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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04D087 it is the complementary color #FB2F78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04D087. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04D087 shade: #09D082, #1AE295, #2BF4A8, #3CFFBB and #4DFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04D087. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04D087 shade: #04D087, #00BE74, #00AC61, #009A4E and #00883B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04D087 shade: #04D288, #04D251, #04D219, #27D204 and #5ED204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04D087 shade: #04D288, #04D2C0, #04ADD2, #0475D2 and #043ED2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04D087 shade matches the following richer shades: #04D288

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04D087 shade: #04D288, #16C183, #27AF7E, #389E7A and #4A8D75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04D087 shade: #04D219, #04D250, #04D287, #04D2BD and #04B0D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04D087 shade: #038154, #03A96E, #04D288, #06FAA2 and #2EFBB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04D087 shade: #04D087, #0427D2 and #D23404

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04D087 shade: #04D087, #8704D2 and #D28704

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04D087 shade: #04D087, #0427D2, #D20450 and #D2B004

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04D087 shade: #04D087, #2004D2, #D20450 and #B6D204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 35 / 18

HEX #04D087

RGB 4 208 135

HSL 158.53, 0.96%, 0.42%

LAB 74.12, -59.84, 24.44

 

Complementary color

CMYK 0 / 81 / 52 / 2

HEX #FB2F78

RGB 251 47 120

HSL 338.53, 0.96%, 0.58%

LAB 55.99, 77.06, 10.32

 

CMYK 96 / 0 / 38 / 18

HEX #09D082

RGB 9 208 130

HSL 156.48, 0.92%, 0.43%

LAB 74.05, -60.69, 26.96

 

CMYK 88 / 0 / 34 / 11

HEX #1AE295

RGB 26 226 149

HSL 156.9, 0.79%, 0.49%

LAB 80.06, -62.45, 25.24

 

CMYK 82 / 0 / 31 / 4

HEX #2BF4A8

RGB 43 244 168

HSL 157.31, 0.9%, 0.56%

LAB 86.03, -63.79, 23.64

 

CMYK 76 / 0 / 27 / 0

HEX #3CFFBB

RGB 60 255 187

HSL 159.08, 1%, 0.62%

LAB 89.89, -62.18, 19.3

 

CMYK 70 / 0 / 19 / 0

HEX #4DFFCE

RGB 77 255 206

HSL 163.48, 1%, 0.65%

LAB 90.58, -55.86, 10.54

 

CMYK 98 / 0 / 35 / 18

HEX #04D087

RGB 4 208 135

HSL 158.53, 0.96%, 0.42%

LAB 74.12, -59.84, 24.44

 

CMYK 100 / 0 / 39 / 25

HEX #00BE74

RGB 0 190 116

HSL 156.63, 1%, 0.37%

LAB 68.09, -57.47, 26.32

 

CMYK 100 / 0 / 44 / 33

HEX #00AC61

RGB 0 172 97

HSL 153.84, 1%, 0.34%

LAB 61.97, -54.86, 28.28

 

CMYK 100 / 0 / 49 / 40

HEX #009A4E

RGB 0 154 78

HSL 150.39, 1%, 0.3%

LAB 55.75, -52.1, 30.29

 

CMYK 100 / 0 / 57 / 47

HEX #00883B

RGB 0 136 59

HSL 146.03, 1%, 0.27%

LAB 49.4, -49.11, 32.3

 

CMYK 98 / 0 / 35 / 18

HEX #04D288

RGB 4 210 136

HSL 158.45, 0.96%, 0.42%

LAB 74.76, -60.34, 24.79

 

CMYK 98 / 0 / 61 / 18

HEX #04D251

RGB 4 210 81

HSL 142.43, 0.96%, 0.42%

LAB 74.01, -69.39, 50.74

 

CMYK 98 / 0 / 88 / 18

HEX #04D219

RGB 4 210 25

HSL 126.12, 0.96%, 0.42%

LAB 73.67, -73.7, 68.76

 

CMYK 81 / 0 / 98 / 18

HEX #27D204

RGB 39 210 4

HSL 109.81, 0.96%, 0.42%

LAB 73.89, -71.85, 71.79

 

CMYK 55 / 0 / 98 / 18

HEX #5ED204

RGB 94 210 4

HSL 93.79, 0.96%, 0.42%

LAB 75.13, -61.35, 73.3

 

CMYK 98 / 0 / 35 / 18

HEX #04D288

RGB 4 210 136

HSL 158.45, 0.96%, 0.42%

LAB 74.76, -60.34, 24.79

 

CMYK 98 / 0 / 9 / 18

HEX #04D2C0

RGB 4 210 192

HSL 174.76, 0.96%, 0.42%

LAB 76.02, -46.62, -3.27

 

CMYK 98 / 18 / 0 / 18

HEX #04ADD2

RGB 4 173 210

HSL 190.78, 0.96%, 0.42%

LAB 65.41, -23.74, -29.11

 

CMYK 98 / 44 / 0 / 18

HEX #0475D2

RGB 4 117 210

HSL 207.09, 0.96%, 0.42%

LAB 48.76, 8.22, -55.33

 

CMYK 98 / 70 / 0 / 18

HEX #043ED2

RGB 4 62 210

HSL 223.11, 0.96%, 0.42%

LAB 34.24, 43.71, -79

 

CMYK 98 / 0 / 35 / 18

HEX #04D288

RGB 4 210 136

HSL 158.45, 0.96%, 0.42%

LAB 74.76, -60.34, 24.79

 

CMYK 98 / 0 / 35 / 18

HEX #04D288

RGB 4 210 136

HSL 158.45, 0.96%, 0.42%

LAB 74.76, -60.34, 24.79

 

CMYK 89 / 0 / 32 / 24

HEX #16C183

RGB 22 193 131

HSL 158.25, 0.8%, 0.42%

LAB 69.43, -54.44, 20.2

 

CMYK 78 / 0 / 28 / 31

HEX #27AF7E

RGB 39 175 126

HSL 158.38, 0.64%, 0.42%

LAB 63.83, -47.05, 15.21

 

CMYK 65 / 0 / 23 / 38

HEX #389E7A

RGB 56 158 122

HSL 158.82, 0.48%, 0.42%

LAB 58.7, -38.22, 10.28

 

CMYK 48 / 0 / 17 / 45

HEX #4A8D75

RGB 74 141 117

HSL 158.51, 0.31%, 0.42%

LAB 53.8, -27.36, 6.25

 

CMYK 98 / 0 / 88 / 18

HEX #04D219

RGB 4 210 25

HSL 126.12, 0.96%, 0.42%

LAB 73.67, -73.7, 68.76

 

CMYK 98 / 0 / 62 / 18

HEX #04D250

RGB 4 210 80

HSL 142.14, 0.96%, 0.42%

LAB 74, -69.51, 51.17

 

CMYK 98 / 0 / 36 / 18

HEX #04D287

RGB 4 210 135

HSL 158.16, 0.96%, 0.42%

LAB 74.74, -60.55, 25.29

 

CMYK 98 / 0 / 10 / 18

HEX #04D2BD

RGB 4 210 189

HSL 173.88, 0.96%, 0.42%

LAB 75.94, -47.45, -1.77

 

CMYK 98 / 16 / 0 / 18

HEX #04B0D2

RGB 4 176 210

HSL 189.9, 0.96%, 0.42%

LAB 66.31, -25.27, -27.71

 

CMYK 98 / 0 / 35 / 49

HEX #038154

RGB 3 129 84

HSL 158.57, 0.95%, 0.26%

LAB 47.44, -41.52, 16.11

 

CMYK 98 / 0 / 35 / 34

HEX #03A96E

RGB 3 169 110

HSL 158.67, 0.97%, 0.34%

LAB 61.24, -50.99, 20.34

 

CMYK 98 / 0 / 35 / 18

HEX #04D288

RGB 4 210 136

HSL 158.45, 0.96%, 0.42%

LAB 74.76, -60.34, 24.79

 

CMYK 98 / 0 / 35 / 2

HEX #06FAA2

RGB 6 250 162

HSL 158.36, 0.96%, 0.5%

LAB 87.49, -68.97, 28.65

 

CMYK 82 / 0 / 29 / 2

HEX #2EFBB1

RGB 46 251 177

HSL 158.34, 0.96%, 0.58%

LAB 88.33, -64.2, 22.21

 

CMYK 98 / 0 / 35 / 18

HEX #04D087

RGB 4 208 135

HSL 158.53, 0.96%, 0.42%

LAB 74.12, -59.84, 24.44

 

CMYK 98 / 81 / 0 / 18

HEX #0427D2

RGB 4 39 210

HSL 229.81, 0.96%, 0.42%

LAB 29.74, 56.5, -86.47

 

CMYK 0 / 75 / 98 / 18

HEX #D23404

RGB 210 52 4

HSL 13.98, 0.96%, 0.42%

LAB 47.19, 59.63, 58.3

 

CMYK 98 / 0 / 35 / 18

HEX #04D087

RGB 4 208 135

HSL 158.53, 0.96%, 0.42%

LAB 74.12, -59.84, 24.44

 

CMYK 36 / 98 / 0 / 18

HEX #8704D2

RGB 135 4 210

HSL 278.16, 0.96%, 0.42%

LAB 37.65, 74.21, -73.05

 

CMYK 0 / 36 / 98 / 18

HEX #D28704

RGB 210 135 4

HSL 38.16, 0.96%, 0.42%

LAB 62.54, 20.75, 67.59

 

CMYK 98 / 0 / 35 / 18

HEX #04D087

RGB 4 208 135

HSL 158.53, 0.96%, 0.42%

LAB 74.12, -59.84, 24.44

 

CMYK 98 / 81 / 0 / 18

HEX #0427D2

RGB 4 39 210

HSL 229.81, 0.96%, 0.42%

LAB 29.74, 56.5, -86.47

 

CMYK 0 / 98 / 62 / 18

HEX #D20450

RGB 210 4 80

HSL 337.86, 0.96%, 0.42%

LAB 44.76, 71.09, 18.01

 

CMYK 0 / 16 / 98 / 18

HEX #D2B004

RGB 210 176 4

HSL 50.1, 0.96%, 0.42%

LAB 72.73, -1.26, 74.69

 

CMYK 98 / 0 / 35 / 18

HEX #04D087

RGB 4 208 135

HSL 158.53, 0.96%, 0.42%

LAB 74.12, -59.84, 24.44

 

CMYK 85 / 98 / 0 / 18

HEX #2004D2

RGB 32 4 210

HSL 248.16, 0.96%, 0.42%

LAB 26.87, 67.94, -91.23

 

CMYK 0 / 98 / 62 / 18

HEX #D20450

RGB 210 4 80

HSL 337.86, 0.96%, 0.42%

LAB 44.76, 71.09, 18.01

 

CMYK 13 / 0 / 98 / 18

HEX #B6D204

RGB 182 210 4

HSL 68.16, 0.96%, 0.42%

LAB 79.64, -30.32, 78.75

 

Description

Color code: HEX #04D087 | qconv.com Color code: HEX #04D087 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 208 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 208 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 35 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 35% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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