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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04FA54 it is the complementary color #FB05AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04FA54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04FA54 shade: #09FA4F, #1AFF62, #2BFF75, #3CFF88 and #4DFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04FA54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04FA54 shade: #04FA54, #00E841, #00D62E, #00C41B and #00B208

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04FA54 shade: #04FB54, #04FB12, #39FB04, #7CFB04 and #BEFB04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04FA54 shade: #04FB54, #04FB97, #04FBDA, #04DAFB and #0497FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04FA54 shade matches the following richer shades: #04FB54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04FA54 shade: #04FB54, #18E75B, #2DD263, #42BD6A and #56A971

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04FA54 shade: #39FB04, #04FB10, #04FB52, #04FB94 and #04FBD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04FA54 shade: #03AA39, #03D347, #04FB54, #2CFC70 and #55FC8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04FA54 shade: #04FA54, #047BFB and #FB0418

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04FA54 shade: #04FA54, #5204FB and #FB5204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04FA54 shade: #04FA54, #047BFB, #FB04AD and #FB8404

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04FA54 shade: #04FA54, #0431FB, #FB04AD and #FBCE04

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 66 / 2

HEX #04FA54

RGB 4 250 84

HSL 139.51, 0.97%, 0.5%

LAB 86.52, -80.69, 63.41

 

Complementary color

CMYK 0 / 98 / 32 / 2

HEX #FB05AB

RGB 251 5 171

HSL 319.51, 0.97%, 0.5%

LAB 55.64, 87.11, -20.42

 

CMYK 96 / 0 / 68 / 2

HEX #09FA4F

RGB 9 250 79

HSL 137.43, 0.96%, 0.51%

LAB 86.5, -81.03, 65.29

 

CMYK 90 / 0 / 62 / 0

HEX #1AFF62

RGB 26 255 98

HSL 138.86, 1%, 0.55%

LAB 88.27, -79.83, 59.72

 

CMYK 83 / 0 / 54 / 0

HEX #2BFF75

RGB 43 255 117

HSL 140.94, 1%, 0.58%

LAB 88.6, -76.27, 51.85

 

CMYK 76 / 0 / 47 / 0

HEX #3CFF88

RGB 60 255 136

HSL 143.38, 1%, 0.62%

LAB 89.04, -71.74, 43.58

 

CMYK 70 / 0 / 39 / 0

HEX #4DFF9B

RGB 77 255 155

HSL 146.29, 1%, 0.65%

LAB 89.61, -66.28, 35.1

 

CMYK 98 / 0 / 66 / 2

HEX #04FA54

RGB 4 250 84

HSL 139.51, 0.97%, 0.5%

LAB 86.52, -80.69, 63.41

 

CMYK 100 / 0 / 72 / 9

HEX #00E841

RGB 0 232 65

HSL 136.81, 1%, 0.45%

LAB 80.79, -77.49, 64.41

 

CMYK 100 / 0 / 79 / 16

HEX #00D62E

RGB 0 214 46

HSL 132.9, 1%, 0.42%

LAB 75.01, -73.89, 64.87

 

CMYK 100 / 0 / 86 / 23

HEX #00C41B

RGB 0 196 27

HSL 128.27, 1%, 0.38%

LAB 69.15, -69.96, 64.39

 

CMYK 100 / 0 / 96 / 30

HEX #00B208

RGB 0 178 8

HSL 122.7, 1%, 0.35%

LAB 63.23, -65.62, 62.5

 

CMYK 98 / 0 / 67 / 2

HEX #04FB54

RGB 4 251 84

HSL 139.43, 0.97%, 0.5%

LAB 86.83, -80.98, 63.74

 

CMYK 98 / 0 / 93 / 2

HEX #04FB12

RGB 4 251 18

HSL 123.4, 0.97%, 0.5%

LAB 86.54, -84.76, 80.69

 

CMYK 77 / 0 / 98 / 2

HEX #39FB04

RGB 57 251 4

HSL 107.13, 0.97%, 0.5%

LAB 86.93, -81.23, 82.41

 

CMYK 51 / 0 / 98 / 2

HEX #7CFB04

RGB 124 251 4

HSL 90.85, 0.97%, 0.5%

LAB 88.58, -67.46, 84.42

 

CMYK 24 / 0 / 98 / 2

HEX #BEFB04

RGB 190 251 4

HSL 74.82, 0.97%, 0.5%

LAB 91.66, -45.51, 88.14

 

CMYK 98 / 0 / 67 / 2

HEX #04FB54

RGB 4 251 84

HSL 139.43, 0.97%, 0.5%

LAB 86.83, -80.98, 63.74

 

CMYK 98 / 0 / 40 / 2

HEX #04FB97

RGB 4 251 151

HSL 155.71, 0.97%, 0.5%

LAB 87.61, -71.48, 34.31

 

CMYK 98 / 0 / 13 / 2

HEX #04FBDA

RGB 4 251 218

HSL 171.98, 0.97%, 0.5%

LAB 88.96, -56.47, 1.91

 

CMYK 98 / 13 / 0 / 2

HEX #04DAFB

RGB 4 218 251

HSL 188.02, 0.97%, 0.5%

LAB 80.25, -32.45, -28.48

 

CMYK 98 / 40 / 0 / 2

HEX #0497FB

RGB 4 151 251

HSL 204.29, 0.97%, 0.5%

LAB 60.89, 3.35, -58.8

 

CMYK 98 / 0 / 67 / 2

HEX #04FB54

RGB 4 251 84

HSL 139.43, 0.97%, 0.5%

LAB 86.83, -80.98, 63.74

 

CMYK 98 / 0 / 67 / 2

HEX #04FB54

RGB 4 251 84

HSL 139.43, 0.97%, 0.5%

LAB 86.83, -80.98, 63.74

 

CMYK 90 / 0 / 61 / 9

HEX #18E75B

RGB 24 231 91

HSL 139.42, 0.81%, 0.5%

LAB 80.8, -73.64, 54.18

 

CMYK 79 / 0 / 53 / 18

HEX #2DD263

RGB 45 210 99

HSL 139.64, 0.65%, 0.5%

LAB 74.54, -64.11, 43.19

 

CMYK 65 / 0 / 44 / 26

HEX #42BD6A

RGB 66 189 106

HSL 139.51, 0.48%, 0.5%

LAB 68.46, -52.25, 32.17

 

CMYK 49 / 0 / 33 / 34

HEX #56A971

RGB 86 169 113

HSL 139.52, 0.33%, 0.5%

LAB 62.97, -38.07, 21.33

 

CMYK 77 / 0 / 98 / 2

HEX #39FB04

RGB 57 251 4

HSL 107.13, 0.97%, 0.5%

LAB 86.93, -81.23, 82.41

 

CMYK 98 / 0 / 94 / 2

HEX #04FB10

RGB 4 251 16

HSL 122.91, 0.97%, 0.5%

LAB 86.53, -84.8, 80.91

 

CMYK 98 / 0 / 67 / 2

HEX #04FB52

RGB 4 251 82

HSL 138.95, 0.97%, 0.5%

LAB 86.81, -81.17, 64.49

 

CMYK 98 / 0 / 41 / 2

HEX #04FB94

RGB 4 251 148

HSL 154.98, 0.97%, 0.5%

LAB 87.56, -72.03, 35.74

 

CMYK 98 / 0 / 15 / 2

HEX #04FBD6

RGB 4 251 214

HSL 171.01, 0.97%, 0.5%

LAB 88.86, -57.5, 3.84

 

CMYK 98 / 0 / 66 / 33

HEX #03AA39

RGB 3 170 57

HSL 139.4, 0.97%, 0.34%

LAB 60.84, -60.1, 46.4

 

CMYK 99 / 0 / 66 / 17

HEX #03D347

RGB 3 211 71

HSL 139.62, 0.97%, 0.42%

LAB 74.23, -70.85, 55.21

 

CMYK 98 / 0 / 67 / 2

HEX #04FB54

RGB 4 251 84

HSL 139.43, 0.97%, 0.5%

LAB 86.83, -80.98, 63.74

 

CMYK 83 / 0 / 56 / 1

HEX #2CFC70

RGB 44 252 112

HSL 139.62, 0.97%, 0.58%

LAB 87.64, -75.91, 52.96

 

CMYK 66 / 0 / 44 / 1

HEX #55FC8C

RGB 85 252 140

HSL 139.76, 0.97%, 0.66%

LAB 88.66, -66.42, 41.25

 

CMYK 98 / 0 / 66 / 2

HEX #04FA54

RGB 4 250 84

HSL 139.51, 0.97%, 0.5%

LAB 86.52, -80.69, 63.41

 

CMYK 98 / 51 / 0 / 2

HEX #047BFB

RGB 4 123 251

HSL 211.09, 0.97%, 0.5%

LAB 53.12, 20.47, -71.3

 

CMYK 0 / 98 / 90 / 2

HEX #FB0418

RGB 251 4 24

HSL 355.14, 0.97%, 0.5%

LAB 52.58, 79.08, 59.6

 

CMYK 98 / 0 / 66 / 2

HEX #04FA54

RGB 4 250 84

HSL 139.51, 0.97%, 0.5%

LAB 86.52, -80.69, 63.41

 

CMYK 67 / 98 / 0 / 2

HEX #5204FB

RGB 82 4 251

HSL 258.95, 0.97%, 0.5%

LAB 35.69, 79.18, -99.88

 

CMYK 0 / 67 / 98 / 2

HEX #FB5204

RGB 251 82 4

HSL 18.95, 0.97%, 0.5%

LAB 58.56, 61.94, 68.26

 

CMYK 98 / 0 / 66 / 2

HEX #04FA54

RGB 4 250 84

HSL 139.51, 0.97%, 0.5%

LAB 86.52, -80.69, 63.41

 

CMYK 98 / 51 / 0 / 2

HEX #047BFB

RGB 4 123 251

HSL 211.09, 0.97%, 0.5%

LAB 53.12, 20.47, -71.3

 

CMYK 0 / 98 / 31 / 2

HEX #FB04AD

RGB 251 4 173

HSL 318.95, 0.97%, 0.5%

LAB 55.7, 87.38, -21.5

 

CMYK 0 / 47 / 98 / 2

HEX #FB8404

RGB 251 132 4

HSL 31.09, 0.97%, 0.5%

LAB 67.29, 39.31, 73.31

 

CMYK 98 / 0 / 66 / 2

HEX #04FA54

RGB 4 250 84

HSL 139.51, 0.97%, 0.5%

LAB 86.52, -80.69, 63.41

 

CMYK 98 / 80 / 0 / 2

HEX #0431FB

RGB 4 49 251

HSL 229.07, 0.97%, 0.5%

LAB 36.34, 64.47, -98.87

 

CMYK 0 / 98 / 31 / 2

HEX #FB04AD

RGB 251 4 173

HSL 318.95, 0.97%, 0.5%

LAB 55.7, 87.38, -21.5

 

CMYK 0 / 18 / 98 / 2

HEX #FBCE04

RGB 251 206 4

HSL 49.07, 0.97%, 0.5%

LAB 84.31, 0.98, 84.76

 

Description

Color code: HEX #04FA54 | qconv.com Color code: HEX #04FA54 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 250 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 250 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 66 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 66% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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