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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04D878 it is the complementary color #FB2787. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04D878. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04D878 shade: #09D873, #1AEA86, #2BFC99, #3CFFAC and #4DFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04D878. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04D878 shade: #04D878, #00C665, #00B452, #00A23F and #00902C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04D878 shade: #04D778, #04D73F, #04D706, #3CD704 and #74D704

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04D878 shade: #04D778, #04D7B0, #04C5D7, #048CD7 and #0453D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04D878 shade matches the following richer shades: #04D778

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04D878 shade: #04D778, #16C576, #28B374, #3AA273 and #4B9071

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04D878 shade: #04D704, #04D73D, #04D775, #04D7AD and #04C9D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04D878 shade: #03864B, #04AE61, #04D778, #0BFA8E and #33FBA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04D878 shade: #04D878, #043DD7 and #D72004

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04D878 shade: #04D878, #7504D7 and #D77504

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04D878 shade: #04D878, #043DD7, #D70467 and #D79F04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04D878 shade: #04D878, #0B04D7, #D70467 and #D0D704

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 44 / 15

HEX #04D878

RGB 4 216 120

HSL 152.83, 0.96%, 0.43%

LAB 76.37, -65.47, 35.12

 

Complementary color

CMYK 0 / 84 / 46 / 2

HEX #FB2787

RGB 251 39 135

HSL 332.83, 0.96%, 0.57%

LAB 55.8, 79.89, 1.1

 

CMYK 96 / 0 / 47 / 15

HEX #09D873

RGB 9 216 115

HSL 150.72, 0.92%, 0.44%

LAB 76.32, -66.17, 37.55

 

CMYK 89 / 0 / 43 / 8

HEX #1AEA86

RGB 26 234 134

HSL 151.15, 0.83%, 0.51%

LAB 82.26, -68.09, 35.78

 

CMYK 83 / 0 / 39 / 1

HEX #2BFC99

RGB 43 252 153

HSL 151.58, 0.97%, 0.58%

LAB 88.18, -69.55, 34.11

 

CMYK 76 / 0 / 33 / 0

HEX #3CFFAC

RGB 60 255 172

HSL 154.46, 1%, 0.62%

LAB 89.61, -65.31, 26.54

 

CMYK 70 / 0 / 25 / 0

HEX #4DFFBF

RGB 77 255 191

HSL 158.43, 1%, 0.65%

LAB 90.26, -59.21, 17.8

 

CMYK 98 / 0 / 44 / 15

HEX #04D878

RGB 4 216 120

HSL 152.83, 0.96%, 0.43%

LAB 76.37, -65.47, 35.12

 

CMYK 100 / 0 / 49 / 22

HEX #00C665

RGB 0 198 101

HSL 150.61, 1%, 0.39%

LAB 70.4, -62.93, 37.01

 

CMYK 100 / 0 / 54 / 29

HEX #00B452

RGB 0 180 82

HSL 147.33, 1%, 0.35%

LAB 64.36, -60.1, 38.93

 

CMYK 100 / 0 / 61 / 36

HEX #00A23F

RGB 0 162 63

HSL 143.33, 1%, 0.32%

LAB 58.23, -57.03, 40.75

 

CMYK 100 / 0 / 69 / 44

HEX #00902C

RGB 0 144 44

HSL 138.33, 1%, 0.28%

LAB 51.98, -53.66, 42.31

 

CMYK 98 / 0 / 44 / 16

HEX #04D778

RGB 4 215 120

HSL 152.99, 0.96%, 0.43%

LAB 76.06, -65.14, 34.71

 

CMYK 98 / 0 / 71 / 16

HEX #04D73F

RGB 4 215 63

HSL 136.78, 0.96%, 0.43%

LAB 75.44, -72.73, 59.62

 

CMYK 98 / 0 / 97 / 16

HEX #04D706

RGB 4 215 6

HSL 120.57, 0.96%, 0.43%

LAB 75.23, -75.52, 72.57

 

CMYK 72 / 0 / 98 / 16

HEX #3CD704

RGB 60 215 4

HSL 104.08, 0.96%, 0.43%

LAB 75.8, -70.36, 73.47

 

CMYK 46 / 0 / 98 / 16

HEX #74D704

RGB 116 215 4

HSL 88.15, 0.96%, 0.43%

LAB 77.47, -56.8, 75.51

 

CMYK 98 / 0 / 44 / 16

HEX #04D778

RGB 4 215 120

HSL 152.99, 0.96%, 0.43%

LAB 76.06, -65.14, 34.71

 

CMYK 98 / 0 / 18 / 16

HEX #04D7B0

RGB 4 215 176

HSL 168.91, 0.96%, 0.43%

LAB 77.14, -52.94, 6.93

 

CMYK 98 / 8 / 0 / 16

HEX #04C5D7

RGB 4 197 215

HSL 185.12, 0.96%, 0.43%

LAB 72.8, -33.92, -20.53

 

CMYK 98 / 35 / 0 / 16

HEX #048CD7

RGB 4 140 215

HSL 201.33, 0.96%, 0.43%

LAB 55.77, -3.81, -46.97

 

CMYK 98 / 61 / 0 / 16

HEX #0453D7

RGB 4 83 215

HSL 217.54, 0.96%, 0.43%

LAB 39.78, 32.21, -72.77

 

CMYK 98 / 0 / 44 / 16

HEX #04D778

RGB 4 215 120

HSL 152.99, 0.96%, 0.43%

LAB 76.06, -65.14, 34.71

 

CMYK 98 / 0 / 44 / 16

HEX #04D778

RGB 4 215 120

HSL 152.99, 0.96%, 0.43%

LAB 76.06, -65.14, 34.71

 

CMYK 89 / 0 / 40 / 23

HEX #16C576

RGB 22 197 118

HSL 152.91, 0.8%, 0.43%

LAB 70.46, -58.57, 28.44

 

CMYK 78 / 0 / 35 / 30

HEX #28B374

RGB 40 179 116

HSL 152.81, 0.63%, 0.43%

LAB 64.92, -50.69, 22.14

 

CMYK 64 / 0 / 29 / 36

HEX #3AA273

RGB 58 162 115

HSL 152.88, 0.47%, 0.43%

LAB 59.87, -41.17, 15.84

 

CMYK 48 / 0 / 22 / 44

HEX #4B9071

RGB 75 144 113

HSL 153.04, 0.32%, 0.43%

LAB 54.69, -29.47, 9.82

 

CMYK 98 / 0 / 98 / 16

HEX #04D704

RGB 4 215 4

HSL 120, 0.96%, 0.43%

LAB 75.22, -75.55, 72.76

 

CMYK 98 / 0 / 72 / 16

HEX #04D73D

RGB 4 215 61

HSL 136.21, 0.96%, 0.43%

LAB 75.43, -72.91, 60.33

 

CMYK 98 / 0 / 46 / 16

HEX #04D775

RGB 4 215 117

HSL 152.13, 0.96%, 0.43%

LAB 76.01, -65.67, 36.16

 

CMYK 98 / 0 / 20 / 16

HEX #04D7AD

RGB 4 215 173

HSL 168.06, 0.96%, 0.43%

LAB 77.07, -53.7, 8.43

 

CMYK 98 / 7 / 0 / 16

HEX #04C9D7

RGB 4 201 215

HSL 183.98, 0.96%, 0.43%

LAB 74, -35.8, -18.71

 

CMYK 98 / 0 / 44 / 47

HEX #03864B

RGB 3 134 75

HSL 152.98, 0.96%, 0.27%

LAB 48.98, -45.37, 23.23

 

CMYK 98 / 0 / 44 / 32

HEX #04AE61

RGB 4 174 97

HSL 152.82, 0.96%, 0.35%

LAB 62.64, -55.38, 29.16

 

CMYK 98 / 0 / 44 / 16

HEX #04D778

RGB 4 215 120

HSL 152.99, 0.96%, 0.43%

LAB 76.06, -65.14, 34.71

 

CMYK 96 / 0 / 43 / 2

HEX #0BFA8E

RGB 11 250 142

HSL 152.89, 0.96%, 0.51%

LAB 87.19, -72.59, 38.21

 

CMYK 80 / 0 / 36 / 2

HEX #33FBA0

RGB 51 251 160

HSL 152.7, 0.96%, 0.59%

LAB 88.08, -67.17, 30.5

 

CMYK 98 / 0 / 44 / 15

HEX #04D878

RGB 4 216 120

HSL 152.83, 0.96%, 0.43%

LAB 76.37, -65.47, 35.12

 

CMYK 98 / 72 / 0 / 16

HEX #043DD7

RGB 4 61 215

HSL 223.79, 0.96%, 0.43%

LAB 34.54, 46.12, -81.4

 

CMYK 0 / 85 / 98 / 16

HEX #D72004

RGB 215 32 4

HSL 7.96, 0.96%, 0.43%

LAB 46.3, 66.39, 58.43

 

CMYK 98 / 0 / 44 / 15

HEX #04D878

RGB 4 216 120

HSL 152.83, 0.96%, 0.43%

LAB 76.37, -65.47, 35.12

 

CMYK 46 / 98 / 0 / 16

HEX #7504D7

RGB 117 4 215

HSL 272.13, 0.96%, 0.43%

LAB 35.55, 73.44, -79.48

 

CMYK 0 / 46 / 98 / 16

HEX #D77504

RGB 215 117 4

HSL 32.13, 0.96%, 0.43%

LAB 59.14, 32.47, 65.67

 

CMYK 98 / 0 / 44 / 15

HEX #04D878

RGB 4 216 120

HSL 152.83, 0.96%, 0.43%

LAB 76.37, -65.47, 35.12

 

CMYK 98 / 72 / 0 / 16

HEX #043DD7

RGB 4 61 215

HSL 223.79, 0.96%, 0.43%

LAB 34.54, 46.12, -81.4

 

CMYK 0 / 98 / 52 / 16

HEX #D70467

RGB 215 4 103

HSL 331.85, 0.96%, 0.43%

LAB 46.33, 73.71, 6

 

CMYK 0 / 26 / 98 / 16

HEX #D79F04

RGB 215 159 4

HSL 44.08, 0.96%, 0.43%

LAB 68.93, 9.98, 72.24

 

CMYK 98 / 0 / 44 / 15

HEX #04D878

RGB 4 216 120

HSL 152.83, 0.96%, 0.43%

LAB 76.37, -65.47, 35.12

 

CMYK 95 / 98 / 0 / 16

HEX #0B04D7

RGB 11 4 215

HSL 241.99, 0.96%, 0.43%

LAB 26.92, 68.92, -94.07

 

CMYK 0 / 98 / 52 / 16

HEX #D70467

RGB 215 4 103

HSL 331.85, 0.96%, 0.43%

LAB 46.33, 73.71, 6

 

CMYK 3 / 0 / 98 / 16

HEX #D0D704

RGB 208 215 4

HSL 61.99, 0.96%, 0.43%

LAB 82.92, -21.87, 82.06

 

Description

Color code: HEX #04D878 | qconv.com Color code: HEX #04D878 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 216 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 216 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 44 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 44% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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