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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04DF13 it is the complementary color #FB20EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04DF13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04DF13 shade: #09DF0E, #1AF121, #2BFF34, #3CFF47 and #4DFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04DF13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04DF13 shade: #04DF13, #00CD00, #00BB00, #00A900 and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04DF13 shade: #05E114, #31E105, #6CE105, #A8E105 and #E1DF05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04DF13 shade: #05E114, #05E14F, #05E18B, #05E1C6 and #05C0E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04DF13 shade matches the following richer shades: #05E114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04DF13 shade: #05E114, #17CE24, #2ABC34, #3CA944 and #4F9754

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04DF13 shade: #6BE105, #31E105, #05E113, #05E14E and #05E189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04DF13 shade: #03900D, #04B810, #05E114, #15FA24 and #3DFB4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04DF13 shade: #04DF13, #05A6E1 and #E1054E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04DF13 shade: #04DF13, #1305E1 and #E11305

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04DF13 shade: #04DF13, #05A6E1, #E105D2 and #E13F05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04DF13 shade: #04DF13, #0564E1, #E105D2 and #E18105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 91 / 13

HEX #04DF13

RGB 4 223 19

HSL 124.11, 0.96%, 0.45%

LAB 77.79, -77.38, 73.25

 

Complementary color

CMYK 0 / 87 / 6 / 2

HEX #FB20EC

RGB 251 32 236

HSL 304.11, 0.96%, 0.55%

LAB 59.52, 92.23, -51.57

 

CMYK 96 / 0 / 94 / 13

HEX #09DF0E

RGB 9 223 14

HSL 121.4, 0.92%, 0.45%

LAB 77.8, -77.32, 73.9

 

CMYK 89 / 0 / 86 / 5

HEX #1AF121

RGB 26 241 33

HSL 121.95, 0.88%, 0.52%

LAB 83.57, -80.78, 75.91

 

CMYK 83 / 0 / 80 / 0

HEX #2BFF34

RGB 43 255 52

HSL 122.55, 1%, 0.58%

LAB 88.1, -82.41, 75.67

 

CMYK 76 / 0 / 72 / 0

HEX #3CFF47

RGB 60 255 71

HSL 123.38, 1%, 0.62%

LAB 88.42, -79.29, 70.27

 

CMYK 70 / 0 / 65 / 0

HEX #4DFF5A

RGB 77 255 90

HSL 124.38, 1%, 0.65%

LAB 88.84, -75.16, 63.8

 

CMYK 98 / 0 / 91 / 13

HEX #04DF13

RGB 4 223 19

HSL 124.11, 0.96%, 0.45%

LAB 77.79, -77.38, 73.25

 

CMYK 100 / 0 / 100 / 20

HEX #00CD00

RGB 0 205 0

HSL 120, 1%, 0.4%

LAB 72, -73.11, 70.56

 

CMYK 100 / 0 / 100 / 27

HEX #00BB00

RGB 0 187 0

HSL 120, 1%, 0.37%

LAB 66.17, -68.26, 65.89

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 98 / 0 / 91 / 12

HEX #05E114

RGB 5 225 20

HSL 124.09, 0.96%, 0.45%

LAB 78.42, -77.85, 73.65

 

CMYK 78 / 0 / 98 / 12

HEX #31E105

RGB 49 225 5

HSL 108, 0.96%, 0.45%

LAB 78.76, -74.89, 75.69

 

CMYK 52 / 0 / 98 / 12

HEX #6CE105

RGB 108 225 5

HSL 91.91, 0.96%, 0.45%

LAB 80.21, -62.78, 77.45

 

CMYK 25 / 0 / 98 / 12

HEX #A8E105

RGB 168 225 5

HSL 75.55, 0.96%, 0.45%

LAB 83.01, -42.64, 80.85

 

CMYK 0 / 1 / 98 / 12

HEX #E1DF05

RGB 225 223 5

HSL 59.45, 0.96%, 0.45%

LAB 86.4, -18.59, 85.15

 

CMYK 98 / 0 / 91 / 12

HEX #05E114

RGB 5 225 20

HSL 124.09, 0.96%, 0.45%

LAB 78.42, -77.85, 73.65

 

CMYK 98 / 0 / 65 / 12

HEX #05E14F

RGB 5 225 79

HSL 140.18, 0.96%, 0.45%

LAB 78.72, -74.02, 56.88

 

CMYK 98 / 0 / 38 / 12

HEX #05E18B

RGB 5 225 139

HSL 156.55, 0.96%, 0.45%

LAB 79.47, -64.95, 29.56

 

CMYK 98 / 0 / 12 / 12

HEX #05E1C6

RGB 5 225 198

HSL 172.64, 0.96%, 0.45%

LAB 80.72, -51.21, 0.4

 

CMYK 98 / 15 / 0 / 12

HEX #05C0E1

RGB 5 192 225

HSL 189, 0.96%, 0.45%

LAB 71.67, -28.23, -27.69

 

CMYK 98 / 0 / 91 / 12

HEX #05E114

RGB 5 225 20

HSL 124.09, 0.96%, 0.45%

LAB 78.42, -77.85, 73.65

 

CMYK 98 / 0 / 91 / 12

HEX #05E114

RGB 5 225 20

HSL 124.09, 0.96%, 0.45%

LAB 78.42, -77.85, 73.65

 

CMYK 89 / 0 / 83 / 19

HEX #17CE24

RGB 23 206 36

HSL 124.26, 0.8%, 0.45%

LAB 72.53, -71.18, 65.35

 

CMYK 78 / 0 / 72 / 26

HEX #2ABC34

RGB 42 188 52

HSL 124.11, 0.63%, 0.45%

LAB 67.06, -62.81, 55.11

 

CMYK 64 / 0 / 60 / 34

HEX #3CA944

RGB 60 169 68

HSL 124.4, 0.48%, 0.45%

LAB 61.44, -51.56, 42.36

 

CMYK 48 / 0 / 44 / 41

HEX #4F9754

RGB 79 151 84

HSL 124.17, 0.31%, 0.45%

LAB 56.52, -37.14, 28.44

 

CMYK 52 / 0 / 98 / 12

HEX #6BE105

RGB 107 225 5

HSL 92.18, 0.96%, 0.45%

LAB 80.17, -63.06, 77.41

 

CMYK 78 / 0 / 98 / 12

HEX #31E105

RGB 49 225 5

HSL 108, 0.96%, 0.45%

LAB 78.76, -74.89, 75.69

 

CMYK 98 / 0 / 92 / 12

HEX #05E113

RGB 5 225 19

HSL 123.82, 0.96%, 0.45%

LAB 78.42, -77.88, 73.79

 

CMYK 98 / 0 / 65 / 12

HEX #05E14E

RGB 5 225 78

HSL 139.91, 0.96%, 0.45%

LAB 78.71, -74.12, 57.28

 

CMYK 98 / 0 / 39 / 12

HEX #05E189

RGB 5 225 137

HSL 156, 0.96%, 0.45%

LAB 79.44, -65.34, 30.54

 

CMYK 98 / 0 / 91 / 44

HEX #03900D

RGB 3 144 13

HSL 124.26, 0.96%, 0.29%

LAB 51.83, -55.68, 52.12

 

CMYK 98 / 0 / 91 / 28

HEX #04B810

RGB 4 184 16

HSL 124, 0.96%, 0.37%

LAB 65.23, -66.88, 63.08

 

CMYK 98 / 0 / 91 / 12

HEX #05E114

RGB 5 225 20

HSL 124.09, 0.96%, 0.45%

LAB 78.42, -77.85, 73.65

 

CMYK 92 / 0 / 86 / 2

HEX #15FA24

RGB 21 250 36

HSL 123.93, 0.96%, 0.53%

LAB 86.33, -83.35, 77.74

 

CMYK 76 / 0 / 71 / 2

HEX #3DFB4A

RGB 61 251 74

HSL 124.11, 0.96%, 0.61%

LAB 87.23, -77.73, 68.02

 

CMYK 98 / 0 / 91 / 13

HEX #04DF13

RGB 4 223 19

HSL 124.11, 0.96%, 0.45%

LAB 77.79, -77.38, 73.25

 

CMYK 98 / 26 / 0 / 12

HEX #05A6E1

RGB 5 166 225

HSL 196.09, 0.96%, 0.45%

LAB 63.95, -14.76, -39.66

 

CMYK 0 / 98 / 65 / 12

HEX #E1054E

RGB 225 5 78

HSL 340.09, 0.96%, 0.45%

LAB 47.84, 74.41, 23.88

 

CMYK 98 / 0 / 91 / 13

HEX #04DF13

RGB 4 223 19

HSL 124.11, 0.96%, 0.45%

LAB 77.79, -77.38, 73.25

 

CMYK 92 / 98 / 0 / 12

HEX #1305E1

RGB 19 5 225

HSL 243.82, 0.96%, 0.45%

LAB 28.6, 71.28, -97.02

 

CMYK 0 / 92 / 98 / 12

HEX #E11305

RGB 225 19 5

HSL 3.82, 0.96%, 0.45%

LAB 47.6, 71.17, 59.92

 

CMYK 98 / 0 / 91 / 13

HEX #04DF13

RGB 4 223 19

HSL 124.11, 0.96%, 0.45%

LAB 77.79, -77.38, 73.25

 

CMYK 98 / 26 / 0 / 12

HEX #05A6E1

RGB 5 166 225

HSL 196.09, 0.96%, 0.45%

LAB 63.95, -14.76, -39.66

 

CMYK 0 / 98 / 7 / 12

HEX #E105D2

RGB 225 5 210

HSL 304.09, 0.96%, 0.45%

LAB 52.7, 86.95, -47.98

 

CMYK 0 / 72 / 98 / 12

HEX #E13F05

RGB 225 63 5

HSL 15.82, 0.96%, 0.45%

LAB 51.35, 60.6, 61.73

 

CMYK 98 / 0 / 91 / 13

HEX #04DF13

RGB 4 223 19

HSL 124.11, 0.96%, 0.45%

LAB 77.79, -77.38, 73.25

 

CMYK 98 / 56 / 0 / 12

HEX #0564E1

RGB 5 100 225

HSL 214.09, 0.96%, 0.45%

LAB 45.06, 25.07, -69.85

 

CMYK 0 / 98 / 7 / 12

HEX #E105D2

RGB 225 5 210

HSL 304.09, 0.96%, 0.45%

LAB 52.7, 86.95, -47.98

 

CMYK 0 / 43 / 98 / 12

HEX #E18105

RGB 225 129 5

HSL 33.82, 0.96%, 0.45%

LAB 63.11, 30.33, 68.74

 

Description

Color code: HEX #04DF13 | qconv.com Color code: HEX #04DF13 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 223 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 223 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 91 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 91% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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