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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04F941 it is the complementary color #FB06BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04F941. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04F941 shade: #09F93C, #1AFF4F, #2BFF62, #3CFF75 and #4DFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04F941. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04F941 shade: #04F941, #00E72E, #00D51B, #00C308 and #00B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04F941 shade: #04FB41, #09FB04, #4CFB04, #8EFB04 and #D1FB04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04F941 shade: #04FB41, #04FB84, #04FBC7, #04EDFB and #04AAFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04F941 shade matches the following richer shades: #04FB41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04F941 shade: #04FB41, #18E74C, #2DD256, #42BD60 and #56A96B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04F941 shade: #4EFB04, #0CFB04, #04FB3E, #04FB80 and #04FBC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04F941 shade: #03AA2C, #03D337, #04FB41, #2CFC60 and #55FC7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04F941 shade: #04F941, #0490FB and #FB042D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04F941 shade: #04F941, #3E04FB and #FB3E04

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04F941 shade: #04F941, #0490FB, #FB04C1 and #FB6F04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04F941 shade: #04F941, #0446FB, #FB04C1 and #FBB904

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 74 / 2

HEX #04F941

RGB 4 249 65

HSL 134.94, 0.97%, 0.5%

LAB 86.09, -82.05, 69.77

 

Complementary color

CMYK 0 / 98 / 24 / 2

HEX #FB06BE

RGB 251 6 190

HSL 314.94, 0.97%, 0.5%

LAB 56.44, 89.05, -30.24

 

CMYK 96 / 0 / 76 / 2

HEX #09F93C

RGB 9 249 60

HSL 132.75, 0.95%, 0.51%

LAB 86.07, -82.26, 71.35

 

CMYK 90 / 0 / 69 / 0

HEX #1AFF4F

RGB 26 255 79

HSL 133.89, 1%, 0.55%

LAB 88.11, -81.73, 67.02

 

CMYK 83 / 0 / 62 / 0

HEX #2BFF62

RGB 43 255 98

HSL 135.57, 1%, 0.58%

LAB 88.41, -78.61, 59.92

 

CMYK 76 / 0 / 54 / 0

HEX #3CFF75

RGB 60 255 117

HSL 137.54, 1%, 0.62%

LAB 88.81, -74.49, 52.15

 

CMYK 70 / 0 / 47 / 0

HEX #4DFF88

RGB 77 255 136

HSL 139.89, 1%, 0.65%

LAB 89.33, -69.41, 44

 

CMYK 98 / 0 / 74 / 2

HEX #04F941

RGB 4 249 65

HSL 134.94, 0.97%, 0.5%

LAB 86.09, -82.05, 69.77

 

CMYK 100 / 0 / 80 / 9

HEX #00E72E

RGB 0 231 46

HSL 131.95, 1%, 0.45%

LAB 80.38, -78.54, 69.95

 

CMYK 100 / 0 / 87 / 16

HEX #00D51B

RGB 0 213 27

HSL 127.61, 1%, 0.42%

LAB 74.61, -74.59, 69.2

 

CMYK 100 / 0 / 96 / 24

HEX #00C308

RGB 0 195 8

HSL 122.46, 1%, 0.38%

LAB 68.79, -70.26, 67.08

 

CMYK 100 / 0 / 100 / 31

HEX #00B100

RGB 0 177 0

HSL 120, 1%, 0.35%

LAB 62.88, -65.53, 63.25

 

CMYK 98 / 0 / 74 / 2

HEX #04FB41

RGB 4 251 65

HSL 134.82, 0.97%, 0.5%

LAB 86.7, -82.6, 70.39

 

CMYK 96 / 0 / 98 / 2

HEX #09FB04

RGB 9 251 4

HSL 118.79, 0.97%, 0.5%

LAB 86.53, -84.84, 81.92

 

CMYK 70 / 0 / 98 / 2

HEX #4CFB04

RGB 76 251 4

HSL 102.51, 0.97%, 0.5%

LAB 87.26, -78.37, 82.81

 

CMYK 43 / 0 / 98 / 2

HEX #8EFB04

RGB 142 251 4

HSL 86.48, 0.97%, 0.5%

LAB 89.28, -62.15, 85.26

 

CMYK 17 / 0 / 98 / 2

HEX #D1FB04

RGB 209 251 4

HSL 70.2, 0.97%, 0.5%

LAB 92.82, -38.21, 89.53

 

CMYK 98 / 0 / 74 / 2

HEX #04FB41

RGB 4 251 65

HSL 134.82, 0.97%, 0.5%

LAB 86.7, -82.6, 70.39

 

CMYK 98 / 0 / 47 / 2

HEX #04FB84

RGB 4 251 132

HSL 151.09, 0.97%, 0.5%

LAB 87.33, -74.77, 43.23

 

CMYK 98 / 0 / 21 / 2

HEX #04FBC7

RGB 4 251 199

HSL 167.37, 0.97%, 0.5%

LAB 88.52, -61.22, 11.12

 

CMYK 98 / 6 / 0 / 2

HEX #04EDFB

RGB 4 237 251

HSL 183.4, 0.97%, 0.5%

LAB 85.79, -41.26, -20.07

 

CMYK 98 / 32 / 0 / 2

HEX #04AAFB

RGB 4 170 251

HSL 199.68, 0.97%, 0.5%

LAB 66.32, -7.59, -50.17

 

CMYK 98 / 0 / 74 / 2

HEX #04FB41

RGB 4 251 65

HSL 134.82, 0.97%, 0.5%

LAB 86.7, -82.6, 70.39

 

CMYK 98 / 0 / 74 / 2

HEX #04FB41

RGB 4 251 65

HSL 134.82, 0.97%, 0.5%

LAB 86.7, -82.6, 70.39

 

CMYK 90 / 0 / 67 / 9

HEX #18E74C

RGB 24 231 76

HSL 135.07, 0.81%, 0.5%

LAB 80.67, -75.26, 60.23

 

CMYK 79 / 0 / 59 / 18

HEX #2DD256

RGB 45 210 86

HSL 134.91, 0.65%, 0.5%

LAB 74.4, -65.86, 49.06

 

CMYK 65 / 0 / 49 / 26

HEX #42BD60

RGB 66 189 96

HSL 134.63, 0.48%, 0.5%

LAB 68.31, -53.86, 37.07

 

CMYK 49 / 0 / 37 / 34

HEX #56A96B

RGB 86 169 107

HSL 135.18, 0.33%, 0.5%

LAB 62.86, -39.18, 24.43

 

CMYK 69 / 0 / 98 / 2

HEX #4EFB04

RGB 78 251 4

HSL 102.02, 0.97%, 0.5%

LAB 87.3, -78.02, 82.86

 

CMYK 95 / 0 / 98 / 2

HEX #0CFB04

RGB 12 251 4

HSL 118.06, 0.97%, 0.5%

LAB 86.54, -84.75, 81.93

 

CMYK 98 / 0 / 75 / 2

HEX #04FB3E

RGB 4 251 62

HSL 134.09, 0.97%, 0.5%

LAB 86.69, -82.81, 71.33

 

CMYK 98 / 0 / 49 / 2

HEX #04FB80

RGB 4 251 128

HSL 150.12, 0.97%, 0.5%

LAB 87.28, -75.4, 45.07

 

CMYK 98 / 0 / 23 / 2

HEX #04FBC1

RGB 4 251 193

HSL 165.91, 0.97%, 0.5%

LAB 88.39, -62.64, 14.04

 

CMYK 98 / 0 / 74 / 33

HEX #03AA2C

RGB 3 170 44

HSL 134.73, 0.97%, 0.34%

LAB 60.74, -61.37, 51.48

 

CMYK 99 / 0 / 74 / 17

HEX #03D337

RGB 3 211 55

HSL 135, 0.97%, 0.42%

LAB 74.12, -72.3, 61.11

 

CMYK 98 / 0 / 74 / 2

HEX #04FB41

RGB 4 251 65

HSL 134.82, 0.97%, 0.5%

LAB 86.7, -82.6, 70.39

 

CMYK 83 / 0 / 62 / 1

HEX #2CFC60

RGB 44 252 96

HSL 135, 0.97%, 0.58%

LAB 87.49, -77.84, 59.71

 

CMYK 66 / 0 / 50 / 1

HEX #55FC7F

RGB 85 252 127

HSL 135.09, 0.97%, 0.66%

LAB 88.49, -68.37, 47.25

 

CMYK 98 / 0 / 74 / 2

HEX #04F941

RGB 4 249 65

HSL 134.94, 0.97%, 0.5%

LAB 86.09, -82.05, 69.77

 

CMYK 98 / 43 / 0 / 2

HEX #0490FB

RGB 4 144 251

HSL 205.99, 0.97%, 0.5%

LAB 58.92, 7.53, -61.96

 

CMYK 0 / 98 / 82 / 2

HEX #FB042D

RGB 251 4 45

HSL 350.04, 0.97%, 0.5%

LAB 52.71, 79.45, 49.99

 

CMYK 98 / 0 / 74 / 2

HEX #04F941

RGB 4 249 65

HSL 134.94, 0.97%, 0.5%

LAB 86.09, -82.05, 69.77

 

CMYK 75 / 98 / 0 / 2

HEX #3E04FB

RGB 62 4 251

HSL 254.09, 0.97%, 0.5%

LAB 34.14, 78.48, -102.49

 

CMYK 0 / 75 / 98 / 2

HEX #FB3E04

RGB 251 62 4

HSL 14.09, 0.97%, 0.5%

LAB 56.05, 68.84, 66.99

 

CMYK 98 / 0 / 74 / 2

HEX #04F941

RGB 4 249 65

HSL 134.94, 0.97%, 0.5%

LAB 86.09, -82.05, 69.77

 

CMYK 98 / 43 / 0 / 2

HEX #0490FB

RGB 4 144 251

HSL 205.99, 0.97%, 0.5%

LAB 58.92, 7.53, -61.96

 

CMYK 0 / 98 / 23 / 2

HEX #FB04C1

RGB 251 4 193

HSL 314.09, 0.97%, 0.5%

LAB 56.53, 89.51, -31.84

 

CMYK 0 / 56 / 98 / 2

HEX #FB6F04

RGB 251 111 4

HSL 25.99, 0.97%, 0.5%

LAB 63.25, 49.52, 70.87

 

CMYK 98 / 0 / 74 / 2

HEX #04F941

RGB 4 249 65

HSL 134.94, 0.97%, 0.5%

LAB 86.09, -82.05, 69.77

 

CMYK 98 / 72 / 0 / 2

HEX #0446FB

RGB 4 70 251

HSL 223.97, 0.97%, 0.5%

LAB 40.2, 53.43, -92.47

 

CMYK 0 / 98 / 23 / 2

HEX #FB04C1

RGB 251 4 193

HSL 314.09, 0.97%, 0.5%

LAB 56.53, 89.51, -31.84

 

CMYK 0 / 26 / 98 / 2

HEX #FBB904

RGB 251 185 4

HSL 43.97, 0.97%, 0.5%

LAB 79.17, 11.83, 81.16

 

Description

Color code: HEX #04F941 | qconv.com Color code: HEX #04F941 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 249 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 249 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 74 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 74% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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