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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04B837 it is the complementary color #FB47C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04B837. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04B837 shade: #09B832, #1ACA45, #2BDC58, #3CEE6B and #4DFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04B837. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04B837 shade: #04B837, #00A624, #009411, #008200 and #007000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04B837 shade: #04B937, #04B906, #32B904, #63B904 and #94B904

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04B837 shade: #04B937, #04B968, #04B999, #04A8B9 and #0477B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04B837 shade matches the following richer shades: #04B937

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04B837 shade: #04B937, #13AA3E, #229A44, #328B4B and #417C52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04B837 shade: #31B904, #04B907, #04B937, #04B967 and #04B998

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04B837 shade: #02681F, #03902B, #04B937, #05E143 and #15FA56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04B837 shade: #04B837, #0461B9 and #B90419

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04B837 shade: #04B837, #3704B9 and #B93704

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04B837 shade: #04B837, #0461B9, #B90486 and #B95B04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04B837 shade: #04B837, #042BB9, #B90486 and #B99204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 70 / 28

HEX #04B837

RGB 4 184 55

HSL 137, 0.96%, 0.37%

LAB 65.42, -64.47, 52.16

 

Complementary color

CMYK 0 / 72 / 20 / 2

HEX #FB47C8

RGB 251 71 200

HSL 317, 0.96%, 0.63%

LAB 60.95, 78.49, -29.01

 

CMYK 95 / 0 / 73 / 28

HEX #09B832

RGB 9 184 50

HSL 134.06, 0.91%, 0.38%

LAB 65.41, -64.69, 54.06

 

CMYK 87 / 0 / 66 / 21

HEX #1ACA45

RGB 26 202 69

HSL 134.66, 0.77%, 0.45%

LAB 71.48, -67.22, 53.07

 

CMYK 80 / 0 / 60 / 14

HEX #2BDC58

RGB 43 220 88

HSL 135.25, 0.72%, 0.52%

LAB 77.52, -69.04, 51.78

 

CMYK 75 / 0 / 55 / 7

HEX #3CEE6B

RGB 60 238 107

HSL 135.84, 0.84%, 0.58%

LAB 83.53, -70.32, 50.37

 

CMYK 70 / 0 / 51 / 0

HEX #4DFF7E

RGB 77 255 126

HSL 136.52, 1%, 0.65%

LAB 89.21, -70.88, 48.57

 

CMYK 98 / 0 / 70 / 28

HEX #04B837

RGB 4 184 55

HSL 137, 0.96%, 0.37%

LAB 65.42, -64.47, 52.16

 

CMYK 100 / 0 / 78 / 35

HEX #00A624

RGB 0 166 36

HSL 133.01, 1%, 0.33%

LAB 59.34, -60.98, 52.87

 

CMYK 100 / 0 / 89 / 42

HEX #009411

RGB 0 148 17

HSL 126.89, 1%, 0.29%

LAB 53.19, -56.87, 52.46

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 98 / 0 / 70 / 27

HEX #04B937

RGB 4 185 55

HSL 136.91, 0.96%, 0.37%

LAB 65.75, -64.76, 52.5

 

CMYK 98 / 0 / 97 / 27

HEX #04B906

RGB 4 185 6

HSL 120.66, 0.96%, 0.37%

LAB 65.54, -67.4, 64.66

 

CMYK 73 / 0 / 98 / 27

HEX #32B904

RGB 50 185 4

HSL 104.75, 0.96%, 0.37%

LAB 66.05, -62.92, 65.52

 

CMYK 46 / 0 / 98 / 27

HEX #63B904

RGB 99 185 4

HSL 88.51, 0.96%, 0.37%

LAB 67.55, -50.73, 67.35

 

CMYK 20 / 0 / 98 / 27

HEX #94B904

RGB 148 185 4

HSL 72.27, 0.96%, 0.37%

LAB 70.18, -32.61, 70.54

 

CMYK 98 / 0 / 70 / 27

HEX #04B937

RGB 4 185 55

HSL 136.91, 0.96%, 0.37%

LAB 65.75, -64.76, 52.5

 

CMYK 98 / 0 / 44 / 27

HEX #04B968

RGB 4 185 104

HSL 153.15, 0.96%, 0.37%

LAB 66.31, -57.89, 30.26

 

CMYK 98 / 0 / 17 / 27

HEX #04B999

RGB 4 185 153

HSL 169.39, 0.96%, 0.37%

LAB 67.29, -46.78, 5.23

 

CMYK 98 / 9 / 0 / 27

HEX #04A8B9

RGB 4 168 185

HSL 185.64, 0.96%, 0.37%

LAB 62.96, -29.61, -18.97

 

CMYK 98 / 36 / 0 / 27

HEX #0477B9

RGB 4 119 185

HSL 201.88, 0.96%, 0.37%

LAB 47.91, -2.86, -42.36

 

CMYK 98 / 0 / 70 / 27

HEX #04B937

RGB 4 185 55

HSL 136.91, 0.96%, 0.37%

LAB 65.75, -64.76, 52.5

 

CMYK 98 / 0 / 70 / 27

HEX #04B937

RGB 4 185 55

HSL 136.91, 0.96%, 0.37%

LAB 65.75, -64.76, 52.5

 

CMYK 89 / 0 / 64 / 33

HEX #13AA3E

RGB 19 170 62

HSL 137.09, 0.8%, 0.37%

LAB 60.99, -58.6, 44.4

 

CMYK 78 / 0 / 56 / 40

HEX #229A44

RGB 34 154 68

HSL 137, 0.64%, 0.37%

LAB 55.96, -50.84, 35.74

 

CMYK 64 / 0 / 46 / 45

HEX #328B4B

RGB 50 139 75

HSL 136.85, 0.47%, 0.37%

LAB 51.44, -41.13, 26.57

 

CMYK 48 / 0 / 34 / 51

HEX #417C52

RGB 65 124 82

HSL 137.29, 0.31%, 0.37%

LAB 47.17, -29.28, 17.12

 

CMYK 74 / 0 / 98 / 27

HEX #31B904

RGB 49 185 4

HSL 105.08, 0.96%, 0.37%

LAB 66.03, -63.09, 65.5

 

CMYK 98 / 0 / 96 / 27

HEX #04B907

RGB 4 185 7

HSL 120.99, 0.96%, 0.37%

LAB 65.55, -67.38, 64.54

 

CMYK 98 / 0 / 70 / 27

HEX #04B937

RGB 4 185 55

HSL 136.91, 0.96%, 0.37%

LAB 65.75, -64.76, 52.5

 

CMYK 98 / 0 / 44 / 27

HEX #04B967

RGB 4 185 103

HSL 152.82, 0.96%, 0.37%

LAB 66.29, -58.07, 30.76

 

CMYK 98 / 0 / 18 / 27

HEX #04B998

RGB 4 185 152

HSL 169.06, 0.96%, 0.37%

LAB 67.27, -47.04, 5.75

 

CMYK 98 / 0 / 70 / 59

HEX #02681F

RGB 2 104 31

HSL 137.06, 0.96%, 0.21%

LAB 37.86, -42.09, 32.78

 

CMYK 98 / 0 / 70 / 44

HEX #03902B

RGB 3 144 43

HSL 137.02, 0.96%, 0.29%

LAB 52, -53.58, 42.76

 

CMYK 98 / 0 / 70 / 27

HEX #04B937

RGB 4 185 55

HSL 136.91, 0.96%, 0.37%

LAB 65.75, -64.76, 52.5

 

CMYK 98 / 0 / 70 / 12

HEX #05E143

RGB 5 225 67

HSL 136.91, 0.96%, 0.45%

LAB 78.63, -75.19, 61.46

 

CMYK 92 / 0 / 66 / 2

HEX #15FA56

RGB 21 250 86

HSL 137.03, 0.96%, 0.53%

LAB 86.6, -79.91, 62.73

 

CMYK 98 / 0 / 70 / 28

HEX #04B837

RGB 4 184 55

HSL 137, 0.96%, 0.37%

LAB 65.42, -64.47, 52.16

 

CMYK 98 / 48 / 0 / 27

HEX #0461B9

RGB 4 97 185

HSL 209.17, 0.96%, 0.37%

LAB 41.34, 11, -52.87

 

CMYK 0 / 98 / 86 / 27

HEX #B90419

RGB 185 4 25

HSL 353.04, 0.96%, 0.37%

LAB 38.68, 62.84, 42.62

 

CMYK 98 / 0 / 70 / 28

HEX #04B837

RGB 4 184 55

HSL 137, 0.96%, 0.37%

LAB 65.42, -64.47, 52.16

 

CMYK 70 / 98 / 0 / 27

HEX #3704B9

RGB 55 4 185

HSL 256.91, 0.96%, 0.37%

LAB 24.96, 62.42, -79.67

 

CMYK 0 / 70 / 98 / 27

HEX #B93704

RGB 185 55 4

HSL 16.91, 0.96%, 0.37%

LAB 42.85, 50.51, 53.44

 

CMYK 98 / 0 / 70 / 28

HEX #04B837

RGB 4 184 55

HSL 137, 0.96%, 0.37%

LAB 65.42, -64.47, 52.16

 

CMYK 98 / 48 / 0 / 27

HEX #0461B9

RGB 4 97 185

HSL 209.17, 0.96%, 0.37%

LAB 41.34, 11, -52.87

 

CMYK 0 / 98 / 28 / 27

HEX #B90486

RGB 185 4 134

HSL 316.91, 0.96%, 0.37%

LAB 41.41, 70.12, -21.17

 

CMYK 0 / 51 / 98 / 27

HEX #B95B04

RGB 185 91 4

HSL 28.84, 0.96%, 0.37%

LAB 49.26, 33.73, 57.24

 

CMYK 98 / 0 / 70 / 28

HEX #04B837

RGB 4 184 55

HSL 137, 0.96%, 0.37%

LAB 65.42, -64.47, 52.16

 

CMYK 98 / 77 / 0 / 27

HEX #042BB9

RGB 4 43 185

HSL 227.07, 0.96%, 0.37%

LAB 27.45, 46.13, -75.59

 

CMYK 0 / 98 / 28 / 27

HEX #B90486

RGB 185 4 134

HSL 316.91, 0.96%, 0.37%

LAB 41.41, 70.12, -21.17

 

CMYK 0 / 21 / 98 / 27

HEX #B99204

RGB 185 146 4

HSL 47.07, 0.96%, 0.37%

LAB 62.41, 3.63, 66.15

 

Description

Color code: HEX #04B837 | qconv.com Color code: HEX #04B837 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 184 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 184 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 70 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 70% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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