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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04D927 it is the complementary color #FB26D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04D927. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #04D927: #09D922, #1AEB35, #2BFD48, #3CFF5B and #4DFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04D927. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #04D927: #04D927, #00C714, #00B501, #00A300 and #009100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 82 / 15

HEX #04D927

RGB 4 217 39

HSL 129.86, 0.96%, 0.43%

LAB 75.95, -74.98, 67.69

 

Complementary color

CMYK 0 / 85 / 14 / 2

HEX #FB26D8

RGB 251 38 216

HSL 309.86, 0.96%, 0.57%

LAB 58.84, 88.63, -41.39

 

CMYK 96 / 0 / 84 / 15

HEX #09D922

RGB 9 217 34

HSL 127.21, 0.92%, 0.44%

LAB 75.95, -75.05, 68.91

 

CMYK 89 / 0 / 77 / 8

HEX #1AEB35

RGB 26 235 53

HSL 127.75, 0.84%, 0.51%

LAB 81.78, -78.12, 69.34

 

CMYK 83 / 0 / 72 / 1

HEX #2BFD48

RGB 43 253 72

HSL 128.29, 0.98%, 0.58%

LAB 87.6, -80.5, 69.02

 

CMYK 76 / 0 / 64 / 0

HEX #3CFF5B

RGB 60 255 91

HSL 129.54, 1%, 0.62%

LAB 88.56, -77.53, 63

 

CMYK 70 / 0 / 57 / 0

HEX #4DFF6E

RGB 77 255 110

HSL 131.12, 1%, 0.65%

LAB 89.03, -72.98, 55.61

 

CMYK 98 / 0 / 82 / 15

HEX #04D927

RGB 4 217 39

HSL 129.86, 0.96%, 0.43%

LAB 75.95, -74.98, 67.69

 

CMYK 100 / 0 / 90 / 22

HEX #00C714

RGB 0 199 20

HSL 126.03, 1%, 0.39%

LAB 70.1, -71.04, 66.57

 

CMYK 100 / 0 / 99 / 29

HEX #00B501

RGB 0 181 1

HSL 120.33, 1%, 0.35%

LAB 64.2, -66.61, 64.18

 

CMYK 100 / 0 / 100 / 36

HEX #00A300

RGB 0 163 0

HSL 120, 1%, 0.32%

LAB 58.22, -61.66, 59.51

 

CMYK 100 / 0 / 100 / 43

HEX #009100

RGB 0 145 0

HSL 120, 1%, 0.28%

LAB 52.12, -56.59, 54.62

 

CMYK 98 / 0 / 82 / 15

HEX #04D927

RGB 4 217 39

HSL 129.86, 0.96%, 0.43%

LAB 75.95, -74.98, 67.69

 

CMYK 98 / 0 / 67 / 16

HEX #04D647

RGB 4 214 71

HSL 139.14, 0.96%, 0.43%

LAB 75.19, -71.69, 56.25

 

CMYK 98 / 0 / 50 / 16

HEX #04D66A

RGB 4 214 106

HSL 149.14, 0.96%, 0.43%

LAB 75.55, -67.16, 40.99

 

CMYK 98 / 0 / 34 / 16

HEX #04D68D

RGB 4 214 141

HSL 159.14, 0.96%, 0.43%

LAB 76.1, -60.72, 23.99

 

CMYK 98 / 0 / 18 / 16

HEX #04D6B0

RGB 4 214 176

HSL 169.14, 0.96%, 0.43%

LAB 76.83, -52.55, 6.5

 

CMYK 98 / 0 / 82 / 15

HEX #04D927

RGB 4 217 39

HSL 129.86, 0.96%, 0.43%

LAB 75.95, -74.98, 67.69

 

CMYK 100 / 0 / 85 / 95

HEX #000D02

RGB 0 13 2

HSL 129.23, 1%, 0.03%

LAB 2.64, -5.03, 3.04

 

CMYK 98 / 0 / 81 / 75

HEX #01400C

RGB 1 64 12

HSL 130.48, 0.97%, 0.13%

LAB 22.65, -30.62, 25.31

 

CMYK 98 / 0 / 82 / 55

HEX #027315

RGB 2 115 21

HSL 130.09, 0.97%, 0.23%

LAB 41.73, -46.6, 40.81

 

CMYK 98 / 0 / 82 / 35

HEX #03A61E

RGB 3 166 30

HSL 129.94, 0.96%, 0.33%

LAB 59.33, -61.22, 54.71

 

CMYK 98 / 0 / 82 / 15

HEX #04D927

RGB 4 217 39

HSL 129.86, 0.96%, 0.43%

LAB 75.95, -74.98, 67.69

 

CMYK 98 / 34 / 0 / 16

HEX #048DD6

RGB 4 141 214

HSL 200.86, 0.96%, 0.43%

LAB 56.02, -4.77, -46.02

 

CMYK 0 / 98 / 73 / 16

HEX #D60439

RGB 214 4 57

HSL 344.86, 0.96%, 0.43%

LAB 45.19, 70.96, 32.93

 

CMYK 98 / 0 / 82 / 15

HEX #04D927

RGB 4 217 39

HSL 129.86, 0.96%, 0.43%

LAB 75.95, -74.98, 67.69

 

CMYK 84 / 98 / 0 / 16

HEX #2304D6

RGB 35 4 214

HSL 248.86, 0.96%, 0.43%

LAB 27.57, 68.98, -92.38

 

CMYK 0 / 84 / 98 / 16

HEX #D62304

RGB 214 35 4

HSL 8.86, 0.96%, 0.43%

LAB 46.32, 65.47, 58.32

 

CMYK 98 / 0 / 82 / 15

HEX #04D927

RGB 4 217 39

HSL 129.86, 0.96%, 0.43%

LAB 75.95, -74.98, 67.69

 

CMYK 98 / 34 / 0 / 16

HEX #048DD6

RGB 4 141 214

HSL 200.86, 0.96%, 0.43%

LAB 56.02, -4.77, -46.02

 

CMYK 0 / 98 / 14 / 16

HEX #D604B7

RGB 214 4 183

HSL 308.86, 0.96%, 0.43%

LAB 49.25, 81.57, -37.91

 

CMYK 0 / 64 / 98 / 16

HEX #D64E04

RGB 214 78 4

HSL 21.14, 0.96%, 0.43%

LAB 51.56, 51.03, 61.02

 

CMYK 98 / 0 / 82 / 15

HEX #04D927

RGB 4 217 39

HSL 129.86, 0.96%, 0.43%

LAB 75.95, -74.98, 67.69

 

CMYK 98 / 64 / 0 / 16

HEX #044ED6

RGB 4 78 214

HSL 218.86, 0.96%, 0.43%

LAB 38.43, 35.07, -74.41

 

CMYK 0 / 98 / 14 / 16

HEX #D604B7

RGB 214 4 183

HSL 308.86, 0.96%, 0.43%

LAB 49.25, 81.57, -37.91

 

CMYK 0 / 34 / 98 / 16

HEX #D68D04

RGB 214 141 4

HSL 39.14, 0.96%, 0.43%

LAB 64.45, 19.24, 69.1

 

Description

Color code: HEX #04D927 | qconv.com Color code: HEX #04D927 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 217 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 217 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 82 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 82% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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