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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04DF4B it is the complementary color #FB20B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04DF4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04DF4B shade: #09DF46, #1AF159, #2BFF6C, #3CFF7F and #4DFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04DF4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04DF4B shade: #04DF4B, #00CD38, #00BB25, #00A912 and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04DF4B shade: #05E14C, #05E111, #34E105, #6FE105 and #ABE105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04DF4B shade: #05E14C, #05E187, #05E1C3, #05C4E1 and #0588E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04DF4B shade matches the following richer shades: #05E14C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04DF4B shade: #05E14C, #17CE53, #2ABC59, #3CA960 and #4F9766

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04DF4B shade: #34E105, #05E110, #05E14A, #05E185 and #05E1C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04DF4B shade: #039031, #04B83E, #05E14C, #15FA5F and #3DFB7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04DF4B shade: #04DF4B, #056FE1 and #E10517

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04DF4B shade: #04DF4B, #4A05E1 and #E14A05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04DF4B shade: #04DF4B, #056FE1, #E1059B and #E17605

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04DF4B shade: #04DF4B, #052DE1, #E1059B and #E1B905

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 66 / 13

HEX #04DF4B

RGB 4 223 75

HSL 139.45, 0.96%, 0.45%

LAB 78.06, -73.89, 57.77

 

Complementary color

CMYK 0 / 87 / 28 / 2

HEX #FB20B4

RGB 251 32 180

HSL 319.45, 0.96%, 0.55%

LAB 56.92, 85.36, -23.71

 

CMYK 96 / 0 / 69 / 13

HEX #09DF46

RGB 9 223 70

HSL 137.1, 0.92%, 0.45%

LAB 78.04, -74.21, 59.71

 

CMYK 89 / 0 / 63 / 5

HEX #1AF159

RGB 26 241 89

HSL 137.58, 0.88%, 0.52%

LAB 83.89, -76.72, 58.53

 

CMYK 83 / 0 / 58 / 0

HEX #2BFF6C

RGB 43 255 108

HSL 138.4, 1%, 0.58%

LAB 88.5, -77.43, 55.75

 

CMYK 76 / 0 / 50 / 0

HEX #3CFF7F

RGB 60 255 127

HSL 140.62, 1%, 0.62%

LAB 88.93, -73.1, 47.69

 

CMYK 70 / 0 / 43 / 0

HEX #4DFF92

RGB 77 255 146

HSL 143.26, 1%, 0.65%

LAB 89.47, -67.81, 39.35

 

CMYK 98 / 0 / 66 / 13

HEX #04DF4B

RGB 4 223 75

HSL 139.45, 0.96%, 0.45%

LAB 78.06, -73.89, 57.77

 

CMYK 100 / 0 / 73 / 20

HEX #00CD38

RGB 0 205 56

HSL 136.39, 1%, 0.4%

LAB 72.19, -70.64, 58.81

 

CMYK 100 / 0 / 80 / 27

HEX #00BB25

RGB 0 187 37

HSL 131.87, 1%, 0.37%

LAB 66.27, -66.93, 59.2

 

CMYK 100 / 0 / 89 / 34

HEX #00A912

RGB 0 169 18

HSL 126.39, 1%, 0.33%

LAB 60.27, -62.82, 58.45

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 98 / 0 / 66 / 12

HEX #05E14C

RGB 5 225 76

HSL 139.36, 0.96%, 0.45%

LAB 78.7, -74.33, 58.07

 

CMYK 98 / 0 / 92 / 12

HEX #05E111

RGB 5 225 17

HSL 123.27, 0.96%, 0.45%

LAB 78.42, -77.92, 74.05

 

CMYK 77 / 0 / 98 / 12

HEX #34E105

RGB 52 225 5

HSL 107.18, 0.96%, 0.45%

LAB 78.81, -74.5, 75.74

 

CMYK 51 / 0 / 98 / 12

HEX #6FE105

RGB 111 225 5

HSL 91.09, 0.96%, 0.45%

LAB 80.31, -61.93, 77.59

 

CMYK 24 / 0 / 98 / 12

HEX #ABE105

RGB 171 225 5

HSL 74.73, 0.96%, 0.45%

LAB 83.19, -41.49, 81.07

 

CMYK 98 / 0 / 66 / 12

HEX #05E14C

RGB 5 225 76

HSL 139.36, 0.96%, 0.45%

LAB 78.7, -74.33, 58.07

 

CMYK 98 / 0 / 40 / 12

HEX #05E187

RGB 5 225 135

HSL 155.45, 0.96%, 0.45%

LAB 79.4, -65.72, 31.51

 

CMYK 98 / 0 / 13 / 12

HEX #05E1C3

RGB 5 225 195

HSL 171.82, 0.96%, 0.45%

LAB 80.64, -52, 1.88

 

CMYK 98 / 13 / 0 / 12

HEX #05C4E1

RGB 5 196 225

HSL 187.91, 0.96%, 0.45%

LAB 72.86, -30.2, -25.87

 

CMYK 98 / 40 / 0 / 12

HEX #0588E1

RGB 5 136 225

HSL 204.27, 0.96%, 0.45%

LAB 55.15, 2.42, -53.57

 

CMYK 98 / 0 / 66 / 12

HEX #05E14C

RGB 5 225 76

HSL 139.36, 0.96%, 0.45%

LAB 78.7, -74.33, 58.07

 

CMYK 98 / 0 / 66 / 12

HEX #05E14C

RGB 5 225 76

HSL 139.36, 0.96%, 0.45%

LAB 78.7, -74.33, 58.07

 

CMYK 89 / 0 / 60 / 19

HEX #17CE53

RGB 23 206 83

HSL 139.67, 0.8%, 0.45%

LAB 72.86, -67.04, 48.56

 

CMYK 78 / 0 / 53 / 26

HEX #2ABC59

RGB 42 188 89

HSL 139.32, 0.63%, 0.45%

LAB 67.41, -58.51, 39.31

 

CMYK 64 / 0 / 43 / 34

HEX #3CA960

RGB 60 169 96

HSL 139.82, 0.48%, 0.45%

LAB 61.81, -47.39, 28.76

 

CMYK 48 / 0 / 32 / 41

HEX #4F9766

RGB 79 151 102

HSL 139.17, 0.31%, 0.45%

LAB 56.84, -33.96, 19.02

 

CMYK 77 / 0 / 98 / 12

HEX #34E105

RGB 52 225 5

HSL 107.18, 0.96%, 0.45%

LAB 78.81, -74.5, 75.74

 

CMYK 98 / 0 / 93 / 12

HEX #05E110

RGB 5 225 16

HSL 123, 0.96%, 0.45%

LAB 78.42, -77.95, 74.17

 

CMYK 98 / 0 / 67 / 12

HEX #05E14A

RGB 5 225 74

HSL 138.82, 0.96%, 0.45%

LAB 78.68, -74.53, 58.84

 

CMYK 98 / 0 / 41 / 12

HEX #05E185

RGB 5 225 133

HSL 154.91, 0.96%, 0.45%

LAB 79.37, -66.09, 32.48

 

CMYK 98 / 0 / 15 / 12

HEX #05E1C0

RGB 5 225 192

HSL 171, 0.96%, 0.45%

LAB 80.57, -52.79, 3.37

 

CMYK 98 / 0 / 66 / 44

HEX #039031

RGB 3 144 49

HSL 139.57, 0.96%, 0.29%

LAB 52.05, -52.9, 40.19

 

CMYK 98 / 0 / 66 / 28

HEX #04B83E

RGB 4 184 62

HSL 139.33, 0.96%, 0.37%

LAB 65.48, -63.75, 49.37

 

CMYK 98 / 0 / 66 / 12

HEX #05E14C

RGB 5 225 76

HSL 139.36, 0.96%, 0.45%

LAB 78.7, -74.33, 58.07

 

CMYK 92 / 0 / 62 / 2

HEX #15FA5F

RGB 21 250 95

HSL 139.39, 0.96%, 0.53%

LAB 86.68, -78.96, 59.17

 

CMYK 76 / 0 / 51 / 2

HEX #3DFB7B

RGB 61 251 123

HSL 139.58, 0.96%, 0.61%

LAB 87.69, -72.24, 48.03

 

CMYK 98 / 0 / 66 / 13

HEX #04DF4B

RGB 4 223 75

HSL 139.45, 0.96%, 0.45%

LAB 78.06, -73.89, 57.77

 

CMYK 98 / 51 / 0 / 12

HEX #056FE1

RGB 5 111 225

HSL 211.09, 0.96%, 0.45%

LAB 48.05, 17.98, -64.98

 

CMYK 0 / 98 / 90 / 12

HEX #E10517

RGB 225 5 23

HSL 355.09, 0.96%, 0.45%

LAB 47.21, 72.69, 53.81

 

CMYK 98 / 0 / 66 / 13

HEX #04DF4B

RGB 4 223 75

HSL 139.45, 0.96%, 0.45%

LAB 78.06, -73.89, 57.77

 

CMYK 67 / 98 / 0 / 12

HEX #4A05E1

RGB 74 5 225

HSL 258.82, 0.96%, 0.45%

LAB 31.81, 72.68, -91.59

 

CMYK 0 / 67 / 98 / 12

HEX #E14A05

RGB 225 74 5

HSL 18.82, 0.96%, 0.45%

LAB 52.86, 56.48, 62.54

 

CMYK 98 / 0 / 66 / 13

HEX #04DF4B

RGB 4 223 75

HSL 139.45, 0.96%, 0.45%

LAB 78.06, -73.89, 57.77

 

CMYK 98 / 51 / 0 / 12

HEX #056FE1

RGB 5 111 225

HSL 211.09, 0.96%, 0.45%

LAB 48.05, 17.98, -64.98

 

CMYK 0 / 98 / 31 / 12

HEX #E1059B

RGB 225 5 155

HSL 319.09, 0.96%, 0.45%

LAB 50.08, 80.34, -19.91

 

CMYK 0 / 48 / 98 / 12

HEX #E17605

RGB 225 118 5

HSL 30.82, 0.96%, 0.45%

LAB 60.76, 36.04, 67.23

 

CMYK 98 / 0 / 66 / 13

HEX #04DF4B

RGB 4 223 75

HSL 139.45, 0.96%, 0.45%

LAB 78.06, -73.89, 57.77

 

CMYK 98 / 80 / 0 / 12

HEX #052DE1

RGB 5 45 225

HSL 229.09, 0.96%, 0.45%

LAB 32.58, 58.33, -90.39

 

CMYK 0 / 98 / 31 / 12

HEX #E1059B

RGB 225 5 155

HSL 319.09, 0.96%, 0.45%

LAB 50.08, 80.34, -19.91

 

CMYK 0 / 18 / 98 / 12

HEX #E1B905

RGB 225 185 5

HSL 49.09, 0.96%, 0.45%

LAB 76.51, 0.61, 77.95

 

Description

Color code: HEX #04DF4B | qconv.com Color code: HEX #04DF4B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 223 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 223 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 66 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 66% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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