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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04D652 it is the complementary color #FB29AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04D652. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04D652 shade: #09D64D, #1AE860, #2BFA73, #3CFF86 and #4DFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04D652. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04D652 shade: #04D652, #00C43F, #00B22C, #00A019 and #008E06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04D652 shade: #04D753, #04D71A, #28D704, #60D704 and #99D704

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04D652 shade: #04D753, #04D78B, #04D7C4, #04B1D7 and #0478D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04D652 shade matches the following richer shades: #04D753

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04D652 shade: #04D753, #16C557, #28B35C, #3AA260 and #4B9065

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04D652 shade: #27D704, #04D719, #04D752, #04D78A and #04D7C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04D652 shade: #038634, #04AE43, #04D753, #0BFA64 and #33FB7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04D652 shade: #04D652, #0460D7 and #D7040B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04D652 shade: #04D652, #5204D7 and #D75204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04D652 shade: #04D652, #0460D7, #D7048A and #D77C04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04D652 shade: #04D652, #0420D7, #D7048A and #D7BB04

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 62 / 16

HEX #04D652

RGB 4 214 82

HSL 142.29, 0.96%, 0.43%

LAB 75.28, -70.47, 51.76

 

Complementary color

CMYK 0 / 84 / 31 / 2

HEX #FB29AD

RGB 251 41 173

HSL 322.29, 0.96%, 0.57%

LAB 57.18, 83.05, -19.23

 

CMYK 96 / 0 / 64 / 16

HEX #09D64D

RGB 9 214 77

HSL 139.9, 0.92%, 0.44%

LAB 75.26, -70.87, 53.87

 

CMYK 89 / 0 / 59 / 9

HEX #1AE860

RGB 26 232 96

HSL 140.39, 0.82%, 0.51%

LAB 81.17, -73.21, 52.43

 

CMYK 83 / 0 / 54 / 2

HEX #2BFA73

RGB 43 250 115

HSL 140.87, 0.95%, 0.57%

LAB 87.06, -74.98, 50.9

 

CMYK 76 / 0 / 47 / 0

HEX #3CFF86

RGB 60 255 134

HSL 142.77, 1%, 0.62%

LAB 89.02, -72.05, 44.5

 

CMYK 70 / 0 / 40 / 0

HEX #4DFF99

RGB 77 255 153

HSL 145.62, 1%, 0.65%

LAB 89.58, -66.63, 36.05

 

CMYK 98 / 0 / 62 / 16

HEX #04D652

RGB 4 214 82

HSL 142.29, 0.96%, 0.43%

LAB 75.28, -70.47, 51.76

 

CMYK 100 / 0 / 68 / 23

HEX #00C43F

RGB 0 196 63

HSL 139.29, 1%, 0.38%

LAB 69.35, -67.39, 53.16

 

CMYK 100 / 0 / 75 / 30

HEX #00B22C

RGB 0 178 44

HSL 134.83, 1%, 0.35%

LAB 63.36, -63.86, 54.12

 

CMYK 100 / 0 / 84 / 37

HEX #00A019

RGB 0 160 25

HSL 129.38, 1%, 0.31%

LAB 57.28, -59.94, 54.19

 

CMYK 100 / 0 / 96 / 44

HEX #008E06

RGB 0 142 6

HSL 122.54, 1%, 0.28%

LAB 51.1, -55.54, 52.73

 

CMYK 98 / 0 / 61 / 16

HEX #04D753

RGB 4 215 83

HSL 142.46, 0.96%, 0.43%

LAB 75.61, -70.65, 51.7

 

CMYK 98 / 0 / 88 / 16

HEX #04D71A

RGB 4 215 26

HSL 126.26, 0.96%, 0.43%

LAB 75.27, -75.02, 69.96

 

CMYK 81 / 0 / 98 / 16

HEX #28D704

RGB 40 215 4

HSL 109.76, 0.96%, 0.43%

LAB 75.49, -73.15, 73.09

 

CMYK 55 / 0 / 98 / 16

HEX #60D704

RGB 96 215 4

HSL 93.84, 0.96%, 0.43%

LAB 76.74, -62.56, 74.61

 

CMYK 29 / 0 / 98 / 16

HEX #99D704

RGB 153 215 4

HSL 77.63, 0.96%, 0.43%

LAB 79.26, -44.02, 77.67

 

CMYK 98 / 0 / 61 / 16

HEX #04D753

RGB 4 215 83

HSL 142.46, 0.96%, 0.43%

LAB 75.61, -70.65, 51.7

 

CMYK 98 / 0 / 35 / 16

HEX #04D78B

RGB 4 215 139

HSL 158.39, 0.96%, 0.43%

LAB 76.37, -61.5, 25.4

 

CMYK 98 / 0 / 9 / 16

HEX #04D7C4

RGB 4 215 196

HSL 174.6, 0.96%, 0.43%

LAB 77.65, -47.62, -3.03

 

CMYK 98 / 18 / 0 / 16

HEX #04B1D7

RGB 4 177 215

HSL 190.81, 0.96%, 0.43%

LAB 66.81, -24.08, -29.71

 

CMYK 98 / 44 / 0 / 16

HEX #0478D7

RGB 4 120 215

HSL 207.01, 0.96%, 0.43%

LAB 49.94, 8.31, -56.29

 

CMYK 98 / 0 / 61 / 16

HEX #04D753

RGB 4 215 83

HSL 142.46, 0.96%, 0.43%

LAB 75.61, -70.65, 51.7

 

CMYK 98 / 0 / 61 / 16

HEX #04D753

RGB 4 215 83

HSL 142.46, 0.96%, 0.43%

LAB 75.61, -70.65, 51.7

 

CMYK 89 / 0 / 56 / 23

HEX #16C557

RGB 22 197 87

HSL 142.29, 0.8%, 0.43%

LAB 70.03, -63.74, 43.38

 

CMYK 78 / 0 / 49 / 30

HEX #28B35C

RGB 40 179 92

HSL 142.45, 0.63%, 0.43%

LAB 64.53, -55.15, 34.23

 

CMYK 64 / 0 / 41 / 36

HEX #3AA260

RGB 58 162 96

HSL 141.92, 0.47%, 0.43%

LAB 59.51, -45.01, 25.75

 

CMYK 48 / 0 / 30 / 44

HEX #4B9065

RGB 75 144 101

HSL 142.61, 0.32%, 0.43%

LAB 54.43, -32.04, 16.27

 

CMYK 82 / 0 / 98 / 16

HEX #27D704

RGB 39 215 4

HSL 110.05, 0.96%, 0.43%

LAB 75.48, -73.26, 73.07

 

CMYK 98 / 0 / 88 / 16

HEX #04D719

RGB 4 215 25

HSL 125.97, 0.96%, 0.43%

LAB 75.26, -75.05, 70.14

 

CMYK 98 / 0 / 62 / 16

HEX #04D752

RGB 4 215 82

HSL 142.18, 0.96%, 0.43%

LAB 75.6, -70.77, 52.12

 

CMYK 98 / 0 / 36 / 16

HEX #04D78A

RGB 4 215 138

HSL 158.1, 0.96%, 0.43%

LAB 76.35, -61.7, 25.9

 

CMYK 98 / 0 / 10 / 16

HEX #04D7C2

RGB 4 215 194

HSL 174.03, 0.96%, 0.43%

LAB 77.59, -48.17, -2.04

 

CMYK 98 / 0 / 61 / 47

HEX #038634

RGB 3 134 52

HSL 142.44, 0.96%, 0.27%

LAB 48.66, -49.27, 34.92

 

CMYK 98 / 0 / 61 / 32

HEX #04AE43

RGB 4 174 67

HSL 142.24, 0.96%, 0.35%

LAB 62.26, -60.09, 43.55

 

CMYK 98 / 0 / 61 / 16

HEX #04D753

RGB 4 215 83

HSL 142.46, 0.96%, 0.43%

LAB 75.61, -70.65, 51.7

 

CMYK 96 / 0 / 60 / 2

HEX #0BFA64

RGB 11 250 100

HSL 142.34, 0.96%, 0.51%

LAB 86.68, -78.76, 57.05

 

CMYK 80 / 0 / 50 / 2

HEX #33FB7D

RGB 51 251 125

HSL 142.2, 0.96%, 0.59%

LAB 87.57, -73.1, 46.92

 

CMYK 98 / 0 / 62 / 16

HEX #04D652

RGB 4 214 82

HSL 142.29, 0.96%, 0.43%

LAB 75.28, -70.47, 51.76

 

CMYK 98 / 55 / 0 / 16

HEX #0460D7

RGB 4 96 215

HSL 213.84, 0.96%, 0.43%

LAB 43.21, 23.71, -67.17

 

CMYK 0 / 98 / 95 / 16

HEX #D7040B

RGB 215 4 11

HSL 358.01, 0.96%, 0.43%

LAB 45.02, 70.17, 55.78

 

CMYK 98 / 0 / 62 / 16

HEX #04D652

RGB 4 214 82

HSL 142.29, 0.96%, 0.43%

LAB 75.28, -70.47, 51.76

 

CMYK 62 / 98 / 0 / 16

HEX #5204D7

RGB 82 4 215

HSL 262.18, 0.96%, 0.43%

LAB 31.32, 70.9, -86.62

 

CMYK 0 / 62 / 98 / 16

HEX #D75204

RGB 215 82 4

HSL 22.18, 0.96%, 0.43%

LAB 52.39, 49.64, 61.58

 

CMYK 98 / 0 / 62 / 16

HEX #04D652

RGB 4 214 82

HSL 142.29, 0.96%, 0.43%

LAB 75.28, -70.47, 51.76

 

CMYK 98 / 55 / 0 / 16

HEX #0460D7

RGB 4 96 215

HSL 213.84, 0.96%, 0.43%

LAB 43.21, 23.71, -67.17

 

CMYK 0 / 98 / 36 / 16

HEX #D7048A

RGB 215 4 138

HSL 321.9, 0.96%, 0.43%

LAB 47.45, 76.68, -13.85

 

CMYK 0 / 42 / 98 / 16

HEX #D77C04

RGB 215 124 4

HSL 34.12, 0.96%, 0.43%

LAB 60.67, 28.78, 66.66

 

CMYK 98 / 0 / 62 / 16

HEX #04D652

RGB 4 214 82

HSL 142.29, 0.96%, 0.43%

LAB 75.28, -70.47, 51.76

 

CMYK 98 / 85 / 0 / 16

HEX #0420D7

RGB 4 32 215

HSL 232.04, 0.96%, 0.43%

LAB 29.32, 61.14, -90.05

 

CMYK 0 / 98 / 36 / 16

HEX #D7048A

RGB 215 4 138

HSL 321.9, 0.96%, 0.43%

LAB 47.45, 76.68, -13.85

 

CMYK 0 / 13 / 98 / 16

HEX #D7BB04

RGB 215 187 4

HSL 52.04, 0.96%, 0.43%

LAB 76.07, -4.8, 77.3

 

Description

Color code: HEX #04D652 | qconv.com Color code: HEX #04D652 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 214 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 214 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 62 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 62% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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