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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04C974 it is the complementary color #FB368B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04C974. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04C974 shade: #09C96F, #1ADB82, #2BED95, #3CFFA8 and #4DFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04C974. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04C974 shade: #04C974, #00B761, #00A54E, #00933B and #008128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04C974 shade: #04C873, #04C83F, #04C80A, #33C804 and #68C804

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04C974 shade: #04C873, #04C8A8, #04B3C8, #047EC8 and #0449C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04C974 shade matches the following richer shades: #04C873

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04C974 shade: #04C873, #15B771, #25A76F, #36966D and #46866A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04C974 shade: #04C80B, #04C83F, #04C873, #04C8A7 and #04B4C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04C974 shade: #027745, #039F5C, #04C873, #05F08B and #24FB9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04C974 shade: #04C974, #0432C8 and #C82504

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04C974 shade: #04C974, #7304C8 and #C87304

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04C974 shade: #04C974, #0432C8, #C80459 and #C89A04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04C974 shade: #04C974, #1104C8, #C80459 and #BBC804

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 42 / 21

HEX #04C974

RGB 4 201 116

HSL 154.11, 0.96%, 0.4%

LAB 71.6, -61.15, 30.95

 

Complementary color

CMYK 0 / 78 / 45 / 2

HEX #FB368B

RGB 251 54 139

HSL 334.11, 0.96%, 0.6%

LAB 57.09, 76.86, 0.61

 

CMYK 96 / 0 / 45 / 21

HEX #09C96F

RGB 9 201 111

HSL 151.88, 0.91%, 0.41%

LAB 71.54, -61.88, 33.44

 

CMYK 88 / 0 / 41 / 14

HEX #1ADB82

RGB 26 219 130

HSL 152.33, 0.79%, 0.48%

LAB 77.58, -63.72, 31.66

 

CMYK 82 / 0 / 37 / 7

HEX #2BED95

RGB 43 237 149

HSL 152.78, 0.84%, 0.55%

LAB 83.57, -65.09, 30

 

CMYK 76 / 0 / 34 / 0

HEX #3CFFA8

RGB 60 255 168

HSL 153.23, 1%, 0.62%

LAB 89.54, -66.1, 28.46

 

CMYK 70 / 0 / 27 / 0

HEX #4DFFBB

RGB 77 255 187

HSL 157.08, 1%, 0.65%

LAB 90.18, -60.07, 19.74

 

CMYK 98 / 0 / 42 / 21

HEX #04C974

RGB 4 201 116

HSL 154.11, 0.96%, 0.4%

LAB 71.6, -61.15, 30.95

 

CMYK 100 / 0 / 47 / 28

HEX #00B761

RGB 0 183 97

HSL 151.8, 1%, 0.36%

LAB 65.54, -58.64, 32.87

 

CMYK 100 / 0 / 53 / 35

HEX #00A54E

RGB 0 165 78

HSL 148.36, 1%, 0.32%

LAB 59.4, -55.81, 34.84

 

CMYK 100 / 0 / 60 / 42

HEX #00933B

RGB 0 147 59

HSL 144.08, 1%, 0.29%

LAB 53.15, -52.76, 36.75

 

CMYK 100 / 0 / 69 / 49

HEX #008128

RGB 0 129 40

HSL 138.6, 1%, 0.25%

LAB 46.78, -49.38, 38.42

 

CMYK 98 / 0 / 43 / 22

HEX #04C873

RGB 4 200 115

HSL 153.98, 0.96%, 0.4%

LAB 71.26, -60.99, 31.03

 

CMYK 98 / 0 / 69 / 22

HEX #04C83F

RGB 4 200 63

HSL 138.06, 0.96%, 0.4%

LAB 70.66, -68.4, 54.57

 

CMYK 98 / 0 / 95 / 22

HEX #04C80A

RGB 4 200 10

HSL 121.84, 0.96%, 0.4%

LAB 70.42, -71.41, 68.22

 

CMYK 75 / 0 / 98 / 22

HEX #33C804

RGB 51 200 4

HSL 105.61, 0.96%, 0.4%

LAB 70.89, -67.32, 69.44

 

CMYK 48 / 0 / 98 / 22

HEX #68C804

RGB 104 200 4

HSL 89.39, 0.96%, 0.4%

LAB 72.4, -54.87, 71.29

 

CMYK 98 / 0 / 43 / 22

HEX #04C873

RGB 4 200 115

HSL 153.98, 0.96%, 0.4%

LAB 71.26, -60.99, 31.03

 

CMYK 98 / 0 / 16 / 22

HEX #04C8A8

RGB 4 200 168

HSL 170.2, 0.96%, 0.4%

LAB 72.34, -48.97, 4.32

 

CMYK 98 / 11 / 0 / 22

HEX #04B3C8

RGB 4 179 200

HSL 186.43, 0.96%, 0.4%

LAB 66.85, -30.09, -21.37

 

CMYK 98 / 37 / 0 / 22

HEX #047EC8

RGB 4 126 200

HSL 202.65, 0.96%, 0.4%

LAB 50.82, -1.24, -46.34

 

CMYK 98 / 64 / 0 / 22

HEX #0449C8

RGB 4 73 200

HSL 218.88, 0.96%, 0.4%

LAB 35.91, 32.93, -70.45

 

CMYK 98 / 0 / 43 / 22

HEX #04C873

RGB 4 200 115

HSL 153.98, 0.96%, 0.4%

LAB 71.26, -60.99, 31.03

 

CMYK 98 / 0 / 43 / 22

HEX #04C873

RGB 4 200 115

HSL 153.98, 0.96%, 0.4%

LAB 71.26, -60.99, 31.03

 

CMYK 89 / 0 / 38 / 28

HEX #15B771

RGB 21 183 113

HSL 154.07, 0.79%, 0.4%

LAB 65.92, -54.6, 25.04

 

CMYK 78 / 0 / 34 / 35

HEX #25A76F

RGB 37 167 111

HSL 154.15, 0.64%, 0.4%

LAB 60.94, -47.45, 19.44

 

CMYK 64 / 0 / 27 / 41

HEX #36966D

RGB 54 150 109

HSL 154.38, 0.47%, 0.4%

LAB 55.79, -38.1, 13.51

 

CMYK 48 / 0 / 21 / 47

HEX #46866A

RGB 70 134 106

HSL 153.75, 0.31%, 0.4%

LAB 51.14, -27.56, 8.79

 

CMYK 98 / 0 / 95 / 22

HEX #04C80B

RGB 4 200 11

HSL 122.14, 0.96%, 0.4%

LAB 70.43, -71.39, 68.12

 

CMYK 98 / 0 / 69 / 22

HEX #04C83F

RGB 4 200 63

HSL 138.06, 0.96%, 0.4%

LAB 70.66, -68.4, 54.57

 

CMYK 98 / 0 / 43 / 22

HEX #04C873

RGB 4 200 115

HSL 153.98, 0.96%, 0.4%

LAB 71.26, -60.99, 31.03

 

CMYK 98 / 0 / 17 / 22

HEX #04C8A7

RGB 4 200 167

HSL 169.9, 0.96%, 0.4%

LAB 72.31, -49.24, 4.83

 

CMYK 98 / 10 / 0 / 22

HEX #04B4C8

RGB 4 180 200

HSL 186.12, 0.96%, 0.4%

LAB 67.16, -30.57, -20.91

 

CMYK 98 / 0 / 42 / 53

HEX #027745

RGB 2 119 69

HSL 154.36, 0.97%, 0.24%

LAB 43.71, -41.04, 19.68

 

CMYK 98 / 0 / 42 / 38

HEX #039F5C

RGB 3 159 92

HSL 154.23, 0.96%, 0.32%

LAB 57.64, -51.08, 25.29

 

CMYK 98 / 0 / 43 / 22

HEX #04C873

RGB 4 200 115

HSL 153.98, 0.96%, 0.4%

LAB 71.26, -60.99, 31.03

 

CMYK 98 / 0 / 42 / 6

HEX #05F08B

RGB 5 240 139

HSL 154.21, 0.96%, 0.48%

LAB 84.08, -70, 35.64

 

CMYK 86 / 0 / 37 / 2

HEX #24FB9E

RGB 36 251 158

HSL 154.05, 0.96%, 0.56%

LAB 87.89, -68.8, 31.22

 

CMYK 98 / 0 / 42 / 21

HEX #04C974

RGB 4 201 116

HSL 154.11, 0.96%, 0.4%

LAB 71.6, -61.15, 30.95

 

CMYK 98 / 75 / 0 / 22

HEX #0432C8

RGB 4 50 200

HSL 225.92, 0.96%, 0.4%

LAB 30.59, 47.33, -79.23

 

CMYK 0 / 82 / 98 / 22

HEX #C82504

RGB 200 37 4

HSL 10.1, 0.96%, 0.4%

LAB 43.67, 61.02, 55.47

 

CMYK 98 / 0 / 42 / 21

HEX #04C974

RGB 4 201 116

HSL 154.11, 0.96%, 0.4%

LAB 71.6, -61.15, 30.95

 

CMYK 43 / 98 / 0 / 22

HEX #7304C8

RGB 115 4 200

HSL 273.98, 0.96%, 0.4%

LAB 33.78, 70.1, -73.69

 

CMYK 0 / 43 / 98 / 22

HEX #C87304

RGB 200 115 4

HSL 33.98, 0.96%, 0.4%

LAB 56.63, 27.25, 63.04

 

CMYK 98 / 0 / 42 / 21

HEX #04C974

RGB 4 201 116

HSL 154.11, 0.96%, 0.4%

LAB 71.6, -61.15, 30.95

 

CMYK 98 / 75 / 0 / 22

HEX #0432C8

RGB 4 50 200

HSL 225.92, 0.96%, 0.4%

LAB 30.59, 47.33, -79.23

 

CMYK 0 / 98 / 56 / 22

HEX #C80459

RGB 200 4 89

HSL 333.98, 0.96%, 0.4%

LAB 42.89, 69.32, 9.47

 

CMYK 0 / 23 / 98 / 22

HEX #C89A04

RGB 200 154 4

HSL 45.92, 0.96%, 0.4%

LAB 66.06, 6.03, 69.47

 

CMYK 98 / 0 / 42 / 21

HEX #04C974

RGB 4 201 116

HSL 154.11, 0.96%, 0.4%

LAB 71.6, -61.15, 30.95

 

CMYK 92 / 98 / 0 / 22

HEX #1104C8

RGB 17 4 200

HSL 243.98, 0.96%, 0.4%

LAB 24.88, 65.23, -88.73

 

CMYK 0 / 98 / 56 / 22

HEX #C80459

RGB 200 4 89

HSL 333.98, 0.96%, 0.4%

LAB 42.89, 69.32, 9.47

 

CMYK 7 / 0 / 98 / 22

HEX #BBC804

RGB 187 200 4

HSL 63.98, 0.96%, 0.4%

LAB 77.21, -23.46, 77.08

 

Description

Color code: HEX #04C974 | qconv.com Color code: HEX #04C974 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 201 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 201 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 42 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 42% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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