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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04BA85 it is the complementary color #FB457A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04BA85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04BA85 shade: #09BA80, #1ACC93, #2BDEA6, #3CF0B9 and #4DFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04BA85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04BA85 shade: #04BA85, #00A872, #00965F, #00844C and #007239

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04BA85 shade: #04B984, #04B953, #04B922, #16B904 and #47B904

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04BA85 shade: #04B984, #04B9B5, #048CB9, #045BB9 and #042AB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04BA85 shade matches the following richer shades: #04B984

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04BA85 shade: #04B984, #13AA7E, #229A77, #328B71 and #417C6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04BA85 shade: #04B922, #04B952, #04B983, #04B9B3 and #048FB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04BA85 shade: #02684A, #039067, #04B984, #05E1A1 and #15FAB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04BA85 shade: #04BA85, #0416B9 and #B93A04

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04BA85 shade: #04BA85, #8304B9 and #B98304

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04BA85 shade: #04BA85, #0416B9, #B9043A and #B9A704

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04BA85 shade: #04BA85, #2804B9, #B9043A and #95B904

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 28 / 27

HEX #04BA85

RGB 4 186 133

HSL 162.53, 0.96%, 0.37%

LAB 67.15, -52.16, 15.96

 

Complementary color

CMYK 0 / 73 / 51 / 2

HEX #FB457A

RGB 251 69 122

HSL 342.53, 0.96%, 0.63%

LAB 58.2, 71.1, 12.25

 

CMYK 95 / 0 / 31 / 27

HEX #09BA80

RGB 9 186 128

HSL 160.34, 0.91%, 0.38%

LAB 67.08, -53.12, 18.56

 

CMYK 87 / 0 / 28 / 20

HEX #1ACC93

RGB 26 204 147

HSL 160.79, 0.77%, 0.45%

LAB 73.23, -54.76, 16.9

 

CMYK 81 / 0 / 25 / 13

HEX #2BDEA6

RGB 43 222 166

HSL 161.23, 0.73%, 0.52%

LAB 79.33, -55.98, 15.39

 

CMYK 75 / 0 / 23 / 6

HEX #3CF0B9

RGB 60 240 185

HSL 161.67, 0.86%, 0.59%

LAB 85.39, -56.87, 14.02

 

CMYK 70 / 0 / 20 / 0

HEX #4DFFCC

RGB 77 255 204

HSL 162.81, 1%, 0.65%

LAB 90.53, -56.32, 11.51

 

CMYK 98 / 0 / 28 / 27

HEX #04BA85

RGB 4 186 133

HSL 162.53, 0.96%, 0.37%

LAB 67.15, -52.16, 15.96

 

CMYK 100 / 0 / 32 / 34

HEX #00A872

RGB 0 168 114

HSL 160.71, 1%, 0.33%

LAB 60.98, -49.86, 17.79

 

CMYK 100 / 0 / 37 / 41

HEX #00965F

RGB 0 150 95

HSL 158, 1%, 0.29%

LAB 54.7, -47.31, 19.73

 

CMYK 100 / 0 / 42 / 48

HEX #00844C

RGB 0 132 76

HSL 154.55, 1%, 0.26%

LAB 48.29, -44.62, 21.77

 

CMYK 100 / 0 / 50 / 55

HEX #007239

RGB 0 114 57

HSL 150, 1%, 0.22%

LAB 41.74, -41.74, 23.88

 

CMYK 98 / 0 / 29 / 27

HEX #04B984

RGB 4 185 132

HSL 162.43, 0.96%, 0.37%

LAB 66.82, -52.02, 16.03

 

CMYK 98 / 0 / 55 / 27

HEX #04B953

RGB 4 185 83

HSL 146.19, 0.96%, 0.37%

LAB 66.02, -61.38, 40.45

 

CMYK 98 / 0 / 82 / 27

HEX #04B922

RGB 4 185 34

HSL 129.94, 0.96%, 0.37%

LAB 65.62, -66.36, 59.46

 

CMYK 88 / 0 / 98 / 27

HEX #16B904

RGB 22 185 4

HSL 114.03, 0.96%, 0.37%

LAB 65.65, -66.42, 65.04

 

CMYK 62 / 0 / 98 / 27

HEX #47B904

RGB 71 185 4

HSL 97.79, 0.96%, 0.37%

LAB 66.56, -58.6, 66.14

 

CMYK 98 / 0 / 29 / 27

HEX #04B984

RGB 4 185 132

HSL 162.43, 0.96%, 0.37%

LAB 66.82, -52.02, 16.03

 

CMYK 98 / 0 / 2 / 27

HEX #04B9B5

RGB 4 185 181

HSL 178.67, 0.96%, 0.37%

LAB 68.06, -38.86, -9.06

 

CMYK 98 / 24 / 0 / 27

HEX #048CB9

RGB 4 140 185

HSL 194.92, 0.96%, 0.37%

LAB 54.33, -15.02, -32.26

 

CMYK 98 / 51 / 0 / 27

HEX #045BB9

RGB 4 91 185

HSL 211.16, 0.96%, 0.37%

LAB 39.6, 14.95, -55.68

 

CMYK 98 / 77 / 0 / 27

HEX #042AB9

RGB 4 42 185

HSL 227.4, 0.96%, 0.37%

LAB 27.25, 46.69, -75.92

 

CMYK 98 / 0 / 29 / 27

HEX #04B984

RGB 4 185 132

HSL 162.43, 0.96%, 0.37%

LAB 66.82, -52.02, 16.03

 

CMYK 98 / 0 / 29 / 27

HEX #04B984

RGB 4 185 132

HSL 162.43, 0.96%, 0.37%

LAB 66.82, -52.02, 16.03

 

CMYK 89 / 0 / 26 / 33

HEX #13AA7E

RGB 19 170 126

HSL 162.52, 0.8%, 0.37%

LAB 61.99, -46.89, 12.6

 

CMYK 78 / 0 / 23 / 40

HEX #229A77

RGB 34 154 119

HSL 162.5, 0.64%, 0.37%

LAB 56.86, -40.63, 9.31

 

CMYK 64 / 0 / 19 / 45

HEX #328B71

RGB 50 139 113

HSL 162.47, 0.47%, 0.37%

LAB 52.21, -32.97, 6.17

 

CMYK 48 / 0 / 14 / 51

HEX #417C6B

RGB 65 124 107

HSL 162.71, 0.31%, 0.37%

LAB 47.75, -23.68, 3.33

 

CMYK 98 / 0 / 82 / 27

HEX #04B922

RGB 4 185 34

HSL 129.94, 0.96%, 0.37%

LAB 65.62, -66.36, 59.46

 

CMYK 98 / 0 / 56 / 27

HEX #04B952

RGB 4 185 82

HSL 145.86, 0.96%, 0.37%

LAB 66.01, -61.53, 40.92

 

CMYK 98 / 0 / 29 / 27

HEX #04B983

RGB 4 185 131

HSL 162.1, 0.96%, 0.37%

LAB 66.8, -52.25, 16.55

 

CMYK 98 / 0 / 3 / 27

HEX #04B9B3

RGB 4 185 179

HSL 178.01, 0.96%, 0.37%

LAB 68, -39.46, -8.04

 

CMYK 98 / 23 / 0 / 27

HEX #048FB9

RGB 4 143 185

HSL 193.92, 0.96%, 0.37%

LAB 55.25, -16.67, -30.82

 

CMYK 98 / 0 / 29 / 59

HEX #02684A

RGB 2 104 74

HSL 162.35, 0.96%, 0.21%

LAB 38.56, -33.8, 9.76

 

CMYK 98 / 0 / 28 / 44

HEX #039067

RGB 3 144 103

HSL 162.55, 0.96%, 0.29%

LAB 52.89, -42.95, 12.76

 

CMYK 98 / 0 / 29 / 27

HEX #04B984

RGB 4 185 132

HSL 162.43, 0.96%, 0.37%

LAB 66.82, -52.02, 16.03

 

CMYK 98 / 0 / 28 / 12

HEX #05E1A1

RGB 5 225 161

HSL 162.55, 0.96%, 0.45%

LAB 79.87, -60.33, 18.73

 

CMYK 92 / 0 / 27 / 2

HEX #15FAB7

RGB 21 250 183

HSL 162.45, 0.96%, 0.53%

LAB 87.94, -64.07, 18.58

 

CMYK 98 / 0 / 28 / 27

HEX #04BA85

RGB 4 186 133

HSL 162.53, 0.96%, 0.37%

LAB 67.15, -52.16, 15.96

 

CMYK 98 / 88 / 0 / 27

HEX #0416B9

RGB 4 22 185

HSL 234.03, 0.96%, 0.37%

LAB 24.01, 56.24, -81.32

 

CMYK 0 / 69 / 98 / 27

HEX #B93A04

RGB 185 58 4

HSL 17.9, 0.96%, 0.37%

LAB 43.28, 49.31, 53.68

 

CMYK 98 / 0 / 28 / 27

HEX #04BA85

RGB 4 186 133

HSL 162.53, 0.96%, 0.37%

LAB 67.15, -52.16, 15.96

 

CMYK 29 / 98 / 0 / 27

HEX #8304B9

RGB 131 4 185

HSL 282.1, 0.96%, 0.37%

LAB 34.83, 68.88, -63.04

 

CMYK 0 / 29 / 98 / 27

HEX #B98304

RGB 185 131 4

HSL 42.1, 0.96%, 0.37%

LAB 58.56, 11.89, 63.44

 

CMYK 98 / 0 / 28 / 27

HEX #04BA85

RGB 4 186 133

HSL 162.53, 0.96%, 0.37%

LAB 67.15, -52.16, 15.96

 

CMYK 98 / 88 / 0 / 27

HEX #0416B9

RGB 4 22 185

HSL 234.03, 0.96%, 0.37%

LAB 24.01, 56.24, -81.32

 

CMYK 0 / 98 / 69 / 27

HEX #B9043A

RGB 185 4 58

HSL 342.1, 0.96%, 0.37%

LAB 39.08, 63.96, 23.48

 

CMYK 0 / 10 / 98 / 27

HEX #B9A704

RGB 185 167 4

HSL 54.03, 0.96%, 0.37%

LAB 67.99, -7.63, 70.18

 

CMYK 98 / 0 / 28 / 27

HEX #04BA85

RGB 4 186 133

HSL 162.53, 0.96%, 0.37%

LAB 67.15, -52.16, 15.96

 

CMYK 78 / 98 / 0 / 27

HEX #2804B9

RGB 40 4 185

HSL 251.93, 0.96%, 0.37%

LAB 23.81, 61.88, -81.62

 

CMYK 0 / 98 / 69 / 27

HEX #B9043A

RGB 185 4 58

HSL 342.1, 0.96%, 0.37%

LAB 39.08, 63.96, 23.48

 

CMYK 19 / 0 / 98 / 27

HEX #95B904

RGB 149 185 4

HSL 71.93, 0.96%, 0.37%

LAB 70.24, -32.2, 70.62

 

Description

Color code: HEX #04BA85 | qconv.com Color code: HEX #04BA85 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 186 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 186 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 28 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 28% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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