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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04B2D9 it is the complementary color #FB4D26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04B2D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04B2D9 shade: #09B2D4, #1AC4E7, #2BD6FA, #3CE8FF and #4DFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04B2D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04B2D9 shade: #04B2D9, #00A0C6, #008EB3, #007CA0 and #006A8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04B2D9 shade: #04B0D7, #0478D7, #043FD7, #0406D7 and #3C04D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04B2D9 shade: #04B0D7, #0478D7, #043FD7, #0406D7 and #0404D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04B2D9 shade matches the following richer shades: #04B0D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04B2D9 shade: #04B0D7, #16A5C5, #289AB3, #3A8FA2 and #4B8390

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04B2D9 shade: #04D78A, #04D7C2, #04B4D7, #047CD7 and #0444D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04B2D9 shade: #036E86, #048FAE, #04B0D7, #0BCEFA and #33D6FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04B2D9 shade: #04B2D9, #5204D7 and #D7A604

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04B2D9 shade: #04B2D9, #D704B4 and #B4D704

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04B2D9 shade: #04B2D9, #5204D7, #D72704 and #8AD704

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04B2D9 shade: #04B2D9, #9104D7, #D72704 and #4BD704

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 18 / 0 / 15

HEX #04B2D9

RGB 4 178 217

HSL 190.99, 0.96%, 0.43%

LAB 67.18, -23.91, -30.22

 

Complementary color

CMYK 0 / 69 / 85 / 2

HEX #FB4D26

RGB 251 77 38

HSL 10.99, 0.96%, 0.57%

LAB 58, 64.25, 57.98

 

CMYK 96 / 16 / 0 / 17

HEX #09B2D4

RGB 9 178 212

HSL 190.05, 0.92%, 0.43%

LAB 67.02, -25.46, -27.73

 

CMYK 89 / 15 / 0 / 9

HEX #1AC4E7

RGB 26 196 231

HSL 190.24, 0.81%, 0.5%

LAB 73.2, -27.5, -28.58

 

CMYK 83 / 14 / 0 / 2

HEX #2BD6FA

RGB 43 214 250

HSL 190.43, 0.95%, 0.57%

LAB 79.33, -29.18, -29.34

 

CMYK 76 / 9 / 0 / 0

HEX #3CE8FF

RGB 60 232 255

HSL 187.08, 1%, 0.62%

LAB 84.94, -34.81, -23.4

 

CMYK 70 / 2 / 0 / 0

HEX #4DFAFF

RGB 77 250 255

HSL 181.69, 1%, 0.65%

LAB 90.4, -41.21, -15.14

 

CMYK 98 / 18 / 0 / 15

HEX #04B2D9

RGB 4 178 217

HSL 190.99, 0.96%, 0.43%

LAB 67.18, -23.91, -30.22

 

CMYK 100 / 19 / 0 / 22

HEX #00A0C6

RGB 0 160 198

HSL 191.52, 1%, 0.39%

LAB 60.97, -21.28, -29.29

 

CMYK 100 / 21 / 0 / 30

HEX #008EB3

RGB 0 142 179

HSL 192.4, 1%, 0.35%

LAB 54.66, -18.45, -28.32

 

CMYK 100 / 23 / 0 / 37

HEX #007CA0

RGB 0 124 160

HSL 193.5, 1%, 0.31%

LAB 48.2, -15.51, -27.37

 

CMYK 100 / 25 / 0 / 45

HEX #006A8D

RGB 0 106 141

HSL 194.89, 1%, 0.28%

LAB 41.58, -12.45, -26.43

 

CMYK 98 / 18 / 0 / 16

HEX #04B0D7

RGB 4 176 215

HSL 191.09, 0.96%, 0.43%

LAB 66.51, -23.57, -30.17

 

CMYK 98 / 44 / 0 / 16

HEX #0478D7

RGB 4 120 215

HSL 207.01, 0.96%, 0.43%

LAB 49.94, 8.31, -56.29

 

CMYK 98 / 71 / 0 / 16

HEX #043FD7

RGB 4 63 215

HSL 223.22, 0.96%, 0.43%

LAB 34.98, 44.91, -80.67

 

CMYK 98 / 97 / 0 / 16

HEX #0406D7

RGB 4 6 215

HSL 239.43, 0.96%, 0.43%

LAB 26.91, 68.5, -94.08

 

CMYK 72 / 98 / 0 / 16

HEX #3C04D7

RGB 60 4 215

HSL 255.92, 0.96%, 0.43%

LAB 29.3, 69.9, -90.04

 

CMYK 98 / 18 / 0 / 16

HEX #04B0D7

RGB 4 176 215

HSL 191.09, 0.96%, 0.43%

LAB 66.51, -23.57, -30.17

 

CMYK 98 / 44 / 0 / 16

HEX #0478D7

RGB 4 120 215

HSL 207.01, 0.96%, 0.43%

LAB 49.94, 8.31, -56.29

 

CMYK 98 / 71 / 0 / 16

HEX #043FD7

RGB 4 63 215

HSL 223.22, 0.96%, 0.43%

LAB 34.98, 44.91, -80.67

 

CMYK 98 / 97 / 0 / 16

HEX #0406D7

RGB 4 6 215

HSL 239.43, 0.96%, 0.43%

LAB 26.91, 68.5, -94.08

 

CMYK 98 / 98 / 0 / 16

HEX #0404D7

RGB 4 4 215

HSL 240, 0.96%, 0.43%

LAB 26.79, 68.88, -94.29

 

CMYK 98 / 18 / 0 / 16

HEX #04B0D7

RGB 4 176 215

HSL 191.09, 0.96%, 0.43%

LAB 66.51, -23.57, -30.17

 

CMYK 98 / 18 / 0 / 16

HEX #04B0D7

RGB 4 176 215

HSL 191.09, 0.96%, 0.43%

LAB 66.51, -23.57, -30.17

 

CMYK 89 / 16 / 0 / 23

HEX #16A5C5

RGB 22 165 197

HSL 190.97, 0.8%, 0.43%

LAB 62.6, -23.37, -26.2

 

CMYK 78 / 14 / 0 / 30

HEX #289AB3

RGB 40 154 179

HSL 190.79, 0.63%, 0.43%

LAB 58.8, -22.25, -21.9

 

CMYK 64 / 12 / 0 / 36

HEX #3A8FA2

RGB 58 143 162

HSL 190.96, 0.47%, 0.43%

LAB 55.23, -19.42, -17.63

 

CMYK 48 / 9 / 0 / 44

HEX #4B8390

RGB 75 131 144

HSL 191.3, 0.32%, 0.43%

LAB 51.54, -14.76, -12.74

 

CMYK 98 / 0 / 36 / 16

HEX #04D78A

RGB 4 215 138

HSL 158.1, 0.96%, 0.43%

LAB 76.35, -61.7, 25.9

 

CMYK 98 / 0 / 10 / 16

HEX #04D7C2

RGB 4 215 194

HSL 174.03, 0.96%, 0.43%

LAB 77.59, -48.17, -2.04

 

CMYK 98 / 16 / 0 / 16

HEX #04B4D7

RGB 4 180 215

HSL 189.95, 0.96%, 0.43%

LAB 67.71, -25.6, -28.32

 

CMYK 98 / 42 / 0 / 16

HEX #047CD7

RGB 4 124 215

HSL 205.88, 0.96%, 0.43%

LAB 51.09, 5.83, -54.43

 

CMYK 98 / 68 / 0 / 16

HEX #0444D7

RGB 4 68 215

HSL 221.8, 0.96%, 0.43%

LAB 36.11, 41.82, -78.8

 

CMYK 98 / 18 / 0 / 47

HEX #036E86

RGB 3 110 134

HSL 190.99, 0.96%, 0.27%

LAB 42.6, -17.21, -20.64

 

CMYK 98 / 18 / 0 / 32

HEX #048FAE

RGB 4 143 174

HSL 190.94, 0.96%, 0.35%

LAB 54.79, -20.61, -25.26

 

CMYK 98 / 18 / 0 / 16

HEX #04B0D7

RGB 4 176 215

HSL 191.09, 0.96%, 0.43%

LAB 66.51, -23.57, -30.17

 

CMYK 96 / 18 / 0 / 2

HEX #0BCEFA

RGB 11 206 250

HSL 191.05, 0.96%, 0.51%

LAB 76.75, -26.77, -33.34

 

CMYK 80 / 15 / 0 / 2

HEX #33D6FB

RGB 51 214 251

HSL 191.1, 0.96%, 0.59%

LAB 79.48, -28.23, -29.64

 

CMYK 98 / 18 / 0 / 15

HEX #04B2D9

RGB 4 178 217

HSL 190.99, 0.96%, 0.43%

LAB 67.18, -23.91, -30.22

 

CMYK 62 / 98 / 0 / 16

HEX #5204D7

RGB 82 4 215

HSL 262.18, 0.96%, 0.43%

LAB 31.32, 70.9, -86.62

 

CMYK 0 / 23 / 98 / 16

HEX #D7A604

RGB 215 166 4

HSL 46.07, 0.96%, 0.43%

LAB 70.68, 6.24, 73.46

 

CMYK 98 / 18 / 0 / 15

HEX #04B2D9

RGB 4 178 217

HSL 190.99, 0.96%, 0.43%

LAB 67.18, -23.91, -30.22

 

CMYK 0 / 98 / 16 / 16

HEX #D704B4

RGB 215 4 180

HSL 309.95, 0.96%, 0.43%

LAB 49.29, 81.37, -36.09

 

CMYK 16 / 0 / 98 / 16

HEX #B4D704

RGB 180 215 4

HSL 69.95, 0.96%, 0.43%

LAB 80.91, -33.46, 79.66

 

CMYK 98 / 18 / 0 / 15

HEX #04B2D9

RGB 4 178 217

HSL 190.99, 0.96%, 0.43%

LAB 67.18, -23.91, -30.22

 

CMYK 62 / 98 / 0 / 16

HEX #5204D7

RGB 82 4 215

HSL 262.18, 0.96%, 0.43%

LAB 31.32, 70.9, -86.62

 

CMYK 0 / 82 / 98 / 16

HEX #D72704

RGB 215 39 4

HSL 9.95, 0.96%, 0.43%

LAB 46.85, 64.81, 58.69

 

CMYK 36 / 0 / 98 / 16

HEX #8AD704

RGB 138 215 4

HSL 81.9, 0.96%, 0.43%

LAB 78.47, -49.48, 76.72

 

CMYK 98 / 18 / 0 / 15

HEX #04B2D9

RGB 4 178 217

HSL 190.99, 0.96%, 0.43%

LAB 67.18, -23.91, -30.22

 

CMYK 33 / 98 / 0 / 16

HEX #9104D7

RGB 145 4 215

HSL 280.09, 0.96%, 0.43%

LAB 39.6, 76.3, -72.67

 

CMYK 0 / 82 / 98 / 16

HEX #D72704

RGB 215 39 4

HSL 9.95, 0.96%, 0.43%

LAB 46.85, 64.81, 58.69

 

CMYK 65 / 0 / 98 / 16

HEX #4BD704

RGB 75 215 4

HSL 99.81, 0.96%, 0.43%

LAB 76.13, -67.54, 73.88

 

Description

Color code: HEX #04B2D9 | qconv.com Color code: HEX #04B2D9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 178 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 178 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 18 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 18% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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