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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04B154 it is the complementary color #FB4EAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04B154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04B154 shade: #09B14F, #1AC362, #2BD575, #3CE788 and #4DF99B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04B154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04B154 shade: #04B154, #009F41, #008D2E, #007B1B and #006908

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04B154 shade: #04AF53, #04AF25, #11AF04, #3FAF04 and #6DAF04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04B154 shade: #04AF53, #04AF81, #04AFAF, #0480AF and #0452AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04B154 shade matches the following richer shades: #04AF53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04B154 shade: #04AF53, #12A054, #209255, #2F8456 and #3D7557

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04B154 shade: #12AF04, #04AF23, #04AF51, #04AF7E and #04AFAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04B154 shade: #025E2D, #038640, #04AF53, #04D766 and #0BFA7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04B154 shade: #04B154, #0440AF and #AF0C04

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04B154 shade: #04B154, #5104AF and #AF5104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04B154 shade: #04B154, #0440AF, #AF0462 and #AF7304

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04B154 shade: #04B154, #040CAF, #AF0462 and #AFA604

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 53 / 31

HEX #04B154

RGB 4 177 84

HSL 147.75, 0.96%, 0.35%

LAB 63.43, -58.63, 36.81

 

Complementary color

CMYK 0 / 69 / 32 / 2

HEX #FB4EAB

RGB 251 78 171

HSL 327.75, 0.96%, 0.65%

LAB 60.69, 72.68, -12.76

 

CMYK 95 / 0 / 55 / 31

HEX #09B14F

RGB 9 177 79

HSL 145, 0.9%, 0.36%

LAB 63.4, -59.17, 39.23

 

CMYK 87 / 0 / 50 / 24

HEX #1AC362

RGB 26 195 98

HSL 145.56, 0.76%, 0.43%

LAB 69.56, -61.14, 37.48

 

CMYK 80 / 0 / 45 / 16

HEX #2BD575

RGB 43 213 117

HSL 146.12, 0.67%, 0.5%

LAB 75.69, -62.52, 35.81

 

CMYK 74 / 0 / 41 / 9

HEX #3CE788

RGB 60 231 136

HSL 146.67, 0.78%, 0.57%

LAB 81.78, -63.47, 34.22

 

CMYK 69 / 0 / 38 / 2

HEX #4DF99B

RGB 77 249 155

HSL 147.21, 0.93%, 0.64%

LAB 87.82, -64.11, 32.74

 

CMYK 98 / 0 / 53 / 31

HEX #04B154

RGB 4 177 84

HSL 147.75, 0.96%, 0.35%

LAB 63.43, -58.63, 36.81

 

CMYK 100 / 0 / 59 / 38

HEX #009F41

RGB 0 159 65

HSL 144.53, 1%, 0.31%

LAB 57.25, -55.8, 38.66

 

CMYK 100 / 0 / 67 / 45

HEX #008D2E

RGB 0 141 46

HSL 139.57, 1%, 0.28%

LAB 50.97, -52.5, 40.34

 

CMYK 100 / 0 / 78 / 52

HEX #007B1B

RGB 0 123 27

HSL 133.17, 1%, 0.24%

LAB 44.58, -48.78, 41.46

 

CMYK 100 / 0 / 92 / 59

HEX #006908

RGB 0 105 8

HSL 124.57, 1%, 0.21%

LAB 38.06, -44.48, 41.2

 

CMYK 98 / 0 / 53 / 31

HEX #04AF53

RGB 4 175 83

HSL 147.72, 0.96%, 0.35%

LAB 62.77, -58.13, 36.49

 

CMYK 98 / 0 / 79 / 31

HEX #04AF25

RGB 4 175 37

HSL 131.58, 0.96%, 0.35%

LAB 62.35, -63.31, 55.47

 

CMYK 90 / 0 / 98 / 31

HEX #11AF04

RGB 17 175 4

HSL 115.44, 0.96%, 0.35%

LAB 62.33, -63.96, 62.32

 

CMYK 64 / 0 / 98 / 31

HEX #3FAF04

RGB 63 175 4

HSL 99.3, 0.96%, 0.35%

LAB 63.12, -57.1, 63.28

 

CMYK 38 / 0 / 98 / 31

HEX #6DAF04

RGB 109 175 4

HSL 83.16, 0.96%, 0.35%

LAB 64.9, -43.3, 65.46

 

CMYK 98 / 0 / 53 / 31

HEX #04AF53

RGB 4 175 83

HSL 147.72, 0.96%, 0.35%

LAB 62.77, -58.13, 36.49

 

CMYK 98 / 0 / 26 / 31

HEX #04AF81

RGB 4 175 129

HSL 163.86, 0.96%, 0.35%

LAB 63.57, -48.86, 13.14

 

CMYK 98 / 0 / 0 / 31

HEX #04AFAF

RGB 4 175 175

HSL 180, 0.96%, 0.35%

LAB 64.79, -36.12, -10.63

 

CMYK 98 / 27 / 0 / 31

HEX #0480AF

RGB 4 128 175

HSL 196.49, 0.96%, 0.35%

LAB 50.17, -11.99, -33.02

 

CMYK 98 / 53 / 0 / 31

HEX #0452AF

RGB 4 82 175

HSL 212.63, 0.96%, 0.35%

LAB 36.28, 16.86, -55.16

 

CMYK 98 / 0 / 53 / 31

HEX #04AF53

RGB 4 175 83

HSL 147.72, 0.96%, 0.35%

LAB 62.77, -58.13, 36.49

 

CMYK 98 / 0 / 53 / 31

HEX #04AF53

RGB 4 175 83

HSL 147.72, 0.96%, 0.35%

LAB 62.77, -58.13, 36.49

 

CMYK 89 / 0 / 48 / 37

HEX #12A054

RGB 18 160 84

HSL 147.89, 0.8%, 0.35%

LAB 57.95, -52.08, 29.97

 

CMYK 78 / 0 / 42 / 43

HEX #209255

RGB 32 146 85

HSL 147.89, 0.64%, 0.35%

LAB 53.51, -45.27, 23.73

 

CMYK 64 / 0 / 35 / 48

HEX #2F8456

RGB 47 132 86

HSL 147.53, 0.47%, 0.35%

LAB 49.23, -36.73, 17.51

 

CMYK 48 / 0 / 26 / 54

HEX #3D7557

RGB 61 117 87

HSL 147.86, 0.31%, 0.35%

LAB 44.81, -26, 10.93

 

CMYK 90 / 0 / 98 / 31

HEX #12AF04

RGB 18 175 4

HSL 115.09, 0.96%, 0.35%

LAB 62.34, -63.89, 62.33

 

CMYK 98 / 0 / 80 / 31

HEX #04AF23

RGB 4 175 35

HSL 130.88, 0.96%, 0.35%

LAB 62.34, -63.45, 56.08

 

CMYK 98 / 0 / 54 / 31

HEX #04AF51

RGB 4 175 81

HSL 147.02, 0.96%, 0.35%

LAB 62.74, -58.44, 37.45

 

CMYK 98 / 0 / 28 / 31

HEX #04AF7E

RGB 4 175 126

HSL 162.81, 0.96%, 0.35%

LAB 63.5, -49.58, 14.7

 

CMYK 98 / 0 / 2 / 31

HEX #04AFAC

RGB 4 175 172

HSL 178.95, 0.96%, 0.35%

LAB 64.7, -37.03, -9.1

 

CMYK 98 / 0 / 52 / 63

HEX #025E2D

RGB 2 94 45

HSL 148.04, 0.96%, 0.19%

LAB 34.41, -36.39, 21.39

 

CMYK 98 / 0 / 52 / 47

HEX #038640

RGB 3 134 64

HSL 147.94, 0.96%, 0.27%

LAB 48.81, -47.41, 28.97

 

CMYK 98 / 0 / 53 / 31

HEX #04AF53

RGB 4 175 83

HSL 147.72, 0.96%, 0.35%

LAB 62.77, -58.13, 36.49

 

CMYK 98 / 0 / 53 / 16

HEX #04D766

RGB 4 215 102

HSL 147.87, 0.96%, 0.43%

LAB 75.81, -68.09, 43.24

 

CMYK 96 / 0 / 51 / 2

HEX #0BFA7A

RGB 11 250 122

HSL 147.87, 0.96%, 0.51%

LAB 86.92, -75.82, 47.45

 

CMYK 98 / 0 / 53 / 31

HEX #04B154

RGB 4 177 84

HSL 147.75, 0.96%, 0.35%

LAB 63.43, -58.63, 36.81

 

CMYK 98 / 63 / 0 / 31

HEX #0440AF

RGB 4 64 175

HSL 218.95, 0.96%, 0.35%

LAB 31.32, 29.06, -63.26

 

CMYK 0 / 93 / 98 / 31

HEX #AF0C04

RGB 175 12 4

HSL 2.81, 0.96%, 0.35%

LAB 36.72, 59.01, 49.19

 

CMYK 98 / 0 / 53 / 31

HEX #04B154

RGB 4 177 84

HSL 147.75, 0.96%, 0.35%

LAB 63.43, -58.63, 36.81

 

CMYK 54 / 98 / 0 / 31

HEX #5104AF

RGB 81 4 175

HSL 267.02, 0.96%, 0.35%

LAB 26.54, 61.59, -70.99

 

CMYK 0 / 54 / 98 / 31

HEX #AF5104

RGB 175 81 4

HSL 27.02, 0.96%, 0.35%

LAB 45.64, 34.84, 54.19

 

CMYK 98 / 0 / 53 / 31

HEX #04B154

RGB 4 177 84

HSL 147.75, 0.96%, 0.35%

LAB 63.43, -58.63, 36.81

 

CMYK 98 / 63 / 0 / 31

HEX #0440AF

RGB 4 64 175

HSL 218.95, 0.96%, 0.35%

LAB 31.32, 29.06, -63.26

 

CMYK 0 / 98 / 44 / 31

HEX #AF0462

RGB 175 4 98

HSL 327.02, 0.96%, 0.35%

LAB 37.99, 64.32, -3.99

 

CMYK 0 / 34 / 98 / 31

HEX #AF7304

RGB 175 115 4

HSL 38.95, 0.96%, 0.35%

LAB 53.37, 16.29, 59.28

 

CMYK 98 / 0 / 53 / 31

HEX #04B154

RGB 4 177 84

HSL 147.75, 0.96%, 0.35%

LAB 63.43, -58.63, 36.81

 

CMYK 98 / 93 / 0 / 31

HEX #040CAF

RGB 4 12 175

HSL 237.19, 0.96%, 0.35%

LAB 21.52, 56.66, -79.49

 

CMYK 0 / 98 / 44 / 31

HEX #AF0462

RGB 175 4 98

HSL 327.02, 0.96%, 0.35%

LAB 37.99, 64.32, -3.99

 

CMYK 0 / 5 / 98 / 31

HEX #AFA604

RGB 175 166 4

HSL 56.84, 0.96%, 0.35%

LAB 66.82, -11.57, 68.92

 

Description

Color code: HEX #04B154 | qconv.com Color code: HEX #04B154 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 177 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 177 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 53 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 53% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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