEX #055112

RGB 5 81 18

HSL 130.26, 0.88%, 0.17%

LAB 29.31, -35.32, 29.56

 

CMYK 94 / 0 / 53 / 68

HEX #055126

RGB 5 81 38

HSL 146.05, 0.88%, 0.17%

LAB 29.56, -32.35, 19.33

 

CMYK 94 / 0 / 27 / 68

HEX #05513B

RGB 5 81 59

HSL 162.63, 0.88%, 0.17%

LAB 29.99, -27.36, 7.01

 

CMYK 100 / 0 / 75 / 98

HEX #000401

RGB 0 4 1

HSL 135, 1%, 0.01%

LAB 0.8, -1.46, 0.77

 

CMYK 93 / 0 / 77 / 83

HEX #032B0A

RGB 3 43 10

HSL 130.5, 0.87%, 0.09%

LAB 14.23, -22.34, 16.26

 

CMYK 94 / 0 / 78 / 68

HEX #055112

RGB 5 81 18

HSL 130.26, 0.88%, 0.17%

LAB 29.31, -35.32, 29.56

 

CMYK 93 / 0 / 78 / 53

HEX #08781B

RGB 8 120 27

HSL 130.18, 0.88%, 0.25%

LAB 43.6, -47.17, 40.5

 

CMYK 94 / 0 / 77 / 38

HEX #0A9F24

RGB 10 159 36

HSL 130.47, 0.88%, 0.33%

LAB 57.06, -58.36, 50.65

 

CMYK 94 / 0 / 78 / 69

HEX #055012

RGB 5 80 18

HSL 130.4, 0.88%, 0.17%

LAB 28.94, -34.97, 29.17

 

CMYK 94 / 33 / 0 / 68

HEX #053651

RGB 5 54 81

HSL 201.32, 0.88%, 0.17%

LAB 21.07, -4.16, -20.76

 

CMYK 0 / 94 / 72 / 68

HEX #510517

RGB 81 5 23

HSL 345.79, 0.88%, 0.17%

LAB 15.06, 34.07, 11.79

 

CMYK 94 / 0 / 78 / 69

HEX #055012

RGB 5 80 18

HSL 130.4, 0.88%, 0.17%

LAB 28.94, -34.97, 29.17

 

CMYK 78 / 94 / 0 / 68

HEX #120551

RGB 18 5 81

HSL 250.26, 0.88%, 0.17%

LAB 7.51, 31.67, -42.71

 

CMYK 0 / 78 / 94 / 68

HEX #511205

RGB 81 18 5

HSL 10.26, 0.88%, 0.17%

LAB 16.47, 28.54, 23.03

 

CMYK 94 / 0 / 78 / 69

HEX #055012

RGB 5 80 18

HSL 130.4, 0.88%, 0.17%

LAB 28.94, -34.97, 29.17

 

CMYK 94 / 33 / 0 / 68

HEX #053651

RGB 5 54 81

HSL 201.32, 0.88%, 0.17%

LAB 21.07, -4.16, -20.76

 

CMYK 0 / 94 / 15 / 68

HEX #510545

RGB 81 5 69

HSL 309.47, 0.88%, 0.17%

LAB 16.93, 39.24, -18.62

 

CMYK 0 / 59 / 94 / 68

HEX #512105

RGB 81 33 5

HSL 22.11, 0.88%, 0.17%

LAB 19.42, 20.71, 26.56

 

CMYK 94 / 0 / 78 / 69

HEX #055012

RGB 5 80 18

HSL 130.4, 0.88%, 0.17%

LAB 28.94, -34.97, 29.17

 

CMYK 94 / 62 / 0 / 68

HEX #051F51

RGB 5 31 81

HSL 219.47, 0.88%, 0.17%

LAB 13.27, 12.74, -33.26

 

CMYK 0 / 94 / 15 / 68

HEX #510545

RGB 81 5 69

HSL 309.47, 0.88%, 0.17%

LAB 16.93, 39.24, -18.62

 

CMYK 0 / 31 / 94 / 68

HEX #513805

RGB 81 56 5

HSL 40.26, 0.88%, 0.17%

LAB 25.53, 6.26, 32.94

 

Description

Color code: HEX #055012 | qconv.com Color code: HEX #055012 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 80 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 80 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 78 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 78% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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