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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04EDF0 it is the complementary color #FB120F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04EDF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04EDF0 shade: #09EDEB, #1AFFFE, #2BFFFF, #3CFFFF and #4DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04EDF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04EDF0 shade: #04EDF0, #00DBDD, #00C9CA, #00B7B7 and #00A5A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04EDF0 shade: #03EEF1, #03AEF1, #036EF1, #032EF1 and #1903F1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04EDF0 shade: #03EEF1, #03AEF1, #036EF1, #032EF1 and #0303F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04EDF0 shade matches the following richer shades: #03EEF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04EDF0 shade: #03EEF1, #17DADD, #2BC7C9, #3FB4B5 and #52A0A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04EDF0 shade: #03F172, #03F1B1, #03F1F1, #03B1F1 and #0372F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04EDF0 shade: #029D9F, #03C5C8, #03EEF1, #22F8FB and #4BFAFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04EDF0 shade: #04EDF0, #3303F1 and #F19203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04EDF0 shade: #04EDF0, #F103F1 and #F1F103

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04EDF0 shade: #04EDF0, #3303F1, #F10303 and #C1F103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04EDF0 shade: #04EDF0, #7A03F1, #F10303 and #7AF103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 1 / 0 / 6

HEX #04EDF0

RGB 4 237 240

HSL 180.76, 0.97%, 0.48%

LAB 85.45, -44.53, -14.8

 

Complementary color

CMYK 0 / 93 / 94 / 2

HEX #FB120F

RGB 251 18 15

HSL 0.76, 0.97%, 0.52%

LAB 52.92, 77.88, 62.85

 

CMYK 96 / 0 / 1 / 7

HEX #09EDEB

RGB 9 237 235

HSL 179.47, 0.93%, 0.48%

LAB 85.31, -45.87, -12.37

 

CMYK 90 / 0 / 0 / 0

HEX #1AFFFE

RGB 26 255 254

HSL 179.74, 1%, 0.55%

LAB 91.19, -47.7, -13.5

 

CMYK 83 / 0 / 0 / 0

HEX #2BFFFF

RGB 43 255 255

HSL 180, 1%, 0.58%

LAB 91.35, -46.54, -13.77

 

CMYK 76 / 0 / 0 / 0

HEX #3CFFFF

RGB 60 255 255

HSL 180, 1%, 0.62%

LAB 91.55, -45.23, -13.44

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 98 / 1 / 0 / 6

HEX #04EDF0

RGB 4 237 240

HSL 180.76, 0.97%, 0.48%

LAB 85.45, -44.53, -14.8

 

CMYK 100 / 1 / 0 / 13

HEX #00DBDD

RGB 0 219 221

HSL 180.54, 1%, 0.43%

LAB 79.55, -42.27, -13.58

 

CMYK 100 / 0 / 0 / 21

HEX #00C9CA

RGB 0 201 202

HSL 180.3, 1%, 0.4%

LAB 73.57, -39.89, -12.31

 

CMYK 100 / 0 / 0 / 28

HEX #00B7B7

RGB 0 183 183

HSL 180, 1%, 0.36%

LAB 67.49, -37.48, -11.02

 

CMYK 100 / 0 / 1 / 35

HEX #00A5A4

RGB 0 165 164

HSL 179.64, 1%, 0.32%

LAB 61.3, -35.02, -9.69

 

CMYK 99 / 1 / 0 / 5

HEX #03EEF1

RGB 3 238 241

HSL 180.76, 0.98%, 0.48%

LAB 85.77, -44.69, -14.85

 

CMYK 99 / 28 / 0 / 5

HEX #03AEF1

RGB 3 174 241

HSL 196.89, 0.98%, 0.48%

LAB 67.01, -13.43, -43.64

 

CMYK 99 / 54 / 0 / 5

HEX #036EF1

RGB 3 110 241

HSL 213.03, 0.98%, 0.48%

LAB 48.91, 24.82, -72.58

 

CMYK 99 / 81 / 0 / 5

HEX #032EF1

RGB 3 46 241

HSL 229.16, 0.98%, 0.48%

LAB 34.65, 62.8, -96.06

 

CMYK 90 / 99 / 0 / 5

HEX #1903F1

RGB 25 3 241

HSL 245.55, 0.98%, 0.48%

LAB 30.93, 75.56, -102.25

 

CMYK 99 / 1 / 0 / 5

HEX #03EEF1

RGB 3 238 241

HSL 180.76, 0.98%, 0.48%

LAB 85.77, -44.69, -14.85

 

CMYK 99 / 28 / 0 / 5

HEX #03AEF1

RGB 3 174 241

HSL 196.89, 0.98%, 0.48%

LAB 67.01, -13.43, -43.64

 

CMYK 99 / 54 / 0 / 5

HEX #036EF1

RGB 3 110 241

HSL 213.03, 0.98%, 0.48%

LAB 48.91, 24.82, -72.58

 

CMYK 99 / 81 / 0 / 5

HEX #032EF1

RGB 3 46 241

HSL 229.16, 0.98%, 0.48%

LAB 34.65, 62.8, -96.06

 

CMYK 99 / 99 / 0 / 5

HEX #0303F1

RGB 3 3 241

HSL 240, 0.98%, 0.48%

LAB 30.49, 75.41, -103.01

 

CMYK 99 / 1 / 0 / 5

HEX #03EEF1

RGB 3 238 241

HSL 180.76, 0.98%, 0.48%

LAB 85.77, -44.69, -14.85

 

CMYK 99 / 1 / 0 / 5

HEX #03EEF1

RGB 3 238 241

HSL 180.76, 0.98%, 0.48%

LAB 85.77, -44.69, -14.85

 

CMYK 90 / 1 / 0 / 13

HEX #17DADD

RGB 23 218 221

HSL 180.91, 0.81%, 0.48%

LAB 79.35, -41.14, -13.86

 

CMYK 79 / 1 / 0 / 21

HEX #2BC7C9

RGB 43 199 201

HSL 180.76, 0.65%, 0.48%

LAB 73.27, -37.09, -12.19

 

CMYK 65 / 1 / 0 / 29

HEX #3FB4B5

RGB 63 180 181

HSL 180.51, 0.48%, 0.48%

LAB 67.3, -31.56, -10.11

 

CMYK 49 / 1 / 0 / 37

HEX #52A0A1

RGB 82 160 161

HSL 180.76, 0.33%, 0.48%

LAB 61.23, -23.65, -7.94

 

CMYK 99 / 0 / 53 / 5

HEX #03F172

RGB 3 241 114

HSL 147.98, 0.98%, 0.48%

LAB 84.04, -74.44, 47.64

 

CMYK 99 / 0 / 27 / 5

HEX #03F1B1

RGB 3 241 177

HSL 163.87, 0.98%, 0.48%

LAB 85.05, -62.66, 17.62

 

CMYK 99 / 0 / 0 / 5

HEX #03F1F1

RGB 3 241 241

HSL 180, 0.98%, 0.48%

LAB 86.64, -46, -13.53

 

CMYK 99 / 27 / 0 / 5

HEX #03B1F1

RGB 3 177 241

HSL 196.13, 0.98%, 0.48%

LAB 67.88, -15.05, -42.27

 

CMYK 99 / 53 / 0 / 5

HEX #0372F1

RGB 3 114 241

HSL 212.02, 0.98%, 0.48%

LAB 49.98, 22.27, -70.83

 

CMYK 99 / 1 / 0 / 38

HEX #029D9F

RGB 2 157 159

HSL 180.76, 0.98%, 0.32%

LAB 58.63, -32.75, -10.86

 

CMYK 99 / 1 / 0 / 22

HEX #03C5C8

RGB 3 197 200

HSL 180.91, 0.97%, 0.4%

LAB 72.31, -38.6, -13.12

 

CMYK 99 / 1 / 0 / 5

HEX #03EEF1

RGB 3 238 241

HSL 180.76, 0.98%, 0.48%

LAB 85.77, -44.69, -14.85

 

CMYK 86 / 1 / 0 / 2

HEX #22F8FB

RGB 34 248 251

HSL 180.83, 0.96%, 0.56%

LAB 89.13, -45.15, -15.02

 

CMYK 70 / 1 / 0 / 1

HEX #4BFAFC

RGB 75 250 252

HSL 180.68, 0.97%, 0.64%

LAB 90.27, -42.28, -13.77

 

CMYK 98 / 1 / 0 / 6

HEX #04EDF0

RGB 4 237 240

HSL 180.76, 0.97%, 0.48%

LAB 85.45, -44.53, -14.8

 

CMYK 79 / 99 / 0 / 5

HEX #3303F1

RGB 51 3 241

HSL 252.1, 0.98%, 0.48%

LAB 32.08, 75.99, -100.31

 

CMYK 0 / 39 / 99 / 5

HEX #F19203

RGB 241 146 3

HSL 36.05, 0.98%, 0.48%

LAB 68.94, 28.05, 73.84

 

CMYK 98 / 1 / 0 / 6

HEX #04EDF0

RGB 4 237 240

HSL 180.76, 0.97%, 0.48%

LAB 85.45, -44.53, -14.8

 

CMYK 0 / 99 / 0 / 5

HEX #F103F1

RGB 241 3 241

HSL 300, 0.98%, 0.48%

LAB 57.19, 93.95, -58.2

 

CMYK 0 / 0 / 99 / 5

HEX #F1F103

RGB 241 241 3

HSL 60, 0.98%, 0.48%

LAB 92.41, -20.63, 90.31

 

CMYK 98 / 1 / 0 / 6

HEX #04EDF0

RGB 4 237 240

HSL 180.76, 0.97%, 0.48%

LAB 85.45, -44.53, -14.8

 

CMYK 79 / 99 / 0 / 5

HEX #3303F1

RGB 51 3 241

HSL 252.1, 0.98%, 0.48%

LAB 32.08, 75.99, -100.31

 

CMYK 0 / 99 / 99 / 5

HEX #F10303

RGB 241 3 3

HSL 0, 0.98%, 0.48%

LAB 50.42, 76.55, 63.61

 

CMYK 20 / 0 / 99 / 5

HEX #C1F103

RGB 193 241 3

HSL 72.1, 0.98%, 0.48%

LAB 89.04, -40.03, 86.29

 

CMYK 98 / 1 / 0 / 6

HEX #04EDF0

RGB 4 237 240

HSL 180.76, 0.97%, 0.48%

LAB 85.45, -44.53, -14.8

 

CMYK 49 / 99 / 0 / 5

HEX #7A03F1

RGB 122 3 241

HSL 270, 0.98%, 0.48%

LAB 38.82, 79.46, -88.91

 

CMYK 0 / 99 / 99 / 5

HEX #F10303

RGB 241 3 3

HSL 0, 0.98%, 0.48%

LAB 50.42, 76.55, 63.61

 

CMYK 49 / 0 / 99 / 5

HEX #7AF103

RGB 122 241 3

HSL 90, 0.98%, 0.48%

LAB 85.53, -64.52, 82.06

 

Description

Color code: HEX #04EDF0 | qconv.com Color code: HEX #04EDF0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 237 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 237 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 1 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 1% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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