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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04F3C6 it is the complementary color #FB0C39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04F3C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04F3C6 shade: #09F3C1, #1AFFD4, #2BFFE7, #3CFFFA and #4DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04F3C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04F3C6 shade: #04F3C6, #00E1B3, #00CFA0, #00BD8D and #00AB7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04F3C6 shade: #04F1C4, #04F184, #04F144, #04F104 and #43F104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04F3C6 shade: #04F1C4, #04DEF1, #049EF1, #045EF1 and #041EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04F3C6 shade matches the following richer shades: #04F1C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04F3C6 shade: #04F1C4, #17DDB8, #2BCAAC, #3FB69F and #53A293

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04F3C6 shade: #04F143, #04F182, #04F1C2, #04E1F1 and #04A2F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04F3C6 shade: #02A082, #03C8A3, #04F1C4, #22FCD3 and #4BFCDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04F3C6 shade: #04F3C6, #0404F1 and #F16304

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04F3C6 shade: #04F3C6, #C204F1 and #F1C204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04F3C6 shade: #04F3C6, #0404F1, #F10433 and #F1F104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04F3C6 shade: #04F3C6, #4B04F1, #F10433 and #AAF104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 19 / 5

HEX #04F3C6

RGB 4 243 198

HSL 168.7, 0.97%, 0.48%

LAB 86.11, -58.4, 8.2

 

Complementary color

CMYK 0 / 95 / 77 / 2

HEX #FB0C39

RGB 251 12 57

HSL 348.7, 0.97%, 0.52%

LAB 53.02, 79.21, 43.78

 

CMYK 96 / 0 / 21 / 5

HEX #09F3C1

RGB 9 243 193

HSL 167.18, 0.93%, 0.49%

LAB 86.01, -59.5, 10.67

 

CMYK 90 / 0 / 17 / 0

HEX #1AFFD4

RGB 26 255 212

HSL 168.73, 1%, 0.55%

LAB 90.09, -58.91, 6.66

 

CMYK 83 / 0 / 9 / 0

HEX #2BFFE7

RGB 43 255 231

HSL 173.21, 1%, 0.58%

LAB 90.69, -53.09, -2.29

 

CMYK 76 / 0 / 2 / 0

HEX #3CFFFA

RGB 60 255 250

HSL 178.46, 1%, 0.62%

LAB 91.41, -46.61, -11.07

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 98 / 0 / 19 / 5

HEX #04F3C6

RGB 4 243 198

HSL 168.7, 0.97%, 0.48%

LAB 86.11, -58.4, 8.2

 

CMYK 100 / 0 / 20 / 12

HEX #00E1B3

RGB 0 225 179

HSL 167.73, 1%, 0.44%

LAB 80.24, -56.23, 9.78

 

CMYK 100 / 0 / 23 / 19

HEX #00CFA0

RGB 0 207 160

HSL 166.38, 1%, 0.41%

LAB 74.29, -53.92, 11.43

 

CMYK 100 / 0 / 25 / 26

HEX #00BD8D

RGB 0 189 141

HSL 164.76, 1%, 0.37%

LAB 68.25, -51.56, 13.15

 

CMYK 100 / 0 / 29 / 33

HEX #00AB7A

RGB 0 171 122

HSL 162.81, 1%, 0.34%

LAB 62.11, -49.15, 14.95

 

CMYK 98 / 0 / 19 / 5

HEX #04F1C4

RGB 4 241 196

HSL 168.61, 0.97%, 0.48%

LAB 85.46, -58.12, 8.32

 

CMYK 98 / 0 / 45 / 5

HEX #04F184

RGB 4 241 132

HSL 152.41, 0.97%, 0.48%

LAB 84.28, -71.58, 39.34

 

CMYK 98 / 0 / 72 / 5

HEX #04F144

RGB 4 241 68

HSL 136.2, 0.97%, 0.48%

LAB 83.63, -79.62, 66.27

 

CMYK 98 / 0 / 98 / 5

HEX #04F104

RGB 4 241 4

HSL 120, 0.97%, 0.48%

LAB 83.41, -82.39, 79.39

 

CMYK 72 / 0 / 98 / 5

HEX #43F104

RGB 67 241 4

HSL 104.05, 0.97%, 0.48%

LAB 84.02, -76.93, 80.14

 

CMYK 98 / 0 / 19 / 5

HEX #04F1C4

RGB 4 241 196

HSL 168.61, 0.97%, 0.48%

LAB 85.46, -58.12, 8.32

 

CMYK 98 / 8 / 0 / 5

HEX #04DEF1

RGB 4 222 241

HSL 184.81, 0.97%, 0.48%

LAB 81.08, -37.47, -21.91

 

CMYK 98 / 34 / 0 / 5

HEX #049EF1

RGB 4 158 241

HSL 201.01, 0.97%, 0.48%

LAB 62.36, -4.47, -50.96

 

CMYK 98 / 61 / 0 / 5

HEX #045EF1

RGB 4 94 241

HSL 217.22, 0.97%, 0.48%

LAB 44.78, 35.08, -79.33

 

CMYK 98 / 88 / 0 / 5

HEX #041EF1

RGB 4 30 241

HSL 233.42, 0.97%, 0.48%

LAB 32.49, 69.29, -99.65

 

CMYK 98 / 0 / 19 / 5

HEX #04F1C4

RGB 4 241 196

HSL 168.61, 0.97%, 0.48%

LAB 85.46, -58.12, 8.32

 

CMYK 98 / 0 / 19 / 5

HEX #04F1C4

RGB 4 241 196

HSL 168.61, 0.97%, 0.48%

LAB 85.46, -58.12, 8.32

 

CMYK 90 / 0 / 17 / 13

HEX #17DDB8

RGB 23 221 184

HSL 168.79, 0.81%, 0.48%

LAB 79.25, -52.63, 5.72

 

CMYK 79 / 0 / 15 / 21

HEX #2BCAAC

RGB 43 202 172

HSL 168.68, 0.65%, 0.48%

LAB 73.37, -46.45, 3.69

 

CMYK 65 / 0 / 13 / 29

HEX #3FB69F

RGB 63 182 159

HSL 168.4, 0.49%, 0.48%

LAB 67.29, -38.49, 2.02

 

CMYK 49 / 0 / 9 / 36

HEX #53A293

RGB 83 162 147

HSL 168.61, 0.32%, 0.48%

LAB 61.47, -28.07, 0.31

 

CMYK 98 / 0 / 72 / 5

HEX #04F143

RGB 4 241 67

HSL 135.95, 0.97%, 0.48%

LAB 83.62, -79.7, 66.61

 

CMYK 98 / 0 / 46 / 5

HEX #04F182

RGB 4 241 130

HSL 151.9, 0.97%, 0.48%

LAB 84.25, -71.92, 40.28

 

CMYK 98 / 0 / 20 / 5

HEX #04F1C2

RGB 4 241 194

HSL 168.1, 0.97%, 0.48%

LAB 85.42, -58.61, 9.3

 

CMYK 98 / 7 / 0 / 5

HEX #04E1F1

RGB 4 225 241

HSL 184.05, 0.97%, 0.48%

LAB 81.96, -38.85, -20.58

 

CMYK 98 / 33 / 0 / 5

HEX #04A2F1

RGB 4 162 241

HSL 200, 0.97%, 0.48%

LAB 63.52, -6.75, -49.13

 

CMYK 99 / 0 / 19 / 37

HEX #02A082

RGB 2 160 130

HSL 168.61, 0.98%, 0.32%

LAB 58.76, -42.6, 5.76

 

CMYK 99 / 0 / 19 / 22

HEX #03C8A3

RGB 3 200 163

HSL 168.73, 0.97%, 0.4%

LAB 72.21, -50.31, 6.85

 

CMYK 98 / 0 / 19 / 5

HEX #04F1C4

RGB 4 241 196

HSL 168.61, 0.97%, 0.48%

LAB 85.46, -58.12, 8.32

 

CMYK 87 / 0 / 16 / 1

HEX #22FCD3

RGB 34 252 211

HSL 168.72, 0.97%, 0.56%

LAB 89.24, -57.57, 5.96

 

CMYK 70 / 0 / 13 / 1

HEX #4BFCDB

RGB 75 252 219

HSL 168.81, 0.97%, 0.64%

LAB 89.97, -51.79, 2.93

 

CMYK 98 / 0 / 19 / 5

HEX #04F3C6

RGB 4 243 198

HSL 168.7, 0.97%, 0.48%

LAB 86.11, -58.4, 8.2

 

CMYK 98 / 98 / 0 / 5

HEX #0404F1

RGB 4 4 241

HSL 240, 0.97%, 0.48%

LAB 30.55, 75.25, -102.89

 

CMYK 0 / 59 / 98 / 5

HEX #F16304

RGB 241 99 4

HSL 24.05, 0.97%, 0.48%

LAB 59.56, 51.38, 67.91

 

CMYK 98 / 0 / 19 / 5

HEX #04F3C6

RGB 4 243 198

HSL 168.7, 0.97%, 0.48%

LAB 86.11, -58.4, 8.2

 

CMYK 20 / 98 / 0 / 5

HEX #C204F1

RGB 194 4 241

HSL 288.1, 0.97%, 0.48%

LAB 49.38, 87.06, -71.18

 

CMYK 0 / 20 / 98 / 5

HEX #F1C204

RGB 241 194 4

HSL 48.1, 0.97%, 0.48%

LAB 80.34, 2.86, 81.5

 

CMYK 98 / 0 / 19 / 5

HEX #04F3C6

RGB 4 243 198

HSL 168.7, 0.97%, 0.48%

LAB 86.11, -58.4, 8.2

 

CMYK 98 / 98 / 0 / 5

HEX #0404F1

RGB 4 4 241

HSL 240, 0.97%, 0.48%

LAB 30.55, 75.25, -102.89

 

CMYK 0 / 98 / 79 / 5

HEX #F10433

RGB 241 4 51

HSL 348.1, 0.97%, 0.48%

LAB 50.72, 77.23, 44.09

 

CMYK 0 / 0 / 98 / 5

HEX #F1F104

RGB 241 241 4

HSL 60, 0.97%, 0.48%

LAB 92.41, -20.62, 90.23

 

CMYK 98 / 0 / 19 / 5

HEX #04F3C6

RGB 4 243 198

HSL 168.7, 0.97%, 0.48%

LAB 86.11, -58.4, 8.2

 

CMYK 69 / 98 / 0 / 5

HEX #4B04F1

RGB 75 4 241

HSL 257.97, 0.97%, 0.48%

LAB 33.84, 76.59, -97.32

 

CMYK 0 / 98 / 79 / 5

HEX #F10433

RGB 241 4 51

HSL 348.1, 0.97%, 0.48%

LAB 50.72, 77.23, 44.09

 

CMYK 29 / 0 / 98 / 5

HEX #AAF104

RGB 170 241 4

HSL 77.97, 0.97%, 0.48%

LAB 87.71, -48.7, 84.61

 

Description

Color code: HEX #04F3C6 | qconv.com Color code: HEX #04F3C6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 243 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 243 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 19 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 19% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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