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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04D70A it is the complementary color #FB28F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04D70A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04D70A shade: #09D705, #1AE918, #2BFB2B, #3CFF3E and #4DFF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04D70A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04D70A shade: #04D70A, #00C500, #00B300, #00A100 and #008F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04D70A shade: #04D70A, #37D704, #70D704, #A9D704 and #D7CC04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04D70A shade: #04D70A, #04D743, #04D77C, #04D7B5 and #04C0D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04D70A shade matches the following richer shades: #04D70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04D70A shade: #04D70A, #16C51B, #28B32C, #3AA23D and #4B904D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04D70A shade: #71D704, #39D704, #04D708, #04D740 and #04D778

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04D70A shade: #038606, #04AE08, #04D70A, #0BFA11 and #33FB39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04D70A shade: #04D70A, #04A9D7 and #D70455

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04D70A shade: #04D70A, #0804D7 and #D70804

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04D70A shade: #04D70A, #04A9D7, #D704D3 and #D73204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04D70A shade: #04D70A, #046AD7, #D704D3 and #D77104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 95 / 16

HEX #04D70A

RGB 4 215 10

HSL 121.71, 0.96%, 0.43%

LAB 75.23, -75.44, 72.19

 

Complementary color

CMYK 0 / 84 / 2 / 2

HEX #FB28F5

RGB 251 40 245

HSL 301.71, 0.96%, 0.57%

LAB 60.44, 92.2, -55.13

 

CMYK 96 / 0 / 98 / 16

HEX #09D705

RGB 9 215 5

HSL 118.86, 0.95%, 0.43%

LAB 75.25, -75.35, 72.69

 

CMYK 89 / 0 / 90 / 9

HEX #1AE918

RGB 26 233 24

HSL 119.43, 0.83%, 0.5%

LAB 81.05, -78.92, 75.32

 

CMYK 83 / 0 / 83 / 2

HEX #2BFB2B

RGB 43 251 43

HSL 120, 0.96%, 0.58%

LAB 86.84, -81.75, 76.75

 

CMYK 76 / 0 / 76 / 0

HEX #3CFF3E

RGB 60 255 62

HSL 120.62, 1%, 0.62%

LAB 88.37, -79.92, 73.13

 

CMYK 70 / 0 / 68 / 0

HEX #4DFF51

RGB 77 255 81

HSL 121.35, 1%, 0.65%

LAB 88.78, -75.98, 67.18

 

CMYK 98 / 0 / 95 / 16

HEX #04D70A

RGB 4 215 10

HSL 121.71, 0.96%, 0.43%

LAB 75.23, -75.44, 72.19

 

CMYK 100 / 0 / 100 / 23

HEX #00C500

RGB 0 197 0

HSL 120, 1%, 0.39%

LAB 69.42, -70.97, 68.49

 

CMYK 100 / 0 / 100 / 30

HEX #00B300

RGB 0 179 0

HSL 120, 1%, 0.35%

LAB 63.54, -66.08, 63.78

 

CMYK 100 / 0 / 100 / 37

HEX #00A100

RGB 0 161 0

HSL 120, 1%, 0.32%

LAB 57.55, -61.1, 58.98

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 98 / 0 / 95 / 16

HEX #04D70A

RGB 4 215 10

HSL 121.71, 0.96%, 0.43%

LAB 75.23, -75.44, 72.19

 

CMYK 74 / 0 / 98 / 16

HEX #37D704

RGB 55 215 4

HSL 105.5, 0.96%, 0.43%

LAB 75.71, -71.17, 73.36

 

CMYK 48 / 0 / 98 / 16

HEX #70D704

RGB 112 215 4

HSL 89.29, 0.96%, 0.43%

LAB 77.31, -58.02, 75.31

 

CMYK 21 / 0 / 98 / 16

HEX #A9D704

RGB 169 215 4

HSL 73.08, 0.96%, 0.43%

LAB 80.2, -37.86, 78.81

 

CMYK 0 / 5 / 98 / 16

HEX #D7CC04

RGB 215 204 4

HSL 56.87, 0.96%, 0.43%

LAB 80.54, -13.46, 80.55

 

CMYK 98 / 0 / 95 / 16

HEX #04D70A

RGB 4 215 10

HSL 121.71, 0.96%, 0.43%

LAB 75.23, -75.44, 72.19

 

CMYK 98 / 0 / 69 / 16

HEX #04D743

RGB 4 215 67

HSL 137.91, 0.96%, 0.43%

LAB 75.47, -72.37, 58.13

 

CMYK 98 / 0 / 42 / 16

HEX #04D77C

RGB 4 215 124

HSL 154.12, 0.96%, 0.43%

LAB 76.12, -64.42, 32.77

 

CMYK 98 / 0 / 16 / 16

HEX #04D7B5

RGB 4 215 181

HSL 170.33, 0.96%, 0.43%

LAB 77.26, -51.66, 4.44

 

CMYK 98 / 11 / 0 / 16

HEX #04C0D7

RGB 4 192 215

HSL 186.54, 0.96%, 0.43%

LAB 71.3, -31.53, -22.81

 

CMYK 98 / 0 / 95 / 16

HEX #04D70A

RGB 4 215 10

HSL 121.71, 0.96%, 0.43%

LAB 75.23, -75.44, 72.19

 

CMYK 98 / 0 / 95 / 16

HEX #04D70A

RGB 4 215 10

HSL 121.71, 0.96%, 0.43%

LAB 75.23, -75.44, 72.19

 

CMYK 89 / 0 / 86 / 23

HEX #16C51B

RGB 22 197 27

HSL 121.71, 0.8%, 0.43%

LAB 69.6, -69.13, 64.83

 

CMYK 78 / 0 / 75 / 30

HEX #28B32C

RGB 40 179 44

HSL 121.73, 0.63%, 0.43%

LAB 64.06, -60.9, 54.94

 

CMYK 64 / 0 / 62 / 36

HEX #3AA23D

RGB 58 162 61

HSL 121.73, 0.47%, 0.43%

LAB 59.05, -50.26, 42.84

 

CMYK 48 / 0 / 47 / 44

HEX #4B904D

RGB 75 144 77

HSL 121.74, 0.32%, 0.43%

LAB 54, -36.34, 28.94

 

CMYK 47 / 0 / 98 / 16

HEX #71D704

RGB 113 215 4

HSL 89, 0.96%, 0.43%

LAB 77.35, -57.72, 75.36

 

CMYK 73 / 0 / 98 / 16

HEX #39D704

RGB 57 215 4

HSL 104.93, 0.96%, 0.43%

LAB 75.75, -70.85, 73.4

 

CMYK 98 / 0 / 96 / 16

HEX #04D708

RGB 4 215 8

HSL 121.14, 0.96%, 0.43%

LAB 75.23, -75.48, 72.38

 

CMYK 98 / 0 / 70 / 16

HEX #04D740

RGB 4 215 64

HSL 137.06, 0.96%, 0.43%

LAB 75.45, -72.64, 59.25

 

CMYK 98 / 0 / 44 / 16

HEX #04D778

RGB 4 215 120

HSL 152.99, 0.96%, 0.43%

LAB 76.06, -65.14, 34.71

 

CMYK 98 / 0 / 96 / 47

HEX #038606

RGB 3 134 6

HSL 121.37, 0.96%, 0.27%

LAB 48.36, -53, 50.46

 

CMYK 98 / 0 / 95 / 32

HEX #04AE08

RGB 4 174 8

HSL 121.41, 0.96%, 0.35%

LAB 61.93, -64.31, 61.43

 

CMYK 98 / 0 / 95 / 16

HEX #04D70A

RGB 4 215 10

HSL 121.71, 0.96%, 0.43%

LAB 75.23, -75.44, 72.19

 

CMYK 96 / 0 / 93 / 2

HEX #0BFA11

RGB 11 250 17

HSL 121.51, 0.96%, 0.51%

LAB 86.25, -84.31, 80.57

 

CMYK 80 / 0 / 77 / 2

HEX #33FB39

RGB 51 251 57

HSL 121.8, 0.96%, 0.59%

LAB 86.99, -80.17, 73.25

 

CMYK 98 / 0 / 95 / 16

HEX #04D70A

RGB 4 215 10

HSL 121.71, 0.96%, 0.43%

LAB 75.23, -75.44, 72.19

 

CMYK 98 / 21 / 0 / 16

HEX #04A9D7

RGB 4 169 215

HSL 193.08, 0.96%, 0.43%

LAB 64.41, -19.94, -33.42

 

CMYK 0 / 98 / 60 / 16

HEX #D70455

RGB 215 4 85

HSL 336.97, 0.96%, 0.43%

LAB 45.89, 72.54, 16.6

 

CMYK 98 / 0 / 95 / 16

HEX #04D70A

RGB 4 215 10

HSL 121.71, 0.96%, 0.43%

LAB 75.23, -75.44, 72.19

 

CMYK 96 / 98 / 0 / 16

HEX #0804D7

RGB 8 4 215

HSL 241.14, 0.96%, 0.43%

LAB 26.86, 68.9, -94.16

 

CMYK 0 / 96 / 98 / 16

HEX #D70804

RGB 215 8 4

HSL 1.14, 0.96%, 0.43%

LAB 45.12, 69.76, 57.91

 

CMYK 98 / 0 / 95 / 16

HEX #04D70A

RGB 4 215 10

HSL 121.71, 0.96%, 0.43%

LAB 75.23, -75.44, 72.19

 

CMYK 98 / 21 / 0 / 16

HEX #04A9D7

RGB 4 169 215

HSL 193.08, 0.96%, 0.43%

LAB 64.41, -19.94, -33.42

 

CMYK 0 / 98 / 2 / 16

HEX #D704D3

RGB 215 4 211

HSL 301.14, 0.96%, 0.43%

LAB 50.96, 85.51, -51.42

 

CMYK 0 / 77 / 98 / 16

HEX #D73204

RGB 215 50 4

HSL 13.08, 0.96%, 0.43%

LAB 47.93, 61.78, 59.2

 

CMYK 98 / 0 / 95 / 16

HEX #04D70A

RGB 4 215 10

HSL 121.71, 0.96%, 0.43%

LAB 75.23, -75.44, 72.19

 

CMYK 98 / 51 / 0 / 16

HEX #046AD7

RGB 4 106 215

HSL 211, 0.96%, 0.43%

LAB 45.96, 17.21, -62.7

 

CMYK 0 / 98 / 2 / 16

HEX #D704D3

RGB 215 4 211

HSL 301.14, 0.96%, 0.43%

LAB 50.96, 85.51, -51.42

 

CMYK 0 / 47 / 98 / 16

HEX #D77104

RGB 215 113 4

HSL 31, 0.96%, 0.43%

LAB 58.29, 34.56, 65.13

 

Description

Color code: HEX #04D70A | qconv.com Color code: HEX #04D70A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 215 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 215 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 95 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 95% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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